Postcard 1 features German actress, Emily “Emmy” Wehlen (1887-1977). She was a Edwardian musical comedy and silent film actress. She retired from acting at a young age (early 30’s), Wehlen received her musical training at the Mannheim Conservatory. She then joined the Thalia-Theatre and performed in musical comedies in several German cities. She was then invited to London and was considered as a possible successor to Lily Elsie. Wehlen played the lead role in “The Merry Widow” (1909). Later that year she appeared in the hit musical “The Dollar Princess” which ran for 428 performances. Next stop was New York, where she appeared in four Broadway plays between 1911 and 1915. Shortly after her last Broadway appearance, Wehlen left the stage and pursued a film career. She appeared in over twenty films between 1915 and 1920. “Everybody’s Magazine (1911) reported that Wehlen was very pretty and very graceful. Her acting and voice were also praised. In addition, the article stated that “she has the indescribable charm of personality” and that audiences liked her and wanted her to never leave the stage during a production. Miss Wehlen’s photograph on this postcard was taken by celebrity studio, Foulsham & Banfield. The card was published by Rotary Photo as part of a series (no.11717H).
In Postcard 2, Wehlen is beautifully dressed for the portrait appearing on the postcard. She looks a bit clownish with her ruffled collar. There are flowers pinned to the front of her dress and she is wearing a jumbo feathered hat. She has a beautiful smile. The card was published by EAS as part of a series (no.1868/2). The firm was located in London and New York. The postcard was printed in Germany. Interestingly, the word “imperfect” is printed in two places on the front of the card. The word “chic” appears in the upper right hand corner of the image. Emmy Wehlen fits the bill. She is truly chic. The message on the postcard indicates that it was written in 1913. (SOLD)
Postcard 3 features Miss Wehlen’s photograph taken by celebrity studio, Dover Street Studios. The card was published by Rotary Photo as part of a series (no.11717E). The message on the card indicates that the sender hoped that this photo postcard was meant to be an addition to the recipient’s postcard collection. (SOLD)
This vintage hand painted real photo postcard features a portrait of a very beautiful mother and her equally beautiful daughter. The pair are dressed for winter and looking quite fashionable. Their hats are terrific. Mom is wearing a fur coat. They have wonderful smiles. The writer of the postcard expresses to the reader, “Hoping you are both still in the pink”. I haven’t heard that expression in a while. If you don’t know, “in the pink” is a idiom that means in the peak of health. This vintage postcard was published by Rotary Photo as part of a series (No.A837-4). It was written in the first decade of the 1900’s. The postcard is in very good condition (see scans).
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Postcard 1 features celebrated stage actress Miss Lily Elsie (1886-1962). At the time of her portrait sitting for this image, Miss Elsie was also known as “Mrs. Ian Bullugh”. More about that later. Lily Elsie was a very popular English actress and singer. She was most known for her starring role in the London production of “The Merry Widow (1907)”. The show ran for 778 performances. A critic for The Pelican (1907) wrote that “the youthfulness, the dainty charm and grace, the prettiness and the exquisite dancing with which Miss Elsie invests the part…. I share the opinion of most of the first-nighters, who considered it could not have been in better hands, and could not have been better handled…. The night was a genuine triumph for Miss Elsie, and she well deserved all the calls she received”. She began as a child actress and before her big break had appeared in a number of Edwardian musical comedies. She was charming and beautiful and became one of the most photographed actresses of her time. Lily Elsie’s dad was a theater worker and her aunt was well known actress Ada Reeve. Shortly after the turn of the century she joined George Edwardes’ company at the Daly Theater. Some of her early appearances included “A Chinese Honeymoon”, “Lady Madcap”, “The Little Michus (1905)”. In the years between 1900 and 1906 she appeared in 14 shows. After the “Merry Widow” she appeared in 26 more shows including “The Dollar Princess” (1909) and “A Waltz Dream” (1911). She clearly was an actress who was in demand. Men paid her much attention but apparently she did not enjoy the attention. Lucile, her costume designer for “The Merry Widow” stated that Elsie was “absolutely indifferent to men and had once said that she disliked “the male character”. She added that men would only behave well if a woman “treated them coldly”. Now, some words about her marriage. In 1911 she he left the cast of a play in which she was performing to marry Major John Ian Bullough (1885–1936). Major Bullough was the son of a wealthy textile manufacturer. He was formerly married to actress Maude Darrell who only survived one year after their 1909 marriage. The marriage between Elsie and Bullough was reported to be very unhappy. Elsie’s health began to deteriorate and her husband pressured her to quit the stage and she was ready to do so. She returned to the stage during the war years (World War I) and was active in fund raising for the war effort. She next took a ten year break from the stage only to return once again. Her final performance took place in the Daly Theater in the play “The Truth Game” (1929). In addition to her theater career, Elsie made recordings, and appeared in two films, including D. W. Griffith’s “The Great Love” (1918). Also appearing in that film was Lillian Gish. In 1930 Elsie’s marriage ended in divorce. Her health began to deteriorate more and she developed hypochondriasis causing her to spend much time in nursing homes and sanitariums. Due to her psychological problems she had brain surgery. Her final years were spent at St. Andrews hospital in London. This postcard is part of a series (Arcadian no. A 26). The photographer of this image of this beautiful actress is the well known celebrity photographer, Rita Martin. She was considered one of the best British photographers of her time. She opened her studio in 1906. Martin’s sister, Lallie Charles was an esteemed society photographer. Many of Rita’s photographs can be found in the National Portrait Gallery. To view more photographs by Rita Martin in the cabinet card gallery, click on the category “Photographer: Martin”.
The second postcard of Miss Elsie provides a terrific close-up photograph of the beautiful Miss Elsie. She is wearing a dark jacket, a frilly high collared blouse and a ribbon bow tie. Her accessories include a long necklace, a pin low on her blouse, and a corsage. The postcard is part of the Rotary Photographic Series (no. 4159 J) published by Rotary Photo. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s.
The third postcard features Lily Elsie clutching a bouquet of flowers and glancing sideways at the photographer. She looks absolutely beautiful. She is wearing a fancy beaded dress and a bracelet. She stands in front of a window. This photograph, like the second postcard’s photo, was taken by the Foulsham & Banfield studio. The portrait postcard was published by Rotary Photo and is part of a series (11840 F). The postcard was printed in Britain.
The fourth postcard is a portrait of a smiling Lily Elsie. She is wearing a flower, beads (pearls?), and a hairband. This photograph was taken by the Foulsham & Banfield studio. The portrait postcard was published by Rotary Photo and is part of a series (11593 B). This postcard captures Miss Elsie in her role as Alice in “The Dollar Princess” (1909). The venue for the play was Daly’s Theater in London and cast members included Joseph Coyne, Gabrielle Ray, Emmy Wehlen, and Gladys Cooper. (SOLD)
Postcard 5 is a portrait postcard of Miss Elsie that provides a terrific close-up photograph of the stage beauty. The postcard is part of the Rotary Photographic Series (no.11841D) published by Rotary Photo. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s. (SOLD)
Postcard 6 was published by Rotary Photo and is part of a series (4484D). The photographer of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1907. (SOLD)
Postcard 7 is a vintage real photo postcard featuring celebrated stage actress Miss Lily Elsie (1886-1962) in costume for her role in “The Merry Widow” (1907). This postcard was published by Rotary Photo and is part of a series (4827U). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1908. (SOLD)
Postcard 8 features celebrated stage actress Miss Lily Elsie (1886-1962) in costume for her role in “The Merry Widow” (1907).This postcard was published by Rotary Photo and is part of a series (4827J). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1909. This postcard has an interesting message. The writer appears to be having difficult times. She opens the message with the announcement that she can’t afford to send anymore postcards because her “cash is nearly gone”. She also complains about the “rotten weather”. (SOLD)
Postcard 9 was published by Rotary Photo and is part of a series (no.4827S). The card is uncommon. The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. (SOLD)
Postcard 10 was published by Rotary Photo and is part of a series (no.4827P). The photographers of this uncommon image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. (SOLD)
Postcard 11 was published by Rotary Photo and is part of a series (no.4827V). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. (SOLD)
Postcard 12 This postcard captures Elsie in her role in “The Merry Widow”. The card was published by Rotary Photo and is part of a series (no.4827W). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. (SOLD)
Postcard 13 was published by Rotary Photo and is part of a series (no.4827M). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The postcard is uncommon. (SOLD)
Postcard 14 was published by C.W.F. & Co. and is part of a series (no.457C). The photographers of this image of this beautiful actress are the well known celebrity photographers, Johnston & Hoffmann. The card was postmarked in 1905. (SOLD)
Postcard 15 was published by J. Beagles & Co. and is part of a series (no.179L). The photographer of this image of this beautiful actress is celebrated female photographer, Rita Martin. (SOLD)
Postcard 16 was published by Rapid Photo and is part of a series (no.1284). The photographer of this image is the Johnston & Hoffmann studio. (SOLD)
Postcard 17 was published by Rotary Photo and is part of a series (no.4124B). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. The card was postmarked in 1907. (SOLD)
Postcard 18 was published by Philco Publishing and is part of a series (no.3381B). The card was written in 1907. (SOLD)
Postcard 19 was published by Rotary Photo and is part of a series (no.4827N). The photographers of this image of this beautiful actress are the well known celebrity photographers, Foulsham & Banfield. The card was postmarked in 1908. (SOLD)
Postcard 20 was published by Rotary Photo and is part of a series (no.11775A). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. (SOLD)
Postcard 21 was published by Rotary Photo and is part of a series (no.1996A). The photographers of this image of this beautiful actress are the well known studio of Foulsham & Banfield. The postcard has a 1906 postmark and a British stamp. (SOLD)
Postcard 22 is uncommon and was published by Davidson Brothers and is part of a series (no.1479). The photographer of this image of this beautiful actress is Draycott Galleries . (SOLD)
Postcard 23 was published by J. Beagles and is part of a series (no.127A). The photography studio that took this image of this beautiful actress is Ellis and Walery. (SOLD)
Postcard 24 captures Miss Elsie wearing a fantastic hat and a beautiful smile. Miss Elsie is seen in costume for her role in “A Chinese Honeymoon” (1903). The plot of the play concerns couples who honeymoon in China and unknowingly breaks the kissing laws. The show was the first musical to run over one thousand performances. This postcard was published by Rotary Photo and is part of a series (no.1656/C). The photographer of this image is celebrated female photographer, Lizzie Caswall Smith. The postcard has a 1906 postmark and a British stamp. (SOLD)
Postcard 25 was published by Rotary Photo and is part of a series (no.1656/C). The photographer of this image of this beautiful actress is celebrated female photographer, Rita Martin. The postcard has a 1913 postmark and a British stamp. (SOLD)
Postcard 26 captures Miss Elsie in this photo in her role as Franzi in the stage production of the operetta, “A Waltz Dream”. This postcard was published by Rotary Photo and is part of a series (no.11841/F). The photographer of this image of this beautiful actress is the Foulsham & Banfield studio. (SOLD)
Postcard 27 was published by Rotary Photo and is part of a series (no.11502/C). The photographer of this image of this beautiful actress is the Foulsham & Banfield studio. (SOLD)
Postcard 28 captures Lily Elsie in her role in “The Merry Widow”. This uncommon postcard was published by Rotary Photo and is part of a series (no.4826A). The photographers of this image is the well known studio of Foulsham & Banfield. The card was postmarked in 1908. (SOLD)
Postcard 29 was published by Rotary Photo and is part of a series (no.11427B). The photographers of this image is the well known studio of Foulsham & Banfield. (SOLD)
Postcard 30 was published by C.W.F. & Co. and is part of a series (no.457C). The photographers of this image of this beautiful actress are the well known female celebrity photographer, Lizzie Caswall Smith. The card was postmarked in 1904. (SOLD)
Postcard 31 was published by Rotary Photo and is part of a series (no.11594C). The photographer of this crisp image of this beautiful actress is the well known celebrity photographic studio, Foulsham & Banfield. This postcard captures Miss Elsie in her role as Alice in “The Dollar Princess” (1909). The venue for the play was Daly’s Theater in London and cast members included Joseph Coyne, Gabrielle Ray, Emmy Wehlen, and Gladys Cooper. (SOLD)
This vintage real photo postcard features a portrait of a “British Beauty”. A caption on the reverse of the card reveals that the photo is “hand-painted”. The young lady in this photograph is wearing a wonderful hat. The postcard was published by Rotary Photo as part of a series (no.A247-5). The firm was located in London, England. SOLD
This vintage real photo postcard features English Victorian and Edwardian actress, Dame Madge Kendal (1848-1935). Her photograph was taken by the Johnston and Hoffmann studio. The postcard was published by Rotary Photo as part of a series (no.197 B). The postcard is in excellent condition (see scans). She appears to be in a stage costume. Mrs Kendal was most well known for her Shakespeare and English comedy roles. Along with her husband, she became a major theater manager. Madge was the product of a theatrical family. Her father ran a chain of theaters. She made her stage debut in London at the age of four. As a teenager she played with major stars in Shakespeare in West End theaters. At 21, she joined the Haymarket theater. She met actor W H Kendal and married him while in the Haymarket company. The pair often played in the same productions and became known as “The Kendals”. After much success in English productions, the couple successfully ran the St James Theater between 1879 and 1888. In the late 1800’s and early 1890’s the couple went of a US tour that played in more than 40 cities. They returned to act in Britain for more that a decade before retiring in 1908. Madge was known for her success at playing comic roles.. She had more mixed reviews when performing in serious parts. She and her husband worked hard to make acing a more socially respectable profession and she became known as “the matron of the English theater”. She was also active in charitable causes.
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This vintage real photo postcard features pretty American stage and silent film actress and film producer, Fannie Ward (1872-1952). She was also the star of light comedies on Broadway. She began her career in the early 1890s, and appeared in over 100 films between 1895 and 1920. She was known for her roles in silent comedies and melodramas, and was considered one of the most popular actresses of her time. She played starring roles in “Madam President”, “The Shop Girl” and many others. Her screen debut was in Cecil B DeMille’s sexually charged, “The Cheat” (1915). Ward also produced several films, including the 1913 film “The Chink in the Armour,” which was directed by her then-husband, Frank Keenan. She retired from acting in 1920, but continued to work in the film industry as a producer until her death in 1952. In addition, after her retirement from the screen, she opened a beauty salon in Paris called “The Fountain of Youth”. The name of the salon is a bit ironic. Ward was known for her youthful appearance. It was not ununsual for her to play the parts of women one of two decades her junior. Ward held feminist beliefs which she wasn’t shy to talk about. In 1909, she told a reporter that her husband hated her work and then pointed out the hypocrisy of society’s support of men pursuing their interests (ie. art, sports, travel) but not supporting women who did the same. In addition, Ward worked as a film producer, a role not usually populated by women. Rotary Photo published this postcard as part of a series (No.1661A). The firm was located in London. Miss Ward was photographed by celebrated female photographer, Lizzie Caswall Smith. This posted postcard has a 1905 postmark. SOLD
These vintage real photo postcards feature singer and actress, Deborah Volar. Navy and Army magazine (1905) has an article about the performer in which she is described as a young “prima dona” (she was 21). The article reports that Volar was appearing at the Apollo Theater, and that she had made her debut two years earlier in “The Country Girl” at the Daly Theater.
Postcard 1 shows Volar in costume for her role in “The Merveilleuses”. The title can be translated as “The Marvellous Women”. Historically, these women lived at the end of the 18th century and were known for their outrageous style of fashion and behavior. Their fashion style was neo-classical and naked legs and toes challenged the mores of the day. These women were expressing their freedom through fashion. “The Merveilleuses” was a musical play that can be categorized as a love story. Twelve photographs of Deborah Volar can be found in Great Britain’s National Portrait Gallery. This vintage postcard was published by Rotary Photo as part of a series (No.1730G). The card was printed in England and is in fair condition (see scans).
Postcard 2 shows Volar in costume for her role in “Aladdin” at the Prince’s Theatre in Bristol, England. Twelve photographs of Deborah Volar can be found in Great Britain’s National Portrait Gallery. This postcard is dated 1909. This vintage postcard was published by W.H.S. & S. B. (W. H. Smith & Son) as part of the Grosvenor series (No.10). The firm was located in Bristol. The card was printed in England. SOLD
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These vintage real photo postcards feature British beauty and actress, Drina Verchesi. Information about Verchesi is not readily available. A deeper dive into theater sources, will uncover some details of her life. It is safe to bet that she was not a major player on the British stage, but established enough to be featured on this postcard.
Postcard 1 is hand-painted and captures Miss Verchesi in a risque pose in a revealing dress. This card is certainly provocative for it’s era. The card was published by Rotary Photo (no.A526-1). The firm operated in London, England. (SOLD)
POSTCARD 2 is hand-painted and captures Miss Verchesi holding flowers and flashing a wonderful smile. This card was published by Rotary Photo (no.S.1-3). The firm operated in London, England. (SOLD)
This vintage real photo postcard (Postcard 1) features a portrait of beautiful stage and film actress, and businesswoman, Maxine Elliott (1868-1940). Her photograph was taken by celebrity photographer Benjamin Falk at his New York City studio. Elliott was more than a stage actress. She managed her own theater and experimented with silent films in the 1910’s. Elliott was an extremely popular actress. Apparently she was popular with the men too. It is thought that she had affairs with famous people including King Edward VII and J. P. Morgan. It is also reported that she dated baseball hall of famer, John Montgomery Ward and heavyweight champion Gentleman James Corbett. During World War I she was very involved with the cause for Belgian relief. Elliott was born in Rockland, Maine. Her father was a sea captain. She had at least three siblings including her sister Gertrude Elliott, who also became a successful actress. When Maxine was 15, she was seduced and impregnated by a 25 year-old man. She may or may not have married the man but it is known that she lost the baby. In 1890 she made her first stage appearance. Her big break came in 1895 when she was hired by Augustin Daly to be the supporting actress for the highly acclaimed actress, Ada Rehan. In 1898, after divorcing husband number one, she married comedian Nat C. Goodwin. The two starred together in a number of productions including “Nathan Hale” and “The Cowboy and the Lady”. In 1903, Maxine appeared in the Broadway production of “Her Own Way” (1903). The play launched Maxine into stardom. In 1905, the play went to London where King Edward VII requested an introduction to the pretty actress. They met and then rumors started about the pair having an intimate relationship. In 1908, Goodwin obtained a divorce from Elliott. This is about the time she met 70 year-old J. P. Morgan. They became friends and rumors of their romantic involvement were never confirmed. Financial advice from Morgan helped her become a wealthy woman. The same year as her divorce, she opened her own theater, “The Maxine Elliott” in New York City. She was both the owner and the manager. In fact, she was the only woman in the US, at the time, managing her own theater. In regard to acting on Broadway, Elliott had an extensive resume. She appeared in 22 Broadway productions between 1894 and 1920. In 1913, she began acting in silent films. The IMDb reports that she was in five films including “From Dusk to Dawn” (1913), “Fighting Odds” (1917), and “The Eternal Magdalene” (1919). In 1913, Elliott went to England and started dating tennis star Anthony Wilding, fifteen years her junior. According to one source, the pair planned to marry, but he was killed in action in World War I. As a result, Elliott became obsessed with the war and moved to Belgium where she volunteered her money and time toward Belgian relief. It is reported that she also nursed wounded soldiers. Belgium recognized her by awarding her the Belgian Order of the Crown. Elliott retired from the stage in 1920. She stated that she “wished to grow middle-aged gracefully”. This postcard portrait features a young and beautiful Maxine Elliott. This image is a beautiful remnant of turn of the century theater history. This postcard was published by the Rotograph Company which was based in New York City. The postcard is part of a series (No.B888). SOLD
Postcard 2 features a photograph taken by female celebrity photographer, Lizzie Caswall Smith. Lizzie Caswall Smith (1870-1958) was a British photographer who operated in the early 1900’s. She specialized in photographing members of society and celebrities. Many of her photographs were used for postcards. She was involved in the Women’s Suffrage movement and photographed many of the leading suffragettes. She also photographed many actors including Billie Burke and Maude Fealy. She operated the Gainsborough Studio from 1907 through 1920 (309 Oxford Street) and moved to a new location (90 Great Russell Street) where she remained until she retired in 1930 at the age of 60 years-old. Her most famous photograph is a portrait of Florence Nightingale taken in 1910. It was auctioned in 1908 and sold for 5500 pounds which is an equivalent today of nearly 8,000 dollars. The National Portrait Gallery has 84 portraits associated with Lizzie Caswall Smith. This postcard was published by the Rotograph Company which was based in New York City. The postcard is part of a series (No.B636). SOLD
Postcard 3 features a nice portrait of Maxine Elliott. This image, taken by William Morrison (Chicago, Illinois) is a beautiful remnant of turn of the century theater history. This postcard was published by the Rotograph Company, which was based in New York City. The postcard is part of a series (No.B636). (SOLD)
Postcard 4 features Miss Elliott’s portrait by Ernest Walter Histed (1862-1947). Histed was born in England but achieved his success as a photographer in Chicago, and later, in Pittsburgh. He then returned to England and opened a photography studio there. His subjects there included Clara Butt (Opera Star) Pope Pius X, and the Empress of Germany. Histed returned to the US and opened a studio on Fifth Avenue in New York City. He later moved to Palm Beach, Florida and continued his profession until 1934. The Museum of the City of New York has a large collection of his work. The National Portrait Gallery (England) has 32 of his photographs in their collection. This postcard was published by London’s J. Beagles & Co. as part of a series (No. G386).The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued as J. Beagles & Co. until it closed in 1939. (SOLD)
Postcard 5 comes from the studio of celebrity photographer, William McKenzie Morrison of Chicago, Illinois. Morrison’s studio was in the Haymarket theater building. This postcard was published by the Rotograph Company which was based in New York City. The postcard is part of a series (No.B658). (SOLD)
Postcard 6 features a pretty portrait of Miss Elliott taken by R. W. Thomas. It is likely that he is the same man that authored “The Modern Practice of Photography” (1927).This postcard was published by London’s Davidson Bros. as part of a series (No.1200). The message from the sender of this card introduced me to a new word. The writer asks “Isn’t this a beauteous maiden?”. I looked up the word “beauteous” to see if it existed. I learned that the word exists and means “beautiful”. I also learned that “Beauteous” is a word that is customarily used in literature and not conversation. (SOLD)
Postcard 7 Elliott photrographed in costume for her role as Gipsy in “Under the Greenwood Tree”. Her photograph was taken by famed celebrity female photographer, Lizzie Caswall Smith. This image is a beautiful remnant of turn of the century theater history. This postcard was published by Rotary Photo as part of a series (No.187E). (SOLD)
Postcard 8 was published by London’s Ralph Dunn & Co. as part of a series (No. A342). (SOLD)
These vintage real photo postcards feature English opera singer and actress, Ruth Vincent (1873-1955). She is most well known for her soprano performances in the Savoy Operas with the D’Oyly Carte Opera Company in the 1890’s as well as in her roles in the West End (London) during the decade after 1900. Most notable was her performance in “Tom Jones”. She joined D’Oyly Carte in 1894, at age 17 as a chorus girl. By 1896, she was playing small roles and quickly was promoted to play leading roles. She left the company in 1899. Her career transitioned into appearing in Edwardian musical comedies, opera, and singing in concerts. Vincent also performed on Broadway. The IBDb reports that she had three Broadway appearances between 1900 and 1905. Vincent continued to sing and act until 1930.
Postcard 1 : Vincent’s photograph on this card was taken by the Foulsham & Banfield studio. This postcard was published by Rotary Photo as part of a series (4435 E). The firm was located in London. This postcard is in very good condition (see scans).
Postcard 2 : This postcard was published by Davidson Brothers as part of a series (no.1552). The firm was located in London, England.
Postcard 3 : This postcard was published by Rotary Photo as part of a series (1650F). The firm was located in London, England.
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POSTCARD 1
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THE CABINET CARD GALLERY 