FANNY DAVENPORT: AMERICAN STAGE ACTRESS (1880)

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The top Cabinet Card is an image of American stage actress, Fanny Davenport. The photograph is dated February 28, 1880. Miss Davenport (1850-1898) was thirty years of age when she sat for this photograph by Emil Scholl, in Philadelphia, Pennsylvania. He photographed many celebrities and this site has a category that includes a number of his images.  To view these images, click on the category “Photographer: Scholl”. Davenport was born in London, England and educated in public schools in Boston, Massachusetts. In 1862 she appeared in ” Faint Heart Never Won Fair Lady” in New York. In 1869 she became a member of the Augustin Daly Theater Company. She later formed her own company. She had great success in “Fedora” (1883) and “Cleopatra” (1890). Fellow actor, Otis Skinner, in a backhanded compliment stated that “Miss Davenport was a handsome woman, her business sense keen and her industry untiring. To these qualities rather than her acting, she owed the late success in which she accumulated a fortune in her productions.”

The second photograph features a portrait of Davenport by Thomas Houseworth, whose studio was located in San Francisco, California. This image was part of the “Houseworth Celebrities” series. The series included three thousand titles for different categories, including entertainment and government. Note the carving below the chairs armrest in this photograph. Also take notice of Miss Davenport’s interesting hat. Thomas Houseworth (1828-1915) was an optician, photographer, and photographic publisher. Houseworth and George S. Lawrence came to San Francisco in 1849, during the Gold Rush. They caught gold fever and worked as miners in Calavera and Trinity counties. After two years of mining, they admitted defeat, and returned to San Francisco. In 1855, they partnered in a store that sold optical supplies and other miscellaneous items; but the partners became most well known for their stereographs. In 1859 they sold stereographs from an English company, but they soon contracted with local photographers to acquire and publish a diverse collection of stereos featuring various aspects and scenery of northern California and western Nevada. Later, they began to publish and market stereographs under their own name and by the early 1860’s had built the largest collection of stereographs for sale on the west coast. Lawrence retired in 1868 and the firm became known as Thomas Houseworth and Company. Houseworth hired the most talented photographers he could find.  His photographers included Thomas Hart (Transcontinental Railroad Construction), Carleton Watkins (The Sierras’), and Eadweard Muybridge (Yosemite). By the 1870’s Houseworth’s business was failing due to increased competition. He left the field of photography in the 1880’s and went to work as an accountant and an optometrist.

Photograph 3 is a carte de visite portrait of Fanny Davenport (1850-1898) . The photo was taken at the Broadway studio of Napoleon Sarony. This photograph is from circa 1880. Miss Davenport  was about thirty years of age when she sat for this photograph by Napoleon Sarony in New York City. 

ENID LESLIE: PRETTY STAGE ACTRESS : BROADWAY : LONDON STAGE : RPPC

This vintage real photo postcard features actress, Enid Leslie. Her photo was taken by the talented female celebrity photographer, Rita Martin. There is not much biographical information about this performer that is readily available on the internet. However, it is clear that she was an active performer. Theatricalia list 6 London stage appearances for Miss Leslie. The plays were performed between 1909 and 1913. A photograph of Leslie and Nina Sevening can be seen on the front page of “The Illustrated Sporting News” (1908). The IBDd reports that she appeared in two Broadway plays between 1883 and 1912. The Tatler (1916) describes Leslie as a “charming actress”. This postcard was published by Aristophot (London). The company ceased to exist when it was purchased by Iris Verlag (Austria) in 1909. SOLD

ACTRESS ELSIE JANIS : CHAUFFEUR DRIVEN MOTORCYCLE : SIDECAR : NYC : PRESS PHOTO

This unique vintage Press Photo features actress, Elsie Janis, riding in a sidecar of a chauffeur driven motorcycle. Note the details of the motorcycle that are visible in this photograph. One can see the cycles horn, headlight, side lamp, rear view mirror, license plate and other parts of the motorcycle. It appears that the photograph was taken in New York City for the Society of Cinematography. The name of the organization is written on the reverse of the photograph. There are also ink stamps on the verso from Brown Brothers, the world’s first stock photo agency. Elsie Janis (1889-1956) was a popular American film and stage actress. She also was a singer, songwriter, screenwriter, and radio announcer. During World War I, Elsie was nicknamed, “the sweetheart of the AEF”. The abbreviation “AEF” stands for “The American Expeditionary Force”.  SOLD

MAY DE SOUSA : ACTRESS/SINGER :TRAGIC DESCENT FROM STAR TO SCRUB WOMAN : RPPC 1907

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

Postcard 1 features American stage actress, and singer, May de Sousa (1884-1948). She had many successes, but she lived a tragic life. Her father was a Chicago police detective. She became famous in 1898, I at about 14 years of age, when she sang “Dear Midnight of Love”. This song was a ballad by bathhouse John Coughlin. He was a Chicago politician and would-be songwriter.  In 1901 she was hired by Frank Perley as one of the principles for his touring company. Next, she became the understudy for Alice Nielson in a San Francisco production. In 1902 she was invited to go to London with the cast of that show, but she turned down the opportunity because she was afraid of the sea voyage. She then joined the cast of the highly successful operatic fantasy, “The Storks”. In 1904 she joined the cast of the Wizard of Oz. That same year, she became part of the cast of “Babes in Toyland”. At this point, she had become a very popular actress. She then went to London to star in a production of Cinderella. She followed that up with other stage successes in London. Although she had much success in light operatic roles, she wanted to display her talent as a dramatic actress. In 1908 she was one of the first American actresses to perform at the Moulin Rouge. While in Paris she was reported missing because she did not contact friends or family for over five weeks. She returned without explanation. She was now a star in both the United States and England. In 1910, her mother was discovered dead in a room filled with gas. It was unknown whether her mother’s death was accidental or by suicide. In 1910, May married a stockbroker. Their marriage was very troubled from its beginning. Her husband had lied about his finances, and the financial burden fell on the De Sousa. In addition, her husband frequently physically, abused her. After two years of marriage, she divorced him on the grounds of cruelty and financial desertion. De Sousa continued her career in both America and Europe. De Sousa appeared in 8 Broadway plays between 1905 and 1915.  She was performing in France shortly before the start of World War I and barely escaped Germany’s invasion of France. In 1913, she was forced to declare bankruptcy. In 1918, she toured Australia with a theatrical company. While there, in about 1919, she married a local doctor and the pair moved to Shanghai. She performed there with amateur companies. In 1941 her husband died, and in around 1943 she was imprisoned for seven months as a civilian intern by the Japanese. When she returned to Chicago, she worked as a scrub woman in a public school. Her health was very much compromised by her internment,  she soon was forced to quit her job due to not being healthy enough to perform her tasks. She became malnourished and died in poverty and alone. She was a charity case in the county hospital when she died in 1948. May DeSosa had risen to become the toast of Europe and America, but died isolated and forgrotten. She was buried in a pauper’s grave. This vintage postcard was published by Philco as part of a series (No.3206B). The card was postmarked in 1907. (SOLD)

Postcard 2 was published by Rotary Photo as part of a series (No.1993I). De Sousa is shown in costume for “The Girls of Gottenberg”. (SOLD)

ETHEL WARWICK : BRITISH STAGE & FILM ACTRESS : MODELED FOR FAMOUS ARTISTS : RPPC

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POSTCARD 3 (SOLD)

Postcard 1 is a vintage real photo postcard that features beautiful British stage and film actress, Ethel Warwick (1882-1951). Warwick was also an artist’s model (including posing nude). She modelled for some of the most prominent artists of her time. These artists included John William Godward, Herbert Draper, Linley Sambourne,and James McNeill Whistler. During the early 1890’s, Warwick was studying to be an artist at the London Polytechnic. In order to pay for her tuition, she became an artist model. In the late 1890’s, Warwick began acting school and in 1900 she made her acting debut. She continued her modeling until 1906, when she married actor Edmond Lewis Waller. Edmond was the son of celebrated actor, Lewis Waller. Edmond and Ethel embarked on a theatrical world tour ending in London, where the pair took over the management of the Queen’s theater. Warwick divorced Waller in 1915. Post divorce, she lived an extravagant lifestyle which led to bankruptcy in 1923. Ethel continued to act and much of her work was for the New Shakespeare Theater at Stratford-upon-Avon. (SOLD)

Postcard 2 offers a close-up photograph of Miss Warwick. This vintage real photo postcard has a crease in it’s bottom right and left hand corners. The portrait postcard is in overall good condition (see scans).

Postcard 3 was published by Rotary Photo as part of a series (No.219B). This postcard has excellent clarity; the details of her dress is impressive. (SOLD) 

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5196

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$15.00

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POSTCARD 1

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POSTCARD 3

VIRGINIA EARL : STAGE ACTRESS : PROLIFIC ON BROADWAY : VAUDEVILLE : PHOTO BY BENJAMIN FALK : CABINET CARD

This cabinet card photograph features American stage actress, Virginia Earle (1873-1937). Much of her work was in light operas, musical comedies, and vaudeville. Earle was born in Cincinnati, Ohio. Her parents were Irish immigrants. She made her stage debut in 1887. She had a role in Gilbert and Sullivan’s “The Mikado” produced by the Juvenile Opera Company. She played in several of their productions. Earle then joined a touring company of the Pike Opera Company. When in San Francisco, she was hired by a vaudeville company where she performed for two seasons. She next went to Australia with a performing company. She was identified with Augustin Daly’s Edwardian musical comedies for many years. The musicals included “The Circus Girl” and “A Runaway Girl”.  Earle played in eleven Broadway production between 1899 and 1910. Earle was a “chronic” robbery victim. She captured one of the thieves. Earle was walking along Sixth Avenue (Manhattan) and saw a woman wearing one of the cloaks she wore in the production of “The Merry World”. Earle grabbed the woman and screamed for help. Eventually the woman was tried and acquitted. The woman’s husband claimed to have found the cloak and he was judged credible. In 1894, Earle married Frank Lawton, an actor and comedian. She divorced him in 1899. Earle’s photo portrait seen on this cabinet card, was taken by celebrity photographer, Benjamin Falk. Falk operated a studio in New York City. This photograph was likely taken in the late 1880’s or early 1890’s. The cabinet card has a slight curl and is in overall good condition. See Scans. 

6268

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6268

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KATHLEEN CLIFFORD : FRED HARTSOOK : MALE IMPERSONATOR : VAUDEVILLE : VINTAGE PHOTO

This vintage photograph features American stage and film actress, Kathleen Clifford (1887-1962). The IMDb credits her with 14 film credits between 1917 and 1932. She is known for “Richard the Lion-Hearted (1923)”, When the Clouds Roll by (1919)”, and “Who is Number One? (1917)”. She often played leading roles in her films for Paramount. During her film career, she worked alongside Douglas Fairbanks Sr., Betty Compson, and Wallace Beery. She appeared on the Broadway stage six times between 1909 and 1916. Clifford was famous as a Vaudeville comedienne and male impersonator. She was billed as “The Smartest Chap in Town”. At one point in her vaudeville career, she worked as a duo with female impersonator, Bothwell Browne. Like many movie performers, she left acting with the advent of sound films. During the early years of World War I, she served as a Red Cross Nurse with the British Army in France. Upon retirement, she became a business woman and owned “Broadway Florist” in Hollywood. Clifford also wrote a novel about her time in Hollywood. She was married to Miomir Peter Illitch for over 35 years. He was a banker. This original photographic portrait of Kathleen Clifford was taken by a highly talented and esteemed American photographer, Fred Hartsook (1876-1930). He owned a California studio chain that, at that time, was considered to be the largest photographic business in the world. His celebrity clients included President Woodrow Wilson, Henry Ford, Mary Pickford, and Charles Lindbergh. He also owned a resort and two ranches in Southern California where he raised Holstein cattle. He was married to Bess Hesby, queen of the San Francisco Pan-Pacific Exposition of 1915.  SOLD

ELEANOR HOLM : GOLD MEDAL SWIMMER : EXPELLED FROM 1936 OLYMPICS : PRESS PHOTO

This vintage press photo (1936) features Eleanor Holm (1913-2004), an accomplished American swimmer and Olympian. She participated in the 1928 and 1932 Olympics. In 1932 she won a gold medal in the backstroke. She was selected to the 1936 Olympic team but was expelled from the team by Avery Brundage, President of the American Olympic Committee. On the way to the Olympics, Eleanor attended a drinking party aboard the ship that was taking her and her fellow athletes to Europe. Apparently she drank way too much. The team doctor found her in a near coma state. She also had been rude to a team chaperone. There were a number of charges; Eleanor did not deny them. Later in time, she stated that Brundage had a grudge against her because she had rejected him after he propositioned her. She ended up watching the swim events from the stands. Eleanor appears to have liked the limelight. In 1932, shortly after the Olympics, she had screen tests at a number of Hollywood’s major studios. That same year, she was named a WAMPAS baby star in the same class as Ginger Rogers. One of her first jobs with Warner Brothers involved barnstorming the country supporting both the movie “42nd Street” as well as the newly elected president, Franklin Roosevelt. In 1933 she married Art Jarrett (pictured in this photo), a singer and bandleader at the Cocoanut Grove nightclub. Holm appeared in four films playing herself and in one feature film, “Tarzan’s Revenge” (1938). Holm’s husband divorced her in 1938 1938. He stated he was humiliated by Holm’s expulsion from the Olympics as well as her having an affair. Holm married impresario Billy Rose in 1939. He had just divorced Fanny Brice. Also in 1939, Holm performed in Rose’s “Acquacade” at the World’s Fair. Holm’s marriage to Rose ended in 1954 in divorce. The divorce trial was sensational and was labelled “The War of the Roses”. Some months post divorce, Holm married again. Her new husband was an oil executive.  SOLD

MAI TAI SING : PIONEERING ASIAN AMERICAN ACTRESS : NIGHT CLUBS : PRESS PHOTO

This vintage press photo features pretty American actress and businesswoman, Mai Tai Sing (1923-2018). She was born in California but spent much of her younger years in Hong Kong. She and her family moved back to California when she was about fourteen years of age. One of her first jobs was as a waitress at the Forbidden City nightclub. Her experience there sparked her interest in performing. In the early 1940’s she became a chorus girl there. She met Wilbur and Jessie Tai Sing, a dancing duo at the club. She not only replaced Jessie in the act, but also married Wilbur. In 1953, she appeared with Tony Curtis in the film, “Forbidden”. Her last film role was in “Strange Portrait”. She became romantically involved with the film’s star, Jeffry Hunter. In the 1950’s and 1960’s she also performed in television roles. Mai Tai was also involved with nightclub management. She ran a club in San Francisco named “The Rickshaw”. In the 1970’s, she relocated to Hawaii. She managed clubs there for 28 years and retired in 2003. The IMDb gives her 9 film and television credits between 1951 and 1990. Mai Tai was a pioneering Asian American actress. She did not play stereotypical Asian roles or speak in stereotypical broken pidgin English. This vintage press photo has Mai Tai Sing’s name printed on it’s reverse as well as the word “Rickshaw”. There is little doubt that this photograph was taken at the Rickshaw nightclub, where Mai Tai was hostess and manager. The photographer is identified as Kenneth Lee. His name is ink stamped on the reverse of the photo. SOLD

FOUR PORTRAITS OF PROVOCATIVE GERMAN SILENT FILM STAR RUTH WEYHER

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RUTH WEYHER : SULTRY GERMAN SILENT FILM ACTRESS : RPPC - Picture 1 of 3

POSTCARD 4  (SOLD)

Postcard 1 is a vintage real photo postcard that features German silent film actress, Ruth Weyher (1901-1983). She was born in Neumark, East Prussia, Germany.  Weyher grew up in Danzig where she studied painting until she switched to a conservatory to study singing. An illness robbed her of her singing voice and in 1919 she travelled to Berlin where she studied a Max Reinhardt’s theatre school. Reinhardt was a well known director and producer. She appeared in 48 films between 1920 and 1930. She starred in director Georg Wilhelm Pabst’s film “Secrets of the Soul” (1926). She also produced a film in 1929. During her career, Weyher only appeared in a few sound movies and she abandoned acting after marrying publisher Hans Geiselberger in 1932. It is reported that she retired at her husband’s request. The video clip below features Miss Weyher in her appearance in the film “Shadows: A Nightly Hallucination” (1923). The film title translation was done by “google translate”. Weyher’s costar in this film was Austrian stage and film actor Fritz Kortner (1892-1970). A review of this film describes Weyher as “beautiful and passionate”.  Ruth Weyher’s appearance in this film can be described as risque or provocative. One of the themes of this film is infidelity. This postcard was published by Ross Verlag and is part of a series (no. 3529/1). The portrait of Miss Weyher was taken by Alex Schmoll, a photographer located in Berlin, Germany. There is Italian print on the reverse of the postcard that roughly translates as “Exclusive sale publisher: Ballerini and Fratini, Firenze (Florence, Italy). A bit of research reveals that the publishing house, Ballerini & Fratini Montespertoli began in Florence in the year 1912.                                     

Postcard 2 features Ruth Weyher and was published by Ross Verlag. The postcard is part of a series (no. 3089/1). This portrait of Miss Weyher  has her posed in position to display her bare back. She has an engaging smile and holds a large fan of dark feathers. Some may find this image somewhat sexually provocative. The photographer of this photograph is Kiesel of Berlin, Germany.  (SOLD)

Postcard 3 is a vintage real photo postcard that features Miss Weyher holding an adorable kitten. This postcard was published by Iris Verlag and is part of a series (no. 892). The portrait of Miss Weyher was taken by Kiesell, a photographer located in Berlin, Germany. This postcard has remnants of it’s former scrapbook home on back of card. It is in  overall good condition (see scans).   (SOLD)

Postcard 4 was published by Ross Verlag and is part of a series (no. 3318/1). The portrait of Miss Weyher was taken by the Kiese studio in Berlin, Germany.   (SOLD)