PORTRAIT OF IDENTIFIED HANDSOME GENTLEMAN : BINGHAMTON, NEW YORK : CABINET CARD

The man in this cabinet card photograph appears to be a professional gentleman. He is wearing an overcoat and a nicely trimmed beard. He is standing next to his derby hat and has a pocket watch. Perhaps the well dressed gentleman is an attorney. Maybe its not a coincidence that the Binghamton, New York based photographer, Singhi, was located on Court Street. The reverse of the photograph has an inscription which identifies the gentleman as “Adelbert Harroun”. Research reveals that Mr. Harroun was not a lawyer but instead, he was an accountant. The 1870 census notes that Thomas Adelbert Harroun (1851-?) was the 19 year-old son of  Thomas Harroun (1824-1907) and Salina King Harroun (1824-1903). His father’s occupation was listed as a “Presiding Elder”  and further research found that he was a Methodist clergyman. His mother was a homemaker. Adelbert lived with his parents and two siblings in Norwich, New York. Sister Flora (age 22) was a music teacher and brother Arthur (age 11) was a student. He married his wife, Mary Winton, in 1888. The couple had two children. The 1900 census finds the 47 year old Harroun living in Dunleith, Illinois. He was living with his wife, Mary, their son N. Winton (age 10), and daughter Anna Augusta (age 9). Harroun was working as a railroad yard clerk. Further investigation revealed that daughter Anna Augusta died in 1904 in Dubuque, Illinois. The 1920 census reports that the 67 year-old Harroun was widowed and living in Waukegan Lake, Illinois with his sister Flora. He was working as an accountant. The 1930 census locates Harroun in Prineville, Oregon and living as a boarder. At 79 years of his age, he was still working (bookkeeper). The photographer of this image is Will G. Singhi. He worked in Binghamton, New York between 1872 and 1886. His albumen print “A Winter Scene” is exhibited in the online “American Museum of Photography”. Singhi had taken a photograph that appeared to capture a snowball in mid flight heading toward a newsboy who was prepared to deflect it. The museum also has on display a funny cartoon self portrait caricature that Singhi used as an advertisement. The Photographic Times and American Photographer (1883) comments on Singhi’s wonderful sense of humor.  SOLD

TWO VICTORIAN WOMEN AND THEIR BICYLCES AND CYCLING ATTIRE

This Cabinet Card features two young woman and their bicycles. Magnification reveals that the bicycles have bells on the handle bars. The woman are wearing caps which brings up the issue of whether this is an occupational photograph. For example, were these women messengers or some other bicycle related employment. The woman on the left is wearing a dress which would make bicycling very difficult, so another possibility is that the caps and the bikes are just props from the photographic studio. The reverse of the card has an inscription that indicates that the woman under the “x” (the woman on the left), is named Miss H. Pleiss. Also in the inscription appears to be the word “Butte’. It is very possible that this cabinet card is from Butte, Montana. There is no evidence concerning the identity of the photographer. Note crease (not rip) near bottom left corner. This photograph is in Fair Condition. (see scans).

6514

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Published in: on February 11, 2025 at 12:00 pm  Comments (1)  
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TWO GIRLS IN UNUSUAL COSTUMES : ABERDERE & MERTHYR, SOUTH WALES : CABINET CARD

This cabinet card photograph presents two young girls, posed in a formal studio setting. The standing girl is wearing a stylish hat adorned with a large feather. Her dress has a lace collar and appears layered combining light and dark fabrics. She is wearing gloves that cover her hands and wrists. She is holding what appears to be a slender stick or cane. The seated girl is the youngest of the two. She is dressed in a dark satin or silk dress with puffed sleeves and decorative elements. Her hat is whimsical, with an unusual antenna-like detail. Her hat may suggest that her costume is meant to be playful rather than conventional fashion. The seated girl is also wearing gloves. Both girls have neutral, serious expressions. The seated girl looks directly at the camera, her gaze is steady and composed, while the standing girl appears slightly more reserved. The naturalistic backdrop features a painted outdoor scene with trees and foliage. This photograph was taken by J. W. Fyfe, whose studios were located in Aberdare and Merthyr, South Wales. SOLD

Published in: on January 29, 2025 at 12:00 pm  Leave a Comment  
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STUNNING WOMAN : CHICAGO, ILLINOIS : FEMALE PHOTOGRAPHER : MRS. GARRITY : CABINET CARD

An attractive woman poses for her portrait at the studio of Misses Garrity in Chicago, Illinois. She is wearing a terrific hat, a fur collared coat, gloves, as well as ribbons, cameo collar pin and earrings. She is a stunning woman and is wearing the best finery of the day. Mrs Garrity’s studio was located at the corner of Clark and Elm Streets. Sallie E. Garrity was one of a number of outstanding early female photographers whose marriage stifled a successful career. She opened her first public studio in Louisville, Kentucky, in 1886. She later opened a large and successful photography business in Chicago. In 1893, while working at the Chicago Exposition, she met a man who “wooed her away from Chicago and Photography to Los Angeles and matrimony”. To view other photographs by Miss Garrity, click on the category “Photographer: Garrity”.  SOLD

ISABEL EVERSON: THEATRE ACTRESS WITH LITTLE BACKGROUND

CABINET CARD 1

everson

CABINET CARD 2

Penciled on the reverse of Cabinet Card 1 is the name Isabel Everson. Preliminary research reveals little information about this actress other than an existence of a tobacco card premium published by Sweet Caporal which has her portrait. In addition, some newspaper articles were found that announce her appearance in various theater production.  Further research is required. This cabinet card is by Sarony, famed celebrity photographer located in New York City. To see other examples of Sarony’s photographs; click on the Photographer: Sarony category on this site.

Cabinet Card 2 is a portrait of Everson by an unknown photographer. Unfortunately, the bottom of the cabinet card has been trimmed to fit into a frame or album, making it difficult but not impossible to identify the photographer. I attempted to identify the photographer by matching the script on the bottom of the photo with other photographer logos in the cabinet card collection. Unfortunately, I had no luck. Perhaps a cabinet card gallery visitor will be able to accomplish the detective work necessary to make the identification. Note the images found below that identifies Miss Everson as well as the image of the Russell Brothers stamp. Both the inscription and the stamp were located on the reverse of the cabinet card. Miss Everson is wearing a very interesting costume in this cabinet card photograph. It is probably something that she was wearing in a play in which she was appearing. I wonder what the object is that she is holding in her right hand. Does the object relate to her costume? I seem to have more questions than answers about this portrait of Isabel Everson. This cabinet card has an extremely slight curl. Extremely slight. The cabinet card has excerllent clarity and is in overall Very Good condition  (see scans). 

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CABINET CARD 1

CABINET CARD 2

everson 3

CABINET CARD 2

Published in: on December 15, 2024 at 12:00 pm  Comments (6)  
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FASHIONABLE WOMAN : GIANT HAT : AFFLUENT : ANTIQUE CHAIR : RPPC

This vintage real photo postcard features a very fashionable woman. She is wearing a large hat and an abundance of flowers on her jacket. She is holding something in her left hand. My guess is that the object being held is a purse. Her other hand rests on a pretty antique chair. The previous owner of this postcard reported that the woman’s name is Grace Watkins. The PMO stamp box on this card indicates that it was published some time between 1907 and 1915. This portrait postcard is in fair condition. Note the light crease on the top right and bottom left corner. There is also marking on the bottom left hand corner.(See Scans).

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Published in: on November 13, 2024 at 12:00 pm  Comments (1)  
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WOMAN WEARING BIG BIZARRE DECORATIVE HAT : GOULLEY STUDIO : PARIS, FRANCE : RPPC

This vintage real photo postcard features a portrait of a young woman wearing a large, bizarre, decorative hat. This is a studio photo and likely one of a kind. The photograph was taken by the Goulley studio in Paris, France. SOLD

Published in: on August 11, 2024 at 12:00 pm  Leave a Comment  
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FASHIONABLE YOUNG WOMAN HOLDING A PARASOL AND A FLOWER : IN DARK CLOTHING : RPPC

This vintage postcard features a pretty young woman wearing holding a parasol in one hand and a flower in the other hand. She is quite fashionable in her dark clothing. Note her wide brimmed hat. The woman has a nice smile.
The postcard is overall good condition (see scans). 

 

Published in: on August 6, 2024 at 12:00 pm  Leave a Comment  
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FAMOUS CIVIL WAR PHOTOGRAPHER CAPTURES TWO WOMEN MAKING A FASHION STATEMENT IN SNOWY PAINESVILLE, OHIO

This cabinet card features two woman dressed in their winter cloaks and hats. They are in the studio of G. N. Barnard in Painesville, Ohio. The photograph has some special effects in the form of fake falling snow. The factor that makes this photograph most special, is the photographer’s life story. George N. Barnard (1819-1902), was a pioneer of nineteenth century photography. At age 23 he was producing daguerrotypes and four years later he opened his first studio in Oswego, New York. An 1853 grain elevator fire occurred in Oswego, and Barnard captured the fire with his camera. Some historians consider these photographs the first news photography in history. In 1854 he opened a short lived studio in Syracuse, New York. He then moved to New York City where he worked on stereoscopes for Edward Anthony’s Studio in 1859 .Soon, he was hired by Matthew Brady as a portrait photographer and Brady sent him to Washington D.C. to photograph Abraham Lincoln’s 1861 inauguration as President of the United States. He later became part of “Brady’s Photographic Corps” to photograph the Civil War. Barnard is best known  for his work in the civil war (1861-1865). He was the official army photographer for the Military Division of the Mississippi, commanded by Union General William T Sherman. Barnard’s book “Photographic Views of Sherman’s Campaign” is a photographic record of Sherman’s destructive Atlanta Campaign and subsequent March to the Sea. After the war, Barnard opened a studio in Chicago in 1869. The studio was destroyed in the “Great Fire” of 1871. He proceeded to take photographs of the rebuilding of Chicago over the next few years; providing a terrific record of that process. In 1884, Barnard opened his Painesville, Ohio studio; which brings us back to the cabinet card image of the two ladies in the snow.  (SOLD)

PRETTY YOUNG WOMAN : RENSLER’S STUDIO : CINCINNATI, OHIO: MABELE FISHWICK : RPPC

This vintage real photo postcard features a studio portrait of a pretty young woman  wearing an adorable hat. The woman’s name is embossed above her image on the card. Her name was “Mabele Fishwick”. The 1900 US census reveals that Mabele was 15 years-old, born in 1884, and lived with her parents and 13 year-old brother in Cincinnati. In 1908 she married Clarence H. Hinsdale. The couple’s marriage ended in divorce. She married again in 1922 to Hewett Griggs Robertson. During World War I, Mabele worked with the Red Cross and then went to Washington DC to work for the government (Civilian Personel Army Ordnance”. During that time, Mabele was on a flight from Washington DC to Dayton, Ohio. Due to gale force winds, the plane, carrying nine passengers, had to make an emergency landing in a farmer’s field. In an interview with a reporter, Mabele said that pilots needed to be more careful where they choose to land. She explained that the Pennsylvania farmer who owned the field, charged the pilot $250.00 for “parking priviliges” and charged each occupant of the plane 50 cents for walking across his property. Mabele’s portrait was taken by Rensler’s studio, located in Cincinnati, Ohio. The advertising on the reverse of the postcard indicates that the studio had more than one location in Cincinnati as well as a location in Cleveland, Ohio. According to one historical Cincinnati blog, Rensler’s was one of the few photo studios in Cincinnati that accepted African American clients. The studio operated for 83 years and shut down in 1989. I have seen a number of photographs by this studio and many are excellent. The AZO stamp box on this card indicates that the postcard dates back to between 1918 and 1930.  (SOLD)