This vintage real photo postcard features an adorable wide-eyed little girl dressed in winter clothing. She is wearing a fur coat and a winter hat. The girl is holding a doll. This photograph was taken by Ferdinand Ertl and the postcard was published by Bradux (c.1930’s). The card is part of a series (86539). Ertl’s studio was located in the Tamsweg-Lungau region of Austria. SOLD
Postcard 1 (SOLD)
POSTCARD 1 (SOLD)
Postcard 2
These vintage real photo postcards feature German actress Lissi Arna (1900-1964). She is known for the films “Harbor Drift” (1929, The Squeeker (1931), and Under the Lantern (1928). She appeared in German silent films and entered US films in 1930. She was an exotic femme fatale in German silents She was married to a doctor in 1939 and the couple lived in Venezuela until his death. She appeared in Hollywood in German language versions of American films. She was in the US for only one year and failed to get significant offers from any of the major studios. In the sound era she gradually lost her popularity and was confined to supporting roles through the 1930’s. The IMDb credits her with 62 films between 1915 and 1962. View the YouTube video below to see Lissi Arne appearing in “Under the Lantern” (1928).The first postcard was published by Ross Verlag as part of a series (no. 4199/2). Miss Arna’s portrait was taken by the Manasse studio which was located in Vienna, Austria. There also was a branch of the studio in Berlin. The Manasse studio was in existence between about 1922 and 1938. The studio was run by Olga Solarics (1896-1969) and her husband Adorja’n von Wlassics (1893-1946). Olga was known for her interest in photographing nudes. The studio flourished in Vienna during the 1930’s. Many of the portraits taken by the studio had an erotic flavor. The studio attracted some of the leading ladies of film and theater. The studio was also involved in producing photographs for advertising. This husband and wife team of photographers were very talented and very successful in their profession.
The second portrait postcard features a somewhat risque photograph of Miss Arna. The photograph reveals her bare back and shoulders as well as as a bare view above her breast. She is flashing a sly smile and smoking a cigarette at the end of a cigarette holder. The photo was taken by German photographer Kiesel in Berlin, Germany. The second postcard (no. 3091/1) is part of the same series as the first postcard. This postcard is published by Ross Verlag (Berlin, Germany).
Postcard 1
Postcard 2
This vintage real photo postcard features Austrian actress Magda Sonja (1886-1974). She was married to film director Friedrich Feher. Her acting career began when she was twenty years of age when she appeared in a production in Vienna. She then appeared in a number of Cabaret performances. She began her silent film career in 1917 in the film “About A Woman”. By 1918 she was a star of Austrian silent films along with Liane Haid. In fact, Sonja was the actress with the most appearances for the very productive Sasch-Film company. Among her films were “The Other Me” (1918), “Don Juan’s Last Adventure” (1918), “The Venus” (1922), and “Drakula halala” (1923). She is considered to have reached the height of her career in (“Mata Hari, The Red Dancer”). The IMDb credits Sonja with appearing in 43 films between 1917 and 1937. Magda Sonja was another actress who’s career cooled off after the advent of sound movies. In 1933, she and her husband emigrated to England to avoid the persecution of Jews. In 1937 they moved to the United States. Sonja was the mother of actor Hans Feher. It is unfortunate that Sonja and her husband had no success in resuming their careers in Hollywood. This postcard was published by Iris Verlag as part of a series (no, 5021). Logos for “National” and “Mondial-Film appears on the front of the postcard. Mondial-Film was a production company and a film distributor.
Marte Harell (1907-1996) was an Austrian film actress. She was married to Karl Hartl (1899-1978), an Austrian film director. Harell’s filmography includes “Women Are No Angels” (1943), “After The Storm” (1948), and “The Congress Dances” (1955). She was active in film and television between 1939 and 1981. Early and late in her career she also did theater. She made her film debut at age 32. She was in a number of films by Wien-Film. Hartl was the production manager of the company. This photo postcard was made for Wien-Film. The postcard is part of a series (no. A 3645/1). It is likely that this is a photograph of Miss Harell in costume for one of her film roles
Karina Bell’s beauty is quite apparent in this vintage real photo postcard portrait. She was born in Hellerup, Denmark in 1898 and died in Denmark in 1979. Bell was a film actress who began her career as a ballet dancer. She made her stage debut in 1919. Most of her films were silent films produced in Sweden, Denmark or Germany. She did appear in two talkies. She was known for her roles in “Little Dorrit” (1924), Klovnen (1926), and “5 Raske Piger” (1933). Bell was one of the most popular stars of the Nordisk Films Kompagni in the 1920’s. She was married in 1934 to Knud Parkov (1894-1949). He was the director of a Danish brewery (Wiibroes Brewery) and a member of the Danish resistance. She retired from acting after she got married. The IMDb gives Karina Bell 20 credits. Her film appearances occurred between 1919 and 1933. Upon her husbands death, Bell took over his director duties at the brewery. This Austrian postcard was produced by Iris Verlag as part of a series (no. 589). The photograph was by Lux-Film.
An adorable little girl poses for her portrait at the studio of Marie Gleissner in Vienna, Austria. The girl has long curly hair and a sweet smile. She is holding an umbrella. I could not find biographical information about the photographer but it is my assumption that the photographer is a woman (Marie). An inscription on the reverse of the photograph indicates that it was taken in 1916. The Cabinet Card Gallery has other images by the Gleissner studio. Click on the category “Photographer: Gleissner” to view the additional photographs. (SOLD)
This vintage photograph features an adorable little girl sitting on a wall and holding her hoop toy. She is wearing a cute dress and is wearing a bow in her long wavy hair. She is also wearing a wonderful smile. The photographer of this image is Marie Gleissner who operated a studio in Vienna, Austria. I was unable to find biographical information about the photographer. It is my assumption that the photographer is a woman (Marie). The photographer did an excellent job posing the little girl and produced a terrific image.
This beautiful carte de visite features a proud Austrian man wearing his nation’s traditional clothing. The young gentleman looks quite dapper in his Tyrolean garb. This CDV was produced by the Carl Dubell Studio which was located in Vienna, Austria. The photograph has an inscription on the reverse. The inscription is dated 1902 and according to the previous owner of this photograph, is taken from Friedrich von Schiller’s (1759-1805) drama, “William Tell”. The quote is translated as “But he, me thinks, is master of his craft. Who can at all times on his skill rely nor let his heart disturb or eye or hand.” To view other photographs by Carl Dubell, click on the category “Photographer: Dubell”.
This cabinet card features a beautiful young actress. I am hypothesizing that she is an actress based on her wardrobe and her great poise. The young lady is wearing a necklace and a jeweled hair band. Note her interesting footwear. She is standing by a faux pile of rocks in the Schuster studio which was located in Vienna, Austria. This cabinet card is not standard sized. It measures about 3 3/4 ” x 8 1/4″.
This cabinet card portrait features German born Austrian actress Rosa Albach Retty (1874-1980). Retty appeared on the stage and in movies. She was daughter of actor Rudolf Retty. She began her theatrical career in 1890 at the Deutsches Theater and the Lessing Theater. In 1895 she appeared at the Volkstheater in Vienna and in 1903 became a member of the Burgtheater ensemble. She made her film debut in 1930 in Georg Jacoby’s “Money on the Street”. Her last film credit was for a role in “Congress Dances” (1956). She was married to Karl Albach, an Austro-Hungarian Army officer. Albach-Retty’s son, Wolf Albach-Retty was an actor as was her granddaughter (Romy Schneider {1938-1982}). Albach-Retty clearly had the “theatrical gene” as well as the gene for longevity. She died at the age of 105. She is buried in Zentralfriedhof in Vienna. The photographer of this image is Hans Makart and his studio was located in Vienna, Austria. The photographer Hans Makart is not the same individual as Austrian Hans Makart (1840-1884), the celebrated artist. It is an interesting coincidence however, that Makart the artist utilized photography in his work. Another portrait of Albach- Petty as well as an image of her gravestone can be seen below. The third photograph is a portrait of Romy Schneider.
THE CABINET CARD GALLERY 