HANDSOME GENTLEMAN : HANDLEBAR MUSTACHE : CHICAGO, ILLINOIS : CABINET CARD

This cabinet card captures a long haired gentleman with a wonderful thick handlebar mustache. The man appears very comfortable in front of the camera and the question arises as to whether he is a theatrical performer. The photographer is J. K. Stevens who operated his studio out of the McVicker’s Theatre Building in Chicago, Illinois.  (SOLD)

BROTHERS IN ARMS : SWORDS : RAGAZ, WALLENSTADT, SWITZERLAND : CABINET CARD 1895

This cabinet card portrait captures three uniformed “Brothers in Arms” and their swords posing for their portrait. The photographer of this photo was Johann Fetzer (1839-1927) and his studio was located in Ragaz, Wallenstadt, Switzerland. This photograph was taken in 1895. Johann Nikolaus Fetzer was a native of Bavaria. He opened his first studio in Wallenstadt in 1867. His major clientele were soldiers from the neighboring military barracks. Photography appears to have been part of the genetic make-up of the Fetzer family. Over a period of 150 years, ten photographers from the Fetzer family documented the people, buildings, and landscapes of this region of the Alps. This cabinet card photograph is in very good condition (see scans).

6221

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6221

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Published in: on July 19, 2024 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A SCRAPPY SOCCER PLAYER FROM THE 1920’S (VINTAGE REAL PHOTO POSTCARD)

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This vintage real photo postcard features a scrappy looking soccer player wearing his game clothes. The player looks out onto the field and exhibits a great deal of confidence. His steely gaze, his hands on his hips, and his foot firmly atop the soccer ball holding it in place, exudes a sense that this athlete is a warrior. He is daring his opponent to take the ball or the game from him. A vintage postcard with an image of an individual soccer player is relatively rare as opposed to a postcard portrait of an entire soccer team. This postcard is likely from the 1920’s.  (SOLD)

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Published in: on July 18, 2024 at 12:00 pm  Leave a Comment  
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ARLETTE MARCHAL : PRETTY FRENCH FILM ACTRESS : SILENT FILM & TALKIES : RPPC

This vintage real photo postcard features French film actress, Arlette Marchal (1902-1984). The IMDb reports that she appeared in 42 films between 1922 and 1951. Marchal was brunette and exotic looking. As a young woman she was very shy and overcame her shyness by entering a beauty contest. She won the contest and one of the judges helped her get a film role. After that appearance, she was in constant demand for both leading and supporting roles in Hollywood silent films. She worked for both MGM and Paramount. She also was a major actress in French and German talkies. Her high in popularity was in the mid 1920’s. The IMDb states that she was most known for “Aux jardins de Murcie” (1923), “Figaro” (1929), “Don Quichotte” (1933), and “The Fighting Pimpernel” (1949). Marchal was noted for her beauty but she also received positive reviews for her acting from American film critics. She retired from acting in 1951 to concentrate on operating her chain of French fashion houses. This postcard was published by Alfred Noyer as part of a series (No.167). Miss Marchal’s photo was taken by the Sartony studio (Paris). SOLD

OCTAVIA HANDWORTH : AMERICAN STAGE AND SILENT FILM ACTRESS : REAL PHOTO POSTCARD

This uncommon vintage real photo postcard features pretty American silent film actress, Octavia Handworth (1887-1978). She was of Danish heritage. She showed much musical talent as a youngster and she was sent to Copenhagen to live with relatives and study music. She returned to the US at age twelve, continued music studies and was hired by an opera company at age sixteen. However, she determined that her real passion was for acting. She was married to Harry Handworth, an actor, producer and film director. Handworth headed Excelsior Feature Film Company. Her second marriage was to actor, Gordon De Main. She began her acting career on stage on the East Coast. She is known for the films “When Fate Leads Trump” (1914), “The Path Forbidden” (1914), “The Great Ruby” (1915), and “Too Much Bull” (1915). Much of her career, she appeared in short films for companies like Pathe, and Lubin. She did however make a half dozen feature films. There was much competition to become a major actress in film, and Octavia failed to reach that status. She retired from acting in 1921 after appearing in the film, “Footlights”. According to the IMDb, Octavia has 61 acting credits between 1910 and 1921. This postcard presents Octavia with a bit of an impish expression. This card was published by Kraus Manufacturing Company (New York) for the Pathe film company. Interestingly, the caption on the front of the card describes Octavia’s appearance. She is said to be blonde, light complexioned, and to have had gray eyes.  SOLD

FAMOUS CIVIL WAR PHOTOGRAPHER CAPTURES TWO WOMEN MAKING A FASHION STATEMENT IN SNOWY PAINESVILLE, OHIO

This cabinet card features two woman dressed in their winter cloaks and hats. They are in the studio of G. N. Barnard in Painesville, Ohio. The photograph has some special effects in the form of fake falling snow. The factor that makes this photograph most special, is the photographer’s life story. George N. Barnard (1819-1902), was a pioneer of nineteenth century photography. At age 23 he was producing daguerrotypes and four years later he opened his first studio in Oswego, New York. An 1853 grain elevator fire occurred in Oswego, and Barnard captured the fire with his camera. Some historians consider these photographs the first news photography in history. In 1854 he opened a short lived studio in Syracuse, New York. He then moved to New York City where he worked on stereoscopes for Edward Anthony’s Studio in 1859 .Soon, he was hired by Matthew Brady as a portrait photographer and Brady sent him to Washington D.C. to photograph Abraham Lincoln’s 1861 inauguration as President of the United States. He later became part of “Brady’s Photographic Corps” to photograph the Civil War. Barnard is best known  for his work in the civil war (1861-1865). He was the official army photographer for the Military Division of the Mississippi, commanded by Union General William T Sherman. Barnard’s book “Photographic Views of Sherman’s Campaign” is a photographic record of Sherman’s destructive Atlanta Campaign and subsequent March to the Sea. After the war, Barnard opened a studio in Chicago in 1869. The studio was destroyed in the “Great Fire” of 1871. He proceeded to take photographs of the rebuilding of Chicago over the next few years; providing a terrific record of that process. In 1884, Barnard opened his Painesville, Ohio studio; which brings us back to the cabinet card image of the two ladies in the snow.  (SOLD)

LOIS MORAN : AMERICAN FILM AND STAGE STAR : AFFAIR WITH F. SCOTT FITZGERALD

This vintage real photo postcard features actress Lois Moran (1909-1990). She was an American stage and film actress.  She was born in Pittsburgh, Pennsylvania. She lost both her father, and then her step father, at an early age. In 1921, at the age of 12, Moran and her mother moved to Paris, France. She began singing and dancing at the Paris National Opera at the early age of 13 years old. By age 14, she was appearing in silent films. Her debut in a Hollywood film occurred in “Stella Dallas” (1925). Moran’s film experience included musicals. In fact, she appeared with Al Jolson in “Mammy” (1930). The IMDb reports that Moran acted in 39 films between 1924 and 1974. She parlayed her experience in movies to begin acting on the Broadway stage. The IBDb lists Moran as appearing in 3 Broadway plays between 1930 and 1933.  Moran’s personal life included a short affair (1927) with “The Great Gatsby” writer F. Scott Fitzgerald. Interestingly, one of the characters (Rosemary Hoyt) in “Tender is the Night” is said to mirror Moran. In 1935, she married Clarence M. Young, the assistant Secretary of Commerce. This postcard was published by Ross Verlag as part of a series (No.3171/1). In the lower right hand corner is the logo of Fox Films. She was likely under contract with Fox when this photo was taken. The photo was taken by Fox photographer Max Munn Autrey (1891-1971). This vintage postcard is in good condition (see scans).

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FASHIONABLE CHILD IN VIENNA, AUSTRO-HUNGARY EMPIRE (PHOTOGRAPHED BY PIETZNER)

This cabinet card photograph features a very fashionable  young boy, posing at the studio of Karl Pietzner in Wien (Vienna), capitol of the Austro Hungarian Empire. The young boy is wearing a sailor type blouse, boots, a straw hat, and holding a stick. Pietzner (1853-1927) was born in Prussia and is known to have worked as a photographer from 1877 until 1924 and he worked throughout Europe. At the time that this cabinet card was photographed, he had studios in Wien, Carlsbad, Brunn, Eger, Teplitz, Aussig, and Olmutz. The New  York Times (1899) printed an article about his photographic research work in the production of reliefs. He invented a process he named “plastophotography”.  He was a photographer for the Royal family in Austria. He did portraits of Franz Joseph. Pietzner was certainly a celebrated photographer and this cabinet card is a great example of his work. This cabinet card portrait is in very good condition (see scans).

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YOKO TANI : SUCCESSFUL JAPANESE ACTRESS IN EUROPE AND DELIVERER OF CHEESECAKE

POSTCARD 1

POSTCARD 1 (CLOSE-UP)

POSTCARD 2  (SOLD)

POSTCARD 2 (CLOSE-UP)  (SOLD)

Yoko Tani (1928-1999) was a Japanese actress and nightclub entertainer. Some writers have described her as “Eurasian” or “half French”. These half white labels were thought necessary because there was a belief she would be accepted more as an exotic than as a Japanese woman by European post World War II audiences. The reality is that both her parents were Japanese but worked for the Japanese embassy in Paris. She was conceived on a boat to France and born in Paris. She was given the name “Yoko” which means “ocean child”. She and her family returned to Japan in 1930 and she returned to France in 1950 after finishing her schooling in Japan. She went back to France because she was awarded a scholarship to study aesthetics at the University of Paris. She stayed in school for a couple of years but it did not hold her interest. She developed a strong attraction to the world of cabarets, night clubs and music halls. She entered into “show business” and became known as an “exotic oriental beauty” with her provocative sexy “geisha” dances. These dances often ended with her slipping out of her kimono. She also appeared in “cheesecake photographs”. Discovered by Marcel Carne, a French film director, she entered into his social world of filmdom. She met and later married Roland Lesaffre, the French actor. It would be the first of two marriages. She soon began acting in films. Until the mid 1950’s her acting roles were confined to stereotyped Asians in French films. In 1956 she appeared in French films in more substantial roles. While in Japan, she appeared in a film with a “women in prison” theme. Between 1957 and 1962, Tani appeared in international films. Her first English language film was Graham Greene’s “The Quiet American”. She had a small role playing a French speaking Vietnamese nightclub hostess. In regard to English language films, Tani’s first great success was in “The Wind Cannot Read” (1958). She had a leading actress role and her success helped land her additional English language roles (Great Britain and the United States). Additional Hollywood parts included My Geisha (1962) and “Who’s Been Sleeping In My Bed” (1963). In about 1963, she became more of a European based actress. She worked on mainly low budget Italian films and in femme fatale roles in British television. Tani maintained her love for cabaret and nightclubs throughout her career. The producer of “The Wind Cannot Read” wrote that when looking to recruit Tani for the picture, she found her in a “girlie club”, basically, a strip tease joint in Paris. It was reported that in the 1960’s, she worked in the Le Crazy Horse de Paris nightclub. In 1997, at nearly 50 years of age, she was in Brazil to play a small role in a sexploitation film. Also in 1977 she starred in a transvestite show in downtown Sao Paulo. The IMDb credits Tani with 53 film acting credits between 1949 and 2018.

  Postcard 1 showcases the beauty of Yoko Tani. This photograph is certainly a “cheesecake” image. Tani seems to be falling out of her robe (kimono). Let there be no doubt, sex sells. This was true in the 1950’s and 1960’s as well as today. Unfortunately, women were, and are, seen as objects. This vintage real photo postcard was made in France and published by the “Globe”. The card was part of a series (no.713). The photograph was taken by famed celebrity photographer Sam Levin. Levin was popular both in Europe as well as the United States. This photo postcard is in very good condition (see scans).

Postcard 2 is a risque photograph of Miss Tani. She is wearing the same robe as the one she wears in Postcard 1. It is strategically ill fitting. The postcard is made in Paris and published by the globe as part of a series no.469). The photographer is Sam Levin.  SOLD

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POSTCARD 1POSTCARD 2

ELIZABETH MANET : FRENCH ACTRESS : PHOTO BY SAM LEVIN

This vintage real photo postcard features actress Elisabeth Manet. Manet was born in Paris, France, in 1934. She is remembered for “Young Girls Beware” (1957) and “The Mirror has Two Faces” (1958). He IMDb filmography includes six credits between 1955 and 1959. SOLD