This cabinet card features English actress, Eleanor Robson (1879-1979). She was also a well known public figure in the US. Robson was born in England. Robson’s father deserted her and her mother when she was just one years old. Her mother was an English born American stage actress and moved her family to the United States while Eleanor was still a child. Robson began her stage career in San Francisco at the age of 17. She worked in stock theater companies around the country. One of these stock companies was at Elitch Theater in Denver. She made her New York stage debut in 1900. She had a ten year career as a leading Broadway actress. She appeared in 17 Broadway plays between 1900 and 1923. These plays included Romeo and Juliet (1903), She Stoops to Conquer (1905), and Salomy Jane (1907).George Bernard Shaw wrote a play for her. Robson was very involved in the Metropolitan Opera association. She was on it’s board and also founded the Metropolitan Opera Guild. An inscription on the reverse of this cabinet card indicates that this photograph was taken during her appearance in “Romeo and Juliet”. She played Juliet and was a member of the Liebler & Co.’s “all-star cast”. She played opposite Kyrle Bellew (Romeo). Liebler & Co. was a play producing organization founded in 1898 by Theodore Liebler, Jr. and George Tyler. It was the leading theatrical production company until 1915. In 1910, Robson married August Belmont Jr and retired from the stage. Belmont was a German American financier, politician, and diplomat. (SOLD)
MINNIE HAUK: AMERICAN OPERA STAR
This cabinet card features Amalia Mignon Hauck (1851-1929). She was best known as Minnie Hauk and she was a celebrated American opera soprano. Minnie Hauk was born in New York City and as a child also lived in Rhode Island and Kansas. She studied voice with Achille Errani and had her debut in Brooklyn at age 14. Her New York City debut occurred when she was fifteen years of age. She sang Juliette in the American premiere of “Romeo et Juliette” in 1867. She performed in London in 1868 and in Paris the following year. She was the first American “Carmen” (1878). Unfortunately her fame and success did not last throughout her life. By 1918 she was in poverty and nearly blind. To see other photographs by Alfred S. Campbell and to learn more about him, click on the category “Photographer: Campbell”.
ACTRESS MARY ANDERSON: BEAUTIFUL STAR OF THE AMERICAN AND ENGLISH STAGE

These cabinet cards feature American stage actress, Mary Anderson (1859-1940). Interestingly, Anderson’s father was an Oxford educated New Yorker who after Mary was born, moved his family to Kentucky. He then joined the Confederate army and was killed in action when Mary was just three years old. Mary was not much of a student but loved to read Shakespeare. Her step father sent her to New York at age 14 to take ten professional acting lessons. In 1875, at age 16, Mary Anderson began her stage acting career in a Kentucky production of Romeo and Juliet. She continued acting in Kentucky and then appeared in a number of other cities, including New York. Her critical reviews tended to be mixed but she was well loved by the public. She then worked the New York and touring company stages for twelve years until she spent the next six years on the English stage (appearing in a lot of Shakespeare productions). She then returned to the United States, and at age 30, collapsed on stage with a case of nervous exhaustion. This experience, likely coupled with less than favorable reviews, caused her to retire from acting.
Cabinet Card 1 features Anderson in the role of Galatea. A review of Mary Anderson’s performance in this role appeared in the New York Times in a September 1884 edition. She was appearing opposite British actor William Terriss, in the play “Pygmalion and Galatea”, at the Lyceum Theatre in London. Many notables were in attendance, including Oscar Wilde. The review states ” Miss Anderson surpassed herself and that the performance was throughly artistic and finished”. The cabinet card was photographed by The Vanderweyde Light of London, England (182 Regent Street W.). Henry Van Der Weyde (1838-1924) was an artist and photographer. In 1877, he became the first photographer to install and take photographs by electric light. (SOLD)
The second cabinet card was photographed by celebrity photographer, Sarony. The image reflects Mary Anderson’s great beauty. To view other photographs by Sarony, click on Cabinet Card Gallery’s category “Photographer: Sarony”.
The third cabinet card was photographed by “The Sparks Studio”. The studio was located in Philadelphia, Pennsylvania and the artist/manager was Elliott Houseworth. This cabinet card offers a profile portrait of the attractive Ms. Anderson. The 1880 census lists Elliott A. Houseworth as being born in 1855, residing in San Francisco, California, and working as a photographer. Houseworth also appears in the 1900 census as living in Norwood, Pennsylvania and working as a manager. These demographics fit the photographer of this image, since Houseworth managed Sparks Photography Studio and Norwood is only about eleven miles from Philadelphia. To view other photographs of actresses by Sparks, click on the category “Photographer: Sparks Photo Publishing Co.”.
The fourth cabinet card features a smartly dressed Mary Anderson and was photographed by George Rockwood, of New York City. To learn more about Rockwood and to view more of his photographs, click on the category “Photographer: Rockwood”. A sticker on the reverse of the photograph indicates that the image was once part of the Kean Archives in Philadelphia, Pennsylvania. The Kean Archives was a company that served as a source of illustrations and photographs for various modes of media. They eventually were purchased by Getty Images.




Cabinet Card 1 (SOLD)
