ALMA BENNETT : RISQUÉ 1920s RPPC OF SILENT FILM ACTRESS : PATHE : IRIS VERLAG

This sepia-toned, real photo postcard features the glamorous silent film actress Alma Bennett (1904-1958) in a striking, risqué pose. Published by Iris Verlag of Austria, this collectible is numbered 5234 and credits the prominent studio Pathé as the photographer—known for its high-quality film stills and star portraits during the silent era. The image captures Bennett draped in a sheer, flowing fabric that barely conceals her chest. With her hands placed carefully to cover herself, the pose is both sensual and elegant—clearly intended to appeal to fans of 1920s starlets and risqué glamour. Her expressive face is tilted upward in a dramatic fashion, with her dark, wavy bob framing large, expressive eyes. Her parted lips and gaze suggest a moment of theatrical longing or awe, characteristic of the silent film aesthetic. This postcard falls squarely into the risqué category due to its suggestive styling and scant coverage, though it retains a refined and artistic tone rather than being overtly provocative. Alma Bennett was an American silent film actress who appeared in over 60 films between 1919 and 1931. Known for her beauty, versatility, and ability to play both dramatic and comedic roles, she became a recognizable face during the peak years of silent cinema. Bennett began her career in Hollywood in the late 1910s, likely transitioning into film from stage or local beauty contests, as was common during the period. Her breakout years came in the 1920s, with notable roles in films such as: “Orphans of the Storm” (1921, uncredited, directed by D.W. Griffith), “The Prairie Pirate” (1925), “A Woman Against the World” (1928), “The Night Flyer” (1928). and “The Arizona Kid” (1930).  Alma’s personal life was somewhat tumultuous, mirroring that of many silent-era actresses whose careers were overshadowed by the transition to sound films. She was married to Fred Bennett, though the marriage reportedly ended in divorce. Little is documented about her life after retiring from film around 1931, and she never returned to the screen during the sound era. (SOLD)

RENEE ADOREE : HOLLYWOOD SILENT & “TALKIE” FILM STAR : TRAGIC DEATH AT 35

POSTCARD 1

POSTCARD 2

POSTCARD 3 (SOLD)

These vintage real photo postcards feature French stage and film actress, Renee Adoree (1898-1933). She also appeared in silent movies produced by Hollywood in the 1910’s. Her most well known film was the melodramatic romance and war epic, “The Big Parade”. She played the love interest of John Gilbert. Renee’s parents were circus artists. She would perform with them at times. She was a dancer, acrobat artist, and bareback rider. She perfomed throughout Europe. She made her movie debut in 1918. In 1919, she went to New York City and played in a vaudeville-style musical. Several other stage appearances followed. In 1920, she began to perform in movies again. In total, Renee performed with John Gilbert nine times. She appeared with actor Ramon Novarro four times. In a 1928 Howard Hughes film, “The Mating Call”, Renee had a brief scene in which she swam in the nude. This act created much controversy. Renee’s personal life included two marriages and two divorces between 1921 and 1929. Renee, unlike many other actresses of her time, was successful in making the transition to sound film. She appeared in four “talkies” before her early death. In all, by the end of 1920, Renee had appeared in forty-five films. The IBDb reports that she appeared in two Broadway productions, both occurred in 1919, It was in 1930 that Renee was diagnosed with tuberculosis. Despite her doctor’s advice, she continued her participation in the filming of a movie. After completing the movie, she was rushed to an Arizona sanitorium. She was flat on her back for two years during her recovery. Post discharge, Renee’s health began to deteriorate until she died in 1933. She was only about 35 years old at the time of her death.

Postcard 1 features Renee in a risque pose. She is dressed quite provocatively. This postcard was published by “Ross Verlag” as part of a series (No.4350/1). Note sticker on reverse of card. This vintage postcard is in overall good condition. (see scans).

Postcard 2   features Renee standing in front of a horse. She is holding the horse’s harness. Apparently, she liked animals and possessed a sense of humor. She had a dog named “Useless”, and a cat named “Worthless”. The logo for MGM can be seen in the lower right hand corner of the image. She was under contract with MGM from 1930 until her death. This postcard was published by “Europe” as part of a series (No.395). This postcard is in very good condition (see scans).

Postcard 3 offers a view of Renee that illustrates her beauty. She is fashionable and her attire includes a jacket with a fur collar. The card features a logo for MGM in its lower right corner. The card was published by Ross Verlag and is part of a series (No.3794/1). SOLD

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5137

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$22.00

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5137

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Buy this Vintage Real Photo Postcard (includes shipping within the US) #5299

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$19.00

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5299

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$29.00

POSTCARD 1

POSTCARD 2

MISS ALEX: PARISIAN ENTERTAINER : PHOTOGRAPHED BY LUCIEN WALERY (1903)

This vintage real photo postcard was mailed in 1903 and features Miss Alex, a lesser known actress or dancer of the Belle Epoque era. She was quite pretty. Many entertainers such as Miss Alex, were more or less prostitutes or “kept women”. Certainly, not all of these women were involved in such a lifestyle, and it is unknown how Miss Alex supported herself. The “Ambassadeurs”, a Paris music hall, is printed on the top right hand corner of the front of the postcard. Miss Alex was probably part of the Ambassadeur’s company of entertainers. This portrait postcard was photographed by Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. This “risque” postcard is part of the Etoile 11 series.  SOLD 

TWO RISQUE IMAGES OF A LOVELY BALLERINA PLAYING CUPID (TWO-SIDED CABINET CARD PHOTOGRAPH)

This cabinet card is quite unusual in that it has photographic images on both sides of the card. A very pretty ballet dancer is from the Alhambra Ballet production of Cupid is pictured in each image. In one photograph her legs are crossed while in the second photograph her legs are open and her undergarment is visible through her transparent tutu. The cabinet card is risque for it’s era. The Alhambra was a theatre in London, England. It was opened in 1854 as “The Royal Panopticon”. A circus ring was added and it was reopened in 1858 as the Alhambra. The theatre stage hosted music hall acts, aerial acts, ballet, light opera, and other events. The theatre was closed and demolished in 1936. This cabinet card features a dancer from the ballet, Cupid which opened at the Alhambra on 5/24/1886. The principal dancer in this production was Emma Bessone, and research reveals that the ballerina in this image is likely Emma Bessone. She was an Italian dancer who trained at La Scala and became prima ballerina for both the Maryinsky and Bolshoi companies in Russia. The photographer of this cabinet card was Samuel A. Walker whose studio was located in London.  SOLD

TWO PRETTY NUDE MODELS : BLACK STOCKINGS : RISQUE : LAGACHE : PARIS : POSTCARD

This French vintage  postcard features two young woman in risque poses. One woman is completely nude while the other is wearing lingerie and black stocking and garters. Both ladies have mischievous smiles. This postcard was published by Lagache Imp. (Paris, France). The card is part of a series (No.6). SOLD

Published in: on August 1, 2025 at 12:00 pm  Leave a Comment  
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ACTRESS ON A SWING IN PARIS, FRANCE (PORTRAIT BY SAZERAC)

SAZERAC FRONT

This cabinet card portrait features an unknown actress in a provocative pose sitting on a swing. An exposed leg and lacy undergarments propel this photograph into risque territory. The curly haired young woman flashes a terrific smile at the camera. The photographer of this image is the Sazerac studio which was located at the “Hotel Prive” in Paris, France. No information could be located about Mr. Sazerac but one can easily find real photo postcard portraits of French show girls that were produced by his studio. Sazerac cabinet cards are less common.  SOLD

 

Published in: on July 19, 2025 at 12:01 pm  Comments (2)  
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RISQUE BATHING BEAUTY : FRENCH POSTCARD BY NOYER : SEASIDE GLAMOUR : VINTAGE RPPC

This vintage French real photo postcard features a charming seaside scene of a “bathing beauty,” a popular motif of early 20th-century glamour photography. The young woman poses confidently on a simulated beach with a painted backdrop of choppy waves and a distant lighthouse. She wears a form-fitting, one-piece knitted bathing outfit that clings to her figure—a risqué choice for the era—along with ballet-style laced sandals and sheer stockings. A bold, dark ribbon or turban is wrapped around her head, adding a dramatic flourish to her beach attire. She holds a racket over her shoulders, likely meant to suggest leisure and playfulness, possibly referencing beach paddle games or tennis, though this is clearly a studio creation rather than a candid beach photograph. Her smile is coy and knowing, with a relaxed, flirtatious pose and bright expression that captures the coquettish spirit of Belle Époque and Edwardian postcard art. This card was published by Noyer of Paris, a noted French postcard publisher known for glamorous and mildly provocative photographic portraits. The card bears the serial number 3119 and the “Fabrication Française” mark on the reverse. This is a classic example of a risqué seaside glamour postcard. SOLD

Published in: on June 6, 2025 at 12:00 pm  Leave a Comment  
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BATHING BEAUTY : RISQUE : JEAN AGELOU : PARIS : 1910-1920

This French vintage risque real photo postcard features a pretty young bathing beauty. The young woman is wearing a bathing suit that has straps on the bottom of the suit. Her shoes also have black straps wrapping partially up her calves.This is a risque photograph. This postcard was published by celebrated photographer, Jean Agelou (1878-1921), as part of a series (No.036). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Jean Agelou died in 1921; the result of a car accident. His brother George, who managed Jean’s business, also was killed in the crash.  SOLD

Published in: on May 31, 2025 at 12:00 pm  Leave a Comment  
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VINTAGE NUDE PHOTOGRAPH : BY LUCIEN WALERY (AS YRELAW) : FRENCH ART DECO MODEL

This striking vintage postcard features a classic nude portrait by celebrated Parisian photographer Lucien Waléry, whose name appears here in reverse as “YrélaW” — a common practice he used to subtly obscure his identity on more provocative works. The image is numbered 1088 in the lower right corner, indicating it was part of a larger, collectible series. 
The young model is posed in an artful semi-recline, one hand supporting her as she leans back against a textured curtain backdrop. She appears relaxed yet lively, her head turned to the side as she offers a gentle, playful smile. Her hair is dark, voluminous, and naturally wavy, framing her face with softness. Her expression conveys youthful confidence with an air of ease — not coy or provocative, but serene and open, as though caught in conversation or reacting to someone just out of frame. The pose emphasizes the natural curves of her body, rendered with artistic sensitivity in the soft lighting typical of Waléry’s photographic style. Though nude, the model is not sexualized in a gratuitous way; the tone is classical and aesthetic, clearly intended as fine art rather than erotica.  Lucien Waléry was the pseudonym of Stanisław Julian Ignacy Ostroróg (1863–1929), a French-born photographer of Polish descent. He came from a line of photographers — his father was also a notable portraitist — and worked during the height of the Belle Époque and Art Deco periods in Paris. Waléry’s photography specialized in glamour, cabaret performers, and nude or semi-nude models, often featuring stars of the Folies Bergère and other Parisian revues. His studio attracted both high-society clientele and show business personalities. While many of his portraits were openly credited, he used backwards spellings of his name (YrélaW or similar variations) for his nude and risqué imagery — a clever form of self-censorship and anonymity designed to navigate laws and cultural norms concerning modesty and pornography in early 20th-century Europe. His works were widely reproduced as postcards, photogravures, and portfolio prints, making them highly collectible today. (SOLD)

KITTY MALONE : EDWARDIAN RISQUE RPPC : VINTAGE THEATRICAL POSTCARD : RAPID PHOTO

POSTCARD 1 (SOLD)

POSTCARD 2 SOLD

Postcard 1 is a risque original real photo postcard (RPPC) featuring Miss Kitty Malone, an early 20th-century stage performer or model. Malone is wrapped in a tight gown that accentuates all of her curves. The postcard was produced by Rapid Photo Co. in London, with the photograph taken at Dover St. Studios. In the image, Miss Kitty Malone strikes a dramatic pose, wrapped in a flowing, textured gown reminiscent of Grecian or theatrical costume styles. Her long, voluminous dark hair cascades down her shoulders, framing her striking face. She gazes directly at the camera with an intense and almost mysterious expression, her lips slightly parted. Her arms are lifted behind her head, adding to the dramatic, posed aesthetic that was characteristic of early Edwardian stage and artistic photography. This postcard is part of a series and numbered 2676 . This antique real photo postcard (RPPC) was postally used and sent in 1908. It features a green half-penny King Edward VII postage stamp, which was commonly used in the early 20th century for domestic postcards. The handwritten message is addressed to Miss V. Green and is written in black ink in elegant cursive handwriting. The sender, signed as “Aunt Emma”, writes to Violet, mentioning that she has received a postal order (P.O.) safely and hopes Violet and her mother are doing well. She asks if Violet’s mother has any homemade wine available and requests that she let her know by Sunday so she can send for a bottle. Aunt Emma also states that she will send money so it can be delivered by carrier on Wednesday, mentioning that she finds it beneficial for herself and thought Violet’s mother might feel the same. SOLD

Postcard 2 is a risque vintage postcard, published by Rotary Photo and numbered 1945G in the series, features Miss Kitty Malone in an elaborate theatrical costume. This card earns the title of risque because Miss Malone’s top is exceedingly short, exposing much of her legs. The photograph was taken by the renowned Foulsham & Banfield studio. Miss Malone is dressed in an ornate, short tunic-style dress adorned with intricate embroidery and decorative trim. The outfit is cinched at the waist with a bejeweled belt, and she wears sheer, flowing sleeves that drape elegantly from her arms. She also sports shimmering stockings, one of which is embellished with a delicate garter, and dainty, pointed shoes. Her regal headpiece, topped with tall, white feathered plumes, adds to the opulent and theatrical nature of her attire. Her expression is warm and confident, with a slight smile and a poised demeanor. She gazes directly at the camera, her head tilted slightly to one side. Her dark, voluminous hair is styled in an elegant updo, framing her face beautifully. Her pose, with one hand resting on her hip and the other raised near her face, conveys a sense of grace and charisma, suggesting she was a performer or stage actress. The background of the image is softly blurred, allowing the intricate details of her costume and expression to stand out. The overall aesthetic of the postcard captures the glamour and theatrical style of the era.  SOLD

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POSTCARD 2