This vintage photograph features an attractive and well dressed young couple. Perhaps this photo is a wedding picture. The couple are wearing formal clothing and the woman is flashing a ring on the ring finger of her left hand. The gentleman is wearing a wide collar as well as cuff links. The woman has what appears to be a tied loose cord hanging loosely from her waist. I wonder what the purpose is of the cord. Is it just for fashion sake? The woman is also wearing a pince nez, a style of glasses popular in the late 19th and early 20th centuries. The glasses stay on the wearers face by pinching the bridge of their nose. The glasses have no earpieces. An inscription, lightly written in pencil on the reverse of the photograph provides us with some information about the photograph. The photo was taken in 1903 or 1904. The studio was located in West Point, Mississippi. It is situated in the Northeast section of the state. In 1909, President William Taft visited West Point, Mississippi and made some remarks as he stood on the platform of the last train car. This vintage photograph measures about 6″ x *8″ and is in very good condition (see scans).

Buy this original Vintage Photograph (includes shipping within the US) #2810

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Buy this original Vintage Photograph (includes International shipping outside the US) 2810

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Published in: on July 24, 2019 at 12:00 pm  Comments (1)  
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This cabinet card portrait features an eight year-old boy named Augustus Davies. An inscription on the reverse of the photograph provides his name and age. The young boy is well dressed and well groomed and exudes an air of confidence. The photograph comes from the studio of G. W. Pach in Poughkeepsie, New York. At the time of this photograph, Pach also had studios in New York City, West Point, and in Long Branch (New Jersey) and Ocean Grove (New Jersey). Pach is a celebrated name in Cabinet Card era photography. Pach Brothers was a famous New York City photographic studio located on Broadway and many celebrities had their photographs made at that location. The founder of the studio was Gustavus Pach who died in 1904. His two brothers, who were his partners, were Oscar (predeceased Gustavus) and Gotthelf. The studio was so successful that it opened branches in Massachusetts, Connecticut, New Jersey and Pennsylvania. To view other photographs by G. W. Pach and Pach Brothers studios, click on the category “Photographer: Pach Brothers”. The child in this portrait grew up to become an established painter and craftsman. He was born in Poughkeepsie in 1867 and died in 1951 in Almeda, California. The 1900 US census found Augustus living in Poughkeepsie with his 72 year-old mother, Fran Davies and two servants. His occupation was listed as “painter”. The 1910 US census revealed that Augustus still lived in Poughkeepsie with his mother but that he had added a 35 year-old wife (May Elton Morrow) and a two year-old son (Elton Davies). He had jettisoned the two servants and had hired a cook. This time his occupation was listed as “artist”. Davies studied art at the ASL (Art Students League) of New York City. In 1910 he settled in Pasadena, California and established a studio. He also worked as a school administrator. His artistic specialty was religious paintings.








Maude Branscombe was a very popular stage beauty and light opera singer. She was reported to be the most photographed woman of her day. Biographical information about her is sparse and more will be added at a later date. Her first appearance on the New York stage was in 1876 as Cupid in a revival of Ixion at the Eagle Theatre. The portrait at the top was photographed by renowned W & D Downey of London, England.

The second portrait  was cropped so the photographer is unknown.

The third portrait (Branscombe is wearing a necklace) is by L. Levin & Son of San Francisco, California.

The fourth cabinet card image was photographed by Sarony. Sarony was a well known celebrity photographer and more of his portraits can be viewed by clicking on the category of “Photographer: Sarony”. Sarony does an excellent job of capturing Branscombe’s beauty and her alluring eyes.

The fifth and sixth, and seventh cabinet card were photographed by another celebrity photographer, Jose Mora, of New York City. Interestingly, the fifth and seventh cabinet card captures Branscombe in the same costume as the second cabinet card. It is likely that the photographer of cabinet card number two, is also Jose Mora. To view other photographs by Mora, click on the category of “Photographer: Mora”.

The eighth cabinet card portrait of Branscombe was photographed by Howell, another New York City photographer with a studio on Broadway. Howell’s close-up photograph captures the actress’s beauty and her wonderful eyes. She is wide eyed and her hair is a bit mussed. These qualities add to the allure of Miss Branscombe.William Roe Howell was born in 1846 in Goshen, New York. He had a passion for drawing and painting and he directed his creative interest into the field of photography as a young adult. He opened a photographic studio in Goshen. In 1863 he moved to New York City where he joined Robert and Henry Johnston at Johnston Brothers Studio at 867 Broadway. In 1866 the firm became Johnston & Howell. In 1867, he became the sole proprietor of the gallery. By 1870, he was gaining much recognition in the field of photography. His great location in New York City gave him access to many fashionable upper class men and women as well as many celebrities. Among his photographic subjects were P. T. Barnum, Buffalo Bill, and Robert E. Lee. He opened a branch studio in Brooklyn. In 1873 he came one of five Americans to be awarded a special grand prized at the Vienna World Fair. He frequently received mention in the photographic journals. He published a book of cabinet cards that received much praise. He became a photographer for West Point, Princeton, and other notable institutions. He won many medals at photography exhibitions. In 1878 he moved his business from 867 to 889 Broadway and opened another studio with a partner (Meyer) at 26 West 14th Street. In 1880 he retired from photography due to health reasons.  In 1886 he moved with his family to Washington D.C. intent on opening a photography business there. He then disappeared. He vanished just two weeks before the grand opening of his new studio. He left his wife of 16 years (Fannie Scott) and his five children penniless. His wife stated that Howell was an eccentric man and that he must have got tired of business and family problems “and cut loose from us”.  He apparently returned home after a short duration of absence and his business appeared in the 1888 Washington D. C. business directory but not in the 1889 directory. He died of tuberculosis in New York City in 1890. He had been residing at the home of a colleague who ran a photography studio in Harlem. It is believed by some biographers that he had divorced his wife and returned to New York without his family.

The ninth cabinet card is another portrait photographed by Jose Mora. The actress’s costuming detracts from the overall appeal of the photograph. She seems lost in the swirl of her head covering. However, the photographer does an excellent job of highlighting Miss Branscombe’s seductive eyes. The phrase  “Maude Branscombe eyes” certainly rivals the phrase “Bette Davis eyes”.

Cabinet card number ten also comes from the studio of Jose Mora. She is well dressed in this portrait. It is not clear if she is dressed for a stage role or if she is attired for a jaunt around town.


pretty austere_0004This cabinet card portrait of a pretty and fashionable young woman is the work of G. W. Pach. The woman in the photograph appears quite austere but of course sometimes appearance can be deceptive. Pach, and the Pach Brothers, were celebrated photographers of their era. G. W. Pach’s studio at the time of this photograph was located at 841 Broadway at the corner of 13th Street in New York City. Pach also had branch studios at Harvard and Yale Universities as well as in Poughkeepsie and West Point, New York. In addition, there were branch studios in Long Branch and Ocean Grove, New Jersey. The aforementioned studios are all mentioned in print on the reverse of the cabinet card. Also on the back of the image is a pencilled date indicating that this photograph was taken in 1879. To learn more about the Pach Brothers and to view additional photographs taken by them , click on the category “Photographer: Pach Bros”.


The subject of this cabinet card was a victim of mistaken identity. The gentleman in this image was identified as the ninth Governor of the state of Pennsylvania, David R. Porter. The previous owner of this photograph made the identification. After I purchased the card, I did some research and learned that David Porter was born in 1788 and died in 1867. The style of this photograph originated long after Porter’s death and I became upset at myself for beginning the identity confirmation process after paying for the photograph rather than before making the purchase. I had violated one of my basic rules for purchasing photographs of famous people. Fortunately, this story has a happy ending. Further research determined that the subject of the photograph is actually David Porter’s son, Horace Porter, who also was quite an accomplished man. The reverse of the photograph has an inscription “Amb. Porter” and this was the lead I followed to make the correct identity. The whole process was a bit of an emotional roller coaster. I went from feeling foolish, as well as angry at the previous owner’s unintentional incorrect identification; to feeling happy about identifying the subject as a man who played an integral part in American history. Horace Porter (1837-1921) is most well known for his activities during the civil war. He served as a Lieutenant Colonel, Ordnance Officer, and Staff Officer in the Union Army. In 1866 he was appointed brevet Brigadier General in the U. S. Army. He was also personal secretary to General and President Ulysses S. Grant and to General William Sherman. Later, he was the Vice President of th Pullman Palace Car Company and the United States ambassador to France (1897-1905). Horace Porter was born in Huntingdon, Pennsylvania. As stated earlier, he was the son of David R. Porter who who served as Pennsylvania’s Governor. His cousin, Andrew Porter was a Mexican-American War veteran and Union Army Brigadier General. Horace Porter was educated at Harvard University and graduated from West Point in 1860. He was distinguished in the Battle of Fort Pulaski (Georgia), Chickamauga, the Battle of the Wilderness, and New Market Heights. He received the Medal of Honor for his efforts at Chickamauga. He later wrote a memoir “Campaigning With Grant” (1897). The name of the photographer of this image is uncertain. It is difficult to decipher his printed name on the bottom of this photograph.  Owners of other images produced by this photographer refer to him as “Pessford”.  The script on the photograph could also be interpreted as “Bessford”.  There was a photographer in Hudson, Wisconsin listed by the 1880 census as James Bessford, but no evidence could be found linking him to this photograph. POSTNOTE: The photographer has been identified by a cabinet card gallery visitor as Joseph G. Gessford. Check out this entry’s comment section for the visitor’s informative and interesting  contribution.


This Cabinet Card is a photograph of actress Odette Tyler (1869-1936) and it is photographed  by famed celebrity photographic studio, the Pach Brothers. Tyler appeared in many productions including “The Love Route” (1906) which appeared on Broadway. She was an American actress and comedienne. She worked for Charles Frohman and was a member of a number of theater companies including the Madison Square Company (1884-1885). She authored a book, “Boss: A Story of Virginia Life”. Tyler was born Elizabeth Kirkland in Savannah, Georgia.  Tyler’s father was a West Point graduate and served as a Confederate General during the Civil War (General William Kirkland). Odette Tyler is quite pretty in this image and her feathered hat can be described as elaborate. To view other photographs by this studio, click on the category “Photogapher: Pach Bros.”.