PORTRAITS OF LILY ELSIE: BEAUTIFUL AND TALENTED STAGE ACTRESS (VINTAGE RPPC)

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LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT :  RPPC - Picture 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT :   RPPC - Picture 1 of 2POSTCARD 10  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT :  (RPPC) - Picture 1 of 2POSTCARD 11  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT :   (RPPC) - Picture 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT :    (RPPC) - Picture 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : PORTRAIT : RPPC   1905 - Picture 1 of 3POSTCARD 14  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : PORTRAIT : BY RITA MARTIN : UNCOMMON RPPC - Picture 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : PORTRAIT : RAPID PHOTO : UNCOMMON RPPC 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : PHOTO BY FOULSHAM & BANFIELD : RPPC  1907 - Picture 1 of 3POSTCARD 17  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : PHILCO : PORTRAIT : RPPC  1907 - Picture 1 of 2POSTCARD 18  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : THE MERRY WIDOW : PORTRAIT : RPPC 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS : PHOTO BY FOULSHAM & BANFIELD : RPPC - Picture 1 of 4

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LILY ELSIE : PRETTY STAGE ACTRESS : PHOTO BY FOULSHAM & BANFIELD : RPPC  1906 - Picture 1 of 3POSTCARD 21  (SOLD)

LILY ELSIE : PRETTY STAGE ACTRESS : VEILED : PHOTO BY DAVIDSON BROTHERS : RPPC - Picture 1 of 2

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LILY ELSIE : CLOSE-UP : PRETTY STAGE ACTRESS : PHOTO BY J. BEAGLES : RPPC 1904 - Picture 1 of 3                                                                                             POSTCARD  23  (SOLD)

LILY ELSIE :IN "A CHINESE HONEYMOON" :PHOTO BY LIZZIE CASWALL SMITH : RPPC  1906 - Picture 1 of 2                                                                                               POSTCARD  24  (SOLD)

LILY ELSIE: PRETTY STAGE ACTRESS : PHOTO BY RITA MARTIN : RPPC  1913 - Picture 1 of 3

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LILY ELSIE: PRETTY STAGE ACTRESS : PLAYING FRANZI IN "A WALTZ DREAM" : RPPC - Picture 1 of 2POSTCARD 26  (SOLD)

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LILY ELSIE : PRETTY STAGE ACTRESS : IN "THE MERRY WIDOW" : RPPC  1908 - Picture 1 of 2 

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LILY ELSIE : PRETTY STAGE ACTRESS : PROFILE VIEW : FOULSHAM & BANFIELD : RPPC - Picture 1 of 2

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LILY ELSIE : PRETTY STAGE ACTRESS :PORTRAIT :BY LIZZIE CASWALL SMITH : RPPC 1904 - Picture 1 of 3

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LILY ELSIE : STAGE ACTRESS : AS "ALICE" IN "THE DOLLAR PRINCESS" : RPPC 1909

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Postcard 1 features celebrated stage actress Miss Lily Elsie (1886-1962). At the time of her portrait sitting for this image, Miss Elsie was also known as “Mrs. Ian Bullugh”. More about that later. Lily Elsie was a very popular English actress and singer. She was most known for her starring role in the London production of “The Merry Widow (1907)”. The show ran for 778 performances. A critic for The Pelican (1907) wrote that “the youthfulness, the dainty charm and grace, the prettiness and the exquisite dancing with which Miss Elsie invests the part…. I share the opinion of most of the first-nighters, who considered it could not have been in better hands, and could not have been better handled…. The night was a genuine triumph for Miss Elsie, and she well deserved all the calls she received”. She began as a child actress and before her big break had appeared in a number of Edwardian musical comedies. She was charming and beautiful and became one of the most photographed actresses of her time. Lily Elsie’s dad was a theater worker and her aunt was well known actress Ada Reeve. Shortly after the turn of the century she joined George Edwardes’ company at the Daly Theater. Some of her early appearances included “A Chinese Honeymoon”, “Lady Madcap”, “The Little Michus (1905)”. In the years between 1900 and 1906 she appeared in 14 shows. After the “Merry Widow” she appeared in  26 more shows including “The Dollar Princess” (1909) and “A Waltz Dream” (1911). She clearly was an actress who was in demand. Men paid her much attention but apparently she did not enjoy the attention. Lucile, her costume designer for “The Merry Widow” stated that Elsie was “absolutely indifferent to men and had once said that she disliked “the male character”. She added that men would only behave well if a woman “treated them coldly”. Now, some words about her marriage. In 1911 she he left the cast of a play in which she was performing to marry Major John Ian Bullough (1885–1936). Major Bullough was the son of a wealthy textile manufacturer. He was formerly married to actress Maude Darrell who only survived one year after their 1909 marriage. The marriage between Elsie and Bullough was reported to be very unhappy. Elsie’s health began to deteriorate and her husband pressured her to quit the stage and she was ready to do so. She returned to the stage during the war years (World War I) and was active in fund raising for the war effort. She next took a ten year break from the stage only to return once again. Her final performance took place in the Daly Theater in the play “The Truth Game” (1929). In addition to her theater career, Elsie made recordings, and appeared in two films, including D. W. Griffith’s “The Great Love” (1918). Also appearing in that film was Lillian Gish. In 1930 Elsie’s marriage ended in divorce. Her health began to deteriorate more and she developed hypochondriasis causing her to spend much time in nursing homes and sanitariums. Due to her psychological problems she had brain surgery. Her final years were spent at St. Andrews hospital in London. This postcard is part of a series (Arcadian no. A 26). The photographer of this image of this beautiful actress is the well known celebrity photographer, Rita Martin. She was considered one of the best British photographers of her time. She opened her studio in 1906. Martin’s sister, Lallie Charles was an esteemed society photographer. Many of Rita’s photographs can be found in the National Portrait Gallery. To view more photographs by Rita Martin in the cabinet card gallery, click on the category “Photographer: Martin”.

The second postcard of Miss Elsie provides a terrific close-up photograph of the beautiful Miss Elsie. She is wearing a dark jacket, a frilly high collared blouse and a ribbon bow tie. Her accessories include a long necklace, a pin low on her blouse, and a corsage. The postcard is part of the Rotary Photographic Series (no. 4159 J) published by Rotary Photo. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s.

The third postcard features Lily Elsie clutching a bouquet of flowers and glancing sideways at the photographer. She looks absolutely beautiful. She is wearing a fancy beaded dress and a bracelet. She stands in front of a window. This photograph, like the second postcard’s photo, was taken by the Foulsham & Banfield studio. The portrait postcard was published by Rotary Photo and is part of a series (11840 F). The postcard was printed in Britain.

The fourth postcard is a portrait of a smiling Lily Elsie. She is wearing a flower, beads (pearls?), and a hairband. This photograph was taken by the Foulsham & Banfield studio. The portrait postcard was published by Rotary Photo and is part of a series (11593 B). This postcard captures Miss Elsie in her role as Alice in “The Dollar Princess” (1909).  The venue for the play was Daly’s Theater in London and cast members included Joseph Coyne, Gabrielle Ray, Emmy Wehlen, and Gladys Cooper.  (SOLD)

Postcard 5 is a portrait postcard of Miss Elsie that provides a terrific close-up photograph of the stage beauty. The postcard is part of the Rotary Photographic Series (no.11841D) published by Rotary Photo. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s.   (SOLD)

Postcard 6 was published by Rotary Photo and is part of a series (4484D). The photographer of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1907.   (SOLD)

Postcard 7 is a vintage real photo postcard featuring  celebrated stage actress Miss Lily Elsie (1886-1962) in costume for her role in “The Merry Widow” (1907). This postcard was published by Rotary Photo and is part of a series (4827U). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1908.  (SOLD)

Postcard 8  features celebrated stage actress Miss Lily Elsie (1886-1962) in costume for her role in “The Merry Widow” (1907).This postcard was published by Rotary Photo and is part of a series (4827J). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1909. This postcard has an interesting message. The writer appears to be having difficult times. She opens the message with the announcement that she can’t afford to send anymore postcards because her “cash is nearly gone”. She also complains about the “rotten weather”. (SOLD)

Postcard 9 was published by Rotary Photo and is part of a series (no.4827S). The card is uncommon. The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield.   (SOLD)

Postcard 10 was published by Rotary Photo and is part of a series (no.4827P). The photographers of this uncommon image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield.  (SOLD)

Postcard 11 was published by Rotary Photo and is part of a series (no.4827V). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield.  (SOLD)

Postcard 12 This postcard captures Elsie in her role in “The Merry Widow”. The card was published by Rotary Photo and is part of a series (no.4827W). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield.   (SOLD)

Postcard 13 was published by Rotary Photo and is part of a series (no.4827M). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The postcard is uncommon.  (SOLD)

Postcard 14 was published by C.W.F. & Co. and is part of a series (no.457C). The photographers of this image of this beautiful actress are the well known celebrity photographers, Johnston & Hoffmann. The card was postmarked in 1905.  (SOLD)

Postcard 15 was published by J. Beagles & Co. and is part of a series (no.179L). The photographer of this image of this beautiful actress is celebrated female photographer, Rita Martin.  (SOLD)

Postcard 16 was published by Rapid Photo and is part of a series (no.1284). The photographer of this image is the Johnston & Hoffmann studio.  (SOLD)

Postcard 17 was published by Rotary Photo and is part of a series (no.4124B). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. The card was postmarked in 1907.  (SOLD)

Postcard 18 was published by Philco Publishing and is part of a series (no.3381B). The card was written in 1907.  (SOLD)

Postcard 19 was published by Rotary Photo and is part of a series (no.4827N). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1908.  (SOLD)

Postcard 20 was published by Rotary Photo and is part of a series (no.11775A). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. (SOLD)

Postcard 21 was published by Rotary Photo and is part of a series (no.1996A). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. The postcard has a 1906 postmark and a British stamp.  (SOLD)

Postcard 22 is uncommon and was published by Davidson Brothers and is part of a series (no.1479). The photographer of this image of this beautiful actress is Draycott Galleries .  (SOLD)

Postcard 23 was published by J. Beagles and is part of a series (no.127A). The photography studio that took this image of this beautiful actress is Ellis and Walery.  (SOLD)

Postcard 24 captures Miss Elsie wearing a fantastic hat and a beautiful smile. Miss Elsie is seen in costume for her role in “A Chinese Honeymoon” (1903).  The plot of the play concerns couples who honeymoon in China and unknowingly breaks the kissing laws. The show was the first musical to run over one thousand performances. This postcard was published by Rotary Photo and is part of a series (no.1656/C). The photographer of this image  is celebrated female photographer, Lizzie Caswall Smith. The postcard has a 1906 postmark and a British stamp.   (SOLD)

Postcard 25 was published by Rotary Photo and is part of a series (no.1656/C). The photographer of this image of this beautiful actress is celebrated female photographer, Rita Martin. The postcard has a 1913 postmark and a British stamp.  (SOLD)

Postcard 26 captures Miss Elsie in this photo in her role as Franzi in the stage production of the operetta, “A Waltz Dream”. This postcard was published by Rotary Photo and is part of a series (no.11841/F). The photographer of this image of this beautiful actress is the Foulsham & Banfield studio.   (SOLD)

Postcard 27 was published by Rotary Photo and is part of a series (no.11502/C). The photographer of this image of this beautiful actress is the Foulsham & Banfield studio.  (SOLD)

Postcard 28 captures Lily Elsie in her role in “The Merry Widow”.  This uncommon postcard was published by Rotary Photo and is part of a series (no.4826A). The photographers of this image is the well known studio of Foulsham & Banfield. The card was postmarked in 1908.  (SOLD)

Postcard 29 was published by Rotary Photo and is part of a series (no.11427B). The photographers of this image is the well known studio of Foulsham & Banfield.  (SOLD)

Postcard 30 was published by C.W.F. & Co. and is part of a series (no.457C). The photographers of this image of this beautiful actress are the well known female celebrity photographer, Lizzie Caswall Smith. The card was postmarked in 1904. (SOLD)

Postcard 31 was published by Rotary Photo and is part of a series (no.11594C). The photographer of this crisp image of this beautiful actress is the well known celebrity photographic studio, Foulsham & Banfield. This postcard captures Miss Elsie in her role as Alice in “The Dollar Princess” (1909).  The venue for the play was Daly’s Theater in London and cast members included Joseph Coyne, Gabrielle Ray, Emmy Wehlen, and Gladys Cooper.   (SOLD)

                                                       Wedding Photo (1911)

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LIL DAGOVER : PRETTY GERMAN SILENT & SOUND FILM STAR : MADAME BOVARY : RPPC 1942

This vintage real photo postcard features celebrated German actress, Lil Dagover (1887-1980). She was renowned for her work in silent films, particularly her collaborations with key figures of German Expressionist cinema. Her striking beauty and ability to convey complex emotions made her one of the most recognizable faces of early 20th-century European cinema. Lil Dagover was born into a well-to-do family in the Dutch East Indies, where her father worked as a forestry officer. After his death, her mother relocated with the family to Europe, and Dagover spent much of her youth in Switzerland and Germany. She was orphaned at 13 years of age and was raised by relatives. She initially planned to become a painter but was drawn to the performing arts, which led her to pursue acting. Dagover’s acting career began on the stage, but her breakthrough came with the advent of film. She made her debut in 1913, though her rise to stardom began in earnest in the early 1920s when she worked with director Robert Wiene in the landmark German Expressionist film The Cabinet of Dr. Caligari (1920). Dagover became a favorite of directors such as Fritz Lang, F.W. Murnau, and Ernst Lubitsch. Her notable silent-era films include “Destiny” (1921), “Dr. Mabuse, the Gambler” (1922), and “The Chronicles of the Grey House” (1925). Her success continued during the sound era, where her aristocratic demeanor and elegance suited roles in historical dramas and comedies. Dagover remained active in German cinema during the Third Reich, a time when the industry was heavily influenced by propaganda. However, she largely avoided overtly political films, focusing instead on character-driven narratives. After World War II, she transitioned to stage work and television, continuing her career well into the 1970s. In regard to her personal life, in 1913 she married Fritz Daghofer, an Austrian officer. They had one child and the marriage ended in divorce. She married for a second time to a German film producer. This postcard was published by Film-Foto-Verlag as part of a series (No.A3735/1). Miss Dagover’s photograph was taken by Baumann between 1941 and 1944. The logo for Terra Film is in the bottom right corner of the image. Terra Film was a Berlin-based film production company. Founded in 1919, it became one of Germany’s largest film production companies in the 1930s under the Nazi regime.  SOLD

CORINNE: FAMOUS CHILD ACTRESS AND SUBJECT OF A SENSATIONAL CHILD ABUSE CASE

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The actress pictured in Cabinet Card 1 is Corrine.  Corrine, like Elvis or Selena, was a performer that received national recognition and was known by just her first name. In the top portrait by celebrity photographer B. J. Falk, Corrine looks to be teenager or young adult. She is dressed in theatrical costume. Corinne was the daughter of actress Jennie Kimball. Kimball acted in the theater between 1865 and 1873. The year of her retirement, she became the mother of Corinne, who the New York Times (1896) labelled “the most famous of all the child actresses of this country”. It is not clear how Kimball and her husband came to raise Corinne, but is was speculated that she was adopted as an orphan. Kimball trained her young daughter for the stage. Corrine debuted in the theater at age two and a half.  At five years of age she played the part of  “Little Buttercup” in the Boston production of “Pinafore”. She played the role more than one hundred times. At fifteen years of age she was traveling as head of her own theater company. Jennie Kimball doubled as Corinne’s mother and manager. The New York Times (1896) reported that Corinne “was a goldmine” during her early days for Mrs. Kimball and remained a major money producer through the time the article was written. At the time the article appeared, Corinne was twenty-two years old.  Jennie Kimball’s successful management of her daughter’s career wasn’t appreciated by all observers. The New York Times (1881) asserted that the Society for the Prevention of Cruelty to Children objected to the way Corinne was being raised and successfully pursued custody of the child. During the custody hearing, eight year-old Corinne was put on the stand and interrogated by the society’s lawyer. He asked her how many times she was photographed and she didn’t know but said “she was never photographed in tights nor with her limbs and breast exposed”. The lawyer’s questioning revealed that the child had never attended school. However, Jennie Kimball did give her “lessons” each morning. The lawyer then gave Corinne an impromptu writing/spelling test during her testimony. The attorney also prompted the child to say she had never attended sunday school and didn’t know what a bible was nor had she ever been taught anything about Jesus Christ. The society lawyer was initially able to convince the judge to remove the child from the custody of Mrs Kimball because she was “unlawfully exhibited and employed” in dancing, singing and acting on the theatrical stage. Mrs. Kimball was allowed to take her daughter for a brief period to change her clothing but was assigned an escort to insure that the child would be brought to the society. Mrs Kimball was advised by George Hackett, the manager of a Providence opera house that if she took her daughter from New York to Jersey City, New Jersey; the girl would be out of the courts jurisdiction and she could keep her daughter. Mrs. Kimball followed his suggestion, and allowed a man to spirit the child out of state. As a result, Mrs. Kimball was charged with abduction and she ended up back in court. After a short time, the judge considered all the testimony that he heard and decided to return Corinne to her parents (he called them guardians). He believed that they were loving toward the child and responsible enough to continue raising her. Interestingly, he had something to say about the religious angle pursued by the society lawyer. The judge wrote that the the US constitution protected Corinne’s parents from being punished for not providing religious education to their daughter.  Corinne continued her acting career and eventually became involved in burlesque theater. The New York Times (1894) wrote “Corinne has grown up and proves a lively and entertaining performer. The article adds that “she has no large share of original talent, musical or dramatic, but she can sing and dance “well enough”.

Cabinet Card 2 pictures Miss Corinne and was published by Newsboy (#20 of a series). She is wearing jewelry galore and flowers in her hair. What is that contraption that she is wearing around her waist? Is it a pouch? If so, what is it meant to carry? SOLD

 

MARY FULLER : SILENT FILM STAR & SCREEN WRITER : CHRONIC PSYCH PATIENT : RPPC

This vintage real photo postcard features American film actress Mary Fuller (1888-1973). She was born in Washington DC. Her father was an attorney. By 1906, she was working on stage. In 1907, signed with Vitagraph Studios to make films. In 1910, she signed with Edison Film Company. That same year, she appeared in the first film version of “Frankenstein”. By 1914, she was a major film star. After starting her career in theater, she made her film debut in 1908 when the industry was still in its infancy. Her work with the Edison Manufacturing Company helped establish her as a leading actress, and she quickly became one of the most recognized faces of silent film. One of her most famous roles was in “The Last of the Mohicans” (1911). In addition to her film work, Fuller was known for her appearances in short films and serials. Fuller was also a screenwriter. She penned eight films. When the film industry entered the sound era, Fuller’s popularity waned. After making a few sound films, she retired. In 1947, she suffered a nervous breakdown and spent the rest of her life (26 years) in a Washington DC psychiatric hospital. Her mental decompensation was precipitated by a failed affair with a married opera singer and later exacerbated by the death of her mother. The IMDb reports that Fuller appeared in 230 film roles between 1908 and 1917. This postcard was published by Photo-Play Advertising and Specialty Company. The firm was based in Pittsburg, Pennsylvania. SOLD

ANNY ONDRA: BEAUTIFUL TALENTED ACTRESS : WIFE OF BOXING CHAMPION MAX SCHMELING : RPPC

This vintage real photo postcard features actress Anny Ondra. The postcard was published by Ross Verlag. The photograph is by Alexander Binder. The postcard is part of a series (no. 5873/1). Anny Ondra (1903-1987) was a Czech film actress. She was born in Tarnow, Galicia, Austria-Hungary (now Poland). She was active in the movie industry between 1914 and 1957. She acted in Czech, Austrian, and German films in the 1920’s. She appeared in some British dramas, most notably, Alfred Hitchcock’s “The Manxman” (1929) and “Blackmail” (1929). The IMDb credits Ondra with over 90 acting credits between 1914 and 1957. She appeared in more than 40 films in the sound era. However, her career in British films was hurt by her thick accent. Check out the youtube video below. In this “test film”, Hitchcock “interviews” Ondra and makes her visibly uncomfortable and embarrassed by asking her very personal questions. She was married to German boxing champion Max Schmeling between 1933 and 1987. Schmeling was the world champion between 1930 and 1932. He is  well known for his fights with African American fighter, Joe Lewis. Ondra’s father was a Czech, Austro-Hungarian military officer and she grew up in Tarnow, Pula, and Prague. At the early age of seventeen, she acted in the theater as well as in a film. When her family learned that she had acted in a film, they were extremely angry. In fact, she reported that she was given a beating by her father. Post World War I was a time, for many people, that being an actress was akin to being a prostitute. Ondra began to live with her boyfriend (her debut film’s director) but after some time, the relationship ended because she wanted a family and he wanted nothing to do with marriage. In 1933, after a three year romance, Anny married Max Schmeling. She had been in a film with the boxer (“Knock-Out”, 1935). It was a “happy” marriage and the couple remained together until her death in 1987. Ondra and Schmeling were hot names in Nazi Germany. German fascists tried to exploit them in order to popularize their movement. Schmeling was seen as a German superman while Ondra represented the blonde Aryan type. The two celebrities refused to collaborate. Schmeling turned down honors and even helped hide two Jewish children, saving their lives. However, because of Nazi propoganda, many believed that the couple had collaborated. As a result, Schmeling and Ondra suffered financially for their fictional cooperation with the Nazis. Ondra was portrayed in two modern day movies, “Ring of Passion” (1978) and Joe and Max (2002). Miss Ondra appears quite thin in this postcards’s photo. Note her fur collared jacket. SOLD

ORMI HAWLEY : AMERICAN SILENT FILM ACTRESS : OPULENT ORMI : REAL PHOTO POSTCARD

Ormi Hawley (1889-1942) was a pretty and popular American silent film actress. The IMDb reports that she has 129 film credits between 1911 and 1919. She must have garnered a significant amount of money because her nickname was “Opulent Ormi”. She also earned the nickname of “The Lillian Russell of the Pictures” because she frequently played society or aristocratic roles. Like many silent film actresses, she began her career as a teen on the stage. In 1911, she joined the Lubin Stock Company and over the next five years, she starred in dozens of short films. In 1918, she was the leading lady with opera legend Enrico Caruso. Later in her career, she managed the All-American Girls Symphony Orchestra. Upon marriage, she retired to her farm where she painted portraits and wrote children’s stories. This card was published by Kraus Manufacturing Company (New York) for the Lubin film company. Interestingly, the caption on the front of the card describes Hawley’s appearance. She is said to have blonde hair and gray eyes. (SOLD)

PHOTOGRAPH OF ACTRESS GRETA GARBO IN A SCENE FROM THE “TEMPTRESS” (1926) AND ONE REAL PHOTO RISQUE POSTCARD

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GRETA GARBO : RISQUE :SWEDISH FILM STAR :1920'S & 1930'S : ACADEMY AWARDS : RPPC - Picture 1 of 3

PHOTOGRAPH 2  (SOLD)

Photograph 1 is an original vintage  is a French press photo from 1991. The image features the actress, Greta Garbo in a scene from the silent film, “The Temptress” (1926). Garbo (1905-1990) was a Swedish film actress in the 1920’s and 1930’s. She was beautiful and she was talented. During her career she was nominated three times for the Academy Award for best actress. The American Film Institute rated her fifth on their list of the greatest female stars of classic Hollywood cinema. Her first film role was in the Swedish film “The Saga of Gosta Berling” (1924). Louis B. Mayer, the head of Metro-Goldwyn-Mayer (MGM) was impressed by her performance and brought her to Hollywood in 1925. Her performance in the silent film “Flesh and the Devil” made her an international star. Her first talkie was “Anna Christie” (1930). Many film experts believe her finest performance came in the film “Camille” (1936). By1938, her career went into a tailspin and she retired from the movie industry at the ripe young age of 35. In total, she had appeared in twenty-eight films. She led a very private life in her retirement and she became an art collector in her later years. She clearly knew her art, evidenced by the fact that her collection was worth millions of dollars when she died.  (SOLD)

Photograph 2 is a vintage postcard that is risque. Garbo’s dress is quite low cut. This vintage postcard is part of the “Picturegoer” series (No.503).  (SOLD)

garbo 2

PHOTOGRAPH 1

PHOTOGRAPH 2

LULU VALLI : BRITISH STAGE ACTRESS : CHILD STAR : SISTER OF VALLI VALLI : RPPC

This vintage real photo postcard features British actress, Lulu Valli (1887-1964). She was active in the 1890’s through the1900’s. She began acting as a child. Two of her sisters (Ida and Valli) were also actresses. She was married to hotelier, Edward Parsons. A photograph of Lulu Valli can be found in the collection of England’s National Portrait Gallery. This antique postcard was published by Percy Guttenberg of Manchester, England. The card is part of a series (No.19 R). Printing on the reverse of the postcard mentions “Theatre Royal Panto”. Panto is short for pantomime. This vintage postcard portrait is in good condition (see scans). 

5307_0001

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #5307

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$22.00

5307_0001

Buy this original Vintage Real Photo Postcard (includes International shipping outside the US) #5307

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$32.00

ISABEL EVERSON: THEATRE ACTRESS WITH LITTLE BACKGROUND

CABINET CARD 1

everson

CABINET CARD 2

Penciled on the reverse of Cabinet Card 1 is the name Isabel Everson. Preliminary research reveals little information about this actress other than an existence of a tobacco card premium published by Sweet Caporal which has her portrait. In addition, some newspaper articles were found that announce her appearance in various theater production.  Further research is required. This cabinet card is by Sarony, famed celebrity photographer located in New York City. To see other examples of Sarony’s photographs; click on the Photographer: Sarony category on this site.

Cabinet Card 2 is a portrait of Everson by an unknown photographer. Unfortunately, the bottom of the cabinet card has been trimmed to fit into a frame or album, making it difficult but not impossible to identify the photographer. I attempted to identify the photographer by matching the script on the bottom of the photo with other photographer logos in the cabinet card collection. Unfortunately, I had no luck. Perhaps a cabinet card gallery visitor will be able to accomplish the detective work necessary to make the identification. Note the images found below that identifies Miss Everson as well as the image of the Russell Brothers stamp. Both the inscription and the stamp were located on the reverse of the cabinet card. Miss Everson is wearing a very interesting costume in this cabinet card photograph. It is probably something that she was wearing in a play in which she was appearing. I wonder what the object is that she is holding in her right hand. Does the object relate to her costume? I seem to have more questions than answers about this portrait of Isabel Everson. This cabinet card has an extremely slight curl. Extremely slight. The cabinet card has excerllent clarity and is in overall Very Good condition  (see scans). 

Buy this Cabinet Card Photograph (includes shipping within the US) #6400

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$64.00

Buy this Vintage Original Cabinet Card (includes International shipping outside the US) #6400

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$74.00

CABINET CARD 1

CABINET CARD 2

everson 3

CABINET CARD 2

Published in: on December 15, 2024 at 12:00 pm  Comments (6)  
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LILLY DEJO : ONE HALF OF THE DEJO SISTERS : STAGE PERFORMER : GERLACH : RPPC

This vintage real photo postcard features stage performer, Lilly Dejo. Lilly is usually seen on vintage postcards with her sister, and the cards are generally labelled “The Dejo Sisters”.  A preliminary search found no biographical information about this sister’s act. The postcard was published by Georg Gerlach & Co.. The firm was a real photo card publisher and printer based in Berlin, Germany. This postcard is in very good condition (see scans). 

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5302

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$29.95

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5302

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$39.95

Published in: on December 12, 2024 at 12:00 pm  Leave a Comment  
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