A woman with pursed lips and piercing eyes poses for her portrait at the C. Spettel studio in North La Crosse, Wisconsin. Spettel was located at 720 Rose Street in North La Crosse. Consultation is needed from the cabinet card gallery research department (comprised of informed and expert visitors to the site). Is the subject wearing a scarf wrapped around the top of her dress or is the alleged scarf actually part of her dress? I have not seen many cabinet cards featuring woman wearing similar attire. Research reveals that Clement Spettel (1864-?) learned the business of photography at a young age and started his own business in North La Crosse in 1886. He was soon joined by his brother A. F. Spetel (1866-?). They were in business together from 1887 through 1906.
DRESSED FOR A DRIVE IN MONAWA, WISCONSIN
Although this terrific photograph is from the post cabinet card era, I want to share it with Cabinet Card Gallery visitors. The five individuals in this photograph appear to be dressed for an auto tour. One can easily imagine them sitting in an open motoring car driving down an open country road. The groups wardrobe and good looks bring to mind images of Bonnie and Clyde. Three of the subjects of this photograph are identified on the reverse as Ed Fetzer, Ed Heideman, and Martha Krause. This photograph was taken at the Quimby Studio in Manawa, Wisconsin. The Manawa Wisconsin Gazeteer and Business Directory (1903) lists A. C. Quimby as operating as a photographer in the town of Manawa.
THE CATATONIC DANCERS OF HARTFORD, WISCONSIN
This cabinet card portrait seems to capture dance partners preparing to participate in an episode of “So You Think You Can Dance”. A quick assessment reveals that they need to work toward looking more relaxed and natural. This image comes from the studio of T. G. Zunker in Hartford, Wisconsin. The Milwaukee city directory listed Zunker as a photographer in their issues of 1897 through 1899. Hartford and Milwaukee are 39 miles apart. According to the historical photography web site Langdon Road, Theodore Zunker operated his photographic business in Hartford from 1900 through 1915. The reverse of the card has an inscription that states “Fond Du Lac” which is a city 37 miles from Hartford. There is also a humorous comment written on the back of the photograph. The message states “When you get your man, hang on to him”. It seems that everyone becomes a comedian when they see this image. This cabinet card definitely begs for a humorous caption.
A BRIDE WHO SAID “YES TO THE DRESS” POSING WITH HER GROOM IN EAU CLAIRE, WISCONSIN
A handsome groom and his pretty bride pose for their wedding photograph at the Bonell studio in Eau Claire, Wisconsin. The bride is wearing a long veil and is adorned by many flowers and a necklace. The groom is wearing a corsage on his jacket and appears unhappy and angry on his wedding day. He looks as if he thinks his new wife spent too much money on the dress and the photographer. To view other photographs by Bonell and to learn more about him, click on category “Photographer: Bonell”.
PORTRAIT OF A BRIDE AND GROOM BY A FEMALE PHOTOGRAPHER IN ELROY, WISCONSIN
This cabinet card is a wedding portrait of a young unidentified couple. The bride is wearing a dark wedding dress and a long sheer veil. The groom is standing in the background behind the bench his bride is sitting on. The distance between the two removes the intimacy that we tend to see in modern day wedding portraits. The photographer of this image is Miss Carrie B. Clizbe whose studio was located in Elroy, Wisconsin. She is one of a small group of female photographers operating during the cabinet card era. Research revealed very little information about Carrie Clizbe’s career as a photographer. The 1880 US census found Carrie (age 21) living with her parents and four siblings in Reedsburg, Wisconsin. Carrie was working as a “tailoress”. Her father had an interesting occupation. He sold patents. The 1900 and 1910 census does not list her as having an occupation. While investigating, I was able to locate a cabinet card produced by the Clizbe Sisters studio in Reedsburg. It is apparent that Carrie was once partners with her sister Martha. A directory of Early Western Photographers reports that Carrie’s studio operated in Elroy circa 1895. The web site for Reedsburg provides a short biography of the man that Carrie Clizbe married on 7/4/1900. Herbert H. Webb and two partners established a department store in Reedsburg called Webb and Schweke. It was known as ‘The Big Store”. Carrie died in 1921 in the city of Chicago. She is buried in Reedsburg.
DAPPER GENTLEMAN IN JANESVILLE, WISCONSIN (WILLIAM J GRANT)
The dapper gentleman featured in this photograph is identified on the reverse of the cabinet card as William J Grant. Mr. Grant is quite dapper in appearance but it is a bit incongruous that he is standing next to a stack of bales of hay. The photographer’s last name is Tice and his studio was located in Janesville, Wisconsin. The Wisconsin and Minnesota Gazetteer (1865) includes an advertisement for J. A Tice of Janesville. The subject of this photograph, William J. Grant, was born in 1848 in the state of New York. The 1870 US census finds the 22 year old Grant working on the family farm. He lived with his parents, William and Ann Grant (both born in Ireland) and his three sisters Mary (age 28), Elizabeth (age 24) and Euphemia (age 20). The 1880 census reveals that Grant was married but lived without his wife in a boarding house. He worked as a teamster. The 1900 census lists Grant as single and still living in a boarding house. He was employed as a drayman. Drayman? What is a drayman? A drayman is a driver of a dray. Does that help? It didn’t help me, so here is the rest of the story. A dray is a low and flat-bed wagon without sides. The wagon is usually pulled by horses or mules to transport goods.
BAND OF MUSICIANS IN RICHLAND CENTER, WISCONSIN
This cabinet card features five members of a brass band dressed in uniform. The band band does not appear to be an “ordinary” community band. The woman seated in the center of the bottom row has a bible on her lap. The band has the look of a salvation army band but they are not wearing salvation army uniforms. Most likely, these musicians are members of a religious based service organization. Perhaps a visitor to the cabinet card gallery will be able to identify the organization that these band members represent. This cabinet card is notable for its clarity and for the detailed view of the musical instruments. The photographer of this cabinet card was the Hillman studio of Richland Center, Wisconsin. The 1900 US census reports that William J. Hillman was a 51 year-old photographer, born in New York, and living in Richland Center with his wife Caroline (age 54) and his son Charles B. (age 22). Charles B.Hillman was listed as working as a photographer. The Photographic Times (1907) printed a paper read by Hillman. The paper was entitled ” The Successful Photographer” and the advice given in his presentation was excellent and would be relevant and helpful to modern day business owners. If Hillman was alive today, he would have been an incredible business consultant. The Bulletin of Photography (1914) contains an announcement that the Hillman studio was sold to Frank Dickson.
MILWAUKEE’S BEST: PORTRAIT OF A PRETTY WOMAN IN BREW TOWN
This cabinet card portrait features a pretty young woman posing at the studio of Joseph Sasse in Milwaukee, Wisconsin. Milwaukee’s Best isn’t just a beer brewed by the Miller Brewing Company (founded in 1855). The young woman in this photograph was likely considered one of Milwaukee’s Best eligible women by the many suitors she must have attracted. She appears to have had a fondness for jewelry evidenced by her lovely collar pin. The large buttons on her dress are interesting. In the middle of each button is a six point star. She is wearing her hair in a “Gibson Girl” type style and has a hair bow atop her head. The photographer, Joseph Sasse, according to the 1900 census, was born in Germany (1854) and married his wife Walbolia in 1888. He worked as a photographer and he is listed as working in that profession in a number of Milwaukee city directories from 1895 through 1915. He had a son, Joseph Sasse Jr. who was born in 1887. Over time his son worked as a musician and as a movie operator. The 1920 census reveals that a man named Joseph Sasse, born the same year as photographer Sasse, was divorced and an inmate in a Milwaukee jail. There is no confirmation that these are one and the same man but it certainly does seem likely.
FAMILY PORTRAIT IN CASSVILLE, WISCONSIN
A family of seven, wearing their Sunday best, pose for their portrait at the Chase studio in Cassville, Wisconsin. This is a serious family. The entire family is missing the smiling gene. In reality, they were likely instructed by the photographer to avoid smiling. Father and mother pose with their five sons; or is it four sons and one daughter? All five of the children have their hair parted on the side and this consistency may indicate that the youngest child is a boy. The subjects of this photograph are unidentified but an inscription on the reverse of the image states “to Mrs. Palmer”. E. W. Chase is listed as a photographer in the LaCrosse, Wisconsin city directory (1894). No other information about him could be located.


