Theater actress Miss Alma Stanley is the subject of this cabinet card portrait by talented photographer Marc Gambier. To view other photographs by Gambier, click on the category “Photographer: Gambier. In this photograph, Miss Stanley is in costume and wearing a military style uniform with sash and sword. She appears to be saluting or staring into the distance and shielding her eyes from a fictional sun. This full body photograph highlights her thin waist. The photograph is a bit risque for its time. The backdrop and the scenery are expertly done. She truly appears to be standing outdoors. Alma Stanley (1853-1931) was a multi-talented English entertainer. She was an actress, dancer, comedienne, and singer. She appeared in such roles as Little Don Caesar de Bazan. A theater magazine reported that Miss Stanley was the daughter of an English army officer who named her Alma in honor of the battle in the Crimea War. The battle of Alma occurred in 1854 and Alma Stanley was born in 1853 so the story of how she received her name likely falls under the realm of “public relations”. She made her first stage appearance in Milan in 1872 and her first English appearance in the following year. Her New York debut occurred in 1880. She performed with D’Oyly Carte Opera Company as well as with Tony Pastor’s Broadway Theater. Alma Stanley died in a London jail cell. She was being held on a charge of drunkenness when she died of “natural causes”. At the time of her incarceration, her jailers did not know her identity. SOLD
Vintage postcard 1 features British stage and film actress, Miss Ethel Oliver. She is wearing a costume from one of her performances. Little information is readily available about Miss Oliver. She is listed as being a chorus member in the play at the Gaiety Theater, “The Orchid” (1903), In 1917, Oliver starred in the musical comedy “Pomponette at the Newcastle upon Tyne Theatre Royal. The IMDb reports that she acted in two films; “The Return” (1921) and “A Soul’s Awakening” (1922). Oliver was also a dancer. She was a sitter for twelve portraits in Britain’s National Portrait Gallery. This vintage close-up portrait postcard was published by Philco as part of a series (No.3260 E). (SOLD)
Postcard 2 is a vintage close-up portrait postcard. It was published by Rapid Photo as part of a series (No.3387). (SOLD)
This vintage real photo postcard portrait (Postcard 1) features American actress Mary Philbin (1902-1993). She was active in film between 1918 and 1930. One of her most noted film roles was in “The Phantom of the Opera” (1925). She co-starred with Lon Chaney. A number of her roles involved playing the “beauty” in “Beauty and the Beast” type stories . Mary was born in Chicago, Illinois. Her parents were middle-class and of Irish descent. Her mother was convivial but controlling and domineering. She pushed her strong religious beliefs onto Mary. She adored her father who was “quiet, shy, and reserved”. She was very similar, personality-wise, to her dad. She would accompany him to the theater and there she developed a passion for the stage. She pursued dance and played the pipe organ and piano. She lacked a singing voice, and surprisingly, never received training in acting. Mary’s acting career was launched after she won a beauty contest sponsored by Universal Pictures. The motion picture company promptly signed her to a contract. Her screen debut was in 1921 and during the following year she was named a WAMPAS Baby Star. This prestigious annual award, given by an association of film advertisers, was awarded to thirteen young women each year. These women were predicted to be on the verge of becoming major movie stars. During the 1920’s, Mary’s film career blossomed and she starred in a number of successful films, including “Drums of Love (1920), directed by D. W. Griffith. When “talkies” arrived, she played in a few films and even dubbed her own voice for the sound version of “Phantom of the Opera”. Unfortunately, her voice was considered too “girlish” to be suitable for talking pictures. She retired from the screen in the early 1930’s in order to become a caretaker for her elderly parents. She lived the rest of her life as a recluse. She never married and seldom made public appearances. An exception occurred when she attended the Los Angeles opening of Andrew Lloyd Webber’s musical version of “Phantom of the Opera”. She died of pneumonia at the age of ninety and is buried in Los Angeles, California. The IMDb reports that Mary appeared in 34 film between 1921 and 1929. She never married. In 1926 she became engaged to Universal producer, Paul Kohner. When her family learned of the engagement, they were infuriated. They demanded a meeting with Kohner and all went reasonably well until the subject of religion arose. Kohner was Jewish and Mary’s family was Catholic. Mary’s mother was adamant in her belief that Kohner would attempt to convert Mary to Judaism. Paul and Mary informed her parents that no such thing would happen. An argument developed between Paul and Mary’s parents. She was told by her parents that she would be disowned if she proceeded with her wedding plans. Mary was ambivalent but, in the end, despite still loving Paul, she returned her engagement ring to him. A biographer contends that this traumaticrd experience is the reason Mary never married. This vintage postcard was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 968/1). The name of the film distribution company (Filmhaus Bruckmann) can be seen on the bottom right corner of the image. A stamp on the reverse of the postcard indicates that it once was part of a collection belonging to Herman Overeem, of Utrecht, the Netherlands. (SOLD)
Postcard 2 was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 3239/1). The name of the film company (United Artists) can be seen on the bottom left corner of the image. (SOLD)
This vintage real photo postcard features two smiling bathing beauties posing at the beach. This photograph is risque for it’s era. The photographer and publisher are unidentified. This photo portrait postcard is in very good condition (see scans).
This vintage real photo postcard features French stage actress Mlle. Ziska. Preliminary research found little information about this actress. There are a few postcard views of Mlle. Ziska that can be seen online. One of the cards is a photograph of her appearing in “Salome”. However, I could not find her first name or any other biographical information.This postcard close-up portrait of Miss Ziska highlights her beauty. The photograph was taken by Walery. He was a well known and talented celebrity photographer who operated out of Paris, France. The postcard is hand colored. The card was published by SIP as part of a series (no.5096). (SOLD)
This vintage real photo postcard features Hungarian actress and singer, Marta Eggerth (1912-2013). She was a popular operetta star and many of the most famous composers of operettas, composed operetta works specifically for her. She was born in Budapest. Her mother was a dramatic operatic soprano. Eggerth began singing as a child and her mother devoted herself to developing Eggerth’s acting and singing talent. She made her theatrical debut at age eleven and while a teenager, toured internationally performing operatic works. By the early 1930’s, Eggerth achieved international fame acting in film. She made films in five languages. While making a film she met Polish tenor, Jan Kiepura and they married in 1936. The pair were an international sensation. Eggerth appeared in a Richard Rodgers production on Broadway. Eggerth and her husband starred in the Broadway production of “The Merry Widow”. She was in three different Broadway plays, all of them between 1940 and 1945. In addition, Eggerth signed with MGM made two films with Judy Garland. Throughout her career, Eggerth continued to perform operettas internationally. Her last stage appearance occurred when she was 99 years old. The IMDb gives Eggerth 39 acting credits between 1930 and 1999. This postcard was published by Ross Verlag as part of a series (No.7648/1). Eggerth’s portrait was taken by the Yva studio in Berlin, Germany. The name Yva is a pseudonym. The photographer was actually a woman named Else Ernestine Neulander-Simon (1900-1944). She was a German Jewish photographer and was well known for her “dreamlike, multiple exposed images”. She was a leading Berlin photographer during the Weimar Republic years of Germany. She specialized in fashion, nudes, and portraiture. Later, she became involved in the early days of producing photographs for advertising. Many of her photographs were published in magazines or were shown in international exhibitions. After the Nazis took power, she was forced to work as a radioagrapher (ie x-ray technician). In 1936 she was offered a job by Life Magazine, but her husband convinced her that life for German Jews would improve over time. He did not want to move and start a new life in a country where he did not speak the language. Unfortunately, she complied with his wishes. In 1938, Nazi regulations prohibited her from working as a photographer. In 1942, the Gestapo deported her and her husband to a death camp (probably Majdanek) where they were murdered. (SOLD)
Postcard 1 features pretty stage and film actress Alexandra Carlisle (1886-1936). She is wearing a feathered hat and a sullen expression. Carlisle was an English actress as well as a suffragest. She was born in England. In 1903 she performed in two Shakespearian productions. In 1908, she performed the lead role in “The Mollusc” at the Garrick Theatre. IN 1908 she appeared in two productions of Shakespeare plays produced by Herbert Beerbohm Tree. In 1911, she acted in a Royal Command Performance for King George V and the Emperor and Empress of Germany. In 1912, she married for the third time. Her new husband was a dental surgeon from the US and in 1915 she settled there. She quickly became a noted speaker for women’s suffrage and for the Republican Party. In 1920, she directed a show for Harvard’s Hasty Pudding Club. Also in 1920, she was the main speaker for Massachusetts at the Republican Convention and she seconded the nomination of Calvin Coolidge for Vice President. Carlisle performed in two films (1917,1934). She was an active Broadway performer; performing in 17 Broadway productions between 1908 and 1936. The writer of this postcard mentions Miss Carlisle. She states that “we saw A. C. in Earl of Pawtucket”. This postcard was published by Rotary Photo as part of a series (no. 4073 H). Carlisle’s phototgraph was taken by Dover Street Studios. The postcard is postmarked 1907 and has a British stamp. (SOLD)
Postcard 2 also features pretty stage and film actress Alexandra Carlisle. She is wearing a hair ornament and a half smile. This postcard was published by Aristophot as part of a series (no.E1556). Carlisle’s photograph was taken by Dover Street Studios. The postcard is unused, hand tinted, and is of the embossed style. This postcard is beautifully colored and in very good condition. (SOLD)
This vintage real photo postcard features Australian silent film actress, Enid Bennett (1893-1969). She was mostly active in American films. She was born in Australia and attended an an acting and elocution school in Perth. In 1910 she joined a touring theatrical company. Two years later she joined the Fred Niblo – Josephine Cohan touring company. She understudied for Cohan and would consistently receive positive reviews. In 1915, Enid began to appear in Australian films. Also in 1915, Enid came to the United States and made her American theatrical debut in “Cock O’ The Walk” at the George M. Cohan theater on Broadway. She soon was appearing in important roles in American films. One of her more famous roles was playing Maid Marian in Robinhood (1922) with Douglas Fairbanks. By 1923, her career had slowed. However, she made the transition to sound, appearing in two Jackie Cooper films. She nearly comletely retired in 1933. Her final film role was in the Marx Brother’s “The Big Store” (1941). The IMDb reports that Enid had 52 film credits between 1916 and 1941. Bennett married Fred Niblo in 1918 and their marriage ended in 1948 upon Niblo’s death. In 1963, she married American film director, Sidney Franklin. Enid’s two sisters, Catherine and Marjorie Bennett, were also actresses. The card was published by Cinemagazine (Paris Edition). The postcard is part of a series (No.139) The portrait of Bennett is by Alfred Noyers studio in Paris. The postcard dates back to circa the 1920’s and is in very good condition (see scans).
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These vintage real photo postcards feature pretty American stage and silent film actress, Marguerite Clark (1883-1940). She was a very popular actress of her time; only second to Mary Pickford in popularity. The two shared a “little girl look”. Marguerite was tiny. She was 4’11” and weighed only 90 pounds. She was born in Cincinnati, Ohio. Her father was a haberdasherer. After finishing school, at the age of 17, Marguerite made her Broadway debut. During her stage career (1900-1913), she appeared in sixteen Broadway plays. Marguerite was also a prolific screen actress. Between 1914 and 1921, she appeared in 40 films. She is noted for her film role in “Snow White” (1916). In 1918, she married plantation owner and millionaire businessman, Harry Palmerston Williams. Marguerite retired at age 38 in order to live a more traditIonal life with her husband. He died in 1936 in an airplane crash. Both of these portrait postcards were published by Kraus Mfg. These postcard photograph was likely taken between 1910 and 1920. (BOTH SOLD)
This vintage real photo postcard features Hungarian film actress, Ila Loth (1900?-1975). She had 27 film appearances between 1918 and 1922. Some sources report that she appeared in a few films decades later than 1922, in the sound era. This postcard’s photograph presents Miss Loth driving an antique car. Note her driving gloves. This uncommon postcard was published by “City”. (SOLD)
POSTCARD 2 (SOLD)
THE CABINET CARD GALLERY 