A mother’s love is an invisible phenomenon. However, a mothers love is visible to a camera as the Dean studio of Williamsport, Pennsylvania demonstrates in this image. This portrait captures a loving mother holding her precious young child. The baby is wearing a long gown and the mother is wearing a ring and earrings. This mother’s commitment and affection toward her child radiates from this image. The baby’s expression seems to be one of displeasure at going through the ordeal of having his/her portrait taken. If Williamsport, Pennsylvania sounds like a familiar name to you, its likely because the town hosts the Little League World Series. The baseball tournament has been held there since 1947. William F. Dean was born in Canadaigua, New York in 1856.He and his family moved to Williamsport in 1867. He started his work life in his father’s mercantile business but in 1883 he and a partner opened a photography studio. The studio was called Dean & Cornwall and in 1887 Cornwall retired.. Dean’s photography business grew to the point that he had six assistants and a contract to be the exclusive photographer for 13 furniture factories. Dean died in 1899.
PRETTY GERMAN WOMAN DRESSED IN WHITE AND CLUTCHING A ROSE
A pretty German woman is the subject of this photograph by Martin Herzfeld. The photographer operated studios in Dresden and Leipzig, Germany. The well dressed woman is wearing a long white dress, fingerless gloves, and a straw hat that appears to be floating atop her head. She is clutching a rose and adorned with jewelry, including a necklace and earrings.
OUT OF THE DARKNESS: A PRETTY YOUNG WOMAN IN BINGHAMTON, NEW YORK
A young woman poses for her portrait at the Cobb studio in Binghamton, New York. The photographer uses the familiar (seen elsewhere in the Cabinet Card Gallery) technique of capturing the subject in a focused light surrounded by darkness. The pretty young woman is wearing a collar pin and a hair accessory. George N. Cobb was in 1847 in upstate New York. In 1850 he moved with his family to New Milford, Pennsylvania. At age nineteen he took over a photographic gallery owned by J. B. Hazleton in Montrose, Pennsylvania. It is likely that he was trained by Hazleton before he bought him out of the business. Cobb moved to Binghamton in 1870 and bought the gallery belonging to Ambrose Hickcox. He operated the studio until 1903. To view other photographs by Cobb, click on the category “Photographer: Cobb”.
STAGE ACTOR: JOHN HARE LACKS “THE LEADING MAN LOOK” IN A PORTRAIT BY THE PACH BROTHERS
This unusual looking gentleman is an English actor and theatre manager named John Hare. John Hare (1844-1921) was born in a town called “Giggleswick”. This is an appropriate name for the birthplace for a man who began his acting career in comic roles. Giggleswick was located in Yorkshire, England. Hare began his acting career in Liverpool in 1864. He is often associated with the plays of T. W. Robertson. Hare managed the Court Theatre (1875-1879), the St. James Theatre (1879-1888), and the Garrick Theatre (1889-1895). His greatest success as an actor was in the play A Pair of Spectacles (1890). This portrait of John Hare likely captures the actor in wardrobe and makeup for one of his productions. However, it is possible that he aged poorly which can be hypothesized because photographs taken of the actor in earlier years show a man with a significantly more pleasing appearance.
A RELIGIOUS MAN ASKS “DOST THOU BELIEVE IN THE SON OF GOD?”
This cabinet card portrait features a religious man and a poster board with a religious message. By all appearances, it seems that he is fervent preacher of his religious beliefs. He was photographed by the Cooper & Sanders studio in London, Ontario, Canada. The gentleman has a bushy beard. On the reverse of this image is a note that indicate the photograph was taken in 1905. In addition, the name “Bertha” or possibly “Butha” is written on the back of the cabinet card. Cooper & Sanders were in business in London, Ontario between 1896 and 1909. To view other photographs by Cooper and to learn more about him, click on the category “Photographer: Cooper”.
EIGHT TEENAGERS POSE FOR A GROUP PHOTO IN DYSON, OHIO
Six young woman and two young men pose for a group photo at the studio of W.D. Archer in Dyson, Ohio. It is possible that this image is a graduation picture. The young man sitting on the floor is holding a piece of paper in his hands. Perhaps the paper is relevant to the reason these eight teenagers are gathered for this group photograph.
TWO COUPLES AND A SMALL DOG IN WAASASSA, FINLAND
Signe Liljequist photographed these two couples and a small dog in his studio in Waasassa, Finland. It is very possible that the older pair are the parents of the two younger adults. The younger and older man share what appears to be a family resemblance. The four subjects in this photograph are nicely dressed and the younger man has an admirable mustache. To view other great mustaches, click on the category “Mustaches (Only the Best)”. The town of Waasassa has held a number of other names over history. Presently, the town is called Vaasa. To view other Finnish photographs, click on the category “Finland”.
ANNA SARAH KUGLER MD: AN ACCOMPLISHED AND ADMIRABLE CITIZEN OF THE WORLD
It is not the quality of the image that makes this photograph special. This is a unique photograph because of the identity of the subject. Meet Dr. Anna S. Kugler. Anna Sarah Kugler (1856-1930) provided 47 years of service ministering to the spiritual and physical health of the people of southern India. She was the second female missionary and the first female medical missionary sent by the General Synod of the Evangelical Lutheran Church of the United States. She was born in Ardmore, Pennsylvania in 1856. In 1879 she graduated from Women’s Medical College in Philadelphia. She did her internship at Norristown State Asylum in 1880. Two years later, after receiving a cleric’s invitation to come work in India to help resolve the major health issues faced by poor Indian women, Kugler decided to take on the challenge. She sailed for India in 1883 and was disappointed that her appointment as a missionary was directed at teaching, not providing medical care. She hoped to change the church’s mind on that matter. During her first year in India she found time to see over 400 patients and still take care of her teaching responsibilities of the Muslim harem women. In 1884 she became the director of the Hindu Girls School, a post she kept for three years. Finally, in 1885, she was appointed a medical missionary. In 1893 she opened a hospital and dispensary in Guntur, India. Over time she established specialized pediatric, maternity, and surgical units in the hospital. After Kugler’s death, the hospital was named after her. Have you heard this quote? “Well behaved women seldom make history”. Women who went to medical school in the 1870’s were likely not considered well behaved because they were entering into a man’s profession. Going to India and working with the poor was also probably seen as outside the realm of being a woman. Thank goodness Dr Anna S Kugler ignored gender boundaries because she accomplished great things and certainly “made history”. This photograph was produced by the Phillips studio in Philadelphia, Pennsylvania. To view other photographs by Mr. Phillips, click on the category “Photographer: Phillips”. Phillip’s subjects among his images in the Cabinet Card Gallery include theater great, Ethel Barrymore. At the time of this photograph, Phillips operated his studio at 1206 Chestnut Street. A biographer called Henry C. Phillips (1843-1911) “A pillar of photography in Philadelphia”. He began working as a photographer while still in his teens. He opened his first studio on Chestnut Street in 1862. He partnered with Samuel Broadbent between 1868 and 1874. (To view other photographs by Broadbent, click on the category “Photographer: Broadbent). After that partnership and another brief one, he opened his 1206 Chestnut studio and it operated for 36 years under Henry and than his two sons, Howard and Ryland. Henry Phillips was a portrait artist and on the side, he was a celebrity photographer. He did not like to use painted backdrops in his portraits. He preferred to photograph faces and figures against neutral or blank backgrounds. Photographs from the studio that utilized painted backgrounds were usually the work of Ryland.
DOUBLE DATING IN BOWLING GREEN, OHIO
Two sportily dressed couples pose for their portrait at the Morrison studio in Bowling Green, Ohio. To learn more about Robert Prescott Morrison and to view more of his photographs, click on the category “Photographer: Morrison (Bowling Green). The couples are dressed as if they are about to embark on an outside adventure. The standing woman is holding a fan. The standing gentleman has something that appears to be pinned to his vest. Perhaps a visitor to the cabinet card gallery can identify the mystery object. Guesses are welcome so please feel free to leave a comment with your hypotheses.
THEATER ACTRESS: MARIE LEGAULT
French theater actress, Marie Legault, is the subject of this cabinet card photograph by internationally acclaimed celebrity photographer Charles Reutlinger. This image was produced in Reutlinger’s Paris studio in 1880. To view other Reutlinger photographs, click on the category “Photographer: Reutlinger”. Marie Francoise (Maria) Legault (1858-1905) entered the Paris Conservatory in 1872. That same year she finished second in the comedy competition. She was just fourteen years old at the time. She was awarded a stipend to continue her studies and she won the competition the following year. During her theatrical career she appeared at a number of venues including the Gymnase, the Palais-Royal, the Vaudeville, the Comedie-Francaise, and the Theatre Michel in St. Petersburg. Legault created the role of Roxane in Rostand’s Cyrano de Bergerac (1872) and of Marie Louise in L’Aiglon (1900) with Sarah Bernhard. Her obituary appears in the New York Times (1905).



