This vintage real photo postcard features actress Winnie Markus (1921-2002). She was born in Czechoslovakia and was a German film and television actress. She received theatre training at the Max Reinhardt Seminary in Vienna. She became a leading actress during the 1940’s and 1950’s. She had opportunities to work in Hollywood but she declined because she preferred to stay in Germany. She was married twice, once to an actor and once to a hotelier. Shortly before the end of World War II, she was shot in the leg by an inebriated Russian soldier. The IMDb lists 68 credits in Markus’s filmography between 1939 and 2001. This vintage real photo postcard was published by Film-Foto-Verlag and was part of a series (no.3558/1). The photographer was Hammerer for Wien-Film. This vintage postcard portrait is in very good condition (see scans).
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This vintage real photo postcard features English actress, singer, and dancer, Gaynor Rowlands (1883-1906). She carried the nickname of “The Nightingale of Wales”. She started her career in Empire Theatres’s Ballet. Upon graduation, she joined the company chorus line of George Edwarde’s Gaiety Theatre. She toured India in 1901/02. She quickly became a star and she became the most photographed of the “Gaiety Girls”. She was a popular subject of photo postcards and theatre magazine articles. Rowland’s life was cut short when she died of heart failure at the age of twenty-three after surgery for appendicitis. Eight portraits of Gaynor are in England’s National Portrait Gallery. The IMDb reports that she has one film in her filmography. lt was released in 1905. This vintage portrait postcard was published by Philco as part of a series (No. 3211 D). The photographer of this postcard photograph is Garet Charles. He operated a photo studio in London. His wife’s fame as a photographer, overshadowed his own. His wife was celebrity photographer, Lallie Charles. This photograph of Miss Rowlands is a bit risque for it’s time. The front of her dress is overly revealing. (S0LD)
This vintage real photo postcard features actress and singer, Miss Catherine Ferguson ( 1895-1972). At first glance, this image appears to be a photograph of a pretty woman on a bad hair day. However, this is actually a photograph of Miss Ferguson playing the role of “Mad Margaret” in “Ruddigore”. The comic opera was also known as “The Witches Curse”. The production was presented by the D’Oyly Carte Opera Company and the music and libretto was written by Gilbert and Sullivan. It was first performed in 1887 for a run of 288 performances and was revived in 1920. During World War 1, interest in Gilbert and Sullivan was waning. The company’s main soubrette, Nellie Briarcliffe, left the company. In 1918, the company signed Miss Ferguson to replace Briarcliffe. Ferguson’s stage debut occurred in 1915, in “The Girl in the Taxi”. Ferguson took advantage of the opportunity at D’Oyly and she received much recognition and praise for her performances. In fact, it was thought that she had won the role of principal soubrette on a permanent basis rather than on an interim one. However, in 1919, Briarcliffe returned to the company and resumed her position as major soubrette while Ferguson was relegated to minor roles. Briarcliffe only stayed for one season, and upon her departure, Ferguson returned to being principal soubrette. She left the company in 1923 because of hearing loss. This photo postcard was published by Parkslee Pictures as part of a series (No. 36). The Cabinet Card Gallery has another real photo postcard of an actress playing “Mad Margaret”. You can view it by placing the name, “Aileen Davies” in the search box. SOLD
This vintage postcard features Schine’s Kenton Theatre, located in Kenton, Ohio. The Kenton Theatre was built in 1929 and joined the Schine’s theatre chain. The theatre was built in a Spanish Colonial style. It had murals painted on the auditorium and lobby walls. In 1993, the theatre was purchased by M. E. Theatres and the building was remodeled. The renovation included the construction of a new marquee modelled after the original (1930’s style). This postcard depiction of the Kenton Theatre shows the marquis advertising a film starring Greta Garbo. The sign states “Garbo Talks”. This reflects that transition from silent films to “talkies” which occurred between 1926 and 1930. Greta Garbo (1905-1990) was a Swedish American actress who was active in films between 1920 and 1941. She played many tragic characters in her career and is considered by many to be one of the greatest female stars of classic Hollywood movies. This postcard was published by the Wagner Post Card and Novelty Company. The firm was located in Delphos, Ohio. SOLD
This vintage real photo postcard features actress Maureen O’Sullivan (1911-1998). She is holding a ping pong paddle and standing next to a ping pong table. The Irish-American actress is best known for playing Jane in the Tarzan series of films. This postcard was published by Dutch publisher Jos-Pe. Arnhem. The card is part of a series (No. 432), and at the time this photograph was taken, O’Sullivan was under contract with Metro Goldwyn. The postcard is posted and has a Netherlands stamp. SOLD
This vintage real photo postcard features actress Maria Paudler (1903-1990). She was an Austro-Hungarian born German actress. She was the daughter of an architect. She received her acting training in Prague, performing on stage in both classical and modern roles from 1923 to 1938. After World War II she was imprisoned in the Czech Republic and was only set free after intervention from the Red Army. In 1949, she was severely injured in a car accident. The injuries almost ended her acting career. In 1951 she returned to acting and also directed some theatre productions. Paudler received offers from Hollywood but always rejected them. She published her memoirs in 1977. She was married to actor Georg Czimaq and when that marriage ended, she became engaged to actor Harry Liedtke. The IMDb credits Paudler with 63 acting appearances between 1926 and 1985. This photo postcard features Miss Paudler being upstaged by the geese that she is holding; one under each arm. Miss Paudler looks surprisingly comfortable in this pose. This postcard was published by Ross Verlag as part of a series (no. 3122/3). The logo for a film company appears in the lower right hand corner of the image. This vintage postcard is in very good condition (see scans).
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Billie Dove (1903-1997) was an American actress. Her parents were Swiss immigrants. During her teenage years, she worked as a model to support her family. Florenz Ziegfeld hired her as a teenager to appear in the Ziegfeld Follies Revue. She was not a particularly talented dancer or singer, her beauty and acting ability were her major assets. In the early 1920’s she moved to Hollywood and began appearing in silent films. It has been written that Ziegfield’s wife, actress Billie Burke, helped facilitate Dove’s transition to films. Apparently, Burke was trying to separate Dove from her husband because the pair were having an affair. It did not take long for her to become one of the more popular actresses of the 1920’s. Among her better known films was “The Black Pirate” (1926) with Douglas Fairbanks, and “The American Beauty” (1927). Dove was a ravishing beauty and was very photogenic. She married director, Irvin Willat, in 1923. The marriage had a six year duration. She then had a three year romance with Howard Hughes. Dove’s other interests included being a pilot, painter, and poet. After her last film, “Blondie of the Follies” (1932), Dove retired from films. It is thought that she retired because she was distraught about her role in her last film being “trimmed” by her co-star’s (Marion Davis) influential boyfriend (William Randloph Hearst). Hearst was upset because Miss Davis’s acting was overshadowed by Dove’s acting. Mr Hearst owned Cosmopolitan Productions which produced the movie. After retirement, Dove married oil executive Robert Kenaston in 1933 and the couple remained together until Kenaston’s death in 1970. She had a brief third marriage to an architect. It is interesting to note that jazz singer, Billie Holiday, borrowed Billie Dove’s first name when picking out her own stage name. Miss Holiday was an admirer of Miss Dove. The IMDb lists 50 movie credits for Billie Dove between 1921 and 1962.
Postcard 1 was published by “Ross Verlag”, The photographer of Miss Dove’s portrait was Defina of First National Pictures. (SOLD)
Postcard 2 was also published by “Ross Verlag”. Billie Dove looks beautiful in this portrait. Note the old style phone she is using. The postcard was sold exclusively by Ballerini & Fratini of Florence, Italy. The firm was known for producing a large number of postcards, including film stars of the 1920’s. I do not know why there were two publishing firms involved in producing this postcard. Perhaps there was a distribution agreement of some kind between the two companies. This vintage postcard is in very good condition (see scans).
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This item is a vintage trade card advertising corsets for the Chicago Corset Company. The card dates back to the 1880’s. The wasp waisted women seen in a number of the photographs of the cabinet card era, didn’t get that way from going to Jenny Craig and the gym. Their secret weapon was wearing a corset. This trade card utilizes a “celebrity spokesperson”. Adelina Patti, a famous opera singer, sings the praise of Ball’s Corsets which were manufactured by the Chicago Corset Company of Aurora, Illinois. She ordered eight corsets and testified that she wished that she had known about them sooner. The company advertising on the card brags that “they need no breaking in” and that they provide “health and comfort”. This particular trade card is also advertising the T. J. Elcock & Company which was a Dry Goods, Carpet, and Notions store in Mechanicsburgh, Pennsylvania. Here is a little information about the Chicago Corset Company, The business is cited in Robin Shepard’s “The Best Breweries and Brewpubs of Illinois (2003). The author writes that in the late 1800’s and early 1900’s Aurora was considered the corset capitol of the world. There were at least three corset companies operating their factories there and one of the largest was the Chicago Corset Company. In fact, I read elsewhere, that the company was the second largest corset company in the world. At one point, the business employed 600 people and produced 2 million corsets a year. The word “corset” began to be used in the English language in about 1828. “The Ladies Magazine” described it as a “quilted waistcoat”. The primary reason for using corsets was to slim the body and help it conform to a fashionable silhouette. Generally speaking, the corset reduces the waist and exaggerates the bust and hips. Apparently there were “overbust corsets” and “underbust corsets”. Sometimes, corsets were used for medical or for fetish purposes. I’ll refrain from elaborating about the medical and fetish purposes and leave detailed explanation to your imagination. The corset company’s spokesperson on this trade card is Adelina Patti (1843-1919). She was a celebrated 19th century opera singer who earned a great deal of money for her performances at the height of her career. She sang in both Europe and America and is probably one of the most famous sopranos in history. She was born in Madrid. Her father was tenor Salvatore Pattie and her mother was soprano Caterina Barilli. Her parents were Italian and she grew up in the Bronx, New York. She sang professionally from childhood. At sixteen years of age, she made her operatic debut at the Academy of Music in New York City. At age eighteen she began performing in Europe. She later performed “Home Sweet Home” for President Lincoln and his wife shortly after the death of their son, Willie. The bereaved parents requested an encore. She was associated with the song for her entire career. In her prime, Adelina Patti demanded to be paid five thousand dollars a night. She asked to be paid in gold, prior to each performance. She demanded top billing and that her name be in bigger font than others in the company. She also demanded that she not be obligated to attend rehearsals. Did someone say, DIVA? It was reported that she trained her parrot to say “Cash, Cash”. Be sure to look below to see some interesting images pertaining to corsets as well as an image of Miss Patti. (SOLD)
Adelina Patti
Corset Shop Window
Polaire was famous for her tiny, corseted waist, which was sometimes reported to have a circumference no greater than 16 inches (41 cm)
A woman models a corset in this 1898 photograph.
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art
This vintage real photo postcard features actress Dorothy Russell (1883-1954). She was the notorious daughter of the ultimate diva, Lillian Russell (1860-1922). Dorothy was in three Broadway plays between 1904 and 1907. Dorothy’s trademark was her penchant for sensational hijinks, divorces, and legal fights. Dorothy was married seven times. In one civil suit, she was forced to surrender jewelry given to her mother by “Diamond Jim” Brady. The court insisted that she use the proceeds from the jewelry to pay off personal debts. A stamp on the reverse of the postcard indicates that this card was once the property of Robert S. Simmons. This postcard was published by the Rotograph Company (New York City). It is part of the Rotograph Series (No. B 624), The photographer of this image is William Mckenzie Morrison whose studio was located in the Haymarket Theatre building in Chicago, Illinois. Morrison was a well known and successful celebrity photographer. (SOLD)
This carte de visite portrait features actress Julie Marberg. She appears quite young in this photograph. She is wearing flowers in her hair and it appears that she is also wearing a hat or bow. Cdv photographs of Miss Marberg can be found in the collections of the Vienna Museum, as well as the Vienna Theater Museum. This photograph was taken by Moriz Muller Jr.. He operated a photo studio in Vienna, Austria. The reverse of the photograph displays a number of European photography awards the studio won in the 1870’s. This photograph has been trimmed to fit into an album or frame. SOLD