This risque vintage real photo postcard features a nude pretty young woman smiling at the camera. Her image on this card is provocative. She covers the sexually charged areas but the postcard remains alluring. Although she is covering herself, she does not seem terribly embarrassed about her state of undress. SOLD
PHOTOGRAPH 1 (SOLD)
PHOTOGRAPH 2 (SOLD)
Photograph 1 is an original vintage is a French press photo from 1991. The image features the actress, Greta Garbo in a scene from the silent film, “The Temptress” (1926). Garbo (1905-1990) was a Swedish film actress in the 1920’s and 1930’s. She was beautiful and she was talented. During her career she was nominated three times for the Academy Award for best actress. The American Film Institute rated her fifth on their list of the greatest female stars of classic Hollywood cinema. Her first film role was in the Swedish film “The Saga of Gosta Berling” (1924). Louis B. Mayer, the head of Metro-Goldwyn-Mayer (MGM) was impressed by her performance and brought her to Hollywood in 1925. Her performance in the silent film “Flesh and the Devil” made her an international star. Her first talkie was “Anna Christie” (1930). Many film experts believe her finest performance came in the film “Camille” (1936). By1938, her career went into a tailspin and she retired from the movie industry at the ripe young age of 35. In total, she had appeared in twenty-eight films. She led a very private life in her retirement and she became an art collector in her later years. She clearly knew her art, evidenced by the fact that her collection was worth millions of dollars when she died. (SOLD)
Photograph 2 is a vintage postcard that is risque. Garbo’s dress is quite low cut. This vintage postcard is part of the “Picturegoer” series (No.503). (SOLD)
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POSTCARD 1 (SOLD)
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POSTCARD 3 (SOLD)
Postcard 1 is a hand tinted vintage real photo postcard that features Madge Bellamy (1899-1990), an American stage and film actress. She was a popular leading lady in films of the 1920’s and 1930’s. The sound era put the brakes on her career and a romantic scandal in the 1940’s brought it to a total stop. Madge was a Texan. She was born in Hillsboro and was raised in San Antonio and Brownwood. Her father was an English professor at Texas A&M University. As a young child she took dancing lessons but soon, she was interested in becoming an actress. At age 9, she made her stage debut in “Aida”. She and her family moved to Denver, Colorado. She met Carlos Bellamy there and the two married. When Madge decided to leave the state to pursue acting, her marriage ended. Madge went to New York City and worked on Broadway as a dancer. In 1919, she replaced Helen Hayes in Broadway’s “Dear Brutus”, opposite actor, William Gillette. Her career took off thereafter. In 1920, Madge appeared in her first film as a supporting actress to Geraldine Farrar. She then signed a contract with the Triangle Film Corporation. Her “breakout role” was as the title character in Lorna Doone (1922). In 1924 she signed a film contract with Fox Film Corporation. She stayed there five years and during that time she appeared in two films for film director, John Ford. In 1925, she began to have difficulties with fox executives. In 1928, she appeared in Fox’s first talking film, “Mother Knows Best”. In 1928, she married for a second time. The marriage lasted 3 days before she and her husband separated. By 1929, Bellamy’s career entered a tail-spin. She had made poor choices out of her unbridled anger. Fan magazines gave her the nickname of “Miss Firecracker” due to her temperament. In 1929, she also quit her contract with Fox, right after they bought the rights to make a film out of Broadway play. The vehicle was bought with a plan to have Madge be it’s star. Bellamy later admitted she quit over money and added “I got too big for my britches”. She didn’t work again until 1932. She accepted roles in “Poverty Row” (B-movies) films. One of these films was “White Zombie” (1932) in which she appeared opposite Bela Lugosi. Her performance received many poor reviews from film critics. By 1940, Madge basically had no film career. However, she wasn’t done with drama. She was arrested after firing three shots from a .32 caliber revolver at her former lover of five years. The incident was premeditated. She was angry at her intended victim because he married a model shortly after ending their affair. Fortunately, her aim was poor and she missed. The only casualty was her ex boyfriend’s car which took a couple of shots into it’s body. Bellamy pleaded guilty to a lesser charge (violating gun laws), and received a suspended six month sentence and probation. Madge Bellamy’s IMDb filmography reports 61 credits between 1920 and 1945. This vintage postcard is provocative. This postcard is risque for it’s era. She is showing a lot of bare skin. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by J. Beagles and is part of the “Famous Cinema Star Series” (No.210P). (SOLD)
Postcard 2 offers another risque view of Madge Bellamy. Her alluring pose and short skirt qualifies this postcard to be considered provocative. This card was produced while Madge was under contract with Fox Films, sometime before 1929. This postcard was published by Ross Verlag as part of a series (No.3907/2). The postcard is in very good condition (see scans).
Postcard 3 is quite provocative. There are shades of Lady Godiva in this photograph. Miss Bellamy is pretty and scantily dressed. This postcard is risque for it’s era. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by Alfred Noyer and is part of the “Les Vedettes de Cinema” (The Stars of Film) series (No.200). This postcard is uncommon. (SOLD)
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #7386
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POSTCARD 1
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POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
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POSTCARD 7 (SOLD)
These risque vintage real photo postcards feature Maud Allan (1873-1956). She was a Canadian-born dancer, choreographer, and actress, who performed in the United States and Europe at the turn of the 20th century. She was known for her performances of the “Vision of Salome”, an interpretive dance based on the Oscar Wilde play “Salome”, in which she portrayed the title character. Allan’s performances were controversial and often drew criticism for their erotic content. She also was known for her court case in 1918 against a British newspaper, the Illustrated Times, who published an article accusing her of promoting immorality and lesbianism. She sued for libel and won. In regard to Allan’s sexual orientation, she was a lesbian and was involved with women her entire life. She had a long affair with Margot Asquith, the wife of Herbert Henry Asquith, the Prime Minister of the United Kingdom from 1908 through 1916. Allan also had a long affair with Verna Aldrich, her secretary.
Postcard 1 presents Allan dancing as “Salome”. She is wearing a sexually provocative costume. She is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.4946B). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. An inscription on the card’s reverse reveals that the card is from 1908. (SOLD)
Postcard 2 This postcard also presents Allan dancing as “Salome”. Once again, she is wearing a sexually provocative costume and is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.4946Q). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card is from circa 1908. (SOLD)
Postcard 3 is rare. The card captures Miss Allan wearing a sexually provocative costume. She is covered with jewelry. This postcard was published by Rotary Photo as part of a series (No.11406B). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card is from circa 1908. (SOLD)
Postcard 4 is a risque vintage postcard that was published by Aristophot. Allan’s photograph was taken by Leopold Reutlinger as part of a series (no.E1586). This Salome postcard has a 1908 postmark. (SOLD)
Postcard 5: Most vintage postcards of Miss Allan, capture her in various risque poses during her performance in “Salome”. This uncommon postcard portrait captures her well dressed and elegant looking. This card is uncommon and was published by Rotary Photo as part of a series (No.4946Y). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This card has a 1906 postmark. (SOLD)
Postcard 6 features Maud Allan in an erotic costume as she plays “Salome”. This postcard was published by Rotary Photo as part of a series (No.4946D). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. (SOLD)
Postcard 7 was published by Rotary Photo as part of a series (No.4946N). Miss Allan’s photograph was taken by the Foulsham & Banfield studio. This postcard features Allan radiating an aura of refined elegance and timeless beauty. Her attire is a masterful display of Edwardian fashion. She wears a high-necked lace blouse adorned with intricate detailing, lending her an air of sophistication and grace. Over this, she dons a luxurious fur coat that adds richness and depth to her ensemble. Around her neck, a delicate pendant peeks out, suggesting a taste for understated yet exquisite jewelry. Her hat is a work of art in itself, lavishly adorned with roses, feathers, and ornate embellishments. The elaborate design frames her face beautifully, complementing her delicate features. Her hair, arranged in soft, voluminous curls beneath the hat, enhances her classic femininity. Maud’s expression is serene yet captivating, her slightly parted lips and soft gaze conveying both intelligence and an enigmatic charm. Her eyes hold a quiet confidence, suggesting a woman of depth, creativity, and individuality. Altogether, Maud Allan’s appearance in this postcard speaks to her remarkable beauty, not only in her physical features but also in the grace and character she exudes. She appears as a woman who is elegant, enigmatic, and effortlessly captivating. (SOLD)
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This vintage risque postcard features a bikini clad Marisa Allasio (1936- ), a renowned Italian actress and a popular figure in 1950s cinema. Known for her beauty and charm, she became a prominent “sex symbol” of Italian film. Allasio starred in nearly 20 films between 1952 and 1958, often embodying lively, youthful roles in comedies that resonated with audiences of Italy’s post-war economic boom. Her most famous performances include roles in Poor But Beautiful (1957) and Pretty But Poor (1957), both directed by Dino Risi, as well as Seven Hills of Rome (1958) alongside Mario Lanza. Her film career ended abruptly in 1958 when she married Count Pier Francesco Calvi di Bergolo, a member of Italian nobility and the grandson of Italy’s King Victor Emmanuel III. Post-marriage, she left the film industry and focused on family life, becoming the Countess of Bergolo. Despite her brief career, Allasio remains a nostalgic icon of Italian cinema from that era, remembered for her vivacious on-screen presence and embodiment of 1950s Italian glamour. This vintage postcard is larger than the standard postcard. This card measures about 5.75 x 4.00 inches. This postcard was published by Rotalfoto. The firm was based in Milan, Italy. The postcard was published in the 1950’s and is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #7749
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This provocative vintage real photo postcard features a pretty young woman drinking a mug of beer and smoking a cigarette. This postcard is provocative and meant to be sexually charged. This postcard may be gay themed. This postcard photo is a studio card and is likely one-of-a-kind. An inscription on the reverse of the card is dated 1932. SOLD
This risque vintage real photo postcard features a nude pretty young woman giving the camera a “come hither” look. She is reclining on a chair. This postcard was published by B. M. V. as part of a series (No.31). SOLD
This French vintage risque real photo postcard features a pretty young woman modeling for an artist. This photograph is meant to titillate. The young woman is scantily dressed and showing much of her bare legs. One side of the hem of her undergarment is lifted. The model is displaying an alluring expression. The artist appears to be intensely concentration on his painting. He is holding a brush and palette. Some of the artist’s work is strewn on the floor. This risque photographic portrait was published by celebrated photographer, Jean Agelou (1878-1921), as part of a series (No.089). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Jean Agelou died in 1921; the result of a car accident. His brother George, who managed Jean’s business, also was killed in the crash. SOLD
This cabinet card portrait, by celebrity New York City photographer Sarony, features an unidentified attractive young woman. She is likely an actress or a society woman. Her V-neck dress is very revealing for the era that the image was produced. In fact, this is somewhat of a risque mode of dressing. To view other photographs by Sarony, click on the category “Photographer: Sarony”. This cabinet card has an extremely mild curl and is in overall very good condition (see scans).
Buy this Cabinet Card (includes shipping within the US) #6052
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$49.95
Buy this Cabinet Card Photograph (includes International shipping outside the US) 6052
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This vintage real photo postcard features a pretty young dancer dressed in a risque body suit. The costume aims to give the appearance of nudity. The performer is holding a tambourine. The publisher of the postcard is unidentified. The reverse of this postcard shows some wear but the front of the card is in excellent condition. The postcard is in overall Good Condition (See Scans). SOLD
THE CABINET CARD GALLERY 