MURIEL FOSTER : ENGLISH OPERA SINGER : PORTRAIT BY ERNEST WALTER HISTED

This vintage real photo postcard features English contralto, Muriel Foster (1877-1937). Foster and her twin sister, Hilda, were trained at the Royal College of Music in London. In 1896, he made her debut in the production of “King Saul”. In 1899, the sisters performed in a series of duets. In 1900, Hilda retired after getting married. Muriel, who had the command of several languages, continued her singing and had a very successful international opera career. Muriel was photographed for this portrait by Ernest Walter Histed (1862-1947). Histed was born in England but achieved his success as a photographer in Chicago, and later, in Pittsburgh. He then returned to England and opened a photography studio there. His subjects there included Clara Butt (Opera Star) Pope Pius X, and the Empress of Germany. Histed returned to the US and opened a studio on Fifth Avenue in New York City. He later moved to Palm Beach, Florida and continued his profession until 1934. The Museum of the City of New York has a large collection of his work. The National Portrait Gallery (England) has 32 of his photographs in their collection. This postcard was published by London’s J. Beagles & Co. as part of a series (No. G386).The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued as J. Beagles & Co. until it closed in 1939. SOLD

CLARA JECKS : PRETTY AND TALENTED ENGLISH MUSICAL COMEDY ACTRESS

The pretty woman seen in this vintage photograph is English musical comedy actress, Clara Jecks (1854-1951). She was born in London, England. Her father was an actor and theatrical manager (Adelphi Theatre). Her mother was a popular actress. It is unsurprising that Clara began her stage career when she was a baby. She first appeared on the stage as a toddler. Growing up, she received the music, dance, and voice training needed to prepare her for a performing career. Her London stage debut was in 1873, at about the age of nineteen. Clara’s specialty was playing soubrettes (lively flirtatious roles) and boy roles. In fact, she once said, “I am never so really happy as when acting as a lad”. Clara was mentored by talented actress, Miss Nellie Farren. There is a portrait of Clara in Great Britain’s National Portrait Gallery. In fact, the portrait is identical to the photograph seen above. The NPG reports that this image appeared in “The Theatre” magazine in 1892. She was photographed, for this image, playing her role in “Richard II”, written by William Shakespeare. The photographer of the photo was Alfred Ellis (1854-1930). Ellis was an active photographer between 1884 and 1899. He operated a studio on Upper Baker Street in London. He specialized in theatrical photography and sometimes photographed whole scenes inside his studio. He later went to theaters to photograph performers and play scenes. Now, back to Clara’s career. In 1878, she and her mother toured together with the Comedy Opera Company. A few of Clara’s notable performances were in “Formosa” (1877), “The Black Domino” (1893), Cinderella (1893), and “A Merry Madcap” (1896). Her final London performance was in “The Critic” (1911). In an interview appearing in “The Sketch” (1893), Clara was asked the reason why she never toured America. She answered that she received many good offers to appear there, but preferred to perform in London, “Where I am at home with my audiences”. She then added, as if to change the subject, the following observation. She asserted, “You should see what funny letters I sometimes get from little boys in front, who can hardly believe I’m not one of themselves”. During her career, she appeared in over two hundred opera, drama, and pantomime roles. This image features Clara holding a wine pitcher in one hand, and a wine cup in the other. This photograph measures about 4″ x 5″, has excellent clarity, and is in excellent condition.

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MISS MARJORIE VILLIS : RISQUE PORTRAIT OF A STRIKINGLY PRETTY BRITISH ACTRESS

This vintage real photo postcard portrait feature British silent film actress, Marjorie Villis (1891-1981). Miss Villis is quite pretty and has a wonderful smile. This photograph captures her in a risque pose and a risque costume. What an amazing elaborate and busy costume. When I first saw this image, I immediately became motivated to find information about this provocative actress. I met little success in learning about Marjorie Villis. Photographs of her appear to be uncommon, and I could not find the postcard above anywhere online. I did learn that she sat for seven postcard portraits that can be found in the UK’s National Portrait Gallery, All of the portraits were taken by celebrated photographer, Alexander Bassano. The IMDb credits Villis with 15 film roles between 1915 and 1922. Villis was most noted for her roles in “The Rugged Path (1918), “A Romany Lass (1918)”, and  “Brenda of the Barge (1920). She had a relatively short career. I wonder why her career ended so abruptly? The first talkie feature film did not get released until 1927, so we know that, unlike many other silent film stars, Villis was not shut out of the film industry because of an unsuitable voice or foreign accent. This postcard was published by J. Beagles & Company (London)  as part of a series (no.142 J). The wonderful portrait of Miss Villis was taken by S. Ward. This vintage postcard is in very good condition (see scans)

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MISS GRACE CHALMERS – HER TALENT PROVES THAT GREAT “ACTRESSES ARE BORN AND NOT MADE”

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This vintage real photo postcard features stage actress Grace Chalmers. Her portrait can be found at Britain’s National Portrait Gallery. Research reveals that Miss Chalmers received acclaim for her role as “Glory Quayle” in “The Christian”. A photo of Grace Chalmers, with a brief caption, appears in the “Illustrated Sporting & Dramatic News (1908). She is reviewed in the magazine, “Navy and Army Illustrated” (1905). The reviewer must have been impressed with her acting. He points out that Miss Chalmers has “wonderful histrionic abilities” despite her lack of theatrical training and theatrical genes. According to the writer, Chalmers talent roves that “actresses are born and not made”. This vintage postcard was published by J. Beagles of London, England. It is part of a series (no. 289D). Miss Chalmers portrait was photographed by Denton & Co..   SOLD

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MISS MURIEL BEAUMONT – BEAUTIFUL ENGLISH STAGE ACTRESS

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Muriel Beaumont (Lady du Maurier (1876-1957) is the featured subject of this vintage real photo postcard. She was an English stage actress and was married to actor Sir Gerald du Maurier. He was the first person to play “Captain Hook”. Two of their daughters became accomplished writers. Her stage career ended in 1910. Beaumont was born in Sutton, England. Her father was a solicitor and when Beaumont decided to pursue an acting career, her father disapproved. In 1898 she made her stage debut at the Haymarket Theatre. In 1902 she appeared in “The Admirable Crichton” and met, for the second time, fellow cast member Gerald du Maurier. Within five short months, they were married (1903). Interestingly, they never appeared on stage together again. In 1905 she appeared in “The Merchant of Venice” with Violet Vanbrugh. This photo postcard was published by Rotary Photo and is part of the “Rotary Photographic Series” (no.1763 A).The photographer of Miss Beaumont’s portrait is Reinhold Thiele and he is known for his photographical talent. Thiele (1856-1921) also used the name “Karl Anton”. Seven of his photo portraits can be found in Great Britain’s National Portrait Gallery. He was born in Germany and learned about photography there. He came to London in 1878 and after a stint with photographer, William Henry Prestwich, he was hired by the London Stereoscopic Company (1880). In 1894, he established a studio known as Simmons & Thiele. Initially, Thiele specialized in photographing football teams. He is considered to be one of the early press photographers. Later, he operated a studio in London. He photographed many theatre stars. This vintage postcard is in very good condition (see scans).

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LORD WILLIAM CAVENDISH-BENTINCK, 6TH DUKE OF PORTLAND (1857-1943)

Lord William Cavendish-Bentinck was the 6th Duke of Portland and was a conservative British politician. He held office as Master of the Horse under Lord Salisbury (1886-1892 and 1895-1902) and under Arthur Balfour (1902-1905). From 1898 until 1939 he served  as Lord Lieutenant of Nottinghamshire. At the coronation of King George VI he carried the crown of Queen Elizabeth. He was also known for owing a stable of Thoroughbred race horses which included some well known and successful horses. The photographic studio that produced this Cabinet Card is Elliott & Fry of London, England.  This Victorian photographic studio and photographic film manufacturer was founded in 1863 by Joseph John Elliott and Clarence Edmund Fry. For an entire century the studio took and published images of leading Victorian luminaries from the fields of science, public service, art, politics as well as celebrities of the day. Famous Edwardian photographer working for the studio included Francis Henry Hart and Alfred James Philpott. Most of the early negatives from this studio were destroyed in the bombing of London during World War II. The surviving negatives are held by Great Britain’s  National Portrait Gallery.