PRETTY DANCER : PROVOCATIVE : RISQUE : STAR SERIES : PHOTO BY LIEBERT : RPPC

This vintage real photo postcard features an unidentified pretty performer. She is posed like a dancer. This is a risque postcard. She is wearing a flesh colored body suit and is posed in a provocative manner. The model on this card was likely a minor player based on the fact that she is not named on the postcard. This photo was taken at the studio of A. Liebert, in Paris, France. The Getty Museum, located in Los Angeles, California, as well as other fine museums, have  photographs in their collections by Paris photographer, Alphonse J. Liebert (1827-1913). Many of his Parisian subjects were actresses. Perhaps Miss Lesian is one of those actresses. Mr. Liebert has an interesting story. He was a photographer in Nevada City, California (1857-1862), and later, operated in Paris (1863-1890’s). He was born in France. He became an officer in the French Navy. He left the navy in 1848 to study daguerreotypy. He must have reenlisted in the navy because In 1851, he arrived in San Francisco, as a Lieutenant on a French ship. This was a time when there was much excitement about Gold mining. As a result, there was a mass desertion of the ship’s crew. The sailors joined the rush for gold. Liebert had in mind, his own venture. He and two partners decided to take on the project of refurbishing a steamship. They sought investors and hired workers to transform the ship. However, due to the partners inexperience, the venture failed. Liebert than tried gold mining but met little success. In 1857 he opened a photo gallery in Nevada City. He lost thousands of dollars after a fire in 1858. In 1859 Liebert ridiculed a former photography pupil of his, named Louis Celarie, in the press. This started a bitter professional feud. Soon after, Liebert announced that he had won a medal at the state fair. Unfortunately, there was no evidence to confirm this claim. The competition between Liebert and Celarie was fierce. Each offered special promotions to best the other. By 1861, Liebert triumphed, evidenced by the sale of Celarie’s studio. About a year later, Liebert sold his photo gallery. By 1863, he had returned to France and opened a gallery specializing in tintypes. Liebert closely identified with his photography experience in America, and as a result, he named his Paris gallery “Photographie Americaine”. Liebert began to write photography articles and books, and ultimately, invented a prototype solar camera. In 1867, Liebert had a problem with the law. He was sentenced to two months in prison and levied a fine of 200 francs. He was charged for the intent to distribute banned post mortem photographs. These were not photos of some random person. Instead, they were images of Emperor Maximillian, who had been executed in Mexico. Liebert ultimately did exhibit these photos. Liebert was becoming more and more successful. His photo gallery was so lavish that a reviewer for the British Journal of Photography wrote that it was “worthy of the smiles of the ‘God of Light’, and a repository for some of the best productions of the photographic art”. In 1879, Liebert’s gallery was the first studio to utilize electric light. By 1880, he was considered to have the most impressive photo studio in Paris. . The card was published by  Star or Etoille Publishing (Paris). This postcard image was created by a process called “emaillographie”. It is interesting to note that the first five letter of the process are “email”. This postcard was part of the V B C series (No.3063). SOLD

MAUD ALLAN : RISQUE : SALOME : DANCER, ACTRESS, AND CHOREOGRAPHER : 1908 : RPPC

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These risque vintage real photo postcards feature Maud Allan (1873-1956). She was a Canadian-born dancer, choreographer, and actress, who performed in the United States and Europe at the turn of the 20th century. She was known for her performances of the “Vision of Salome”, an interpretive dance based on the Oscar Wilde play “Salome”, in which she portrayed the title character. Allan’s performances were controversial and often drew criticism for their erotic content. She also was known for her court case in 1918 against a British newspaper, the Illustrated Times, who published an article accusing her of promoting immorality and lesbianism. She sued for libel and won. In regard to Allan’s sexual orientation, she was a lesbian and was involved with women her entire life. She had a long affair with Margot Asquith, the wife of Herbert Henry Asquith, the Prime Minister of the United Kingdom from 1908 through 1916. Allan also had a long affair with Verna Aldrich, her secretary.

 Postcard 1 presents Allan dancing as “Salome”. She is wearing a sexually provocative costume. She is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.4946B). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. An inscription on the card’s reverse reveals that the card is from 1908. (SOLD)

Postcard 2 This postcard also presents Allan dancing as “Salome”. Once again, she is wearing a sexually provocative costume and is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.4946Q). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card is from circa 1908. (SOLD)

Postcard 3 is rare. The card captures Miss Allan wearing a sexually provocative costume. She is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.11406B). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card is from circa 1908. (SOLD)

Postcard 4 is a risque vintage postcard that was published by Aristophot. Allan’s photograph was taken by Leopold Reutlinger as part of a series (no.E1586). This Salome postcard has a 1908 postmark. (SOLD)

Postcard 5: Most vintage postcards of Miss Allan, capture her in various risque poses during her performance in “Salome”. This uncommon postcard portrait captures her well dressed and elegant looking. This card is uncommon and was published by Rotary Photo as part of a series (No.4946Y). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card has a 1906 postmark. (SOLD)

Postcard 6 features Maud Allan in an erotic costume as she plays “Salome”. This postcard was published by Rotary Photo as part of a series (No.4946D). Miss Allan’s photograph was taken by the Foulsham & Banfield studio.  (SOLD)

Postcard 7 was published by Rotary Photo as part of a series (No.4946N). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This postcard features Allan radiating an aura of refined elegance and timeless beauty. Her attire is a masterful display of Edwardian fashion. She wears a high-necked lace blouse adorned with intricate detailing, lending her an air of sophistication and grace. Over this, she dons a luxurious fur coat that adds richness and depth to her ensemble. Around her neck, a delicate pendant peeks out, suggesting a taste for understated yet exquisite jewelry. Her hat is a work of art in itself, lavishly adorned with roses, feathers, and ornate embellishments. The elaborate design frames her face beautifully, complementing her delicate features. Her hair, arranged in soft, voluminous curls beneath the hat, enhances her classic femininity. Maud’s expression is serene yet captivating, her slightly parted lips and soft gaze conveying both intelligence and an enigmatic charm. Her eyes hold a quiet confidence, suggesting a woman of depth, creativity, and individuality. Altogether, Maud Allan’s appearance in this postcard speaks to her remarkable beauty, not only in her physical features but also in the grace and character she exudes. She appears as a woman who is elegant, enigmatic, and effortlessly captivating. (SOLD) 

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PORTRAIT OF A TEENAGE FLAPPER : DANCE STUDIO : JAZZ AGE : (1926)

This vintage photograph features a teenage dancer on stage. Her flapper dance costume fits the times. She was performing in 1926, during the Jazz Age. The photograph is signed in the lower right hand corner. It is signed, “Obenaus Studio”. Research reveals that there was an Obenhaus studio operating in the the 1920’s in three locations in upstate New York (Albany, Troy, and Schenectady). The studio has a photograph in the Library of Congress. The photograph is entitled “Miss Yonkers, 1924” and it shows a young woman wearing a bathing suit and Miss Yonkers sash. She is seated on a small table and has her feet raised and her hands behind her head. Interestingly, she is wearing the same cutesy expression as the dancer in this photograph. SOLD

Published in: on August 30, 2024 at 8:02 pm  Leave a Comment  
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A TOPLESS EDMONDE GUY AND E. VAN DUREN : DANCERS : RISQUE : GREYHOUNDS : RPPC

This rare risque vintage real photo postcard features famous European dance partners, Edmonde Guy (1903-1951) and Ernst Van Duren (?-1930). The pair are flanked by three regal looking greyhounds. If you look closely, you will see the dogs are leashed. Edmonde Guy was a French dancer and film actress. She also was a model for paintings by Dutch artist, Kees Van Dongen. In 1921 she and Van Duren formed a dance partnership. They performed both in Europe and the United States. In 1926, they were hired by Florenz Ziegfeld for his “Palm Beach Follies”. Guy and Van Duren were famous for their daring outfits and erotic performances. Evidence of their “steamy” work can be seen via this postcard image. Guy is wearing a sheer top, but she is virtually topless. Not much is known about Van Duren. One newspaper reported that he was Hungarian but his family was originally from the Netherlands. Besides being a dancer, he also acted. His first film role was in a French silent film in 1923. He played minor roles in a few films but his break out role was in a circus film called “Manege” (1928). He then starred in a film with Edmonde Guy, with the title “Princesse Mandane” (1928). In 1930, Van Duren committed suicide. There were rumors his self destruction was caused by the end of his relationship with Edmonde. However, some writers believe his suicide was related to his relationship with American dancer, Jack Forrest. This French postcard was published by J.R.P.R. and the photographer of the two dancers was G. L. Manuel Bros. SOLD

PRETTY DANCER WEARING NUDE BODY SUIT : RISQUE : RPPC : (1907)

This vintage real photo postcard features a pretty young dancer dressed in a risque body suit. The costume aims to give the appearance of nudity. The performer is holding a tambourine. The publisher of the postcard is unidentified. The reverse of this postcard shows some wear but the front of the card is in excellent condition. The postcard is in overall Good Condition (See Scans).  SOLD

Published in: on June 4, 2024 at 12:00 pm  Leave a Comment  
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BLACK FEMALE DANCER IN COSTUME : STUDIO PORTRAIT : VINTAGE RPPC

This vintage real photo postcard features a Black Woman in her dance costume. She is an unusual costume and she is lifting her skirt in a risque manner. The woman has a pretty smile.  SOLD

CAMILLA HORN : GERMAN ACTRESS AND DANCER : NAZI FOE : HOLLYWOOD : RPPC

POSTCARD 1 (SOLD)

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These vintage real photo postcards feature German dancer and film star of the silent and sound era, Camilla Horn (1903-1996). She also was an internationally known actress, starring in several Hollywood films of the late 1920’s as well as a few British and Italian productions. Her father was a civil servant working in the Railroad Industry. She was born in Germany and educated in Germany and Switzerland. Horn was educated to work as a dressmaker. She went to Berlin where she trained as an actress and dancer. She next became a cabaret dancer. In 1925, she worked as an extra in a German film. Her big break came in 1926 after she replaced Lillian Gist in the UFA production of “Faust”. In 1928 she left for Hollywood where she played opposite John Barrymore in “Tempest” and “Eternal Love”. She became romantically involved with film director, Joseph Schenck. She returned to Europe (upon the advent of sound film) and in the 1930’s got in trouble with the Nazis and was prosecuted for an alleged financial offense. During the war years, she was too outspoken against the Nazis. The regime investigated her. She tried to escape unsuccessfully to Switzerland. Thereafter, she kept a low profile. After the war, she was convicted by a British tribunal and sentenced for three months of jail due to some minor offenses. It was also reported that post war, she worked as an interpreter for occupying American forces. Horn was a screen star from 1930 until her retirement in 1953. Horn was married four times during her life. Interestingly, in about 1972 Bruce Springsteen wrote a song about her. Camilla Horn was quite beautiful. She had blonde hair, slanting brown eyes and classical features.

Postcard 1 was published by Ross Verlag as part of a series (No.4123/1). The logo for “United Artists” can be seen in the lower right hand corner of Horn’s image. This postcard has a 1930 postmark. (SOLD)

Postcard 2 was published by Ross Verlag as part of a series (No.7348/1). The card has a Latvian stamp and postmark.  (SOLD)

PRETTY SCANTILY CLAD DANCER : RISQUE : RPPC (1907)

This vintage risque real photo postcard features a scantily clad pretty young dancer. Note her long hair and headress.The card was published by Neue Photographische Gesellschaft (NPG) as part of a series (No.553/2). The company was a leading bromide photo printing company for many years.at the beginning of the 20th century.  (SOLD)

PRETTY DANCER WEARING HEADDRESS : RISQUE : RPPC : (1907)

This vintage real photo postcard features a pretty young dancer dressed in a risque costume. Note her headdress. The previous owner of this postcard asserted that this image is an example of Germany’s Jugendstil period (1896-1914). The term, Jugendstil, means “young style”. The Jugendstil movement has been referred to as Germany’s Art Nouveau period. This postcard was published by NPG as part of a series (no.559/2). The card was postmarked in 1907. This postcard has stamp residue on it’s bottom left hand corner and is in overall Good Condition (See Scans). 

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Buy this Vintage Real Photo Postcard (includes shipping within the US) #5111

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$28.00

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5111

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PRETTY DANCER WEARING A BODY STOCKING : RISQUE 

This vintage risque real photo postcard features a pretty young dancer dressed in a body stocking. The costume is meant to simulate nudity. SOLD

Published in: on July 8, 2023 at 12:00 pm  Leave a Comment  
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