Marion Manola (1865-1914) is the subject of this cabinet card photograph by celebrity photographer, Benjamin Falk. Manola was born in Cleveland, Ohio. She was a popular comic opera star during the late 1880’s and 1890’s. The New York Times (1894) featured a headline stating “A Brilliant Future Sacrificed for a Life of Excitement” referring to Ms. Manola. The newspaper reported that the theatrical community was upset by the actress’s “insanity”. She was described as one of the more popular singer/actresses on American stage. She was known to be a bit eccentric but she was “heartily liked by everybody”. She was described as light hearted, having a joyous nature, and as vivacious. She was discovered by Colonel John A. McCaull, who cast her in a comic opera company. She aggressively pursued her career and had “late suppers”, “early rehearsals”, and worked hard. The stress of her theatrical life caused her to become irritable, fretful and difficult to manage. When her theatre company dissolved, she joined De Wolff Hopper’s company where she became the prima donna. After about a year she lost her job because of difficulty with a manager. She then went to Europe where she played the role of Maid Marion in “Robin Hood”. While in Europe she met her soon to be second husband, John Mason. Mason had his own personal problems including a great deal of debt. They joined a comic opera company in Boston but they quickly lost their jobs due to problems getting along with management. They organized their own company but it went bust. Manola’s mind began to fail and it became known that she had a opium habit. The press had a field day covering Ms. Manola’s psychiatric and substance abuse difficulties, as well as her entry into a rehab facility. Does any of this sound familiar? Think about the press coverage of Lindsay Lohan or a number of other celebrities of today who experience emotional or addiction problems. Manola also made her mark in the courts. In fact, Judge Louis Brandeis, one of America’s great Justices, was involved in an interesting and important case Manola brought to the legal system. The actress brought suit against a theatre manager and a photographer because she was photographed on the stage, without permission, while wearing an outfit (tights) she felt were too immodest to be photographed in. After being photographed, she ran off the stage in distress. The court supported Ms Manola’s suit and forbid the photographs from being distributed. The court took the position of there being a need for morality in the press. Some skeptics felt that the actresses real issue with the photographs had more to do with her not getting financially compensated for the photographs, rather than her claims that her privacy was violated. To view other photographs by Benjamin Falk, click on the category “Photographer: Falk”.
CHRISTINE HUDSON IN BABES IN TOYLAND
This Cabinet Card features stage actress Christine Hudson in costume for her role in “Babes in Toy Land”. The New York Times (9/10/1905) reports that the show was appearing at the West End Theatre and the cast included May De Sousa. An earlier edition of the New York Times (1902) announces her appearance in “Princess Chic”. The reverse of the cabinet card has an affixed label stating that the photograph is number H-16 of the “Oral M. Heffner Theatrical Collection” and the property of the Franklin County Historical Society. Research sheds some light on the Heffner collection. The Ohio State Archeological and Historical Quarterly (1953) writes that the first showing of the Oral M. Heffner Theare Collection was in 1953 and that the collection included over 700 rare photographs of early actors and actresses “who visited Columbus years ago”. The label on the front of this photograph blocks the name of the photographer. The name of the photographer etched on this image appears to be “Hall”. There was a Hall Studio located in New York City at a different Broadway address and it is possible that the studio was once at the Broadway address listed on this cabinet card. However, confirmation is needed and any verification help from a visitor to this site would be appreciated. To see other images by Hall, click on the category “Photographer: Hall”. To see other cabinet cards from the Heffner Collection, click on Cabinet Card Gallery’s category of “Oral M. Heffner Theatrical Collection”.
MISS LESLIE CHESTER: A THEATRICAL ACTRESS WHOSE BEAUTY COMPENSATED FOR HER LACK OF TALENT
Celebrity photographer, Sarony, of New York City, produced this head and shoulders photograph of actress, Leslie Chester. The actress is wearing an incredible hat. A review of one of Ms Leslie’s performances appeared in Life (1886). The review states that “Miss Leslie Chester is so pretty that her dramatic sins can be magnanimously pardoned”. The review goes on to report that Ms Chester “appears (in a role) as an ambitious amateur, who has no idea of acting and the part is distinctly appropriate.” Hopefully, Ms. Chester was as thick skinned as she was beautiful.
GEORGIE COOPER: CHILD ACTRESS PLAYING “LITTLE LORD FAUNTLEROY”
Georgie Cooper (1882-1968) appears in this cabinet card by Rose & Company of Denver, Colorado. Georgie Cooper was born in Battle Creek, Michigan. Her mother was an actress, Georgie Woodthorpe (1860-1927). Cooper started as a child actress and appeared as “Little Lord Fauntleroy” with her mother at the Burbank Theatre in Los Angeles, California. She later married actor, Landers Stevens and both were active appearing in films. She appeared in 47 films from 1928 through 1944. The photographer of this cabinet card is John K. Rose. He later took on a partner and started a studio named Rose & Hopkins. This partnership was dissolved in 1901. It is interesting to note that “Little Lord Fauntleroy” had much impact in cabinet card photography. In addition to the existence of a number of portraits of child actors portraying the character; many children’s attire and hairstyle in cabinet card images were based on the clothing and appearance of the “Little Lord Fauntleroy” character. “Little Lord Fauntleroy” was the first children’s novel written by English-American author Frances Hodgson Burnett. It was published in 1885. In regard to fashion, the classic Fauntleroy Suit was a velvet cut-away jacket and matching knee pants worn with a fancy blouse with large lace or ruffled collar. It became a major fad in formal fashion for American middle class children. Most commonly, boy between 3 and 8 years of age wore these suits and a minority of these children also wore ringlet curls. ADDENDUM : I have been informed that that this photograph was taken at a performance in Denver that occurred in November, 1889. The source reports that this information comes from an article appearing in the New York Clipper on 12/7/1889. (SOLD)
SOPHIE EYRE: STAGE ACTRESS SUFFERS AN UNFORTUNATE DEBUT
Sophie Eyre (1853?-1892) was a moderately successful stage actress. She was successful enough for the New York Times to publish a detailed obituary upon her death from heart disease while traveling in Naples, Italy. Eyre was born in Tipperary, Ireland. She married an English Army officer and went on the stage after his death. In 1884 she took the place of Rose Coghlan in the company at Wallach’s Theatre. In 1885 she appeared in New York in a “feeble and speedily forgotten” piece called “In His Power”. The debut was unfortunate “for the part was bad and the play was worse“. The debut was further spoiled by the “extraordinary stupidity of her maid” who followed her mistress on the stage bearing the train of her gown wrapped in a sheet”. Other New York appearances included “Valerie”, “Diplomacy” (by David Belasco), “She Loved Him”, “Home”, “Central Park: or the House with Two Doors”, and “The Palace of Truth”. During her stay in the United States, she was the subject of much gossip in the newspapers. This cabinet card was produced by Falk, a well-know celebrity photographer in New York City. Additional Cabinet Card Gallery photographs by Falk can be seen by clicking on the category “Photographer: Falk”. (SOLD)
CAROLINE MISKEL: AMERICAN STAGE ACTRESS WITH “NOBLE FORM AND FEATURES”
Caroline Miskel (1873-1898) was born in Kentucky. Her father was a newspaper editor and state legislator. She began her acting debut season with John Augustin Daly’s theatre company. She played in comedies and classic revivals. In 1894 she married Charles Hoyt, a popular playwright of the “gay nineties”. She starred in his production of “A Temperance Town”. In 1895 she was named America’s most popular actress and was awarded with “a nickel plated bicycle with a solid silver searchlight lantern”. Miskel was considered one of the most beautiful of all American stage actresses. One writer described her as a beauty with “light auburn hair, creamy complexion, bright sapphire eyes, and noble form and features”. The writer added that she was “as intellectual as she was beautiful”. Miskel’s life was cut short when she tragically died at age 25 after giving birth to a son. This cabinet card was published by Newsboy as part of a series of premium cards to be given away with the purchase of Newsboy tobacco products.
STAGE ACTRESS: MAI ESTELLE IN COSTUME FOR AN UNKNOWN PRODUCTION
This cabinet card photograph features stage actress Mai Estelle in costume for an unknown production. Her given name was Mai Twiggs Wynkoop. Preliminary research yields little information. In 1889-1990 she starred in the New York production of “Myrtle Ferns”. She performed on Broadway in “Maternity” (1915). The photographer of this image is William Mckenzie Morrison (1857- ?). Morrison was a well known celebrity photographer who housed his studio in the Haymarket Theatre Building between 1889 and 1899. He then moved his studio to the Champlain Building. Morrison was quite successful. He had a ranch in South Dakota and a summer home in Palisades, New Jersey. The Cabinet Card Gallery includes other photographs by Morrison. The images can be seen by clicking on the category “Photographers: Morrison”.
BEAUTIFUL AND FLAMBOYANT GERMAN WOMAN: BOUDOIR CARD PHOTOGRAPH
A very pretty and flamboyantly dressed woman poses for her photograph at the studio of E. Bieber. Bieber had two locations in Germany; Berlin and Hamburg. Emilie Bieber was a female German photographer who ran her Hamburg studio from 1852 through 1872 when she was joined by her nephew, Leonard Berlin-Bieber. Emilie Bieber died in 1884. The beautiful woman in this image is dressed to the hilt. Her dress and hat are covered with flowers and feathers. Perhaps she is an actress which judging by her expression, pose, and dress; is a likely possibility. This photograph is not a standard sized cabinet card but instead is known as a Boudoir Card. The card is 8 1/2 x 5 1/4 inches. To view other photographs by the Bieber studio, click on the category “Photgrapher: Bieber”.
MAUD GRANGER: BROADWAY STAGE ACTRESS
Maud Granger (c 1851-1928) was a popular nineteenth century actress who belonged to a number of east coast theatre touring companies. She played in 17 Broadway productions between 1879 and 1924. She also became an early cinema screen personality. This cabinet card was photographed by the studio of Gilbert & Bacon of Philadelphia, Pennsylvania. This studio was one of the best known photographic studios in Philadelphia and produced portraits of many celebrities. To view other photographs by this studio, click on the category “Photographer: Gilbert & Bacon”.
MARIE BURROUGHS: AMERICAN STAGE ACTRESS
Marie Burroughs (1866-1926) is the subject of this cabinet card portrait by Newsboy. Newsboy used this cabinet card as a premium to boost sales of their tobacco products. Marie Burroughs was born in San Jose, California and after completing her convent education, she was invited to join the Madison Square Theatre Company (c 1883). She appeared in many productions including “Saints and Sinners” (1885,1887) and “Foregone Conclusion” (1886). She was a prominent leading lady but wasn’t considered to have enough star power to carry a production by herself. In 1890 she married actor Louis Massen who had helped train her to become an actress. They separated within two years and she went on to have two other marriages.

