This Cabinet Card is a wedding portrait of a bride and groom in Beograd, Serbia. Beograd is Belgrade, the capital of Serbia. The photographer was Mojsilovic. The groom is wearing a three piece suit, flowers on his lapel and a mustache which curls upward. The bride has flowers in her hair and appears to be wearing white gloves. There is a bouquet of flowers on the table next to the bride.
WEDDING PORTRAIT: NUPTIALS HELD IN BEOGRAD, SERBIA
WEDDING PHOTOGRAPH IN AUBURN, NEW YORK
This Cabinet Card appears to be a wedding portrait. The bride looks beautiful in her bow plagued gown. Her feathered hat is terrific. The groom seems to be a bit older than the bride. Perhaps he lied on match.com about his age. Hopefully someone knowledgable about wedding gowns of this period can opine about whether this is a wedding portrait. The photographer is H. Seymour Squyer of Auburn, New York. Could the signature on the bottom of the cabinet card be less legible? Research relied on his address to identify him. In 1893, Squyer won an Eastman Prize that was listed in the American Journal of Photography. In 1900, he was cited as a leading expert in legal photography by the Archives of Neurology and Psychopathology. He was the legal photographer for the New York Prison System and involved in innovative work to improve the value of photography for identification of prisoners. Squyer’s photograph of Harriet Tubman is in the Smithsonian Art Portraiture Gallery.
FORMALLY DRESSED COUPLE IN PORTSMOUTH, OHIO (WEDDING PICTURE?)
This Cabinet Card photograph captures a very well dressed couple at the studio of Lutz, in Portsmouth, Ohio. The couple may be posing for a wedding portrait, or perhaps, they’re dressed for another special occasion. It is interesting to note that the man, rather than the woman, is sitting for this photograph. This is typical of many photographs of this time period. In modern day times it would be more common to see poses where the woman is seated and the man is standing. Research reveals that L. B. Lutz was a photographer in Portsmouth between 1896 and 1897. It was also discovered that John N Lutz was a photographer in Portsmouth between 1873 and 1879. John Lutz was born in Germany in 1842 and arrived in America in 1855. He studied photography with W. S. Porter in Cincinnati, Ohio for five years; before opening his own studio.
CALIFORNIA COUPLE LOOKING NONE TOO PLEASED
A couple poses for a photograph at the studio of Hardesty & Armstrong in Santa Ana, California. Both the man and woman in this cabinet card photograph look very unhappy. She looks particularly sour. The couple are nicely dressed; the woman is holding a fan and the man is holding a rolled piece of paper. Is he holding a wedding certificate for a wedding picture? Has he just graduated from a college? Is this a brother and sister? The answer is lost to history. Note the gentleman’s pocket watch.
ATTRACTIVE COUPLE WEDS IN CLARINDA, IOWA
Alvin Eugene Leighton and Samaria Cecilia McFarland pose for their wedding portrait in the studio of O. H. Park in Clarinda, Iowa. Note the dark wedding dress. Perhaps someone can leave a comment explaining why dark wedding dresses were sometimes worn during this period in history. The Photo-beacon, a book published in 1897, considered Park to be just a mediocre portrait photographer. This cabinet card is interesting because of the appearance of the subjects and is certainly not a wonderfully posed photograph. The photographer set up the pose in such a way that the groom appears to be missing the lower part of his arm and the groom seems to be afraid to get to close to the bride. To view other photographs by Park, click on the category “Photographer: Park”.
THE CABINET CARD GALLERY 