PORTRAIT OF JEANNE SAMARY :ARTIST MODEL FOR RENOIR :STAGE ACTRESS : CABINET CARD

This cabinet card photograph features a portrait of French stage actress, Jeanne Samary (1857-1890). Samary was born into a family of artists. Her father was a cellist at the Paris Opera and she had two aunts and a grandmother who were actresses at the the Comedie-Francaise. At age fourteen, she entered the Conservatoire and in three years later, won the first prize for comedy. She made her debut at the Comedie-Francaise in 1874. She is not as well known for her acting as for her posing for several portraits by Pierre Auguste Renoir. She was his model between 1877 and 1880. She appeared in Renoir’s painting, “Le Dejeuner des canotiers” (Luncheon of the Boating Party). Samary was an actress who was perceived as a woman “of the people”. She could not get major roles on the stage. She played minor roles and often was cast as a maid. Samary wanted to be a famous actress but instead is famous for being one of Renoir’s models. This photograph of Samary was taken by the W. & D. Downey studio (London).  SOLD

VIRGINIA MAYO : BEAUTIFUL ACTRESS : PICTUREGOER SERIES : WARNER BROTHERS

This vintage real photo postcard features American actress and dancer, Virginia Mayo (1920-2005). Virginia grew up in St. Louis. She began attending her Aunt’s acting school at age 6. She also took dancing lessons. She began her professional acting career after graduating high school. She began acting and dancing at the St. Louis Municipal Opera Theatre. She then toured the vaudeville circuit for three years. She appeared in some short films and then was “discovered” performing at a Broadway area night club, by Samuel Goldwyn. Goldwyn appreciated her for her talent as well as her beauty. He signed her to an acting contract with his company.  In 1941, she appeared on the Broadway stage with Eddie Cantor. Her first starring role occured in 1944 when she appeared in a film with Bob Hope. The IMDb reports that Mayo had 70 film credits between 1939 and 1997. She performed in one Broadway play (1941-1942). This vintage postcard is part of the “Picturegoer” series (No. D 541). She posed for the postcard’s portrait while under contract with Warner Brothers.  SOLD

PRETTY YOUNG WOMAN : SWEET STRAINS : STRINGED INSTRUMENT : RPPC (1910)

This vintage real photo postcard features a pretty young woman holding a stringed instrument. The caption under her photo states “Sweet Strains”. A musical strain is a series of musical phrases that creates a distinct melody in a piece. A strain is considered a section of a musical piece. A strain may also refer to the sound of music being played. This postcard is part of the Life Model Series (No.748). SOLD

STEVENS LACROSSE : PRETTY WOMAN : ARTIST UNDIVIDED POSTCARD : 1906

This undivided back vintage printed postcard features a pretty young woman holding a lacrosse stick and waving a Stevens banner.  She is wearing an “S” on her jacket. Stevens Institute of Technology is located in Hoboken, New Jersey. The school was founded in1870 and it is one of the oldest technological universities in the United Staes. The artist has created a fun postcard with nice colors. The artist of this card is not identified.  This postcard was published by M. Machol (Hoboken, New Jerey). The card was copyrighted in 1906.  SOLD

Published in: on July 22, 2024 at 12:00 pm  Leave a Comment  
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HANDSOME GENTLEMAN : HANDLEBAR MUSTACHE : CHICAGO, ILLINOIS : CABINET CARD

This cabinet card captures a long haired gentleman with a wonderful thick handlebar mustache. The man appears very comfortable in front of the camera and the question arises as to whether he is a theatrical performer. The photographer is J. K. Stevens who operated his studio out of the McVicker’s Theatre Building in Chicago, Illinois.  (SOLD)

BROTHERS IN ARMS : SWORDS : RAGAZ, WALLENSTADT, SWITZERLAND : CABINET CARD 1895

This cabinet card portrait captures three uniformed “Brothers in Arms” and their swords posing for their portrait. The photographer of this photo was Johann Fetzer (1839-1927) and his studio was located in Ragaz, Wallenstadt, Switzerland. This photograph was taken in 1895. Johann Nikolaus Fetzer was a native of Bavaria. He opened his first studio in Wallenstadt in 1867. His major clientele were soldiers from the neighboring military barracks. Photography appears to have been part of the genetic make-up of the Fetzer family. Over a period of 150 years, ten photographers from the Fetzer family documented the people, buildings, and landscapes of this region of the Alps. This cabinet card photograph is in very good condition (see scans).

6221

Buy this Cabinet Card (includes shipping within the US) #6221

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$78.95

6221

Buy this Cabinet Card Photograph (includes International shipping outside the US) 6221

To purchase this item, click on the Pay with PayPal button below

$88.95

Published in: on July 19, 2024 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A SCRAPPY SOCCER PLAYER FROM THE 1920’S (VINTAGE REAL PHOTO POSTCARD)

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This vintage real photo postcard features a scrappy looking soccer player wearing his game clothes. The player looks out onto the field and exhibits a great deal of confidence. His steely gaze, his hands on his hips, and his foot firmly atop the soccer ball holding it in place, exudes a sense that this athlete is a warrior. He is daring his opponent to take the ball or the game from him. A vintage postcard with an image of an individual soccer player is relatively rare as opposed to a postcard portrait of an entire soccer team. This postcard is likely from the 1920’s.  (SOLD)

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Published in: on July 18, 2024 at 12:00 pm  Leave a Comment  
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ARLETTE MARCHAL : PRETTY FRENCH FILM ACTRESS : SILENT FILM & TALKIES : RPPC

This vintage real photo postcard features French film actress, Arlette Marchal (1902-1984). The IMDb reports that she appeared in 42 films between 1922 and 1951. Marchal was brunette and exotic looking. As a young woman she was very shy and overcame her shyness by entering a beauty contest. She won the contest and one of the judges helped her get a film role. After that appearance, she was in constant demand for both leading and supporting roles in Hollywood silent films. She worked for both MGM and Paramount. She also was a major actress in French and German talkies. Her high in popularity was in the mid 1920’s. The IMDb states that she was most known for “Aux jardins de Murcie” (1923), “Figaro” (1929), “Don Quichotte” (1933), and “The Fighting Pimpernel” (1949). Marchal was noted for her beauty but she also received positive reviews for her acting from American film critics. She retired from acting in 1951 to concentrate on operating her chain of French fashion houses. This postcard was published by Alfred Noyer as part of a series (No.167). Miss Marchal’s photo was taken by the Sartony studio (Paris). SOLD

OCTAVIA HANDWORTH : AMERICAN STAGE AND SILENT FILM ACTRESS : REAL PHOTO POSTCARD

This uncommon vintage real photo postcard features pretty American silent film actress, Octavia Handworth (1887-1978). She was of Danish heritage. She showed much musical talent as a youngster and she was sent to Copenhagen to live with relatives and study music. She returned to the US at age twelve, continued music studies and was hired by an opera company at age sixteen. However, she determined that her real passion was for acting. She was married to Harry Handworth, an actor, producer and film director. Handworth headed Excelsior Feature Film Company. Her second marriage was to actor, Gordon De Main. She began her acting career on stage on the East Coast. She is known for the films “When Fate Leads Trump” (1914), “The Path Forbidden” (1914), “The Great Ruby” (1915), and “Too Much Bull” (1915). Much of her career, she appeared in short films for companies like Pathe, and Lubin. She did however make a half dozen feature films. There was much competition to become a major actress in film, and Octavia failed to reach that status. She retired from acting in 1921 after appearing in the film, “Footlights”. According to the IMDb, Octavia has 61 acting credits between 1910 and 1921. This postcard presents Octavia with a bit of an impish expression. This card was published by Kraus Manufacturing Company (New York) for the Pathe film company. Interestingly, the caption on the front of the card describes Octavia’s appearance. She is said to be blonde, light complexioned, and to have had gray eyes.  SOLD

FAMOUS CIVIL WAR PHOTOGRAPHER CAPTURES TWO WOMEN MAKING A FASHION STATEMENT IN SNOWY PAINESVILLE, OHIO

This cabinet card features two woman dressed in their winter cloaks and hats. They are in the studio of G. N. Barnard in Painesville, Ohio. The photograph has some special effects in the form of fake falling snow. The factor that makes this photograph most special, is the photographer’s life story. George N. Barnard (1819-1902), was a pioneer of nineteenth century photography. At age 23 he was producing daguerrotypes and four years later he opened his first studio in Oswego, New York. An 1853 grain elevator fire occurred in Oswego, and Barnard captured the fire with his camera. Some historians consider these photographs the first news photography in history. In 1854 he opened a short lived studio in Syracuse, New York. He then moved to New York City where he worked on stereoscopes for Edward Anthony’s Studio in 1859 .Soon, he was hired by Matthew Brady as a portrait photographer and Brady sent him to Washington D.C. to photograph Abraham Lincoln’s 1861 inauguration as President of the United States. He later became part of “Brady’s Photographic Corps” to photograph the Civil War. Barnard is best known  for his work in the civil war (1861-1865). He was the official army photographer for the Military Division of the Mississippi, commanded by Union General William T Sherman. Barnard’s book “Photographic Views of Sherman’s Campaign” is a photographic record of Sherman’s destructive Atlanta Campaign and subsequent March to the Sea. After the war, Barnard opened a studio in Chicago in 1869. The studio was destroyed in the “Great Fire” of 1871. He proceeded to take photographs of the rebuilding of Chicago over the next few years; providing a terrific record of that process. In 1884, Barnard opened his Painesville, Ohio studio; which brings us back to the cabinet card image of the two ladies in the snow.  (SOLD)