A young woman, looks very pretty in her stunning dress, as she poses for her portrait at the Bazaar Photo Rooms in Newark, New Jersey. This trend setting fashionista is one of America’s first “flower children”. The dress has a pattern consisting of flowers and leaves. The cabinet card photograph was taken by studio operators J. T. Creighton and Fred F. Mix. Their studio was located at 653 Broad Street in Newark and research reveals that they worked as partners in 1886. It appears that John Creighton was a sole operator between the rest of 1882 through 1889. SOLD
The pretty woman in this photograph is French actress, Odile Versois (1930-1980). She appeared in 50 television and film productions between 1948 and 1980. Her IMDb biography describes her as “docile, delicately beautiful, and light haired”. I wonder why the writer chose the word “docile”. The IMDb article asserts that “she moved audiences most with her portrayals of fragile, often tragic heroines in romantic drama”. She appeared in a number of British films in the 1950’s. She had three sisters who became actresses, including Marina Vlady, known for her sultry roles. Her parents were also performers. Her father was a well known opera singer and her mother was a dancer. Odile began acting as a child and also briefly pursued a ballet career. She was a child ballerina with the Paris Opera Corps de Ballet. Her film career began at the age of 16. For much of her career; she played leads. She married actor Jacques Rene Dacqmine in 1951 but the marriage was of only one year duration. She married a second time in 1953 and had four children before being divorced. Her second husband was a Count and a Corsican politician who became a Russian diplomat. She died of cancer just after she turned 50 years old. This French postcard is part of a series (no1296) and is in excellent condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3209
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A pretty young actress with sad and haunting eyes and a polka dot dress poses for her portrait. She exudes a dramatic air and its likely no coincidence that this photograph was found in a collection of theatrical cabinet cards. The photographer of this image was the Murillo studio of St. Louis, Missouri. One source reports that the Murillo studio was operated by Jesse J Ferguson and existed at least between 1910 and 1919. To view other photographs by Murillo, click on the category “Photographer: Murillo”. Note the reverse of this photograph, seen below, because this is your opportunity to see a ghost. Well maybe not a ghost, but a ghost image for sure. I am guessing that the image formed by being pressed tightly against the front of another cabinet card creating the ghost like image. However, photography historians have written that some photographers purposely created ghost images for their clients. Why? Sometimes they were asked to, and sometimes they had their own nefarious reasons. SOLD
This vintage real photo postcard features an attractive young woman who appears to be in her teenage years. She looks glamorous in her fabulous dress, her funky jewelry, and her large flower pinned to her dress. To top it all off, is her big hat with accompanying ribbons and feathers. The young lady has picked a pedal off the flower and one wonders if she is asking herself, “he loves me?, he loves me not?”. The game has French origin and it’s purpose is to ascertain whether a person’s object of affection reciprocates that affection. A pantomime version of this game is seen in the ballet “Giselle” staged in 1841. The teenage subject of this photograph exhibits an expression that exudes self-assurance and a good sense of humor. She also looks, forgive the term, “cool”. This vintage postcard has a French stamp and was postmarked in 1909. Note the creases in the top left hand corner of the reverse of the postcard. Overall, the postcard is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3206
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A young woman has her head in the clouds in this Bellevue, Iowa portrait. The photographic effect was created by photographer M. J. Streuser in his Front Street studio. On a sad note, it is likely that this portrait is actually a memorial cabinet card. My hypothesis is that the photographer used the effect to create a heavenly image of the woman. To view other memorial cards, click on the category “Memorial Card”. This cabinet card portrait is in very good condition (see scans).
Buy this original Cabinet Card (includes shipping within the US) #3207
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This vintage real photo postcard raises a lot of questions but not a lot of answers. On the surface, this looks like a portrait of four older women and two younger women dressed like nuns. The older women have a strong family resemblance and I am hypothesizing that they are sisters. Taking a closer look at the image, I can not be certain that the younger women are nuns. Their clothing looks more simple then I typically see in portraits of nuns of that era. However, there certainly could be cultural differences, as well as order differences, in regard to the habits worn by nuns around the world. I also question whether a nun, such as one of the young ladies in this portrait, would be wearing a pin, presumably attached to a pocket watch. I am also uncertain whether it would be expected that the two young ladies in this image are wearing closely similar, but not identical “habits”. Is it possible that the two “nuns” are actually “nurses”? This portrait postcard was “found” in Vancouver, Canada. However, it was part of a collection of Scottish images. This real photo postcard is in excellent condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3208
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18.50 $
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This vintage real photo postcard features two young women posing together for their portrait. Perhaps the pair are mother and daughter although I believe they may be sisters. The woman in the dark dress and hat is wearing a pince nez. Both woman are wearing at least two rings. The postcard, on AZO paper, was produced sometime between 1904 and 1918. SOLD
This vintage real photo postcard features a portrait of four Native Americans on horseback. The foursome are members of the Kiowah tribe. Among the group are Chief Qualupah and Chief Hunting Horse.The other two riders appear to be women. The four are dressed in Native American clothing. They are in a field which has lines of rope holding American flags. Perhaps they are invited guest to an Amrican patriotic holiday celebration. Researching Chief Qualupah was an exercise in frustration. I learned nothing about him. There were chiefs mentioned that had names close to “Qualupah”, leading me to believe that there are several different spellings of his name. Information about Chief Hunting Horse was plentiful. He was a well known scout during the Custer, Sheridan, and Sherman era. In 1871 he enlisted for a two year stint in the Seventh Cavalry commanded by Gerneral Custer. By the end of his legendary scouting career, his friends included Theodore Roosevelt and Geronimo. He was born in Medicine Lodge Kansas in 1846. He was the son of a Kiowa war chief and a Spanish woman who had been kidnapped in Mexico and raised by the Kiowas. Hunting horse came to “Indian Territory” (Oklahoma) at the age of fifteen. In 1917 he appeared in the silent Western film, “Daughter of the Dawn”. In the early 1900’s relatives began celebrating his birthday. These celebrations occurred every year until his death. Military and political figure were often among the attendees. Chief Hunting Horse died at the age of 107 and his funeral included full military honors. Who are the Kiowa? They were considered a nomadic tribe of the plains. It is thought that they originated in the northern basin of the Missouri River but migrated to the Black Hills around 1650. They lived peacefully there with the Crow Indians until they were invaded by the Cheyenne, Arapaho, and Sioux; resulting in the Kiowas moving further south. There they fought with the Comanche, but with the help of the Spanish, the two tribes formed an alliance and agreed to share their land. Joined by the Plains Apache, they hunted, traveled and fought war together.They raided settlements in Texas and New Mexico. They stole horses and mules which they used to trade with the Plains Indian tribes. In 1867, the Kiowa signed a treaty and agreed to settle on a reservation in Oklahoma. In 1901 their lands were open for settlement by whites and dissolving the contiguous reservation. Today, there are more than 12,000 Kiowa tribe members in Oklahoma and throughout the Southwest. The photograph taken for this postcard was taken by the Electric Studio. The postcard has an AZO stamp box indicating that the postcard dates back to sometime between 1910 and 1930. This postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3205
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The two children seen in this cabinet card photograph are precious. They have incredibly sweet smiles. They are standing in a faux field of daisies. This photo was taken by Hendricks & Co., a studio in Allegheny, Pennsylvania. The town was originally named Allegheny City and it was established in 1788. In 1907, it was annexed by the city of Pittsburgh. The photographer of this image is John P Hendricks. He is listed in the 1891 and 1893 Pittsburgh City Directories. If this photograph is typical of his work, he was quite talented. This cabinet card portrait is in good condition (see scans). Note the foxing on the reverse of the photograph. SOLD
This vintage real photo postcard features twelve identically dressed bridesmaids standing in a row. These young women are not ordinary bridesmaids; they are professional bridesmaids. The women are professional bridesmaids. These professional bridal party stalwarts are for hire. This photo was taken in 1931 and the women resided in the fishing village of Redwing in Cornwell, England. In reality, the women in this photograph are actresses appearing as the bridesmaids chorus in the Gilbert and Sullivan comic opera, “Ruddigore”. The words “Sutton Coldfield” are written in pencil on the reverse of the postcard. Sutton Coldfield is a suburban town in Birmingham, England. Perhaps this is the venue where the comic opera appeared. A penciled inscription on the reverse of this postcard indicates that James Speight (1879-1977) is the photographer of this image. His father was the headmaster of a school in Rugby but later established a successful photography business. In 1897, at age 18, James went to work at H M Whitlock’s photography studio in West Bromwich. Speight’s interest in photography must have been in his genes. All 5 of his brothers became photographers. After working for a few more photographers, James decided to go to Paris for a few months, and once there, he worked for the celebrated photographer, Reutlinger. In his diary, James wrote that his retouching work for Reutlinger included making waists smaller. James returned to England and in around 1902, opened his Sutton Coldfield studio. He continued to operate the studio until he retired in 1950. This vintage postcard was published by K Ltd sometime between 1918 and 1936. This vintage postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3200
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #3200
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The two children seen in this cabinet card photograph are precious. They have incredibly sweet smiles. They are standing in a faux field of daisies. This photo was taken by Hendricks & Co., a studio in Allegheny, Pennsylvania. The town was originally named Allegheny City and it was established in 1788. In 1907, it was annexed by the city of Pittsburgh. The photographer of this image is John P Hendricks. He is listed in the 1891 and 1893 Pittsburgh City Directories. If this photograph is typical of his work, he was quite talented. This cabinet card portrait is in good condition (see scans). Note the foxing on the reverse of the photograph. SOLD
THE CABINET CARD GALLERY 