
This cabinet card photograph features a distinguished and handsome gentleman. The man is well dressed. Is he wearing a judge’s robe? My hypotheses was that the gentleman was a judge or a politician. There is a name written on the reverse of the photograph. I could not decipher the name. Fortunately, a visitor to this blog, who I am most grateful to, was able to identify the name and provide some interesting information about the subject. The gentleman in this photo is Rufus William Peckham (1838-1909). Peckham served on the US Supreme Court between 1895 and 1909. Peckham’s legacy on the court included his support of big business practices (he was no friend of labor) and his lack of support for the civil rights of African Americans. The photographer of this cabinet card is C. M. Bell. Charles Milton Bell (1848-1893) was an accomplished man. He was the youngest member of a family of photographers that operated a studio in Washington DC from around 1860 until 1874. He established his own studio on Pennsylvania Avenue in 1873. He quickly became one of the most successful photographers in the city. He was noted for his portraits of Native Americans as well as political figures and celebrities. His subjects included President Chester Arthur, Chief Yellow Bull, and Helen Keller. His photographs can be found in many prestigious institutions including The Library of Congress, Harvard University, Dartmouth University, and the Smithsonian. Bell is also known for his photographs of President Garfield’s assassin, Charles J. Guiteau. He was the only photographer authorized by Guiteau and the Government to take photographs of Guiteau and other people playing roles in his trial. Bell also took medical photographs relating to the assassination and assassin. To view other photographs in the cabinet card gallery by C. M. Bell, place his name in the search box. (SOLD)









This vintage postcard was employed as advertising for New Jersey Governor candidate, John Franklin Fort (1852-1920). Fort was a Republican and won his race to become the 33rd Governor of New Jersey. He served between 1908 and 1911. He defeated Democrat, Frank S. Katzenbach. In 1908, Fort participated in New Jersey’s first radio broadcast. In 1910 he established New Jersey’s first Department of Education. Fort was followed by Woodrow Wilson in the position of Governor. Wilson went on to become the President of the United States. Fort was a lawyer. He obtained his law degree at the Albany Law School. Governor and ex civil war General, George B. McClellan, appointed Fort to serve as a judge in a Newark district court. In 1884, 1896, and 1912 he served as a delegate to the Republican National Convention. In 1900, he was appointed to the New Jersey Supreme Court. In 1915, Wilson, now President, appointed Fort to the Federal Trade Commission. He held the position for about four years but was forced to resign due to failing health. At one point,Wilson appointed Fort to act as US Ambassador to Haiti and the Dominican Republic. Besides featuring a portrait of John Franklin Fort, the postcard also displays a drawing of the state capital building in Trenton. It is interesting to note that 
This vintage real photo postcard features English actress, dancer, and singer; Miss Dorothy Frostick. In 1901, Frostick made her debut in the successful musical dream play, “Bluebell in Fairyland”. The play appeared at London’s Vaudeville Theatre. The stars of the show were Seymour Hicks and Ellaline Teriss, a theatrical married couple. Frostick appeared again with the couple in “The Cherry Girl” (1903) and in a revival of Bluebell in 1905. There is a void of information about Miss Frostick until 1912 at which time she joined a pierrot group, “The Quaints”. She appeared with the group until at least 1914. Her final documented London appearance was in a musical and dance production, “The Latest Craze” (1919). The show bombed and closed after twenty-five performances. A portrait of Dorothy Frostick appears in England’s National Portrait Gallery. The photo on this postcard was produced by the International Art Company, which was based in Ipswich, England. This postcard was published by Rotary Photo (active 1897-1916) as part of their Rotary Photographic Series (no. 1617D). SOLD





This carte de visite is a photograph of a pretty young woman wearing a large chain and cross. She was photographed at the studio of C. W. Tallman (1833-1896), in Batavia, New York. The town is located in Genesee County and is in the West Central part of the state. 



This vintage real photo postcard captures a glimpse of latin social and dance history. This is a photograph of a Havana, Cuba, nightclub in which the patrons participate in a festival of music and dance. The featured dance is the rumba. I have seen two other postcards in this “Typical Rumba” series. This postcard is by far the nicest of the three. The photographer has signed the photo with the name “Ronay”. A sign on the wall states “La Comparsa”. A comparsa is a group of dancers, singers, and musicians that perform in carnival and other festivities in Latin America and Spain. The most well known comparsas are the ones that take part in the “Carnival of Santiago de Cuba”. Does the United States have Comparsas? The most similar carnival held in the United States, according to some writers, is Mardi Gras in New Orleans. Cuban comparsas originate in the eastern part of the island, specifically the city of Santiago de Cuba. The singers, musicians and dancers form the “conga”, the ensemble that performs the canrival music, Havana has it’s own version of carnival. Each city has specific comparsas that tend to perform there. The term “rumba” refers to a style of music and dance. The rumba was exported by Cuba to North America, much like it’s replacement, salsa. The history of the rumba, as well as Comparsas, is much too complex and detailed to be adequately presented in this description. This postcard is from circa 1950 and it is in excellent condition. (see scans). (SOLD)




