THE CABINET CARD GALLERY

This vintage real photo postcard features a birds-eye view of Otisville, New York. The quaint small town is located in Orange County. The photograph on this postcard was taken by Still. The card has a 1909 postmark from Otisville.  SOLD

This is a striking early real photo postcard portrait captioned “Halloway Sisters,” showing three young women posed closely together in theatrical fashion, very likely a sister act or stage trio from the Edwardian/music-hall era. The women wear pale, gauzy stage dresses with matching headbands and oversized floral ornaments, giving the image the look of a publicity portrait for singers, dancers, or light theatrical performers. Their carefully arranged hair, soft-focus studio lighting, and coordinated costumes all point toward a professional entertainment postcard rather than an ordinary family portrait. A fairly broad search for the Halloway Sisters was not able to firmly identify this exact trio. The reverse bears a green Netherlands 2½ cent stamp. The circular postal cancellation is from The Hague, and the date is 1913. In regard to the condition, the image side has good contrast and strong theatrical presence, with visible age wear including corner and edge wear and a noticeable diagonal crease near the upper left area by the printed caption. There is also some light spotting and wear in the image, particularly toward the right side and along the borders. The reverse shows normal postal handling and ink cancellations. Overall, it remains a very displayable and collectible early theatrical postcard (See Scans).

This vintage Postcard is available for purchase at my store, The History Peddler, for $9.95 or best offer

Interested collectors may view the listing here:

https://www.ebay.com/itm/236818880579

This antique carte de visite photograph presents a finely composed Victorian-era portrait of a seated woman photographed by Hansen & Weller of Copenhagen, Denmark. The portrait shows a thoughtful, well-dressed woman seated in a studio setting, holding what appears to be a folded letter or packet of papers in her hands. She wears a dark fitted dress with a light collar and cuffs, a brooch or decorative fastening at the throat, and her hair is neatly arranged in the restrained style of the period. Her expression is serious and composed, with the quiet formality often seen in nineteenth-century portrait photography. One of the photographers of this cdv portrait is George Emil Hansen (1833-1891). He was a pioneer Danish photographer. His father and brother were also photographers. He won photography awards in London (1862) and Berlin (1865). Hansen was the photographer of the Danish Royal Family. His photographic work spanned from 1856 through 1891. The card likely dates from the 1870s or 1880s, based on the CDV format, the typography, the woman’s dress, and the style of the studio mount and backmark. This CDV shows age-appropriate wear. The mount has light edge and corner wear. The photographic image has surface marks visible near the upper right of the image area. The reverse is clean overall with a very nice decorative studio imprint. Overall, this is a pleasing Danish CDV with strong visual character and an attractive Copenhagen photographer’s backmark (see scans).

This carte de visite portrait is available for purchase at my store, The History Peddler, for $16.00 or best offer

Interested collectors may view the listing here:

https://www.ebay.com/itm/336585262595

This is a lovely antique lithographic theatrical postcard picturing Miss Florence Warde, a British stage performer associated with the musical comedy and pantomime stage of the Edwardian era.  Among her roles, were appearances in “Spring Chicken” at the Gaiety Theatre in 1905 and “Sinbad” at Drury Lane in 1906. The card was published by Raphael Tuck & Sons as part of Tuck’s “Celebrities of the Stage” series. The front presents Warde in a beautifully hand-colored or color-tinted theatrical portrait, wearing an elaborate pink costume with a large feathered headpiece, curled hair, and a dramatic upward gaze. The image has soft lighting, theatrical glamour, and a carefully posed expression meant to suggest both beauty and stage presence. The publisher’s information on the reverse identifies this as part of the “Glossō” Postcard Series 5756. The “Glossō” series cards were known for their glossy finish and their attractive color work. The card was postally used in Great Britain, with a green King Edward VII halfpenny stamp and a clear Leicester postmark dated 1907. SOLD

This is a fascinating and uncommon early real photo postcard depicting a 
women’s field hockey team, posed formally with their sticks and ball in what appears to be a school or club setting. The group consists of eleven young women arranged in two rows, dressed in coordinated athletic attire typical of the Edwardian period—long dark skirts paired with light blouses and ties, reflecting both modesty and the emerging presence of women in organized sport. Each player holds a field hockey stick, with several crossed in front for a carefully composed team portrait. A single ball rests prominently at the feet of the front row, reinforcing the athletic identity of the group. The players’ hairstyles—loosely pinned up with volume at the crown—are consistent with the circa 1905–1910 period, and their expressions range from serious to quietly confident, offering a compelling glimpse into early women’s athletics. The reverse of the card is postmarked 
BRIGHTON, ENGLAND, FEBRUARY 7, 1907.  It bears a green one-penny stamp of 
King Edward VII.  The card features a divided back. The postcard is in 
good antique condition with some age-related wear. The image remains clear with strong detail, though there is visible edge wear, corner rounding, and some surface discoloration and spotting, particularly along the borders.  The reverse shows expected toning, a clear postmark, and legible handwriting. Overall, this is a well-preserved and  displayable example of a women’s field hockey team and early women’s sports (see scans).

This vintage Postcard is available for purchase at my store, The History Peddler, for $28.00 

Interested collectors may view the listing here:

https://www.ebay.com/itm/336507878222

A wonderfully expressive vintage real photo postcard featuring a young girl seated in a studio portrait, captured with remarkable intimacy and character. The child sits upright on a simple wooden chair, gazing directly at the camera with large, searching eyes and a slightly solemn, almost questioning expression that gives the image unusual emotional depth. She is dressed in a charming early 20th-century outfit: a light blouse with striped trim at the collar and sleeves, paired with a pinafore-style dress secured with wide shoulder straps and large decorative buttons down the front. Her clothing has a practical yet stylish look typical of the period. On her head she wears a soft, wide-brimmed hat with bold striped edging, which frames her face beautifully and adds a playful, fashionable touch.In her hand, she appears to be holding a small fan or possibly a toy paddle, with a flat, rounded surface and a short handle. Given its shape and decorative quality, it most closely resembles a child’s hand fan, though it could also be a novelty or toy accessory used by the photographer to help keep the child engaged during the sitting. The photograph measures approximately 3.5 by 5.25 inches, consistent with real photo postcards of the era. Based on the clothing, hairstyle, and photographic style, this image likely dates to around 1910–1920. The postcard is in overall good condition with strong visual appeal. The image retains nice contrast and clarity, though there is moderate age toning. The corners exhibit noticeable rounding and wear. The reverse shows heavier toning, spotting, and adhesive residue from it’s former days residing in a postcard album. Despite this, the photograph remains fully intact and displays well (see scans).

This vintage Postcard is available for purchase at my store, The History Peddler, for  $16.00 at auction

Interested collectors may view the listing here:

https://www.ebay.com/itm/236794379904

This terrific early New York City postcard captures Hester Street on the Lower East Side during its bustling immigrant-era heyday. Published by The American News Company (No. 139)—one of the major postcard publishers of the early 20th century—this 1906 street scene shows an extraordinarily lively and detailed view of life in one of the most densely populated neighborhoods in America at the time. The image portrays Hester Street crowded with vendors, pushcarts overflowing with produce, women in long skirts shopping along the muddy street, and merchants working under the characteristic canvas awnings hung from the tenement storefronts. Laundry hangs from iron fire escapes, children play in the street, and a man hoses down the roadway in an attempt to control dust and refuse. This postcard is a rich visual record of the Jewish immigrant community that transformed the Lower East Side in the late 19th and early 20th centuries. The urban density, the clothing, the signage, and the architecture all reflect the conditions described in reform literature and immigrant memoirs of the era. The card is postmarked New York, 1906, and was mailed to Osiek, Slavonija, then part of Austro-Hungary. The handwriting on the front and back suggests that the writer was likely a Slavic-speaking immigrant sharing news and thanks with family overseas—a compelling historical link between the immigrant sending the card and the old world receiving it.The message is written in a South Slavic language (likely Croatian or Serbian written in Latin script). Handwriting is challenging, but the meaning is clear. The translated message is “Your card arrived. Thank you for the congratulations. I am healthy and wish you all the best”. SOLD

This vintage real photo postcard features Mrs. Lewis Waller, otherwise known as Florence West (1858-1912). She was an English actress known for creating roles in new plays written by Oscar Wilde and Bernard Shaw. She frequently appeared on London’s West End stages with her husband, actor Lewis Waller. She married Waller in 1882 and made her stage debut in 1883. She retired in 1905. Five portraits of Florence West can be found in Great Britain’s National Portrait Gallery. This postcard was published by Rotary Photo as part of a series (no.217C). Miss West’s photograph was taken by the studio of Louis Saul Langfier. He was the husband of actress Pearl Lyndon. This postcard has a slight crease in its bottom right corner and is in overall good condition (see scans).

This vintage Postcard is available for purchase at my store, The History Peddler, for $8.95 .

Interested collectors may view the listing here:

https://www.ebay.com/itm/236794347328

This vintage real photo postcard features pretty American stage and silent film actress and film producer, Fanny Ward (1872-1952). She was also the star of light comedies on Broadway. She began her career in the early 1890s, and appeared in over 100 films between 1895 and 1920. She was known for her roles in silent comedies and melodramas, and was considered one of the most popular actresses of her time. She played starring roles in “Madam President”, “The Shop Girl” and many others. Her screen debut was in Cecil B DeMille’s sexually charged, “The Cheat” (1915). Ward also produced several films, including the 1913 film “The Chink in the Armour,” which was directed by her then-husband, Frank Keenan. She retired from acting in 1920, but continued to work in the film industry as a producer until her death in 1952. In addition, after her retirement from the screen, she opened a beauty salon in Paris called “The Fountain of Youth”. The name of the salon is a bit ironic. Ward was known for her youthful appearance. It was not ununsual for her to play the parts of women one of two decades her junior. Ward held feminist beliefs which she wasn’t shy to talk about. In 1909, she told a reporter that her husband hated her work and then pointed out the hypocrisy of society’s support of men pursuing their interests (ie. art, sports, travel) but not supporting women who did the same. In addition, Ward worked as a film producer, a role not usually populated by women. Philco published this postcard as part of a series (No.3061C). The firm was located in London. Miss Ward was photographed by the Lafayette studio. James Lafayetter was the pseudonym of photographer James Stack Lauder (18853-1923). His Dublin, Ireland studio specialized in photographing members of high society. His photographs are part of the collections of many British museums, including the National Portrait Gallery. SOLD