A young boy wearing a white dress naval uniform poses for a photographer in Brooklyn, New York. The photograph was produced by the Huttenlocher Studio. Note the lads interesting cap. One wonders whether the cap is part of a regulation uniform of a particular nation’s navy. The cap has an insignia on its brim. The meaning of the insignia is unknown. The photographer, Frederick Huttenlocher was mentioned in an article in the Telephone Review (1915) published by the New York Telephone Company. Mr Huttenlocher was presented as kind and as heroic. A company called the Patchogue Commercial Office, located in Brooklyn, New York, had a fire, causing the office to shut down. The company was across the street from Huttenlocher’s studio and due to Huttenlocher’s kindness, the Patchogue Commercial Office was able to open a temporary headquarters inside of the studio within thirty minutes after experiencing the fire. (SOLD)
This photograph is likely a portrait of a grandfather and grandchild. “Generation Skipping” family photographs were not at all unusual during the era of cabinet card photography. The white haired and bearded grandfather seems to have forgotten to attend to his grooming before sitting for this image. The old man and his grandchild both appear to be quite befuddled by their session with the photographer. This image was produced by the Stanton studio in Jamestown. There are a number of towns named Jamestown in the United States. It has been impossible, so far, to identify the state in which Stanton’s studio was located. This cabinet card portrait is in very good condition (see scans).
Buy this Cabinet Card (includes shipping within the US) #3917
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This vintage real photo postcard features American actress exotic dancer, La Sylphe. Her off stage name was Edith Lambelle Langerfeld (1883-1968). She attracted a great deal of attention in the 1890’s while performing at the Folies Bergere. She was born in New York City. Her father was German and her mother was Irish.Her father invented a machine used in the mining of coal. Edith was a dancer, but US laws prevented her from performing on stage due to her young age. The laws were more liberal abroad so when Edith turned six, she was taken abroad by her mother. She travelled around the world for eight years, spending the majority of her time performing in Europe. She became fluent in five language. During her second world tour, she was the primary dancer at the Alhambra Theatre in London. Next, she performed at the aforementioned Folies Bergere. Her debut in the US occurred when she was fourteen. In 1899, she introduced her rendition of “The Vision of Salome” dance. When “Salome” was banned by the Metropolitan Opera in 1907, La Sylphe’s popularity in the US soared. She named her performances “The Remorse of Salome”. She adopted the Far East body dance, otherwise known as “the houchee kouchee”. She began performing in vaudeville. She did toe dances, spanish castanet dances, muscle dances (belly dances), and of course, the Salome dance. She also performed what she called the Devil dance. Some of her performances were risque. In one skit, her mid waist was covered by only pearls. In other performances she wore tights, picket fence skirts and a gossamer (light and thin) bodice. Her performances in New York shocked the public but the shows were tame compared to her routines in Europe. Some of her New York shows were attended by plainsclothes police officers to ensure that she did not cross over the morality boundary.. In 1919 and 1920, La Sylphe was in the cast of “George White’s Scandals”. Her performances included an Acrobatic act, as well as a Contortionist act. After 1928, she began performing in ballets. In one interview, La Sylphe expresses an interesting opinion about matrimony. In an article from “The Evening World” (1908), she states that being an old maid is a good idea. She asserts that she is going to be one. “Marriage is fine for men, but it’s rotten luck for a woman, This vintage real photo postcard was published by Philco as part of a series (No.3103A). The photo was taken by noted celebrity female photographer, Lallie Charles. (SOLD).
The pretty young woman seen in this vintage real photo postcards is a contestant in one of the early 1930’s Miss Europe beauty contest. She represented Spain in the competition.The Miss Europe contest was established by a French journalist in 1927. Most of the women in this event had won their own country’s national beauty contest, and used the Miss Europe contest as a warm-up for the Miss World pageant. This postcard was published by the well known and acclaimed photographer, Alfred Noyer. His Paris studio operated between 1910 and the 1940’s. Miss Spain’s portrait was photographed by the studio of M. Pergay. (SOLD)
This unusual vintage real photo postcard features a woman lying in her sickbed. The bed is located outside and she is surrounded by nine women. Most of these women look pretty solemn. Is this a farewell photograph? Perhaps the woman is terminally ill and this image is meant to be a memorial keepsake for her friends. There is a remote possibility that the woman in the bed has already passed. Whatever the purpose of this photograph, it is a very uncommon photo. (SOLD)
The subject of this photograph is a darling little girl with sausage curls under a fancy hat. She is seen faking a walk in a faux park. The little girl is holding a parasol. The photographer of this image is John D. Strunk of Reading, Pennsylvania. He was quite prolific and talented. This cabinet card photograph is in very good condition (see scans). (SOLD)
This cabinet card portrait features a pretty young girl dressed in a formal gown. The manner in she is dressed strongly suggests that she is being photographed in connection with a religious ceremony. Her appearance is also suggestive of her being a bride.This photograph was taken at the Gilbert & Bacon Studio in Philadelphia, Pennsylvania. This studio was well known for their quality work as well as their work with local and visiting celebrities. This cabin card portrait is in very good condition (see scans).
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This mini trade card is advertising J. Baldon coffee and tea. The company was located in Rotterdam, Netherlands. The card features two adorable young girls sitting under an umbrella alongside their large dog. The dog dwarfs them in size. Note that this advertising piece is not printed on thick card stock paper. Instead, it is on thinner stock paper. This trade card was a premium that likely accompanied the purchase of one of Baldon’s products. This advertising item measures about 1.5″ x 2 25″. (SOLD)
This patriotic vintage postcard celebrates America’s 4th of July holiday. The postcard is chock full of action. A young girl runs with a lit firecracker in one hand and an American flag in the other hand. A firing cannon and exploding firecrackers add to the action. Unlit firecrackers creatively spell out the words “4th of July”. A 1912 postmark from Chicago, can be seen on the reverse of the card. The postcard offers wishes for a happy 4th of July, from one sister to another. The card is addressed to Pana, Illinois. Pana became incorporated in 1857. “Pana” is derived for the name of an American Indian tribe (Pawnee). In the late 19th and early 20th century the town became centered around the coal mining industry. In 1899, the Pana Riot occurred. The incident happened after a violent confrontation between black and white miners. Seven people were killed in the violence. When the situation calmed, about two thirds of the black miners moved to another mine, located in Kansas. Despite some extra effort, I have been unable to identify the publisher of this card. SOLD
This cabinet card features an attractive family posing for their portrait at the studio of J. F. Langhans in Prague, Czechlosvakia. Mother, father, and their two sons are all beautifully dressed. Father appears to be small of stature and looks quite austere with his hands folded across his chest and his stern facial expression. The children in this photograph seem significantly more relaxed than their parents. Take note of the style of father’s eye glasses. In regard to the photographer, Jan Langhans (1851-1926) is the best known figure in Czech photography and his gallery is still in existence. There is a wealth of information about Langhans online at the “Langhans Archive”. The site provides biographical and historical information as well as the “Gallery of Personalities”. The gallery has photographs of many prominent Czech citizens as well as well known visitors to Czechoslovakia.. These portraits date from 1890 through 1948. The studio was founded by Jan Langhans, who was a food chemist by training but developed a passion for photography. He opened his first studio in 1876 and was the preeminent portrait photographer of the region. He opened a number of branch studios throughout Czechoslovakia. He photographed many celebrities and aristocrats. After World War I the gallery possessed over a million negatives. He gave the studio to his daughter Marie and her husband Viktor Meisner. After World War II, his grandson Viktor Meisner took over the studio. In 1948, soon after the Communist take-over, the studio was nationalized and most of the negatives were destroyed. Fortunately, more negatives were discovered and they comprise the Gallery’s current collection. This cabinet card has corner wear. The photograph has excellent clarity and is in overall good condition (see scans).
Buy this Cabinet Card (includes shipping within the US) #3910
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THE CABINET CARD GALLERY 