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This vintage real photo postcard features film actress, Alice Brady (1892-1939). Brady was born in New York City into a theatrical family. Her father was a theatrical producer, and her mother was a French actress. When Alice was four years old, her mother died. Her father remarried and her step-mother was actress, Grace George. George (1879-1961) was a successful American stage actress. She had a long Broadway stage career and appeared in two films. Alice knew she wanted to be an actress, like her mother and step-mother, at an early age. Her first stage appearance was at the age of 14. Her first Broadway appearance was in 1911, at the age of 18. In 1913, she appeared with John Barrymore in “A Thief for The Night”. She performed on Broadway over a span of 22 years. She began her career during the silent film era and was one of the minority of actresses that successfully made the transition into sound movies. Brady’s films included “My Man Godfrey” (1936) and “In Old Chicago” (1937). Alice made her first silent feature appearance in 1914. She appeard in 53 films over the next ten years. Simultaneously, she continued to perf0orm on stage. In 1923, she took a ten year hiatus from the stage. In 1922 she made her first talkie, an MGM production. Over the next seven years, she made 25 more films. Her final film was “Young Mr. Lincoln” (1939). In 1937, Brady won the Academy Award for Best Supporting Actress for the film, “In Old Chicago”. She had been nominated for the same award the previous year. In all, Brady appeared in more than 80 films. It is important to mention Brady’s Broadway career. The IBDb reports that she appeared in over 40 Broadway productions. Some of the “Great White Way” productions (1911-1932) that included Brady were “H.M.S. Pinafore” (1911), “The Pirates of Penzance” (1912), “The Mikado” (1912), “The Yankee Princess” (1922), “A Most Immoral Lady” (1928), and “Morning Becomes Electra” (1931). Alice was married once. Her marriage to actor, James Crane, lasted from 1919 until they divorced in 1922. The marriage produced one son. Her life and career were cut short by her death from cancer just a day short of her 47th birthday. The “Cyko” stamp box on this postcard indicates that it was published between 1904 and the 1920’s. (SOLD)


This vintage real photo postcard features an adorable little girl hugging her tortoise shell tabby cat. The child appears entranced by the gorgeous feline. This postcard was published by Alfred Noyer. He was a well known and acclaimed photographer. His Paris studio operated between 1910 and the 1940’s. This postcard is dated in the year, 1920. The card is color tinted and part of a series (no1352). I used an online translation app to learn the meaning of the caption at the bottom of this photo postcard. The translation is “kiss the mistress – he turns a deaf ear: have we, I ask you, such demands“. The quotation puts a spotlight on the strong independent nature of house cats. This real photo postcard is in very good condition (see scans).

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This vintage real photo postcard features pretty actress and singer, Rosita Serrano (1912-1997 . She is casually dressed and is holding two adorable dachshunds. This photo portrait displays Rosita’s lovely smile. Serrano was a Chilean singer who obtained her major success in Nazi Germany between the 1930’s and the early 1940’s. Her singing was known for her bell-like voice and her pitch-perfect whistling. She was known by her nickname as “The Chilean Nightingale”. Rosita was born in Chile. Her father was in the diplomatic corps and her mother was a popular opera singer. The family lived in Portugal and France . By 1936, the family moved to Berlin. Serrano’s initial success was in the Wintergarten and the Metropol Theater where she sang Chilean folk songs. This performance earned her a record contract. From that point, she performed in German. Many of her songs became very popular. In 1938, she began to appear in films. When she was between film roles, she toured with two popular dance orchestras. Minister Joseph Goebbels helped het her appearances on a Wehrmacht (military) radio show. In 1940, Serrano’s song “La Paloma”, became very popular throughout Germany. Serrano’s voice style is described as “coloratura soprano”. Her recordings were in German and Spanish. She sang songs in the folk and pop genre. Her songs included flamenco, rumba, tango and mambo. During a Swedish tour in 1943, she did a benefit concert for Jewish refugees. As a result of this performance, she was accused by Germany of being a spy. Rather than return to Germany and face possible arrest, she fled to Chile. Germany than banned her music. She went on tour to the United States but was not well received. It is conjectured that US citizens could not get enthusiastic about hearing Serrano’s German songs, so close to the end of World War II. She returned to West Germany to appear in films in 1951 and 1952. Besides those two movie roles, her German comeback was unsuccessful. She returned to Chile where she lived out her life. She was not welcomed upon her return to her native country. The public in Chile condemned her for performing in Nazi Germany. She died in poverty. It seems to me that Serrano had the unfortunate pattern of consistently being in the wrong place at the wrong time. Poor timing ruined this talented singer’s career. Serrano’s filmography includes 8 films between 1938 and 1952. This postcard was published by Film Foto Verlag, a subsidiary of UFA Universum Film AG. Note the company’s horse logo on the reverse of the card. The photo was taken by Foto Quick and the postcard is part of a series (no. A3564/1). Check out the video recording of Miss Serrano seen below. This real photo postcard is in very good condition.
POSTCARD 1 (SOLD)
POSTCARD 1 (CLOSE-UP) (SOLD)
POSTCARD 2 (SOLD)
POSTCARD 2 (CLOSE-UP) (SOLD)
Maria Corda (1898-1976) was a Hungarian actress and a star during the silent film era in German and Austria. She began her career in acting in the theaters of Budapest during the beginning period of World War I. One of her gigs was working as a dancer with the Royal Opera in Budapest. When the Austria-Hungary Empire fell apart, she began working in the film industry. She appeared in her first film in 1919 ;under the direction of Hungarian, Korda Sandor, who later changed his name to Alexander Korda. Korda was the leading movie director in Hungary and he featured her in three of his films in 1919. Maria became the most famous actress in Hungary. Hungary’s leader had Alexander seized by the secret police. Maria and her brother-in-law exerted pressure on the British Military consulate and was able to get her husband freed. The couple fled Hungary and settled in Vienna, Austria. It was in Vienna that the pair changed their names. He became Alexander Korda and she, for some unknown reason, became Maria Corda. In 1920, Alexander began directing films in Austria and Maria became an Austrian silent screen star. Alexander directed Maria in a number of films including “Samson and Delila” (1923). In 1926, the couple moved to Germany the couple teamed up again and were able to continue their film career success. The caught the attention of First National, a Hollywood movie studio. Alexander and Maria were offered a package deal to come to American and make movies. They settled in Beverly Hills. Maria did not encounter the success that she had in Europe. Her Hollywood career aspirations were crushed in 1928 by the advent of sound pictures. She knew little English and had a thick accent. In addition to her movie career, her turbulent marriage also came to an end. They divorced in 1930. Her husband returned to Europe where he had a long successful career in British filmmaking. Maria moved to New York and wrote a number of novels. She spent her later years in Switzerland. In 1942, her husband was knighted and she insisted upon being called “Lady Korda”, even though Alexander was remarried. When Alexander died in 1956, he was onto his third marriage, but that did not stop Maria from trying to claim an inheritance. Maria had an interesting personality. Writers have asserted that she was temperamental and ambitious. She had a tendency to embellish her background. She often described herself as the “Hungarian Garbo”, an opinion reflecting aggrandizement. The IMDb reports that Maria had 28 film credits between 1919 and 1929. —–Postcard 1 was published by Ross Verlag (Berlin), The card was part of a series (no.1633/1). Note the “Fox” logo on the bottom right hand corner of the image. Maria starred in a Korda film for a Berlin based subsidiary of Fox in 1926. Therefore, this postcard is likely from 1926. The film was entitled “Madame Wants No Children”. The postcard was sold exclusively by Ballerini & Fratini of Florence, Italy. SOLD —–Postcard 2 was published by “Europe” which I believe was based in France. It is part of a series (no.315). This photograph of Corda is risque. She is barely covering herself with what appears to be a blanket. Only her strategically placed arm shields her from crossing the risque border. At the time that this photograph was taken, Maria Corda was under contract with Mercure Film. The logo of the company can be seen in the lower right corner of the card. This photo postcard features Corda in costume for her starring role in “The Private Life of Helen of Troy (1927). The film was directed by her husband, Alexander Korda. (SOLD)
POSTCARD 1 (REVERSE)
POSTCARD 2 (REVERSE)

This vintage photograph is a portrait of actress, Faye Dunaway (1941-). The photo captures Dunaway in her role as a television executive in the film “Network”. Dunaway came away from the movie with an Academy Award (Best Actress). “Network” (1976) was a satirical drama. It was written by Paddy Chayefsky and directed by Sidney Lumet. Dunaway was born in Florida but because her father was an Army officer, she lived in a number of places in the US and in Europe. During her childhood she took dance, piano and singing lessons. She attended a number of colleges, but graduated from Boston University with a degree in theater. Soon after graduation, she appeared on Broaday in the drama “A Man for All Seasons”. She then appeared in a number of other theater productions. Her film debut was in “The Happening” (1967). She played the role of Bonnie Parker in the film, “Bonnie and Clyde” (1967). She got the role despite the initial objections of co-star Warren Beatty. She was nominated for “Best Actress” by the Academy Awards. The film made her into a star. Her next film “The Thomas Crown Affair” (1968) also was a hit. She received great reviews. Other film roles included “Little Big Man” (1970), “Chinatown” (1974), “The Towering Inferno” (1974). and “Mommie Dearest” (1981). The IMDb reports that Dunaway appeared in 115 television and film roles. The IBDb reveals that Dunaway appeared in five Broadway plays between 1961 and 1982. Dunaway’s personal life was somewhat unstable. Perhaps it was not more stable because of her many changes in residence during her father’s military career? In 1962 she had a year long relationship with comic Lenny Bruce. In 1968 she began a two year relationship with married actor Marcello Mastroianni. In 1974 she married Peter Wolf, the lead singer of “The J. Geils Band”. In 1977 she and Wolf were photographed by photographer Terry O’Neill who was working for People Magazine. O’Neill became her second husband in 1983. After her divorce from O’Neill, she had a number of other significant relationships. Interestingly, both of her marriages were of four years duration. This vintage photo was a press photo. It helped promote the film “Network. The photo is in excellent condition (see scans).

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The skimpily dressed actress seen in this vintage real photo postcard is an early twentieth century actress named Lucy Manon. Preliminary research found no additional information about this pretty performer.This postcard was published by Societe Industrielle de Photograpie (SIP) of Rueil, France and was part of a series (53e Serie,No.1). The postcard was postmarked in 1905 and has a French stamp. The card is in very good condition. SOLD

The beautiful woman in this vintage real photo postcard is Millie Legarde. She was an actress and a singer. She was active in her career between 1898 and 1911. She was a sitter for eight portraits in Great Britain’s National Portrait Gallery. She performed in numerous theater productions and in one film (1905). Searching for biographical information about Miss Legarde was like looking for a needle in a haystack. Preliminary research revealed that she appeared in many plays. Newspaper articles of the time, mention her name, but provide little information. It’s as if she was in the “witness protection program” and nearly all information about her has been scrubbed. Millie posed for a number of postcards but this card is certainly the nicest one I’ve seen. This postcard was published by Ralph Dunn & Company which operated out of London, England. The card is part of a series (no.A476). The postcard was manufactured in Berlin, Germany. (SOLD)

POSTCARD 1
POSTCARD 2
POSTCARD 2 (CLOSE-UP)
These vintage real photo postcards feature Miss Aime, a Paris cabaret performer. She is pretty and has a wonderful smile. Preliminary research found no biographical information concerning this actress. The photographer of Postcard 1 is the Sazerac studio which was located at the “Hotel Prive” in Paris, France. Little information could be located about Mr. Sazerac; but one can easily find real photo postcard portraits of French show girls that were produced by his studio. In fact Britain’s National Portrait Gallery has one of Sazarac’s photographs (circa 1906) in it’s collection. Postcard 1 is part of a series (N. 829 Th. 93) and is in very good condition (see scans). Postcard 2 offers another view of Miss Aime. She is wearing a different dress, but once again, she is bedecked with flowers. Like postcard 1, this photo was taken by Sazerac. The two postcards are part of the same series. This postcard is numbered (N. 829 Th. 93).

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Buy this Vintage Real Photo Postcard (includes shipping within the US) #3097
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POSTCARD 1
POSTCARD 2
The pretty actress seen in this vintage real photo postcard is Antonella Lualdi (1931- ). Although she is an Italian actress and singer, she appeared in both Italian and French films in the 1950’s and 1960’s. One of the more noted films was “The Red and the Black” (1954). Lualdi was born in Beirut, Lebanon. Her father was Italian and her mother was Greek. Growing up, she became fluent in Arabic, French, and Italian. Her career was propelled by winning a “new talent” competition held by the cinema magazine, “Hollywood”. She was introduced by the name of “Signorina X” and readers were asked to choose her stage name. Lualdi’s filmography published by IMDb reports that she has 107 TV and film credits ranging from 1949 through 2010. In 1955, she married Italian actor Franco Interlenghi. They had starred together in several films. The couple had two daughters, both of whom became actresses. This postcard was published in 1950 by the Globe (Paris). The card is part of a series (no. 326). The photographer of this portrait photo is Sam Levin (1904-1992). He was born in the Ukraine but emigrated to France when he was two years of age. He is famous for his stage photographs and his portraits of movie stars. His studio was in Paris. Levin was a film photographer for 75 films. He was arrested by the Nazis during World War II and was sent to a camp. His crime was, being Jewish. The fact that he was sent to a detention camp rather than a death camp, indicates there was a high ranking Nazi official acting as his guardian angel. He photographed nearly all the major French and European movie stars of the 1950’s and 1960’s. He is particularly celebrated for his photos of Brigitte Bardot. Levin did over 180 magazine covers in the United States. A number of Levin’s photo postcards can be found in the Cabinet Card Gallery. This vintage postcard is in excellent condition (see scans).

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This press photo features award-winning actress (film and television), film director, and film producer, Rosanna Arquette (1959- ). Her movie credits include roles in “Desperately Seeking Susan” (1985), “Pulp Fiction” (1994), and David Cronenberg’s Crash (1996). Arquette was born in New York City. Her mother was an actress, poet, therapist, and more. Her father is a film actor, screenwriter, and producer. Her grandfather (Charley Weaver) was a comedian. She has four siblings that became actors. Must be in the genes. Arquette was one of the victims of Harvey Weinstein’s predatory sexual behavior and she spoke out about her experience early on when Weinstein was being deservedly skewered by the press. She has been married four times and divorced three times. While making a film with Bette Davis in 1978, Arquette was advised by the apparently prescient screen star that mixing a career and a relationship would never work. In 1990 Arquette was on the cover and featured in a nude pictorial for Playboy magazine. The IMDb credits her with 152 acting credits and 3 for directing. This silver print photograph was taken by celebrity photographer, Gabor Scott, in 1989. It is my presumption that the number 89 printed on the reverse of the photo stands for 1989. The Press Gazette reported Gabor’s death in 2014. He was 65 years-old. The article’s headline asserts that he “made his name covering 1980’s glitterati”. The London based photographer once photographed Prince Harry giving him “the finger”. He was the “house photographer” at Camden Palace, one of the most fashionable London clubs in the 80’s. He photographed many celebrities there and elsewhere. Scott was born in Hungary in 1948 and moved with his family to London in 1956. Scott syndicated his images through a number of agencies. This press photo was distributed by Camera Press. The photo measures about 5″ x 7″ and is in excellent condition (see scans).

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