BILLIE DOVE: BEAUTIFUL FILM ACTRESS, GIRLFRIEND OF FLORENZ ZIEGFELD : RPPC

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

POSTCARD 3 (SOLD)

These vintage real photo postcards feature actress Billie Dove. Billie Dove (1903-1997) was an American actress. Her parents were Swiss immigrants. During her teenage years, she worked as a model to support her family. Florenz Ziegfeld hired her as a teenager to appear in the Ziegfeld Follies Revue. She was not a particularly talented dancer or singer, her beauty and acting ability were her major assets. In the early 1920’s she moved to Hollywood and began appearing in silent films. It has been written that Ziegfeld’s wife, actress Billie Burke, helped facilitate Dove’s transition to films. Apparently, Burke was trying to separate Dove from her husband because the pair were having an affair. It did not take long for her to become one of the more popular actresses of the 1920’s. Among her better known films was “The Black Pirate” (1926) with Douglas Fairbanks, and “The American Beauty” (1927). Dove was a ravishing beauty and was very photogenic. She married director, Irvin Willat, in 1923. The marriage had a six year duration. She then had a three year romance with Howard Hughes. Dove’s other interests included being a pilot, painter, and poet. After her last film, “Blondie of the Follies” (1932), Dove retired from films. It is thought that she retired because she was distraught about her role in her last film being “trimmed” by her co-star’s (Marion Davies) influential boyfriend (William Randloph Hearst). Hearst was upset because Miss Davise’s acting was overshadowed by Dove’s acting. Mr Hearst owned Cosmopolitan Productions which produced the movie. After retirement, Dove married oil executive Robert Kenaston in 1933 and the couple remained together until Kenaston’s death in 1970. She had a brief third marriage to an architect. It is interesting to note that jazz singer, Billie Holiday, borrowed Billie Dove’s first name when picking out her own stage name. Miss Holiday was an admirer of Miss Dove. The IMDb lists 50 movie credits for Billie Dove between 1921 and 1962.

Postcard 1 is a profile portrait was published by Cinemagazine – Paris Edition (no.313). (SOLD)

Postcard 2 was published as by Ross Verlag as part of a series (No.3687/1).  Billie Dove looks beautiful in this portrait taken by Defina. The logo for First National Pictures can be seen in the image’s lower right corner.  (SOLD)

Postcard 3 features Billie Dove looking beautiful in this provocative portrait. The card is risque, considering Dove’s pose and revealing tight dress. Billie Doves portrait seen on this postcard was taken by Defina. This card was published by Ross Verlag’s Italian Edition (Bellerini & Fratini, Florence, Italy). Casa Editrice Bellerini & Fratini was one of the most renowned Italian publishers. The firm began publishing film postcards in the early 1920’s and later became a distributor for Ross Verlag. As of 1918, the firm was still in existence.  (SOLD)

POSTCARD 1

POSTCARD 2 (SOLD)

POSTCARD 3

MARY PICKFORD : LES VEDETTES DE CINEMA : CINEMAGAZINE : RPPC (1920’s)

Mary Pickford (1892-1979) was a Canadian-American actress and one of the most influential figures in early Hollywood. She was often referred to as “America’s Sweetheart”. She was a pioneer of silent film and a co-founder of the film industry as we know it today. Pickford’s career began in childhood when she performed in theater productions in Canada and the United States. By the early 1900s, she transitioned to film, working with director D.W. Griffith at Biograph Studios. Her delicate beauty and expressive acting quickly made her a fan favorite, setting her apart in an era when exaggerated stage-style performances dominated silent films. During the 1910s and 1920s, Pickford became one of the highest-paid and most beloved actresses in the world. Starring in films such as Rebecca of Sunnybrook Farm (1917), Daddy-Long-Legs (1919), and Pollyanna (1920), she was known for playing wholesome, spirited young women. Her curly hair and signature on-screen innocence became iconic, but she was also a savvy businesswoman who understood the power of her brand. Pickford was not only a star but also a trailblazer in the film industry. In 1919, she co-founded United Artists alongside Charlie Chaplin, Douglas Fairbanks (her then-husband), and director D.W. Griffith. This revolutionary move allowed filmmakers to control their own productions rather than rely on major studios, changing the industry forever. As the film industry transitioned to “talkies,” Pickford retired from acting in the early 1930s, though she continued to produce films. Her contributions earned her an honorary Academy Award in 1976 for her lasting impact on cinema. Mary Pickford’s influence extends beyond her films. She helped shape the star system, paved the way for women in Hollywood, and co-founded the Motion Picture Relief Fund to support struggling actors. She remains an enduring symbol of early Hollywood glamour and innovation. Mary Pickford was born into a working-class family in Toronto, Canada. Her father, John Charles Smith, was an alcoholic who struggled to provide for the family and died from a workplace accident when Mary was just six years old. Her mother, Charlotte Hennessey Smith, was left to raise Mary and her two younger siblings, Lottie and Jack, on her own. To support the family, Charlotte encouraged her children to enter acting, and Mary began performing in theater at a young age. She soon became the family’s primary breadwinner, and her siblings, Lottie Pickford and Jack Pickford, also pursued film careers. Pickford transitioned from theater to film in the early 1900s, quickly rising to fame with her expressive acting and wholesome on-screen persona. By the 1910s and 1920s, she was one of the most recognizable stars in the world, earning the nickname “Queen of the Movies.” She also helped establish the Academy of Motion Picture Arts and Sciences. Mary Pickford was married three times. Pickford’s first marriage was to silent film actor Owen Moore (1911-1920). Her second and most famous marriage was to fellow silent film actor, Douglas Fairbanks (1920-1936). Her third marriage was to actor Charles “Buddy” Rogers (1937-1979). After retiring from acting in the early 1930s, Pickford focused on producing films and philanthropy. She became more reclusive in her later years, struggling with alcoholism and health issues. Today, she is remembered as a pioneering force in cinema history. Pickford is featured on this postcard. She is seated gracefully on a carved wooden stool, exuding elegance and poise. She is dressed in a flowing, light-colored gown with delicate embellishments on the bodice and sheer fabric draping over her arms. Her signature curls frame her face, a defining feature of her “America’s Sweetheart” image. She wears a subtle yet confident expression, her eyes gazing slightly to the side with a soft, introspective quality. Her arms are relaxed, with one hand resting gently on her lap and the other elegantly extended. Her accessories include a bracelet on her wrist and a ring on her finger, adding to her refined look. The backdrop behind her is a richly textured tapestry, possibly depicting a pastoral scene. This postcard was likely produced in the 1920s, during the height of Pickford’s career. It is numbered 86 and is part of a larger collectible series showcasing cinema stars of the era. This vintage postcard is part of a series titled Les Vedettes de Cinéma (translated as The Stars of Cinema), and it was published by Alfred Noyer (Paris,France), in collaboration with United Artists, the film distribution company that Pickford co-founded. The back of the postcard identifies the publisher as Cinémagazine – Edition and states that it was Made in France / Fabriqué en France, indicating its European origin. (SOLD)

CAROL DEMPSTER : AMERICAN SILENT FILM ACTRESS : D W GRIFFITH : RPPC

This vintage real photo postcard features American silent film actress, Carol Dempster (1901-1991). She was born in Minnesota. Her father was a captain on a ship that travelled on the Great Lakes. The family moved to California when her father switched careers. She was spotted dancing in a school program by noted dancer Ruth St. Denis. St. Denis recruited her for her own dance school. Griffith discovered her at the St. Denis school. Dempster began her film career as a protege of film director extraordinaire. She was one of a number of actresses he collected for his “stable”. Others included Lillian and Dorothy Gish, Miriam Cooper, and Mae Marsh. These other actresses were said to detest Dempster because she mimicked their acting styles. Dempster was given her first role in the 1916 film, “Intolerance”. She played a harem girl along with teenage newcomer, Mildred Harris. Dempster was just 15 years old. She became one of Griffith’s favorites and appeared in nearly every one the films he directed through the 1920’s. Their relationship became a romantic relationship during the arly 1920’s. Dempsters last film appearance was in 1926. She retired that year to marry a wealthy banker. Dempster was not seen as a great actress by critics. She was overshadowed by Lillian Gish. In addition her animated acting style and physical appearnce were considered relatively ordinary. The IMDb reports that Dempster appeared in 19 films between 1916 and 1926. This vintage postcard offers a closeup view of Miss Dempster She looks pretty and glamorous. The card was published by Cinemagazine (Paris Edition). The postcard dates back to the 1920’s and is in very good condition (see scans).

carol dempster

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VIOLET HOPSON : PRETTY BRITISH ACTRESS AND FILM PRODUCER WEARING RIDING ATTIRE

POSTCARD 1

POSTCARD 1 (CLOSE-UP)

VIOLET HOPSON : PRETTY BRITISH ACTRESS &FILM PRODUCER :PHOTO BY FLORENCE VANDAMM - Picture 1 of 3

POSTCARD 2  (SOLD)

Violet Hopson (1887-1973) is the subject of these vintage real photo postcards. She was a highly successful British actress and producer who performed and produced stage and silent film productions. She was born in Australia. She began her stage career with Pollard’s Lilliputian Opera Company in Australia between 1898 and 1900. Two of her sisters also performed with the company. In the early 1900’s she performed in the United States and Great Britain. In the US, she appeared in dramatic productions while in Britain she added comedies to her repertoire Film historian, Rachael Low asserted that Hopson was presented to the public as if she was a “glamorous film star” despite having a low impact screen personality. Her British film debut was in “Mr Tubby’s Triumph (1910)”. Beginning 1912, she worked for British director, screen writer, and producer, Cecil Heworth. He marketed her as a “Dear Delightful Villainess”. In 1919, Hopson made a bold move and began her own production company which created a number of films. She did a series of films utilizing the theme of horse racing. Her career began to slow down before the arrival of sound films. She appeared in a few supporting roles in talkies but then retired. The IMDb reports that Violet Hopson’s filmography has 120 credits between 1910 and 1933. Hopson had two marriages. The first was to actor Alec Worcester and it was of about ten years duration. She later married British film producer, Walter West.

This vintage portrait seen in  Postcard 1, presents Hopson, in what I believe to be, horseback riding attire. Her long coat, high boots, and riding crop, all support my conclusion. Hopson looks very “cool” in this photograph. She is pretty and appears self confident and resolute. This postcard was published by Cinemagazine-Edition of Paris, France. The postcard is part of a series (no. 217). This vintage photo postcard has some cloudiness on the right side edge of the postcard. Overall the postcard is in good condition and has excellent clarity (see scans).

Postcard 2 presents Hopson in a pensive pose. She is wearing pearls and her dress is designed with a gauzy cover. The card is  hand color tinted. The photographer who shot Hopson’s photograph is quite famous. Her name is Florence Vandamm (1883-1966).  She was originally trained and worked as a painter. She moved to the United States in 1923. She was a British photographer noted for her portraits of Broadway productions and performers. During her five decade career she shot over two thousand productions. The logo for Broadwest All-British Films can be seen under Hopson’s printed name.  The card has Hopson’s facimile autograph in the bottom right hand corner of the image.  (SOLD)

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POSTCARD 1

POSTCARD 2

LOIS WILSON : AMERICAN FILM, STAGE, AND TELEVISION ACTRESS : SOAP STAR : RPPC

This vintage real photo postcard features American silent and sound film actress, Lois Wilson (1894-1988). She also directed two films and performed on the stage. She appeared on Broadway three times between 1937 and 1968. Her 1968 appearance was in “I Never Sang For My Father”. She was born in Pittsburgh, Pennsylvania but she and her family moved to Alabama when she was quite young. She graduated from Alabama Normal College and became a school teacher before venturing out to pursue a film career. In 1915, after winning the equivalant of the Miss Alabama beauty contest, she headed for Hollywood. She was quickly hired by Victor Film Company for a number of small roles. In 1916, she worked in a minor film role for female director Lois Weber. Weber took an interest in Wilson and began preparing her for future stardom. Wilson appeared in a number of films for various studios until she was signed by Paramount in 1919. She remained with the company until 1927. She was a WAMPAS Baby Star of 1922. WAMPAS Baby Stars were projected to become future major Hollywood stars. The IMDb credits Wilson with 159 screen appearances between 1915 and 1963. Her most noted roles were in “The Covered Wagon” (1923) and “The Great Gatsby (1926). She played opposite major leading men including Rudolph Valentino, John Gilbert and Ronald Reagon. She made a successful transition to sound movies. However, she became disappointed with many of the roles she played in the 1930’s, and retired in 1941. Wilson also performed on television and played roles in soap operas such as “The Guiding Light”, “The Secret Storm”, and the “Edge of Night”. Lois Wilson never married. This vintage postcard was published by Cinemagazine (Paris) as part of a series (No.237). SOLD

PEARL WHITE : AMERICAN STAGE AND FILM STAR : PERILS OF PAULINE : RPPC

Pearl White (1889-1938) was an American actress of film and stage. She started her career on the stage at just 6 years old in the play, “Uncle Tom’s Cabin”. At thirteen years of age she was a bareback rider for a circus. She dropped out of high school to join a touring stage company. Next she worked as a singer in Cuba and South America. She made her appearances in dance halls and casinos. In 1910, her voice began to fail and she began to appear in silent films, including many popular serials. Her nickname was “Queen of the Serials’. She did the majority of her own stunts in these film serials. She is known well for her role in “The Perils of Pauline”. She was often cast in the role of an athletic heroine, rather than the more typical, innocent young woman. As a result of her appearances in “The Perils of Pauline”, she was soon earning $1,750 per week. She increased her star power as she appeared in other serials. In these films she flew airplanes, raced cars, and did other action hero feats. By 1919 White moved on to more dramatic roles. She appeared in ten drama films for Fox Film Corporation. She finished her career by taking roles in European films, and finally, appearing on the European stage. While performing in London, she earned three thousand dollars a week. At the time of her retirement (1924), White had banked two million dollars. She then began investing. Her investments included a hotel, a night club, and a stable of race horses. White was married twice, each time, for short duration to actors. White died of liver failure, possibly due to her history of heavy drinking. Her drinking may have been attributable to her problems with pain stemming from a spinal injury occurring during her stunt days. The IMDb site credits white with 228 film appearances between 1910 and 1924. This real photo film star photo was published by Cinemagazine (Paris Edition). The card is part of the “Les Vedettes de Cinema” (Stars of the Cinema) series (No.,55). White’s postcard photo portrait was taken by the celebrated photographer, Alfred Noyer. (SOLD)

ENID BENNETT : SILENT FILM AND STAGE ACTRESS : MAID MARIAN IN ROBIN HOOD

This vintage real photo postcard features Australian silent film actress, Enid Bennett (1893-1969). She was mostly active in American films. She was born in Australia and attended an an acting and elocution school in Perth. In 1910 she joined a touring theatrical company. Two years later she joined the Fred Niblo – Josephine Cohan touring company. She understudied for Cohan and would consistently receive positive reviews. In 1915, Enid began to appear in Australian films. Also in 1915, Enid came to the United States and made her American theatrical debut in “Cock O’ The Walk” at the George M. Cohan theater on Broadway. She soon was appearing in important roles in American films. One of her more famous roles was playing Maid Marian in Robinhood (1922) with Douglas Fairbanks. By 1923, her career had slowed. However, she made the transition to sound, appearing in two Jackie Cooper films. She nearly comletely retired in 1933. Her final film role was in the Marx Brother’s “The Big Store” (1941). The IMDb reports that Enid had 52 film credits between 1916 and 1941. Bennett married Fred Niblo in 1918 and their marriage ended in 1948 upon Niblo’s death. In 1963, she married American film director, Sidney Franklin. Enid’s two sisters, Catherine and Marjorie Bennett, were also actresses. The card was published by Cinemagazine (Paris Edition). The postcard is part of a series (No.139) The portrait of Bennett is by Alfred Noyers studio in Paris. The postcard dates back to circa the 1920’s and is in very good condition (see scans).

enid-bennett_0001-2

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LUCIENNE LEGRAND : PRETTY FRENCH SILENT FILM ACTRESS

The pretty actress seen in this vintage real photo postcard is Lucienne Legrand (1900-1987). She was French and was active in film between 1921 and 1929. Her work was in silent film and she often worked alongside her actor/director husband, Emile-Bernard Donatien. For clarity sake, note that there was another actress named Lucienne Legrande; but this actress was born in 1920. Lucienne Legrand, pictured on this postcard, has eighteen film credits listed by IMDb. The site states that she is most well known for La chevauchee blanche (1924), Simone (1926), and Le martyre de Sainte-Maxence (1928). This photo postcard was published by Cinemagazine (Paris Edition) as part of a series (no.98). The photograph of Miss Legrand was taken by Pierre Apers. He was a talented French photographer active in the early twentieth century. His studio was in Paris and he specialized in portraiture. The cabinet card gallery is building a nice collection of his photographs. This vintage photo postcard is in very good condition (see scans).

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LOUISE LAGRANGE : FRENCH FILM ACTRESS : APPEARED IN A NUMBER OF SEXUALLY PROVOCATIVELY TITLED FILMS

This vintage real photo postcard features pretty French film actress, Louise Lagrange (1898-1979). She was born in Oran, France, which is now in Algeria. Her movie debut occurred when she was nine years of age. Her first marriage was to film director Maurice Tourneur. Her second marriage was to actor, William Elliot. The IMDb credits her with 48 film credits between 1907 and 1952. Her appearances included such films as “A Roman Orgy” (1911), “The Nude Woman” (1926), “In the Shadow of the Harem” (1928), and “Cage of Girls” (1949). Do I detect a pattern here? Lagrange certainly acted in a large number of films with sexually provocative movie titles. Cinemagazine (Paris Edition) is the publisher of this card. It was part of a series (no. 425).   SOLD

Published in: on November 2, 2019 at 12:00 pm  Comments (1)  
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BEBE DANIELS: BEAUTIFUL AND MULTI TALENTED ACTRESS (VINTAGE REAL PHOTO POSTCARD)

daniels

POSTCARD 1 (SOLD)

                        daniels

POSTCARD 2

                        bebe-daniels-3

POSTCARD 3

                           Scan

POSTCARD 4   (SOLD)

These vintage real photo postcards feature actress Bebe Daniels (1901-1971). The top postcard was published by Cinemagazine (Paris Edition) and is part of a series (no. 121?). Miss Daniels is absolutely beautiful. She is nicely dressed and her outfit includes furs. She is wearing a large ring and a necklace with a cross. Bebe Daniels was an American actress, singer, dancer, writer and producer. She was born in Dallas, Texas to show business parents. Her father was a theater manager and her mother was a stage actress. She started her career in Hollywood as a silent film child actress. She became a star in musicals such as “42nd Street”. She worked opposite Harold Lloyd and was under contract with Cecil B. DeMille.  She later became a popular radio and television actress in Great Britain. In the 1920’s she was under contract with Paramount Pictures and made the transition to adult roles. In 1924 she played opposite to Rudolph Valentino in “Monsieur Bearcaire”. She also recorded songs for RCA Victor. When talkies began, she was hired by RKO. While with RKO her movies included a number of musicals such as “Dixiana” (1930) and  “Love Comes Along” (1930). Over the course of her career, she appeared in 230 films. She retired from Hollywood in 1935. After World War II she was awarded the Medal of Freedom by President Truman for her service during the war. An interesting story concerning Miss Daniels is that while appearing in a Chicago hotel, several thousand dollars worth of her jewelry was stolen from her hotel room. Al Capone, the notorious gangster, was a longtime Daniels fan and put out an order that the thief had just 24 hours to return it “or else”. The jewelry was returned the following day.

The second postcard of Miss Daniels was published by Iris Verlag for Paramount Films (Fanamet). Fanamet was an Austrian film distribution company. The postcard was part of a series (no. 977). This profile portrait also displays the beauty and appeal of Miss Daniels.Iris Verlag was the most important Austrian publisher of film star postcards. It operated from Vienna during the 1920’s and 1930’s. Iris Verlag was a different company than Germany’s Ross Verlag. Iris cards restricted itself to one postcard format and did not publish scene card series popularized by Ross. The early Iris cards had a sepia brown tone while the cards from the 1930’s were closer to “black and white”.

The third photo postcard features Bebe Daniels dressed as a “harem princess”. She is wearing a two piece dress with lots of see-through material. She is dressed and posed to look beautiful and sexy. I believe that the mission was accomplished. The postcard was published by Ross Verlag in Germany circa 1920’s. The postcard is part of a series (no. 3213/1) and Paramount Studio is credited. This postcard portrait of Miss Daniels is rare.

The fourth postcard portrait of Miss Daniels is from a series (No. 37) called “Les Vedettes de Cinema (Stars of the Cinema)”. The postcard includes the logo of Paramount Studios. This real photo postcard is published by Cinemagazine and was produced in France.

 

Scan 1

REVERSE OF FOURTH POSTCARD