This vintage real photo postcard (RPPC) features a smiling couple posing in a photographic studio’s faux garden.  Note the leaves affixed to the wall behind them. This couple seems very happy together but they apparently didn’t maintain their marital harmony because they ultimately got divorced. One hopes that the whip that the woman is holding had nothing to do with their marital discord. The woman’s name in this photograph is Grace McBurney. Her name is written on the reverse of the postcard, undoubtedly by one of her relatives. Research reveals that Grace R. McBurney (1893-1969) was born in Oregon and married at the age of 19 to William H. McBurney who worked as a “typewriter representative”, which I assume means he sold typewriters. The couple had at least five children: Virginia D.(born around 1914), Marguerite F. (1919-1999), Wilma (born around 1920), William (1923-1981), and Carl Morton (1928-2007). Perusal of US census data reveals that the couple were divorced sometime between 1930 and 1940. It appears that Grace lived her entire adult life in Portland, Oregon. She is buried in Lincoln Memorial Park in Portland. Preliminary research yielded little information about her husband. This photo postcard was produced by the Mazeograph Studio in Portland. The studio’s stamp can be seen on the reverse of the postcard. The stamp also mentions that the photo production process took only ten minutes.The postcard paper was produced by Cyko sometime between 1906 and 1915. Charles E. (Cal) Calvert operated his studio at Sixth & Ankeny from 1906 through 1930. In 1907, with the opening of Council Crest Amusement Park, he operated a studio and postcard stand on it’s grounds. He also ran a studio at the Washington Street entrance to Portland’s City Park in 1910. Cal was known for his use of rustic props and for his creativity. One of his sets involved subjects appearing as if they were flying an airplane over the city of Portland. A postcard employing this setting is part of a collection at the Portland Art Museum. As a side note, there was also a Calvert’s Studio across from Oregon City’s Southern Pacific Depot but it was run by Harry Calvert and his wife Alvilda. Harry was not related to Cal Calvert. Harry’s studio operated from 1915 through 1925.



RIDER IN INDIAA woman in her riding habit and holding a riding crop, poses with her horse and servant. The servant is wearing a turban and holding the bridle of the lady’s mount. It is likely that this photograph was taken in India. The subjects and the photographer are unidentified.

Published in: on February 21, 2013 at 10:19 pm  Leave a Comment  
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These cabinet cards features Lulu Glaser (1874-1958), a Pennsylvania born actress and singer. She came to Broadway with no previous professional experience when she was hired to play in the chorus of  “The Lion Tamer (1891)”. She was also given the role of understudy to the Prima Donna. After the star fell ill, Lulu Glaser took over the role and began a meteoric rise to stardom.  For the next twenty plus years, Glaser played many roles in such productions as “The Merry Monarch” (1892), “Erminie” (1893), “The Little Corporal” (1898), and “Miss Dolly Dollars” (1895). She achieved her greatest success in “Dolly Varden” (1902). Lulu Glaser was a beautiful woman and this portrait confirms that assessment.

In the top photograph she is holding a fan and her expression could be described as coy.  She is adorned with a great deal of  jewelry including multiple rings, a hair pin and a pin on the midsection of her dress. The photographer of this image, as well as the next four images,  is Morrison, of Chicago, Illinois. The photographs have a copyright date of 1894. Morrison was a well known celebrity photographer and his studio was housed in the Haymarket Theatre. To view other photographs by Morrison, click on this site’s category “Photographer: Morrison”.

The sixth photograph of Glaser is by celebrity photographer, Falk, of New York City, New York. This photograph is copyrighted 1893. The seventh photograph, also by Falk, captures Glaser in costume for an unknown titled play. She is holding a whip and not looking particularly friendly. The image looks like it would be appropriate accompanying an ad on one of the controversial sections of Craig’s List. The photograph is dated 1892. To see other photographs by Falk, click on the category “Photographer: Falk”.

Photograph number eight captures Lu Lu Glaser in the same costume she is wearing in photograph number five. The eighth photo was published by Newsboy as a premium used to accompany the sale of their tobacco products. The image is number 118 of a series of celebrity photographs. To view other Newsboy photographs, click on the cabinet card gallery category “Photographer: Newsboy”.


This cabinet card features a boy and a whip. The expression on this boy’s face is a bit worrisome and scary. He seems to be having some fantasies about ways he wants to use the whip. He looks intensely angry, sadistic and vengeful. The boy’s neighbors in Rome, New York likely hid their children, and their dogs and cats when he was around. The school system in Rome probably developed America’s first school based anti-bullying program when this troubled youngster entered elementary school. Perhaps I’m being a bit too judgmental. This little boy in a sailor suit may just be having a bad day. Unfortunately, the subject of this photographic portrait is unidentified so we can’t find out about his journey through life. Did he become a saintly good citizen, or did he become an incarcerated sadistic sociopath? The answer eludes us but it is important to remember that things are seldom so black and white. Keep in mind, there are fifty shades of grey. Hopefully this child’s mood improved over the years. There are some details available about the photographer.  One source states that Bacon operated his studio in the 1870’s from above 60 Dominick Street in Rome, New York. His studio was called Bacon’s Photo Rooms. In addition, G. E. Bacon is listed as a photographer in the Rome business directory (1908). His address in the directory was 138 West Dominick.

Published in: on July 15, 2012 at 12:01 am  Comments (3)  
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A well dressed man arrives in town driving a horse drawn buggy. He arrives at his destination under the cover of darkness. The man is holding a long whip. There is a lamp on the carriage that is in place next to the driver. This photograph appears to have been taken outside. The horse is standing next to a brick building. Perhaps the building is a stable. There are three men visible in the background of this picture. Why are these men included in this image? Perhaps a Cabinet Card Gallery visitor has a theory they are willing to  share in regard to interpreting this photograph. The photographer and location of this image is unknown.

Published in: on March 17, 2012 at 12:01 am  Leave a Comment  
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A not too happy child is photographed with a beautifully carved wooden horse in this cabinet card. The toy horse is mounted on a wheels and the horse has a mane, bridle and reins. The child appears to be holding a horse whip. The photograph is by Victoria of Recklinghausen, Germany. Recklinghausen is located in the North Rhine-Westphalia region of Germany.




Published in: on December 3, 2010 at 12:01 am  Leave a Comment  
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