ANTONELLA LUALDI : PROLIFIC ACTRESS OF ITALIAN AND FRENCH FILMS AND TELEVISION

lualdi12020-06-06_113410The pretty actress seen in this vintage real photo postcard is Antonella Lualdi (1931- ). Although she is an Italian actress and singer, she appeared in both Italian and French films in the 1950’s and 1960’s. One of the more noted films was “The Red and the Black” (1954). Lualdi was born in Beirut, Lebanon. Her father was Italian and her mother was Greek. Growing up, she became fluent in Arabic, French, and Italian. Her career was propelled by winning a “new talent” competition held by the cinema magazine, “Hollywood”. She was introduced by the name of “Signorina X” and readers were asked to choose her stage name. Lualdi’s filmography published by IMDb reports that she has 107 TV and film credits ranging from 1949 through 2010. In 1955, she married Italian actor Franco Interlenghi. They had starred together in several films. The couple had two daughters, both of whom became actresses. This postcard was published in 1950 by the Globe (Paris). The card is part of a series (no. 326). The photographer of this portrait photo is Sam Levin (1904-1992). He was born in the Ukraine but emigrated to France when he was two years of age. He is famous for his stage photographs and his portraits of movie stars. His studio was in Paris. Levin was a film photographer for 75 films. He was arrested by the Nazis during World War II and was sent to a camp. His crime was, being Jewish. The fact that he was sent to a detention camp rather than a death camp, indicates there was a high ranking Nazi official acting as his guardian angel. He photographed nearly all the major French and European movie stars of the 1950’s and 1960’s. He is particularly celebrated for his photos of Brigitte Bardot. Levin did over 180 magazine covers in the United States. A number of Levin’s photo postcards can be found in the Cabinet Card Gallery. This vintage postcard is in excellent condition (see scans).                       

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ROSANNA ARQUETTE : TELEVISION AND FILM ACTRESS : PRESS PHOTO BY GABOR SCOTT : (1989)

This press photo features award-winning actress (film and television), film director, and film producer, Rosanna Arquette (1959- ). Her movie credits include roles in “Desperately Seeking Susan” (1985), “Pulp Fiction” (1994), and David Cronenberg’s Crash (1996). Arquette was born in New York City. Her mother was an actress, poet, therapist, and more. Her father is a film actor, screenwriter, and producer. Her grandfather (Charley Weaver) was a comedian. She has four siblings that became actors. Must be in the genes. Arquette was one of the victims of Harvey Weinstein’s predatory sexual behavior and she spoke out about her experience early on when Weinstein was being deservedly skewered by the press. She has been married four times and divorced three times. While making a film with Bette Davis in 1978, Arquette was advised by the apparently prescient screen star that mixing a career and a relationship would never work. In 1990 Arquette was on the cover and featured in a nude pictorial for Playboy magazine. The IMDb credits her with 152 acting credits and 3 for directing. This silver print photograph was taken by celebrity photographer, Gabor Scott, in 1989. It is my presumption that the number 89 printed on the reverse of the photo stands for 1989. The Press Gazette reported Gabor’s death in 2014. He was 65 years-old. The article’s headline asserts that he “made his name covering 1980’s glitterati”. The London based photographer once photographed Prince Harry giving him “the finger”.  He was the “house photographer” at Camden Palace, one of the most fashionable London clubs in the 80’s. He photographed many celebrities there and elsewhere. Scott was born in Hungary in 1948 and moved with his family to London in 1956. Scott syndicated his images through a number of agencies. This press photo was distributed by Camera Press. The photo measures about 5″ x 7″ and is in excellent condition (see scans).

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Published in: on May 28, 2020 at 12:04 pm  Leave a Comment  
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PEGGY RUSH : PORTRAIT OF A BRITISH AMERICAN CHIGAGOAN STAGE AND FILM ACTRESS

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This vintage real photo postcard features pretty stage and film actress Peggy Rush. She was born in Chicago, Illinois, in around 1898. Her parents relocated to England when she was just three months old. Miss Rush began her stage career playing in musical comedy choruses.  In 1915 she played such a role in New York. She was a member of the company that appeared in “Quinneys” at the Maxine Elliott theatre. The Green Book magazine (1916) reported that for for the first three seasons Rush appeared on stage, she was a chorus girl for the first year, and she was a leading lady for the final two seasons. A reviewer in “The Theatre” magazine described Rush as “fascinatingly girlish”. The New York Times (1916) reported her engagement to to the Honorable George St. John Brodrick, the eldest son of Viscount Middleton and heir to the peerage (definition – those holding title).  George St John Brodrick, 2nd Earl of Midleton (1888 –1979) was an English aristocrat, landowner and soldier. It was not unusual for actresses or chorus girls to meet and marry titled individuals. Some of these men were “stage door Johnnies”. A photograph by the Bassano studio (1923) can be found in Britain’s National Portrait Gallery. I also found a notice of Rush’s divorce from her titled husband. I uncovered a 1924 press photo of Peggy Rush. The caption of the image discloses that the Viscountess Dunsford (Formerly Peggy Rush) was suing her husband, the count, for divorce. He went on to marry two more actresses. Miss Rush had a sense of humor. She once said that she never knew whether to refer to herself as American or English. She quipped that she felt safest calling herself a Chicagoan. This photo postcard was published by Rotary Photo as part of a series (no.A171-2).The card is “hand painted” and part of the “British Beauty” series. The postcard was written and postmarked in 1917. This real photo postcard is in very good condition.

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DAISY BELMONT : CIRCUS PERFORMER, TALENTED BARE BACK RIDER, SINGER, AND DANCER

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Daisy Belmont (1871-1896) was a circus equestrian and performer. She made her theater debut at three years of age and her career took off. Her repertoire included singing, and dancing and in time, bare back riding. She sometimes preformed with her siblings, Lottie and Charles. Her performing career took her to Asia, Australia, and South America.  In 1889, at age 18, she married William Showles (1857-1924), a “dashing” young equestrian who rode with Sells Brothers circus.   She became the most famous bareback rider in the country.  Tragically, after returning to America after performing “on the road” in Austalia, she died from Bright’s disease at age twenty-five.  Miss Belmont’s obituary indicates that she was a “successful with Barnum’s circus” (P T Barnum) as a bare back rider. Daisy Belmont has been described as “the embodiment of grace and feminine loveliness”. She died and was buried in Chicago, Illinois. This cabinet card features Miss Belmont. She appears to be in her mid teenage years at the time of this photograph. She is displaying a sweet smile. She is posed as if she is jumping rope. Most images that I have seen of Daisy, capture her at a significantly younger or older age than this image. The photo studio that produced this cabinet card portrait is C. C. C. Co. of Chicago.  (SOLD)             

 

MABLE WOODS : A LESSER KNOWN “GAIETY GIRL”

The pretty woman featured in this real photo postcard is Mable Woods. She was a theater actress. I could find little biographical information about her. I did discover that sometimes her name appeared as “Mabel” Woods rather than “Mable” Woods. I stumbled across a couple of real photo postcards in which Miss Woods made an appearance. Two of these cards were individual portraits of the actress but another postcard paired her with an actress name Rose de Vella. Mable Woods and Miss de Vella toured India together, performing in the chorus line for one of the “Gaiety Girls” touring companies. Irish born, George Edwards (1852-1915) was the theater manage of London’s Gaiety Theater. At one point he had sixteen touring companies. He had a propensity for hiring pretty young women to work as “Gaiety Girls”. These women were the chorus girls appearing in Edwardian musical comedies that began in the 1890’s. These women were an important ingredient for staging a successful musical production. They danced and appeared on stage in bathing attire and in the latest fashionable clothing. Unlike the corseted actresses from earlier musical burlesque shows, Gaiety Girls were viewed as respectable and refined. One writer reports that Gaiety girls “were polite, well-behaved young women”. Many Gaiety girls progressed to very successful acting careers. The list of former Gaiety girls reads like a hall of fame of celebrated actresses. Gaiety girls that catapulted to major roles include Marie Studholme, Mabel Love, Ellaline Terriss, Lily Elsie, Gladys Cooper, Phyllis Dare, and Gabrielle Ray. These and other starring alumni of the chorus, kept the moniker “Gaiety Girls”. The young women performing in Edward’s shows peaked the interest of wealthy gentlemen who became known as “Stage Door Johnnies”. They would wait outside the stage door and invite the actresses to dinner at fine restaurants. A number of women accepted the invitation.  Sometimes the women would eventually marry one of these dates. A number of these women married noblemen, while others became the wives of professionals. In the book, “The Gaiety Years”, author Alan Hyman refers to the chorus as becoming “a matrimonial agency for girls with ambitions” to marry titled men. This postcard is in very good condition (see scans).

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VIOLET LLOYD: ENGLISH STAGE ACTRESS AND A PIQUANT SOUBRETTE

PHOTO 1

LLOYD FRONTPHOTO 2

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 Photograph 1 features stage actress Violet Lloyd posing for celebrity photographer Benjamin J. Falk at his New York City studio. Ms. Lloyd is adorned with flowers in her hair and looks quite beautiful as she poses with her rather large fan. Violet Lloyd was an English actress and singing comedienne. The New York Times (1896) published a favorable review of  “The Geisha”, a play appearing at Daly’s Theater. The critic wrote that  “The greatest individual hit last night was made by Violet Lloyd, an English Soubrette (female stock character in opera and theater)……….She is a piquant (engagingly provocative)  little person, with a droll (amusing in an odd way) but pretty face, sufficient voice, a sense of humor, and plenty of agility”.  It is clear that turn of the century newspaper writers were either better writers than today’s journalists, or else, their editors were more likely to  encourage and expect higher quality writing.  As a result, newspaper articles had a more literary style and used advanced vocabulary. Please forgive me for providing the definitions of some of the words in the quotation; I couldn’t stop myself. A stamp on the reverse of this cabinet card indicates that it was once part of the collection of Charles L. Ritzmann. Other photographs from Ritzmann can be viewed by clicking on the category “Charles Ritzmann Collection”.

The second photograph (PHOTO 2) was also done by a well known New York City celebrity photographer. Aime Dupont was of Belgian origin and he captured Miss. Lloyd wearing clothing that was likely costume from a play. Note the fan she holds above her head. Her pose, with her hand on her hip, likely reflects feigned shock or dismay. This cabinet card is also part of the Ritzmann collection. To view more photographs by Dupont and to learn more about him, click on the category “Photographer: Dupont”.                                                                                                                                                                     Photo 3  is a vintage real photo portrait of Violet Lloyd. It is interesting to note that the squiggly lines on Miss Lloyd’s dress are textured with sparkles. The postcard was published by Philco (no.3026F). The Philco publishing company was located in London, England. This vintage postcard is in good condition (see scans).

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MLLE POLAIRE: FRENCH SINGER AND ACTRESS (PHOTOS BY REULINGER & NADAR)

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Mlle Polaire is actually the stage name used by French singer and actress Emilie Marie Bouchaud (1874-1939). Polaire was born in Algiers, Algeria and began her theatrical career as a cafe singer at the young age of 15. She moved to France two years later and ad0pted the stage name Polaire and became a music hall singer. In 1895, Henri de Toulouse-Lautrec drew a sketch of her which appeared in the satirical magazine Le Rire. In 1900 her portrait was painted by Leonetto Cappiello and her popularity rose even more. She began acting in Paris in 1902 and became a major celebrity star. She was thought to be a gifted comedic actress but was also very well known for her beauty. She was famous for her tiny, corsetted waist. She was five feet and three inches tall. She lavishly overdressed in furs and dazzling jewels. In 1911 she appeared in her first silent film role and later appeared in six films of director Maurice Tourneur in 1912 and 1913. She then returned to the stage and toured the United States and England. She later made a reappearance in films, performing in ten (some were talkies). She died at age 65 and was buried in France. This cabinet card photograph (Photo 1) was taken in Paris, France at the studio of Reutlinger. Charles Reutlinger (1816-1860) was a French photographer whose studio operated between 1850-1937 in Paris, France. Among his subjects were many celebrities including the prettiest ladies of Paris. To view other photographs by Reutlinger, click on the category “Photographer: Reutlinger”.                                                       The second photo of Miss Polaire is featured in this vintage real photo postcard (Photo 2). She looks beautiful in this image. She is sitting cross-legged and wearing dark clothing, boots, and a large bow. Examining the print of the front of the card provides some interesting information.  We learn that the photographer of this image is the celebrated and talented Paul Nadar (1856-1939).He was a French photographer. He learned photography by his father, Felix Nadar, also a talented portraitist. Paul eventually ran his father’s studio. The establishment catered to a affluent clientele and was very successful. In 1890 he began shooting photographs from a hot air balloon. The press referred to him as “The Fearless Paul Nadar”. Nadar also photographed sites in Europe and Ssia along the ancient silk route. Some consider his work from that trip to be the first incidence of “photo-reportage”. In 1893 he became an agent in France for Eastman Kodak. The word “Eclair” appears in the bottom right hand corner of the photo. The Eclair Company was a movie production company established in 1907 and headquartered in Paris. The company produced many silent shorts in France beginning in 1908 and it’s American division produced films from 1911 through 1914. Included in their productions was one of the first film version of  “Robin Hood”.  In the top left hand corner of the photograph is the word “Bouffes”. The “Theatre des Bouffes-Parisiens” is a theatre located in Paris and founded in 1855. It was the location of the production that Miss Polaire was appearing in when she posed for this photograph. The name of the production can be seen in the bottom border of the card, “Claudine a l’Ecole”. The translated title of the play is “Claudine at School”. The story is from a 1900 novel by the French writer, Colette. It is a tale about a 15 year-old girl and her brazen conflicts with the headmistress and fellow students in her school. This vintage postcard has a great deal of back story. It is in excellent condition (see scans).

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polaire 3 2020-05-01_075923 PHOTO 2

 

 

 

 

 

 

TWO PORTRAITS OF EARLY FILM ACTRESS ITA RINA

POSTCARD 1  (SOLD)

POSTCARD 1 (CLOSE-UP)  (SOLD)

rina1 2020-04-25_145654POSTCARD 2  (SOLD)

2020-04-25_145811 rina2POSTCARD 2 (CLOSE-UP)  (SOLD)

The pretty film actress seen in this vintage real photo postcard (postcard 1) is Ita Rina (1907-1979). Her unusual name is actually a pseudonym. Italina Lida Kravanja was her given name and it’s understandable that she used a shorter and more catchy moniker. Miss Rina was a Slovenian film actress and beauty queen. In the late 1920’s and early 1930’s she was one of the major film stars in Germany and Czechoslovakia. After getting married in 1931 she changed her name to Tamara Dordevic. Rina was a poor student as a child and knew early on that she wanted to be an actress. In 1926 she entered a beauty contest sponsored by a Slovenian magazine and Rina won. She was then slotted to compete in the next level beauty contest but she arrived late and could not participate. No worry though, she was noted by a cinema owner who sent her photograph to German film producer Peter Ostermayer who invited her to Berlin for an audition. In 1927,  Rina went to Berlin without her mother’s permission. She took classes in acting and dancing. She made her debut in the film “What Do Children Hide from Their Parents” (1927). After a number of small film roles, she received some attention for her role in the film “Last Supper” (1928). Her breakthrough occurred in the film “Erotikon (Seduction)” (1929) in which she had a starring role. The film was a great success but upset some moral and Christian organizations for it’s eroticism. Some consider her best role to have been in the Czech sound film “Tonka Sibenice” (1930). Rina received an offer from Hollywood but her husband vetoed it and she decided to stay with her husband. However, she continued her film career until the beginning of World War II. Rina’s IMDB filmography asserts that she appeared in 19 films.

    Postcard 1 was produced by Iris Verlag. Iris Verlag was the most important Austrian publisher of film star postcards. It operated from Vienna during the 1920’s and 1930’s. The publishing house  Amag (Albrecht & Meister) is listed on the reverse of the card. The postcard is part of a series (no. 5118). The photographer was Kiesel of Berlin.   (SOLD) 

          Postcard 2 features Miss Rina ready for a game of tennis. She is carrying a racquet  as well as a net bag holding three tennis balls. She is truly a fashionista tennis player. Can you imagine Serena Williams or Maria Sharapova playing tennis in this attire? Postcard 2 was published by Ross Verlag and photographed by theatrical photographer Alexander Binder. Binder’s studio was located in Berlin, Germany. The postcard is part of a series (no.5431/1). The card was postmarked in 1931 and has a stamp from Yugoslavia. (SOLD)

TRIBUTE TO ITA RINA

POSTCARD 1

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Published in: on April 26, 2020 at 12:00 pm  Comments (1)  
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MISS MARIE BLANCHE : TRANSITIONED FROM A PEACOCK TO A STARLET

POSTCARD 1   (SOLD)

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–The pretty actress seen in these vintage real photo postcards, is Miss Marie Blanche (c 1893-1973). Her birth name was Marie Peacock and she was born in Scarborough, England. Her father was stage actor William Peacock. She was a child stage actress in the early 1900’s. Later she became a starlet when she appeared in a few comedy and drama films. One of her important roles was in the silent film drama, “The Great Impostor” (1918). In 1919 she appeared in “The Elusive Pimpernel” for the Stoll Film Company. She was married to E. Lewis Waller (1884-1951), a stage and screen actor. Blanche’s IMDb filmography reveals that she appeared in four films between 1918 and 1924. She was a sitter in eight portraits that are part of the National Portrait Gallery’s collection.

–The portrait of Miss Blanche seen in Postcard 1 was photographed by Rita Martin. Miss Martin was well known for her expertise in taking portraits of theater stars and other celebrities. She was considered one of the best British photographers of her time. She opened her studio in 1906. Martin’s sister, Lallie Charles was an esteemed society photographer. The Cabinet Card Gallery has several photographs by Rita Martin. Place her name in the search box to peruse them. Postcard 1 was printed and published by J. Beagles & Company of London, England. The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued as J. Beagles & Co. until it closed in 1939.  (SOLD)                                                     

 -Postcard 2 provides a more complete view of Miss Blanche. She is dressed very fashionably. Her dress has a sash-like belt worn below the waist which I believe is quite unusual. Note her feathered hat. The photographer and publisher of the postcard are unidentified. The postcard is in excellent condition. 

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POSTCARD 1  (SOLD)

marie blanche 2POSTCARD 2

 

 

MISS MARGARET LEAHY : THE SAD STORY OF THE “DAILY SKETCH” GIRL

Margaret Leahy (1902-1967) was a British actress. She was born in London. At the age of eighteen, she set up a costume shop and designed women’s clothing. She also modeled her designs for her customers. The story of how she got her start in acting is an interesting one. After winning a beauty contest, she seemed destined for stardom. Unfortunately, despite her rapid launch into filmdom, her career quickly crashed.  She made only one film in her short-lived career. The beauty competition occurred in 1922. Actresses, Constance and Norma Talmadge, Joseph Schenck (film studio executive), and Edward Jose (film director) held a beauty contest in England. It’s purpose was to find a new leading lady. The “Daily Sketch”, an English newspaper, offered a starring role in a major Hollywood film to the winner of the contest. Eighty thousand women entered the contest and three girls were chosen to the final competition. The finals were held in Hollywood and Miss Leahy was the winner.  Norma Talmadge described Leahy as “the most ravishing girl in England”. Leahy’s start in films was a disaster. She was dismissed from “Within the Law” (1923). The film’s director found her acting talent was nearly non-existent. He threatened to quit unless Leahy was terminated. The year 1923 wasn’t all bad for Miss Leahy. She was named one of thirteen WAMPAS Baby Stars. Evelyn Brent, Eleanor Boardman, and Laura La Plante were among the thirteen. All but Leahy became successful film actresses. Between 1922 and 1934, WAMPAS association supported a promotional campaign that named thirteen young actresses thought to be destined to become stars. Margaret’s next stop was an appearance in a Buster Keaton comedy, “Three Ages” (1923). Leahy received little attention for her role in the movie and her career was stopped in it’s tracks. Leahy did not return to England. Instead she got married and remained in California. She became an interior decorator and was known to despise the movie industry. In fact, she burned all her movie related scrap books. Sadly, Leahy committed suicide at the age of sixty-four in California. This vintage postcard was published by Rotary Photo and printed in England. The postcard is part of a series (no. 5.76.2).  The postcard is in very good condition (see scans).     SOLD