PRETTY ACTRESS HERTHA FEILER AND HER ADORABLE WIRE HAIR TERRIER

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Hertha Feiler (1816-1970) was an Austrian actress. She was of Jewish descent. Feiler was married to comedian Heinz Ruhmann. The pair starred in several films together. The IMDb credits Feiler with appearing in 33 films between 1937 and 1968. Originally, Feiler wanted to be a pianist but a medical problem (inflamation in her arm) caused her to look for another artistic profession. She made her film debut at the age of 21. Over time, she became a popular actress. She often played “ladylike and cheerful roles with charm”. She fell in love with Ruhmann while he was directing her in “Louder Lies (translation)” (1938). The Nazis considered Feiler to be one fourth Jewish so there were limits placed on her acting opportunities. In the 1950’s she took on more mature roles.  She tended to play women who were confident and cheerful but pragmatic. She retired from acting in 1968 due to illness (cancer). Feiler was known to be an excellent swimmer and equestrian. Miss Feiler is very pretty in this photograph. Her dog, possibly a wire haired terrier, is adorable. The postcard was published by Ross Verlag as part of a series (no. A 3077/2). The photographer was Ludke. There is a logo of a film studio in the lower right hand corner of the image. Look below to see a youtube video featuring Hertha Feiler and Heinz Ruhmann.   (SOLD) 

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SALLY PHIPPS: RISQUE PORTRAIT OF A YOUNG, PRETTY AND REBELLIOUS FILM STAR (1927), AND AN ADDITIONAL PHOTO PORTRAIT OF MISS PHIPPS

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POSTCARD 1   (SOLD)

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POSTCARD 1  (SOLD)

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POSTCARD 2

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POSTCARD 2

These vintage real photo postcards feature American actress, Sally Phipps (1911-1978). She was born in Oakland, California. Her father was a magician and her mother was a colorist in a photography studio. Her father left the family when she was age four, and Sally went to live with a foster family. Her foster parents both worked in the film industry. Sally appeared in her first film, at age three. It was called “Broncho Billy and the Baby” (1914). There were two more films in the series the following year. Prior to her debut in the movies, she had won several “Beautiful Baby ” contests. She was rediscovered by director Frank Borzage while still in high school. At age 15, in 1926, she began using the name “Sally Phipps”. She became a Fox film star and appeared in over twenty films before the arrival of 1929. In 1927, she was selected as one of thirteen “Wampas Baby Stars”. The organization was very successful at identifying future stars. Among their “finds” was Clara Bow and Joan Crawford. As a result of becoming a Wampas star, her photograph appeared in many film magazines. She often was dressed in silk and fur. Her first starring role was in the film “Love Makes ‘Em Wild” (1927). Her last appearance in a Fox film was 1929, despite her five year contract with the studio that she signed in 1927. In 1931, Phipps appeared in a Broadway production by Kaufman & Hart called “Once in a Lifetime”). Looking at Phipps career, it is evident that she played many “vamp” roles. A New York Times (2008) article described her as “a comic sexpot whose innocently naughty antics were the very embodiment of flaming youth.”.     The article also described her off screen flapper lifestyle stating that she smoked, tangoed, dated older men, and rode around Hollywood in a flashy car.  Like many young stars, Phipps had difficulty handling her success. Some of her difficulty was seen in her defiant personality. She frequently displayed a lack of dedication to her acting. She also overspent and built up large debts. She sued her parents when they tried to control her spending. This legal action is thought to have resulted in enough negative publicity to hurt her career. At age 18, with two years left in her Fox contract, she took off for New York and the stage. Fox was ok with her skipping out on the contract. They were basically done with her. Phipps was married twice. Her husband was Benedict Gimbel Jr, heir to the department store, Gimbels. They married in 1931 and divorced in 1935. After her divorce, she found herself living in a one room apartment in New York City, and making twenty-five dollars a week as a secretary. She developed an interest in theosophy and Eastern religions and lived in India for a short time. Later, Miss Phipps married Alfred M. Harned, a New York musician. She had met him at a seance. The couple had two children. She and her family moved to Hawaii and Phipps had a mental breakdown. She and her husband separated and the kids stayed with their father. For awhile she kept in contact with her children. In a short time, she abandoned them. She did not see her son for seventeen years.  Phipps appeared in two Broadway shows during her careeer. Her filmography includes 24 appearances in movies between 1915 and 1931. Like many early film stars, her rapid rise to stardom was followed by a quick dive into obscurity. According to the date written on the reverse of postcard 1, this portrait of Miss Phipps was taken in 1927. She was only 15 or 16 years of age at the time. It seems a bit creepy to me that teenage girls could be so sexualized by movie studios. The postcard was published by Iris Verlag and is part of a series (no. 913). The postcard photo includes the logo of “Fox Film”, indicating she was under contract with the studio at the time the postcard was published.                  Postcard 2 features a smiling Miss Phipps doing calligraphy. The writing is either Japanese, or Chinese. The postcard was published by Ross Verlag as part of a series (no. 4492/1). This postcard, like the first, has a logo for Fox Films, one of this actress’s film studios holding her contract. This postcard once resided in an album. It is in very good condition.

Buy this original Real Photo Postcard (includes shipping within the US) #2590b (POSTCARD 2)

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PHIPPS 2

POSTCARD 1

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MISS HASLAM: CAN-CAN DANCER AT THE ALCAZAR D’ETE IN PARIS, FRANCE

This vintage real photo postcard features English Can-Can dancer, Miss Haslam. The charming Miss Haslam performed in Paris’s music halls during the Belle Epoque. This photograph was taken by Lucien Walery who was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. Among his more famous subjects were Mata Hari and Josephine Baker. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. In this photo, Walery captures Miss Haslam during the time she was performing at the Alcazar Club. The Alcazar d’Ete was a Cafe-concert hall which opened in 1860 and closed in 1914. It was located on the Champs-Elysees in Paris. The music performed at the music hall was generally lighthearted and sometimes risque.   (SOLD)

THE LADY IS A VAMP: BEA GOLL, BEGUILING HUNGARIAN ACTRESS

This vintage real photo postcard features Hungarian actress and dancer, Bea Goll (1927-1914). Information about this pretty performer is sparse. In 1941, she danced in a revue. At 15 years of age, she married film producer, Antal Takacs. During the second World War, she appeared in seven films. She is considered to be one of the primary Hungarian actresses that played the role of the Hollywood style “vamp”. What is a “vamp”? The Merriam Webster dictionary defines “vamp” as a woman who use charm and guile to seduce and exploit men.  In 1948, Goll left Hungary with her husband to settle in Switzerland. She remained there until her death. This photo postcard was published by Film-Foto-Verlag and is part of a series (#A3902/1). The postcard has excellent clarity and is in excellent condition (see scans).

Buy this original Real Photo Postcard (includes shipping within the US) #2580

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$21.50

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LIZZIE EVANS: THEATER AND VAUDEVILLE STAR KNOWN AS “THE LITTLE ELECTRIC BATTERY”

This cabinet card image is a portrait of vaudeville and musical theater entertainer, Miss Lizzie Evans (c1864- 19? ). She is known for her performances in New York City and Chicago from the 1880’s through the early 1900’s. The New York Times once described her performing skills as similar to celebrated actress, Lotta Crabtree. The website “Broadway Photographs” states that she was “small, flat-chested, and intelligent looking rather than beautiful, she captured attention by her cleverness on stage and her unflagging energy”. Her nickname was “The Little Electric Battery”. Evans was born in Mount Vernon, Ohio. She made her stage debut in 1882, as a 17 year-old. She joined the Nobles theater company where she performed a role in “The Phoenix”. After leaving the Nobles company she joined C. E. Callahan where she starred in plays for nine years. Her roles included parts in “Fogg’s Ferry” and “The Buckeye”.  A New York Times (1881) review of her appearance in “Foggs Ferry” reports that her performance was “earnest and vivacious”. The reviewer also stated that “Miss Evans has no voice for song” but that her talent as an actress should allow her the luxury of avoiding any “vocal efforts”. After leaving her association with Callahan’s company, Evans retired for two years. Apparently she had trouble staying away from the theater lights, which was evidenced by her appearance in “Old Kentucky”. She than performed in vaudeville until the 1900-1901 season. Following her vaudeville appearances she formed her own troupe. Her biography indicates that the lure that took her away from musical theater was that vaudeville offered both top billing and big money. She was married to the famous comedian, Harry Mills in 1891. This portrait of Miss Evans was taken in 1885, according to the inscription in the reverse of the photograph. The photographer was D. H.Anderson who operated a studio on Broadway in New York City. Anderson used the same photo studio formerly occupied by the famed photographer, Matthew Brady. Anderson had worked in various other American cities before moving to New York in 1881. He became known as a talented celebrity photographer. This cabinet card is in good condition (see scans).      (SOLD)

PORTRAIT OF MISS BERTHA OLIVER: PARIS MUSIC HALL PERFORMER

This vintage real photo postcard features stage performer, Miss Bertha Oliver. She is beautiful and has a wonderful smile. This photograph was issued for Alhambra, a popular music hall in Paris, France. This postcard portrait was expertly taken by the celebrated French photographer, Paul Boyer (1861-1908). He photographed many famous people during his career. This postcard is published by Societe Industrielle de Photograpie (SIP) of Rueil, France and was part of a series (no. 1009). The postcard has excellent clarity and is in very good condition (see scans).   (SOLD)                                                                               

VIANNA LORENDA: A BEAUTIFUL WOMAN WITH A HIDDEN PAST

The young woman in this vintage real photo postcard portrait is Vianna Lorenda (her scripted name is difficult to decipher). Preliminary research did not reveal any information about this beautiful young lady. Her eyes are gorgeous. I suspect that she is an actress, singer, dancer, or some combination of the three vocations. The photographer of this photo is Paul Darby. His studio was located in Paris, France. Research yielded very little about Mr. Darby. “Photographic Times” (1903) contained an announcement of a book written by Darby. The book was about “the principal manipulations of the carbon process”. This postcard photo has exceptional clarity and is in good condition (see scans).

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$27.50

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Published in: on October 22, 2018 at 12:00 pm  Leave a Comment  
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PORTRAIT OF FOUR BEAUTIFUL EARLY INTERNATIONAL FILM ACTRESSES WHO MADE MILLIONS IN THEIR ROLES

This vintage real photo postcard is very unusual. It concerns itself with a topic that would be popular today. One could imagine seeing a modern version of this photo and an accompanying article in “People Magazine”. The title seen above the four actresses photograph (translated from German) is “World Famous Film Artists Who Earn Millions In Their Roles”. These beautiful film stars each hail from different countries. Pearl White (1889-1938) was an American actress of film and stage. She started her career on the stage at just 6 years’old in the play, “Uncle Tom’s Cabin”. At thirteen years of age she was a bareback rider for a circus. She dropped out of high school to join a touring stage company. Next she worked as a singer in Cuba and South America. She made her appearances in dance halls and casinos. In 1910, her voice began to fail and she began to appear in silent films, including many popular serials. Her nickname was “Queen of the Serials’. She did the majority of her own stunts in these film serials. She is known well for her role in “The Perils of Pauline”. She was often cast in the role of an athletic heroine, rather than the more typical, innocent young woman. As a result of her appearances in “The Perils of Pauline”, she was soon earning $1,750 per week. She increased her star power as she appeared in other serials. In these films she flew airplanes, raced cars, and did other action hero feats. By 1919 White moved on to more dramatic roles. She appeared in ten drama films for Fox Film Corporation. She finished her career by taking roles in European films, and finally, appearing on the European stage. While performing in London, she earned three thousand dollars a week. At the time of her retirement (1924), White had banked two million dollars. She then began investing. Her investments included a hotel, a night club, and a stable of race horses. White was married twice, each time, for short duration to actors. White died of liver failure, possibly due to her history of heavy drinking. Her drinking may have been attributable to her problems with pain stemming from a spinal injury occurring during her stunt days. The IMDb site credits white with 228 film appearances between 1910 and 1924. Franceska Bertini (1892-1985) was an Italian silent film actress. She achieved stardom in her career. She began acting on the stage at the age of seventeen. She quickly became involved in the budding Italian film industry. By 1915, she appeared in 50 films. She was beautiful and and had an elegance and an intense and charming personality. She was one of the initiators of an acting technique that focused on reality, rather than the existing dramatic style. She played both dissolute heroines, as well as, common women. In 1920 she declined a contract offer from Fox Film Corp (Hollywood) because she wanted to move with her wealthy banker husband to Switzerland After his death, she returned to Rome.  The IMDb gives Bertini 146 film credits from 1907 through 1976. Henny Porten (1890-1960) was a silent film actress and producer. She was Germany’s first major film star. She had no stage experience. Her father, Franz Porten was an actor and film director. Her first husband was also a film director. He was killed during World War I. Her second husband was Jewish and when the Nazi’s took power, she was pressured to divorce him. She refused, and that had negative impact on her film career. She was denied an exit visa. She made ten films while the Nazis were in power. Her home was destroyed in an aerial bombardment Porten and her husband found themselves out on the street. No one could help them because it was a crime to shelter a Jew. The IMDb lists 199 acting credits for Porten (1906-1955). She also has 26 credits for her work as a producer. Stacia Napierkowska (1891-1945) was a French actress and dancer during the silent film era. She also directed films. She was born in Paris and began her theatrical career with the Folies-Bergeres. She was “discovered” by the director of the Opera Comique who signed her to theatrical work. Next, she acted in silent films and reached stardom after playing opposite Max Linder, an actor often considered the first international star. In 1913 she left Europe for the United States to begin her own international career. The painter, Francis Picabia, met her on the ocean trip and he produced a series of paintings for which she was the inspiration. During a dance performance in New York City, Napierkowska found herself under arrest for indecency. Upon returning to France, according to Wikipedia, she said “I have not brought away a single pleasant memory from the United States”. She also declared that Americans were “narrow-minded people” and that they were “utterly impervious to any beautiful impression”. IMDb reports that Napierkowska appeared in 91 films between 1908 and 1926. This portrait postcard has excellent clarity and is in very good condition. It is also a rare postcard and a great photo of four international film all-stars.  (SOLD)

PORTRAIT OF VICTORIAN ACTRESS: MARIE LITTON

This cabinet card portrait features Victorian actress and theater manager, Marie Litton (1847-1884). She was born in England. She began her stage career in 1868, and by 1871 she became an actor-manager. She produced plays at the Court Theatre for four years. Several of these plays were by celebrated dramatist, W. S. Gilbert. She also appeared in and managed other West End theatres. Her better known roles include her appearances in “The School for Scandal” (1877), “The Rivals” (1878), and “She Stoops to Conquer” (1879). Litton had a long affair with theatre manager, William Wybrow Robertson (1831-1908). The pair married in 1879 after Robertson’s wife died. In 1882, Litton was forced to retire because of her cancer, which would eventually cause her death. Her obituary in “The Era” praised her for her generosity and helpfulness to others in the theatre profession. The article states that she was held in high esteem by both fans and by those who knew her in her private life. Miss Litton’s portrait was taken by the London Stereoscopic Company. The London Stereoscopic Company was located, not surprisingly, in London, England. The gallery billed itself as “Photographers’ to the Queen, the Prince of Wales and the Royal Family”. The company won many prizes and international exhibitions. (SOLD)

 

PRETTY BRITISH STAGE ACTRESS: MISS ALMA GRIFFITHS

This vintage real photo postcard features pretty British stage actress Miss Alma Griffiths. Catherine Hindson’s book, “London’s West End Actresses and the Origins of Celebrity Charity, 1880-1920” mentions Miss Griffiths. Hindson describes a period of time when theaters became a vehicle for raising money for various charities.  Theaters selected certain matinee performances to donate ticket revenues to charity. Stage performers often did their part to further fill the charity coffers. The author mentions that Alma Griffiths, along with other actresses, including Ethel Warwick and Irene Desmond, sold programs and flowers to the audiences and raised significant funds. The writer of the message on the reverse of this postcard, printed the date (1908) he wrote the postcard below Alma Griffith’s photo.The photo was taken by the Dover Street Studio.  The studio was active between circa 1906 and circa 1912. The gallery specialized in taking theatrical portraits and was located in London, England. The writer of the message states that the postcard was for the addressee’s collection. The writer adds that Miss Griffiths was a “Cardiff girl”, just like the receiver of the postcard. Cardiff is a port city on the south coast of Wales.   (SOLD)

Published in: on September 20, 2018 at 12:00 pm  Leave a Comment  
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