This vintage real photo postcard features American silent and sound film actress, Lois Wilson (1894-1988). She also directed two films and performed on the stage. She appeared on Broadway three times between 1937 and 1968. Her 1968 appearance was in “I Never Sang For My Father”. She was born in Pittsburgh, Pennsylvania but she and her family moved to Alabama when she was quite young. She graduated from Alabama Normal College and became a school teacher before venturing out to pursue a film career. In 1915, after winning the equivalant of the Miss Alabama beauty contest, she headed for Hollywood. She was quickly hired by Victor Film Company for a number of small roles. In 1916, she worked in a minor film role for female director Lois Weber. Weber took an interest in Wilson and began preparing her for future stardom. Wilson appeared in a number of films for various studios until she was signed by Paramount in 1919. She remained with the company until 1927. She was a WAMPAS Baby Star of 1922. WAMPAS Baby Stars were projected to become future major Hollywood stars. The IMDb credits Wilson with 159 screen appearances between 1915 and 1963. Her most noted roles were in “The Covered Wagon” (1923) and “The Great Gatsby (1926). She played opposite major leading men including Rudolph Valentino, John Gilbert and Ronald Reagon. She made a successful transition to sound movies. However, she became disappointed with many of the roles she played in the 1930’s, and retired in 1941. Wilson also performed on television and played roles in soap operas such as “The Guiding Light”, “The Secret Storm”, and the “Edge of Night”. Lois Wilson never married. This vintage postcard was published by Cinemagazine (Paris) as part of a series (No.237). SOLD
LILLIAN RUSSELL: CELEBRATED AMERICAN ACTRESS AND SINGER
Lillian Russell (1860-1922) is pictured in this vintage lithographic postcard by famed New York celebrity photographer, B. J. Falk. Lillian Russell is captured in costume. Russell was a very famous American actress and singer who was known for her beauty, style, voice and stage presence. Her theater career began with roles in comic operas including the work of Gilbert and Sullivan. She married composer Edward Solomon in 1884 and two years later, he was arrested for bigamy. She performed in New York and elsewhere in starring roles in comic opera and musical theatre. In 1904 she switched to dramatic roles due to voice problems. She later also appeared in vaudeville. She retired from the stage in 1919. She later wrote newspaper columns, advocated for women suffrage, and was a popular lecturer. She married four times and her longest marriage was to Diamond Jim Brady who supported her extravagant lifestyle for four decades. It is interesting to note that the New York Times (4/2/1886) reported that during the performance of “Pepita”, an opera by her husband, Edward Solomon; there were obvious signs of marital discord observed on stage. The newspaper blamed issues revolving around Russell’s interfering mother, as well as, issues pertaining to Russell’s sudden prosperity. The newspaper article correctly predicted that there would soon be a divorce. This postcard portrait was published by Bamforth & Company, headquartered in both England and New York. SOLD

COLLEEN MOORE : AMERICAN SILENT FILM ACTRESS : DUTCH BOY BOBBED HAIRCUT : RPPC
This postcard features a portrait of American film actress, Colleen Moore (1899-1988). She began her career in the silent film era. She was a fashionista and one of the highest paid stars of her time. She is also noted for popularizing the “dutchboy bobbed haircut”. Like many silent film stars, she was unable to adapt to “talkies” and decided to retire after just making a few sound films. Upon retirement, Moore focused on investing, and was quite talented in that realm. She became a partner at Merrill Lynch and wrote a book about how to invest in the stock market. One of her hobbies involved dollhouses. In the early 1950’s, she helped design and curate “The Colleen Moore Dollhouse” which is still exhibited at the Museum of Science and Industry, in Chicago, Illinois. The dollhouse is 9 square feet and worth millions of dollars and has been seen by millions of museum goers. Moore was born in Michigan and her family relocated to Atlanta around 1908.They then moved on to Pennsylvania and finally, Tampa, Florida. At fifteen years of age, Moore had a screen test with director D. W. Griffith. Griffith owed a debt to Moore’s uncle, a successful newspaper man in Chicago. Moore must have done well on the screen test since she soon found herself playing heroines in Westerns. She signed a contract with Triangle-Fine Arts and for the first few years she appeared in minor supporting roles. When the Triangle Company folded she signed with Selig Polyscope. She appeared in “A Hoosier Romance” and “Little Orphant Annie”. They were popular films and Moore achieved some celebrity. When Selig closed their doors, Moore went to work on films from various companies. Her star kept rising. In 1922, Moore was named a WAMPAS Baby Star (honor for actresses on the threshold of fame). The IMDb credits Moore with 65 film appearances between 1918 and 1934. At the height of her career, she was earning over twelve thousand dollars a week. This vintage portrait postcard features Colleen Moore with her trademark dutch boy bobbed haircut. The card was published by Ross Verlag. Note the logo for First National Pictures in the lower right hand corner of the image. The card has a 1926 postmark. Moore was about 27 years old when the photograph was taken. SOLD

SUE CAROL : AMERICAN FILM STAR AND TALENT AGENT : RPPC
This vintage real photo postcard features American actress and talent agent, Sue Carol (1906-1982). She began her career in silent films during the 1920’s. She made the transition to talkies and appeared in a number of movies throughout the 1930’s. She appeared in more than 60 films during her career. Her notable movies included “No No Nanette”, “The Phantom in the House”, and “The Donovan Affair”. She also appeared in several westerns and musicals in the 1930’s. She later became a talent agent representing several successful Hollywood stars including Robert Wagner and Roger Moore. She was married to actor Alan Ladd for more than two decades. This portrait postcard is in fair condition (see scans).

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THREE PORTRAITS OF JENNY JUGO : BEAUTIFUL AUSTRIAN ACTRESS (PLAYED ELIZA DOOLITTLE IN PYGMALION)
POSTCARD 1 (SOLD)
POSTCARD 2
POSTCARD 3
Jenny Jugo (1904-2001) was an Austrian actress. Her IMDb filmography reveals that she appeared in fifty-three films between 1925 and 1950. Jenny, as is evident in this vintage real photo postcard, was very beautiful. She was born in the Austro-Hungarian Empire. Her father owned a factory. She received her education in a convent. At age sixteen, she married actor Emo Jugo and the pair settled in Berlin, Germany. Their marriage was of short duration (1921-1922). She gave up her husband but not his last name. The German film studio, UFA, signed her to a contract in 1924. She struggled in the dramatic roles that she was given. By the end of the silent era, she was successful in comedies and specialized in that genre through the 1930’s. She often played perky, confident characters. She was often directed by Erich Engel. In 1935, Jugo played Eliza Doolittle in Pygmalion. Writer, George Bernard Shaw was so happy with her performance that he invited her to act in all of his plays on the English stage. She made films during the Nazi regime until 1943, when she returned to her Bavarian home. She was in a relationship with film producer Eberhard Klagmann who worked on her final three post-war films. In 1950, she married actor and former co-star, Friedrich Benfer. She retired from acting at age forty-six. She was given a lifetime achievement award for her outstanding contribution to German cinema. The IMDb biography of Jugo describes her as a “lively brunet, dimple-cheeked actress with a tom-boyish, unaffected manner”. The writer of the biography contends that Jenny Jugo flirted with stardom but did not achieve it. This assessment may be too harsh. To view Jenny Jugo acting in a 1931 film, watch the youtube video below.
Postcard 1 was published by Ross Verlag and is part of the Luxusklasse series (no. 614).It is easily identifiable by the gold emblem on the reverse of the card.The postcard is larger than regular sized postcards. This vintage postcard measures about 4″ x 5 3/4″ and is in very good condition. (SOLD)
Postcard 2 features Miss Jugo in a risque pose. She is wearing what appears to be skimpy lingerie. Her pose and facial expression projects a “come hither” message. This vintage postcard was published by Iris Verlag as part of series (no. 5383). The photographer of this portrait is Erich Engel of Berlin, Germany. There was also a German film and theatre director named Erich Engel (1891 –1966) . As stated above, Engel directed Jugo many times. Engel is listed on the postcard for either being the photographer, or possibly the director of the film she was working on at the time. The reverse of this post card indicates that it once resided in an album. The card is in very good condition (see scans).

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Postcard 3 was published by Ross Verlag as part of series (no. 5533/2). Miss Jugo’s photographic portrait was taken by the Harlip studio, located in Berlin Germany. Gregory Harlip specialized in celebrity portraits. In 1937, Harlip left Berlin because of Nazi persecution. He relocated to London. Harlip died in 1945 and was succeeded by his wife who became one of the renowned society photographs of the 1950’s. She died in 1982. This portrait postcard is in very good condition (see scans).
Max Hansen & Jenny Jugo “Who Takes Love Seriously? (1931)”
POSTCARD 1 (SOLD)
POSTCARD 2

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MARCELLE LOUYS : MOULIN ROUGE PERFORMER : PARIS, FRANCE : RPPC : (1909)
This vintage real photo postcard features Marcelle Louys, a pretty stage performer at the Moulin Rouge. The venue is located in Paris, France. The cabaret opened in 1889 and is best known as the birth place of the can-can dance. The Moulin Rouge remains in business and is a popular tourist destination. This postcard was published by EPR as part of a series (no.144). The postage stamp on this card is from France and the postmark is from 1909. This postcard is in very good condition (see scans)

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RETA WALTER : GERMAN OPERA STAR : MURDERED BY EX BOYFRIEND AT AGE TWENTY : RPPC
This vintage real photo postcard features a famous German opera singer who met a tragic end. In 1906, hours before she was to go on stage as Carmen, at the Opera Comique, Walter was murdered in her own home. She was killed by her ex boyfriend, Karl August Hesse, who suspected that Walter was planning on becoming engaged to Juan Raventos, a Spanish Tenor. Hesse committed suicide after killing the 21 year-old Miss Walter. Hesse was a frustrated opera singer who could not find success. He had a history of being jealous of other men. He also had a history of physically abusing Walter in his jealous tantrums. Walter had tried to end the relationship with Hesse but he would not comply. The police found letters from Raventos in Hesse’s apartment. Raventos had written to Hesse telling him that he would not end his relationship with Walter. This postcard was published by Georg Gerlach & Co.. The firm was a real photo card publisher and printer based in Berlin, Germany. This antique postcard is in good condition (see scans).

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THE SAD STORY OF VILMA BANKY: BEAUTIFUL SILENT FILM STAR
This vintage real photo postcard features beautiful and sensuous actress Miss Vilma Banky (1901-1991). She was born in Hungary but was an American silent film actress. She began her acting career in Budapest and later France, Austria, and Germany. In 1925, Banky was plucked from Europe by Hollywood film producer Samuel Goldwyn. American audiences fell in love with her and she earned the moniker of “The Hungarian Rhapsody”. In a review of her first film, “The Dark Angel” (1925), the New York Times (1925) described Banky as “a young person of rare beauty”. In the mid and late 1920’s she was Goldwyn’s biggest money maker. Some of her most famous roles were in the films “The Eagle” (1925) and the “The Son of the Sheik” (1926). She played romantic roles opposite Ronald Coleman and Rudolph Valentino. The advent of sound films is believed to have short circuited her acting career. Apparently her thick Hungarian accent was unacceptable. However, around the time of the introduction of sound films, it is thought that she had lost her enthusiasm about films and was more interested in settling down with actor Rod La Rocque (1898-1969), whom she married in 1927. Goldwyn gave the bride away and Cecil B. DeMille was the best man. By 1928, she was talking of retirement. In all, she made 24 films of which only eight remain in existence in their complete form. Her filmography begins in 1919 and ends in 1933. After leaving filmdom, she and her husband had a career in real estate and she pursued the sport of golf. The Chicago Tribue (1993) entitled Banky’s obituary “Silent Film Star Makes Dramatic Exit”. It is interesting to note that the article appeared nearly two years after her death. It seems that the press and Hollywood watchers never noticed her death. Apparently she lay sick in bed for the last ten years of her life, at home, and later in a nursing facility, without any visitors. The author of the article asserts “She died the nightmare death of every elderly person, alone, her life unremembered, her passing unlamented”. Banky was upset and angry about being abandoned, that she instructed her attorney to inform no one, including the newspapers, upon her passing. The attorney followed her instructions but when the press eventually learned of her death, the lawyer stated to reporters that Banky had no visitors because none of her friends or family still survived. She left a $600,000 trust fund to her sister’s two children in Hungary. After a difficult search the attorney found the two nieces in rural Hungary “living in peasant squalor”. The women had never met their Aunt and the last letter exchanged with Banky had been thirty years earlier. Banky’s lawyer had his hands full because a German heir hunting company had found them first and got them to sign over twenty percent of their inheritance for a finding-fee. At the time of the articles publication, the lawyer planned to pay off the company with a smaller fee and set up distant banking for the nieces who lived in an area that had no banks. Although after her death, the lawyer turned out to be a committed and wonderful friend to Vilma Banky and her family. This vintage postcard was produced by the Iris Verlag company. Iris Verlag was the most important Austrian publisher of film star postcards. It operated from Vienna during the 1920’s and 1930’s. The postcard is part of a series (no.695/3). The photographer of this portrait of Banky is Halasz of Budapest. The postcard was made for Fanamet-film which was a Austrian film distribution company. (SOLD)
MARGARET HALSTON: BEAUTIFUL SHAKESPEARIAN ACTRESS AND FILM STAR

POSTCARD 1
POSTCARD 2
Margaret Halston, in her role as Desdemona in Othello, is the subject of Postcard 1. The card was published by Percy Guttenberg of Manchester, England. The postcard is part of the “Revival Series” (no.122). Margaret Halston (1879-1967) was an English actress born in London, England as Clara Maud Hertz. A number of references mention that she was of Jewish descent. She was known for both theater, film, and television performances. Among her popular performances was in “Tell Your Children” (1922), “The Holly and the Ivy” 1952, and “Touch and Go” (1955). She began her acting career in amateur theatre and she made her professional stage debut at the Haymarket Theater in 1895. Her roles became larger over time until she became a leading actress appearing in plays such as ‘Hamlet ‘ (1896), “Antony and Cleopatra” (1897), and “The Taming of the Shrew” (1897). At the turn of the century she became part of Frank Benson’s theatre group and took numerous roles in Shakespearian theatre. It is reported that she acted in almost all of Shakespeare’s plays. She later worked in George Alexander and Herbert Beerbohm-Tree’s theater groups. She became involved in film in 1916 when she made her debut with “A Bunch of Violets”. Over the next few years she appeared in a small number of silent movies. She adapted well to sound films and appeared in a number of them. IMDB credits her with appearing in sixteen films between 1917 and 1956. The site also lists three television credits between 1938 and 1955. Miss Halstan was certainly an entertainment star. It is interesting to note that she twice played in the role of “Queen of Transylvania” in the theatrical production of “My Fair Lady” (1957-1958, 1961-1963). There are three portraits of her in the National Portrait Gallery.
Postcard 2 features Margaret Halston, in her role in “As You Like It”. She is the subject of this real photo postcard published by Percy Guttenberg of Manchester, England. The postcard is part of the “Revival Series” (no.122). The photographer of this image is Alexander Percy Guttenberg (1870-?). He came from a family that produced a number of photographers. His father, Marcus Guttenberg (1828-1891) began as a daguerreotypist in Hungary, Prussia, Poland and Germany before starting a photography business in England (1851). One source reports that he established 24 studios in England but settled in the Manchester area. Percy, like his father, was also very successful. In fact, there are fourteen of his photographs in England’s National Portrait Gallery. Percy was famous for his work photographing actors and actresses. This portrait postcard, is in excellent condition (see scans).

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POSTCARD 1
POSTCARD 2




























