This vintage real photo postcard features Hungarian film actress, Ila Loth (1900?-1975). She had 27 film appearances between 1918 and 1922. Some sources report that she appeared in a few films decades later than 1922, in the sound era. This postcard’s photograph presents Miss Loth driving an antique car. Note her driving gloves. This uncommon postcard was published by “City”. (SOLD)
This vintage real photo postcard features Italian silent film actress, Andreina Rossi. She looks beautiful in her lovely hat. She appeared in “The Veil of Guilt” (1923). In 1960 she appeared in two films including “Daughter of Cleopatra”. The photographer of Miss Rossi’s portrait seen on this card is the Vettori studio in Bologna, Italy. (SOLD)
This uncommon vintage real photo postcard features actress Mona Maris (1903-1991). The postcard was published by Ross Verlag (No.3887/1). The photograph is from the Hanni Schwarz studio. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. She is thought to have worked until the 1930’s. The subject of this photo, Mona Maris was born in Argentina. Her mother was Spanish Basque and her father was French Catalan. At the early age of four, Mona was orphaned. She grew up with her grandmother in France where she was educated in a convent as well as in Germany and England. At age 19, she spoke four languages. It was during World War I that Mona decided to be an actress. While she was in school in France, she and her classmates wrote, directed and acted in plays to entertain nearby troops. Upon graduation, she went to England to live, where she stayed two and a half years. She was introduced to the President of the United Film Association by the Argentinian ambassador to Germany. She was signed to a five year contract by Germany’s Universum Film AG productions. She began her film career in either 1924 or 1925. After just four films in Germany, she began a Hollywood career in United Artists “The Apache” (1925). Despite knowing multiple languages, the onset of sound films created a problem. Her English was described as “almost unintelligible”. Between 1931 and 1941, she starred in 19 Spanish language versions of successful American films. The movies were produced by Fox Films. She has been described as “sultry” and “sleepy eyed”. The IMDb credits her with 53 film roles between 1925 and 1984. Mona was married twice and had no children. She died and was buried in Buenos Aires, Argentina. This vintage postcard features Mona Maris posing with an adorable smoll dog. Maris is very pretty. Note her eyes. They have been compared to Bette Davis’s eyes. (SOLD)
This color tinted vintatge real photo postcard features actress, Nina Barkis playing the ancient Greek courtesan, Phryne. She has very long hair and she is shielding herself with a transparent lacey fabric. Miss Barkis was an opera singer and dancer. She was known for playing “Salome” and for modelling for photographer Jean Agelou. She also appeared on cards by postcard publisher, Gerlach. This image was created by a photographic process called “Emaillographie”. It is interesting that the first five letters of the technique is “Email”. This vintage postcard is of French origin. SOLD
This vintage real photo postcard features Hungarian stage and film actress, Erzsi Paulay (1886-1959). Her parents were both actors. Her father died when she was eight years of age and her mother had to return to work. Erzsi was known to possess exceptional beauty and spoke very well. She graduated from the Academy of Drama (1904) and joined the National Theater. Erzsi had a problem. She was an excellent actress during rehearsals but when it came to performing in front of an audience, her performance was weak.Her apparent stage fright kept her from becoming an excellent actress. However, she was popular among her colleagues. After her first marriage failed she married Italian ambassador Count Vittorio Cerrutti in 1923. She then retired from acting. She and her husband travelled the world. The pair lived in Tokyo, Moscow and Rome. The IMDb credits her with five film roles between 1915 and 1928. This real photo postcard is in good condition. Note crease in bottom right hand corner. See scans.
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #5275
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This vintage real photo postcard features performer, Irene King. The title on the card indicates that Miss King performed at the Folies Bergere, in Paris France. The portrait of Miss King was hand painted. She is wearing quite the interesting hat and elaborate and colorful dress. This photo portrait was taken by Walery at his Paris studio. He was a well known and talented celebrity photographer. The postcard was published by SIP as part of a series (no.5128). (SOLD)
This cabinet card photograph features stage actress, Helen Bancroft. Her portrait was photographed by esteemed celebrity photographer, Jose Mora. She is quite pretty and appears to be dressed in costume from one of her theatrical performances. Bancroft made three Broadway appearances between 1904 and 1911. “Music and Drama” (1892) wrote about Bancroft’s debut in the “Hunchback”, It appears to have been her first major role. The reviewer quotes another reviewer who stated she had “an attractive presence, pretty face and mellow voice(that) did much to win her audience”. Theatre Magazine (1905) had a less complimentary comment about Miss Bancroft. Apparently, she had “resigned” from a play because one of her costumes was an “unbecoming color”. (SOLD)
This cabinet card photograph features a pretty young actress. At least, this is likely a stage beauty rather than a “civilian”. This photo was taken by the San Francisco gallery belonging to well respected photographers “Bradley & Rulofson. Their studio took many photographs of stage actresses when they came to San Francisco. Henry William Bradley (1813-1891) and his partner William Rulofson (1826-1876) were partners in a photographic studio that photographed many notable Californians. Bradley was born in Wilmington, North Carolina, and grew up in New Orleans, Louisiana. He opened his San Francisco studio in 1850 and took in his partner in 1860. When he retired in 1878 his studio was considered the best on the west coast and won first prize at the Centennial Exposition at Philadelphia in 1876. Mr Rulofson had quite a controversial and interesting life and associated with many famous people including Ambrose Bierce. Rulofson died in a fall from the roof of his studio and was heard to say during the descent, “I am killed”. (SOLD)
This cabinet card features Pauline Hall (1860-1919), one of the most popular turn of the century prima donnas. She began her career as a dancer in Cincinnati, Ohio at age 15. She joined the Alice Oats Opera Company but left to tour in plays with famed actress Mary Anderson. By 1880, she worked for well known producer Edward Everett Rice in musical productions. Early in their association, he gave her a role in “Evangeline”. Her shapely figure allowed her to take male roles as she did in “Ixion” (1885). Her greatest success came in the title role of the first American production of “Erminie” (1886). She played in more than two dozen Broadway operettas. Her final role was in the “Gold Diggers” (1919). This photograph was taken by famed celebrity photographer, Elmer Chickering of Boston, Massachusetts. The cabinet card has wear in it’s lower right hand corner and has a very slight curl. It is in overall good condition *see scans.
Buy this Vintage Cabinet Card photograph (includes shipping within the US) #5013
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These vintage real photo postcards feature pretty Austrian actress Mia May (1884-1980). She was born in Vienna, the daughter of a baker. Her older sister was Mitzi Telmont (1879-1958), also an actress. Mia’s stage debut was when she was five years old. She played child roles until reaching age fourteen. As a teenager she appeared as Herma Angelot and performed as an actress and singer. While a high school student, she took ballet lessons. At age 18, she married Austrian, Julius Otto Mandl. The couple’s baby (Eva Maria Mandl) was born seven weeks later. Mia’s husband changed his name to Joe May, upon his entry into the film business. He became a successful film producer and director. This is how Eva adopted her performer name. She appeared in 44 films between 1912 and 1924. Mia’s daughter, Eva May, also became an actress. In 1912, Joe, Mia, and Eva moved to Berlin, where Joe worked as a film director. In 1912 he directed Mia in a film that launched her acting career. By 1914, little Eva May made her screen debut. Joe began his own film company, May-Film Gmb, in 1915. Mia took the position of Managing Director. In 1918, Mia wrote a screen play for “Your Big Secret”. Her movie career flourished in the 1910’s and early 1920’s. From 1919 to 1920 she was the star of an eight part film series (serial) called “Mistress of the World”. Mia reached a level of popularity equivalant to Asta Nielsen, Pola Negri, and Henny Porten. In 1923, she appeared in a film with a young Marlene Dietrich. Mia stated that Marlene Dietrich was “funny and engaging, attractive and original.” She added, “no man could resist her”. Mia May’s last film appearance was in “The Love Letters of Baroness S” (1924). She retired that same year after her daughter Eva committed suicide. In 1933, after seeing the Nazis gaining power, Mia and Joe May fled to America. The couple opened a restaurant (Blue Danube) in Los Angeles but it failed.
The photo portrait of Eva May seen Postcard 1 was taken by Alexander Binder. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focused on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . The postcard was published by Ross Verlag (Berlin) as part of a series (no533/3). Note the “May” logo in the lower right corner of the image. Miss May was working for May-Film at the time this photograph was taken. The stamp box seen on the reverse of this postcard has an interesting story attached to it. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This vintage real photo portrait postcard has excellent clarity and is in very good condition (see scans).
Postcard 2 was also published by Ross Verlag. Once again, the photographer is Alex Binder. The postcard is part of the same series (533/2) as Postcard 1. The “May” logo can be seen on the bottom left corner of the image. This unposted postcard is in good condition (see scans).
Postcard 3 was published by Ross Verlag (Berlin) as part of a series (no230/3). Note the “May” logo in the lower right corner of the image. Miss May was working for May-Film at the time this photograph was taken. This vintage real photo portrait postcard has excellent clarity. The postcard has small stains in it’s top right corner. Overall, the postcard is in Good Condition (see scans)
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3356
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Buy this Vintage Real Photo Postcard (includes shipping within the US) #3715
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$13.39
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Buy this Vintage Real Photo Postcard (includes shipping within the US) #5113
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