This carte de visite portrait of an attractive family includes two men, one woman, one child, and the family’s pet dog. The dog appears to be a poodle or perhaps part poodle. This photograph was taken by Ernst Gopel (1862-1919). He operated a studio in Aalborg, Denmark between 1895 and 1919. (SOLD)
A pretty woman poses for her photograph at the studio of Hansen & Weller in Copenhagen, Denmark. The studio’s address was 28 Bredgade. The woman is playing her violin with her bow. Her hair is up and she appears to be wearing a corset , giving her a lovely figure. One of the photographers is George Emil Hansen (1833-1891). He was a pioneer Danish photographer. His father and brother were also photographers. He won photography awards in London (1862) and Berlin (1865). Hansen was the photographer of the Danish Royal Family. His photographic work spanned from 1856 through 1891. There is a gold lettered word embedded in the lower right corner of the image. The word is “emeret”; and research may illuminate the word’s meaning. “Emeret” most likely signifies that the person in the photograph had retired from a notable profession, such as acting or teaching, or was being honored post-career. It is likely a Scandinavian variant or typographical version of the Latin word “emerita” (female form of emeritus). SOLD
This carte de visite photograph features a young woman posing for her portrait at the studio of Christensen & Morange. The studio was located in Amagertorv, Copenhagen, Denmark. Amagertov is the most central square in central Copenhagen. SOLD
This vintage real photo postcard features a view of domestic and family life in the 1913 United States. I hypothesize that the women in this photograph are a mother and her two daughters. The mom and one of her daughters is sewing, while the second daughter is reading a book. Note the antique bench that the reading daughter is sitting on. This vintage postcard’s CYKO stamp box is consistent with the 1913 notation written on the card. The original owner of this postcard identified two women in the portrait, but not herself. The id’d women are Dagmar Miller and Marie Petersen. The location is noted as Askov, Minnesota. The town is located on the middle of the eastern border of the state. Askov was settled primarily by Danish immigrants. Interestingly, the name “Dagmar” is of Scandanavian origin. The 2010 census identified 364 residents of Askov. SOLD
Karina. She was celebrity enough to use only her first name. More modern performers who are recognized by just one name include Elvis, Madonna, and Adele. Who was Karina? As the caption on the postcard asserts, Karina was the premiere dancer at the Royal Opera House and the founder of Madame Karina’s Royal School of Dancing. The school was under the patronage of Queen Alexandra (of Denmark). The Queen was a staunch supporter of the opera ballet from 1913 through the 1920’s. Karina was Danish and active in the 1910’s and 1920’s. Two portraits of Karina can be found in Great Britain’s National Portrait Gallery. The photograph seen on this postcard was taken by the esteemed studio of Elliott & Fry. This Victorian photographic studio and photographic film manufacturer was founded in 1863 by Joseph John Elliott and Clarence Edmund Fry. For an entire century the studio took and published images of leading Victorian luminaries from the fields of science, public service, art, politics, as well as celebrities of the day. SOLD
This carte de visite photograph features a father and son posing for their portrait at the studio of Ernst Gopel. The boy is wearing a nautical style outfit. The studio was located in Aalborg, Denmark. Aalborg is the fourth to largest city in Denmark. This cdv is in very good condition (see scans).
Buy this original Carte de Visite Photograph (includes shipping within the US) #2616
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Buy this original Carte de Visite Photograph (includes international shipping outside the US) #2616
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$36.50
Karina Bell’s beauty is quite apparent in this vintage real photo postcard portrait. She was born in Hellerup, Denmark in 1898 and died in Denmark in 1979. Bell was a film actress who began her career as a ballet dancer. She made her stage debut in 1919. Most of her films were silent films produced in Sweden, Denmark or Germany. She did appear in two talkies. She was known for her roles in “Little Dorrit” (1924), Klovnen (1926), and “5 Raske Piger” (1933). Bell was one of the most popular stars of the Nordisk Films Kompagni in the 1920’s. She was married in 1934 to Knud Parkov (1894-1949). He was the director of a Danish brewery (Wiibroes Brewery) and a member of the Danish resistance. She retired from acting after she got married. The IMDb gives Karina Bell 20 credits. Her film appearances occurred between 1919 and 1933. Upon her husbands death, Bell took over his director duties at the brewery. This Austrian postcard was produced by Iris Verlag as part of a series (no. 589). The photograph was by Lux-Film.
This cabinet card features what appears to be four siblings gathered together for their portrait at the studio of Gunnar Mogensen. The boy in the photograph is wearing a sailor style suit and his sisters are all dressed in white with dark belts. The older sister has very long hair, while in contrast, the two younger girls are wearing short hairstyles. Mogensen’s studio was located in Silkeborg, Denmark. To view other Danish photographs, click on the category “Denmark”.
When does the fun start? That seems to be the question on the faces of the six young lads posing for their photograph at the studio of Julius Jacobsen, in Copenhagen, Denmark. The boys are dressed up in their finest clothing for this group photograph. Jacobsen took on the ambitious task of photographing six young boys. Jacobsen’s studio was located in Copenhagen, Denmark. It appears that the lads were not in a very cooperative mood at the time of the photograph. They appear bored, sleepy and irritated. Some of them have mischievous expressions but probably they are just boys being boys. How are these six kids related in terms of being photographed together. Perhaps they are classmates? They seem somewhat affectionate in the photograph leading one to believe that they knew each other well.
This cabinet card features three precious little children wearing adorable outfits. The child in the center of the image is holding a rake and wearing a large bow tie and a straw hat. The two girls are flanking the little boy in the middle and each girl is holding their hat. There is a basket of flowers on the floor in front of the trio of children. The photographer of this image is the Mathison studio in Tekamah, Nebraska. Ingbert L. Mathison (1868-1935) was born in Denmark in 1868. He came to America with his parents at the age of 2. He grew up in Iowa and came to Tekamah, Nebraska in 1891. He became a photographer and later added furniture sales to his business. The 1900 US census reveals that Mathison was married to Grace Theodoria Christy (1870-1902) and the couple had four children between the ages of 3 and 9. Two years after this census, Grace died, leaving Ingbert with four young children. Ingbert soon got remarried. His new bride was Mary Etta Slaughter (1873-1939). The Mathison family then moved to a community outside of Denver, Colorado. Ingbert worked as a farmer, and later, a grocer, in Colorado. He died in a Denver hospital in 1935 at the age of 67. The cause of death was hemorrhages of the stomach.
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