All of my attempts to identify this pretty young woman, have failed miserably. The previous owner of this vintage real photo postcard, identified this lovely lady as actress, Boba Doljesi. I can not find any information concerning anyone with this name. The postcard has an inscription on the reverse that was written in 1927. There is neat script writing on the near bottom right of the image that states “Bobina”. I need all the help that I can get to identify this woman with the sweet and pretty smile. The name of the photographer and the studio’s possible location is embossed on the bottom right hand corner of the image. Unfortunately, I don’t find the stamp legible. My guess, and it is only a guess, is that this card is from Czechoslovakia. This postcard is in very good condition (see scans).
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This vintage real photo postcard (Postcard 1) features pretty German film actress, Erna Morena (1885-1962). In addition to being a performer, she was also a film producer and screen writer during the silent era. The IMDb reports that Morena appeared in 122 films between 1913 and 1951. Morena grew up in a middle-class family in Bavaria. At age 17, she attended applied art school in Munich. In 1909, after a short stint in Paris, she moved to Berlin where she worked as a nurse. She became a student at the German Theater’s drama school and in 1910 was hired as an actress by Max Reinhardt, Austrian-born theater and film director. She played a number of small theater roles and in 1913, Morena made her film debut in “The Sphinx”, produced by Leteraria Film. She was a “big time” actress. She worked under many well known directors and with some of the most well known actors in German film. Morena made a bid to become a film producer and formed her own film company which produced films in 1918 and in 1920. By the mid 1920’s, she was considered one of the biggest stars in German films. With the advent of talkies, her career declined. However, she did appear in supporting roles during the 1930’s. Between 1915 and 1921, Morena was married to the German writer, Wilhelm Herzog. He was a historian of literature and culture, a dramatist, the author of an encyclopedia, and a well known pacifist. Their marriage ended in divorce. Morena appeared in the 1940 film “Jud SuB”. The movie was a Nazi Germany historical drama propaganda film. The film was produced on the order of Joseph Goebbels, the Nazi politician and trusted aide to Adolph Hitler. The movie is considered one of the most anti-semitic films of all time. Postcard 1 was published by Ross Verlag and is part of a series (no.1752/1). The company was located in Berlin, Germany. Morena was photographed by the German photographer, Ernst Schneider. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. This postcard, a former resident of a postcard album, is in very good condition (see scans below).
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Postcard 2POSTCARD 2 (CLOSE-UP)
Postcard 2 also features the lovely Miss Morena. This postcard was published by Photochemie, located in Berlin, Germany. The card is part of a series (no.k149). Photochemie published postcards of only German film stars or European performers performing in German films. The postcards were published between 1914 and 1919. The firm also produced postcards of other subjects. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company. This postcard has a Hamburg, Germany postmark and is dated 1918. The postcard is in very good condition (see scans)
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Florence Gilbert (1904-1991) is the subject of this vintage real photo postcard. She was a film actress active between 1920 and 1927. Gilbert’s hometown was Chicago. Florence’s mother wanted her to become the next Mary Pickford. In fact, she resembled Pickford in some ways. Florence’s mother had mailed photos of Florence to Pickford who encouraged her to take Florence to Hollywood. At age 14, she moved with her mother and brother to Los Angeles. She started off as Mary Pickford’s double. She was discovered by Monty Banks, an Italian comedian, film actor, director and producer. Apparently, she looked older than her fourteen years. She played a number of roles in films for Mack Sennett studios. She also worked in Hollywood for Fox Studios. Although she was still a teenager, she became the breadwinner of her family. According to IMDb she made 68 film appearances beginning in 1920. She appeared in the first Laurel and Hardy film, ‘The Lucky Dog” (1921). She was married three times. Her first husband was Ashton Dearholt (1894-1942), an American silent film actor. She permanently left acting after marrying Dearholt. She divorced him when he returned home from filming in Guatemala, accompanied by co-star Ula Holt. He was determined to have Holt live in the house he shared with Gilbert. She divorced Dearholt after he made his outrageous demand. Dearholt later married Holt. Husband number two was Edgar Rice Burroughs (1875-1950), an American fiction writer. He was the creator of Tarzan. The marriage ended in divorce due to his drinking. Her third husband was Dr Albert Stillman Chase. She had two children with Dearholt; both were adopted by Chase. Another source “credited her” with two additional marriages. This vintage postcard was published by Ross Verlag, located in Berlin, Germany. The card was part of a series (no.1640/1). Note the Fox studio’s logo in the bottom right hand corner of the image. This postcard is in excellent condition (see scans). SOLD
This vintage real photo postcard features the Swedish actress Jngeborg Ronnblad (1873-1915). If you can pronounce her first name, please accept my congratulations. If you are Swedish, you are not eligible for this challenge. Miss Ronnblad is quite pretty and fashionable. Her dress and hair (or wig) are covered with roses. Note that she is wearing two large rings. I wonder if she is dressed in a costume from one of her films. Just below her name in the top right corner, are the words “i Lifvets dal”. The translation of these Swedish words is “In the Valley of Life”. Could this be a film title? Ronnblad was born in Sweden. Her parents ran a theater society. Her husband was Swedish actor, Hugo Ronnblad. She worked a an actress, at least between 1888 and 1895. The publisher of this postcard was Paul Heckscher. The card is part of a series (no2011).This publishing house specialized in art reproductions, artist signed cards, black and white views, and hand colored real photos. The company was headquartered in Stockholm, Sweden. The Paul Heckscher publishing company operated between 1900 and 1917. Their postcards were printed in England. This vintage postcard portrait is in very good condition (see scans),
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This vintage real photo postcard features silent film actress, Edda Croy. Edda has “the girl next door” look. Preliminary research uncovered little about her. Edda had a very short career. She played in three German silent films, all release in the same year (1927). One of these films was directed by Robert Wiene. He is well known for directing the silent film “The Cabinet of Dr. Caligari” (1920) and other expressionist films. Popular actor, Harry Liedtke, appeared in all three of her films. Actress Erna Morena, who’s photograph can be seen elsewhere in the Cabinet Card Gallery, apppeared in one of Edda’s films. This postcard was published by Ross Verlag (Berlin). It is part of a series (no.1923/1). Miss Croy’s photograph was taken by photographer Hans Natge. Natge was very involved in German film production. He played roles in the realm of cameras, directing and assistant directing. He was born in Berlin in 1893. His filmography on IMDb reports that he has 28 film credits between 1924 and 1949. Nineteen of these credits were for his role as the film’s “still photographer”. It is likely safe to assume that he took this photograph of Miss Croy in 1927. This vintage portrait postcard is rare and in very good condition (see scans).
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This vintage real photo postcard features American actress and film producer, Betty Compson (1897-1974). She was nicknamed “the prettiest girl in pictures”. Compson was born in a mining camp in Beaver, Utah. Her father was a mining engineer, a gold prospector, and grocery store owner. Her mother was a maid in hotels and private homes. Betty graduated from Salt Lake High School. She was hired as a violinist at age 16 in a theater in Salt Lake City. She then played in vaudeville touring companies and it was during this stint she was discovered by a film producer (Al Christie) who signed her to a contract. She began her career during Hollywoods’s silent film era. Her debut film was “Wanted, a Leading Lady” (1915). After this film, her career rocketed. She appeared in 25 film in 1916. All but one, were shorts. In 1918 she was offered a contract by studio head Mack Sennett. She rejected the offer because the salary was too low. She continued to make numerous short films until the middle of 1918. She was frequently paired with Roscoe “Fatty” Arbuckle. She started making only feature films. She became a rising star after appearing opposite Lon Chaney in “The Miracle Man” (1919). Paramount became interested in her and signed her to a five year contract. In 1921, Compson established her own production company in order to have creative control over screenplays and financing. The first movie she produced was “Prisoners of Love” (1921). After she completed acting in “The Woman With Four Faces” (1923), Paramount refused to give her a raise. She wanted an increase in her $2500 per week salary. Compson was angry enough at Paramount, to leave the company, and sign with a British film company. She made four films in England, two of them were films penned by Alfred Hitchcock. Paramount lured her back to Hollywood from England by offering her a top dollar contract. She then appeared in a movie by director, James Cruze. The pair married in 1924, but divorced four years later. The divorce from Cruze nearly ruined her financially because of debt accrued by Cruze. After Paramount did not offer her a contract renewal, she began freelancing in lower budget films. In 1928 she appeared in a “part talkie” called “The Barker”. She played a manipulative carnival girl. She was nominated for a “Best Actress” for this role by the Academy Awards. In 1929, she gained much recognition for her role in “The Docks of New York”. She played a suicidal prostitute. These two films resulted in her popularity returning to it’s previous high level. She appeared in many “talkie” films. Unlike a lot of silent film stars, Compson made a successful transition into sound films. In fact, she even appeared in a number of early musicals. When she played singing parts, her voice was dubbed. Her career flourished. In 1930, she appeared in 9 films. Her last “hit’ was in “The Spoilers”. Her costar was Gary Cooper. Her popularity waned and she only got roles in low budget, less successful studios. Her last film was in 1948. After retiring from her movie career, she started a cosmetic line and assisted her husband in a business named “Ashtrays Unlimited”. In total Compson was married three times. Her second marriage, to agent/producer Irving Weinberg ended in divorce after four years. Her third marriage was to a professional boxer. The marriage lasted 18 years and ended upon his death in 1962. She had no children. She died in 1974 after suffering a heart attack. She had much impact on the early movie industry. The IMDb reports 209 film credits between 1915 and 1948. This vintage postcard is in excellent condition (see scans). Take a look at the YouTube video below. The video features Betty Compson appearing in the silent film, “The Docks of New York” (1928). The music accompanying this video is obviously modern, but, in my opinion, it is excellent. Compson demonstrates incredible acting ability. Her facial expression and her eyes speak for her. SOLD
Betty Compson in “The Docks of New York” (1928) Music: “Marry Me” By Dave Pagett and Viv Jones (Sax)
A pretty young actress with sad and haunting eyes and a polka dot dress poses for her portrait. She exudes a dramatic air and its likely no coincidence that this photograph was found in a collection of theatrical cabinet cards. The photographer of this image was the Murillo studio of St. Louis, Missouri. One source reports that the Murillo studio was operated by Jesse J Ferguson and existed at least between 1910 and 1919. To view other photographs by Murillo, click on the category “Photographer: Murillo”. Note the reverse of this photograph, seen below, because this is your opportunity to see a ghost. Well maybe not a ghost, but a ghost image for sure. I am guessing that the image formed by being pressed tightly against the front of another cabinet card creating the ghost like image. However, photography historians have written that some photographers purposely created ghost images for their clients. Why? Sometimes they were asked to, and sometimes they had their own nefarious reasons. SOLD
This vintage real photo postcard features twelve identically dressed bridesmaids standing in a row. These young women are not ordinary bridesmaids; they are professional bridesmaids. The women are professional bridesmaids. These professional bridal party stalwarts are for hire. This photo was taken in 1931 and the women resided in the fishing village of Redwing in Cornwell, England. In reality, the women in this photograph are actresses appearing as the bridesmaids chorus in the Gilbert and Sullivan comic opera, “Ruddigore”. The words “Sutton Coldfield” are written in pencil on the reverse of the postcard. Sutton Coldfield is a suburban town in Birmingham, England. Perhaps this is the venue where the comic opera appeared. A penciled inscription on the reverse of this postcard indicates that James Speight (1879-1977) is the photographer of this image. His father was the headmaster of a school in Rugby but later established a successful photography business. In 1897, at age 18, James went to work at H M Whitlock’s photography studio in West Bromwich. Speight’s interest in photography must have been in his genes. All 5 of his brothers became photographers. After working for a few more photographers, James decided to go to Paris for a few months, and once there, he worked for the celebrated photographer, Reutlinger. In his diary, James wrote that his retouching work for Reutlinger included making waists smaller. James returned to England and in around 1902, opened his Sutton Coldfield studio. He continued to operate the studio until he retired in 1950. This vintage postcard was published by K Ltd sometime between 1918 and 1936. This vintage postcard is in very good condition (see scans).
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June Caprice started life named Helen Elizabeth Lawson. She was born in 1895 in Arlington, Massachusetts. June was a silent film actress. She attended school in Boston. Her acting career began on the stage. In 1916, she signed with the Fox Film Corporation to make films. William Fox had been searching for an actress to compete with Mary Pickford. Caprice had won a Boston Mary Pickford look-a-like contest. When he discovered Caprice, he boldly predicted that she would become the best known female on the screen within the upcoming six months. A press release introducing her to film fandom, stated that she was seventeen years of age. In fact, she was about twenty years old at the time. Caprice made her screen debut in a move entitled “Caprice of the Mountains” (1916). A film critic, writing in the New York Times described her as “young, pretty, graceful, petite, with an eloquence of gesture that augurs a bright future in the movies”. Her first film provided her with her stage name, “June Caprice”. June became quite popular. She received a lot of attention from fan magazines and was one of Fox’s most profitable stars toward the end of the 1910’s. She made sixteen films while with Fox. Her director for half of the movies was Harry F. Millarde. The pair began a relationship and eventually married. Caprice also worked at one time for Pathe studios. She left the film industry to begin a family and in 1922 she gave birth to a daughter. Caprice’s career took a downturn after World War I. The sweet, pure and innocent look lost popularity and was replaced by the jazz age flapper look. She later returned to working on stage and modelling. In 1931, her husband died at the young age of 46. Five years later, Caprice had a fatal heart attack while in Los Angeles. At the time, she also was suffering with cancer. She was just 40 years old at the time of her death. Caprice’s daughter was only aged 14 when she was orphaned. She was raised by her grandparents on Long Island, New York. She became a “cover girl” and actress. She used the name Toni Seven. Her photo and brief biography can be found elsewhere in the Cabinet Card Gallery. Seven inherited three million dollars from her family. The IMDb credits June Caprice with 22 film appearances between 1916 and 1921. This vintage real photo postcard was published by Pictures Ltd which was located in London, England. It was published with the perimission of the Fox Film Co. The card is part of a series (no.12) labeled “Pictures” Portrait Gallery. (SOLD)
The pretty actress seen in this vintage real photo postcard is Christiane Jansen (1929-?). She was born in Germany. The IMDb credits her for 26 film performances between 1951 and 1972. Christiane appears very relaxed in this photograph. The logos from two film companies can be seen on the front of this card. “Berolina” was a film production company which operated in West Germany between 1948 and 1964. The second company is “Herzog Film”. Jansen was clearly employed by these conpanies at some point in her career. The photographer of this photo is K. L. Haenchen and it was taken while she was making “Mikosch Rockt Ein” (1952). The English translation of the movie title is “Mikosch Rocks On”. Christiane was 23 years of age when this photo was taken. The postcard was published by Kunst and Bild as part of a series (no.A636). This vintage postcard is in very good condition (see sans).
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POSTCARD 1
POSTCARD 1 (CLOSE-UP)
THE CABINET CARD GALLERY 