This cabinet card portrait features pretty stage actress Nesta Neilson. Preliminary research yielded little information about Miss Neilson. She is cited a number of times as appearing in theatrical newspaper articles but access to these periodicals could not be gained. Perhaps a cabinet card visitor can fill the rest of us in concerning Miss Neilson’s personal and theatrical life. This cabinet card photo was produced by the Natori studio in New York City. Natori photographed a numberof theatrical stars of his era.
PORTRAIT OF PRETTY THEATER ACTRESS MARGUERITE FISH IN NEW YORK CITY
Pretty theater actress Marguerite Fish is the subject of this portrait cabinet card by Naegeli whose studio was located in New York City. Miss Fish began her stage career with her mother. They performed as a song and dance team known as Jenny Benson and Baby Benson. Later, she became known as Marguerite Fish and was a comic opera and musical actress. She has a number of mentions in the New York Times for her stage performances. These citations include appearances in “Our Wedding Day” (1887) and “The Crystal Slipper” (1888). Albert Naegeli, the photographer of this image, was a well known New York City photographer during the cabinet card era. To learn more about him and to view more of his photographs, click on the category “Photographer: Naegeli”.
PORTRAIT OF AN ACTRESS NAMED ROBEL IN AN UNUSUAL DRESS
The pretty subject of this cabinet card was photographed by celebrity photographer Napoleon Sarony at his New York City Studio. She is dressed in an unusual fashion and is likely in costume. The woman is probably an actress. Penciled on the reverse of the photograph is the name “Robel”. Preliminary research proved to be unsuccessful in identifying an actress with that name. (SOLD)
PRETTY ACTRESS NETTIE LYFORD GOES PRODUCE SHOPPING IN NEW YORK CITY (PORTRAIT BY BENJAMIN FALK)
This cabinet card portrait features pretty theater actress Nettie Lyford doing her produce shopping at the Whole Foods grocery store in New York City. She was such a fan of the store that she appeared in their advertising for free. Actually, this photograph is a celebrity portrait that was probably taken by famed celebrity photographer Benjamin Falk. The image was likely produced at Falk’s studio in New York City. Miss Lyford is wearing a costume that she probably wore in a stage production. In fact, this very same image appears in Epoch (1892) as part of an article by Morris Bacheller entitled “Favorite Figures of the Stage”. The article reports that the young Miss Lyford “has established herself as one of the comic opera favorites of the Metropolis”. She had made her debut in Charles Hoyt’s farce comedy company in “Rag Baby”. While she was appearing in another Hoyt production, “Lunch Counter Girl” she was seen by Francis Wilson (1854-1935) who hired her to appear in “Oolah” which was a comic opera appearing in New York City in 1887. This cabinet card image was taken during her tenure with Wilson’s opera company. To learn more about Francis Wilson and the play “Oolah”, search for the image of Marie Jansen which appears in the Cabinet Card Gallery. To view more celebrity photographs by Falk, click on the category “Photographer: Falk”.
CLARA MORRIS: PRETTY AND BUSTY STAGE ACTRESS AND WRITER
This cabinet card portrait features American stage actress Clara Morris (1849-1925). This photograph reveals that she was pretty and busty and appears to have enjoyed wearing gaudy jewelry. Note her earrings and collar pin. Clara Morris was born in Toronto, Canada and her real name was Morrison. She grew up in Cleveland, Ohio. She traveled to New York in 1870 as a member of Daly’s company. She was a sensation in L’Article 47 (1872) and acted in many other plays. After 1885, she focused mostly on literary work. Her works included “A Silent Singer” (1899), “The LIfe of a Star” (1906), and “Dressing Room Receptions” (1911). In her book “Life on the Stage: My Personal Experiences and Recollections” (1911) she describes her meeting with John Wilkes Booth, the assassin of President Abraham Lincoln. This cabinet card was photographed by George Rockwood (1882-191) whose studio was located in New York City. Rockwood was born in Troy, New York and graduated from college with a PhD, reportedly either from the University of Chicago, or Columbia University. At 21 years of age, he was a newspaper reporter for the Troy Daily Times and at age 23, he was managing editor of the Troy Daily Post. He began working as a photographer in St. Louis and in 1857 opened a studio with his brother Elihu in New York City. He has been credited with bringing CDV’s to America. His obituary in the Washington Post reports that Rockwood photographed more than 350,000 people. To view more photographs by Rockwood, click on the category “Photographer: Rockwood”. SOLD
Isabel Irving: American Stage Actress

Isabel Irving (1871-1944) was an American actress born in Bridgeport, Connecticut. Her stage career began in 1886. She performed in many performances of Shakespeare. She was also in more than 30 Broadway plays between 1894 and 1936. These plays included “Merry Wives of Windsor” (1917) and “Uncle Vanya” (1930). The first cabinet photo was done at the studio of Napoleon Sarony in New York. Sarony was a very famous photographer of his time and known for his photos of theatrical performers and other celebrities. The second photograph comes from the studio of William McKenzie Morrison who was located in the Haymarket Theatre building in Chicago, Illinois. The third cabinet card portrait features Miss Irving photographed by celebrated New York photographer Benjamin Falk. The fourth cabinet card was produced by Pach Brothers studio in New York City. To view a photograph of Isabel Irving’s sister, write “Evangeline Irving” in the search box and press search. To view other photographs by any of the four cited photographers, click on the category “Photographer: Falk, Photographer: Sarony, Photographer: Morrison, or Photographer: Pach Brothers.
MLLE. RHEA: INTERNATIONAL STAGE ACTRESS

The top Cabinet card, by Jose Mora of New York, features actress Mlle. Rhea (1843-1899). Mlle Rhea was her stage name. She was actually Mlle Hortense-Berbe Loret and was born in Belgium to French parents. She began studying acting at age 20 upon the suggestion of an actor that she had met at a party. Her decision was also prompted by the death of her mother and financial reversals experienced by her father. She studied acting in Paris and in 1876 spent five years playing roles in Continental Europe. In 1881 she vacationed in England and decided to appear in British theater. She quickly learned English and in one months time, performed in Much Ado About Nothing in London. Shortly after, she travelled to America where she spent the majority of her remaining life. Her obituary in the New York Times indicates that her english was “somewhat incomplete” and he always performed with a pronounced french accent. She appeared frequently on the New York stage but was a fan favorite in the “provinces”. This very popular actress died in Montmorency, France in 1899. The second cabinet card is a portrait of Mlle. Rhea that was probably taken some years after the first cabinet card. The actress appears somewhat older than in the first image. The second cabinet card was also produced by Mora.
LILLIAN GRUBB: STAGE ACTRESS DUPED BY BIGAMIST HUSBAND
This cabinet card features pretty actress/singer, Lillian Grubb. The New York Times (1884) reported that the young Baltimore actress had applied to a local court to have her marriage annulled from George Steitmatter, alias, George Deberhard. She wanted her marriage declared null and void due to her husband’s misrepresentation about his marital and financial status. He claimed to be single and wealthy. While still Grubb’s fiance, Mr. Steitmatter claimed that the couple needed to marry quickly because he was about to embark on a trip to Germany. When Ms. Grubb agreed to tie the knot (sometime in 1883) , Steitmatter supposedly left for Germany. In reality, he had gone to New York, the home of his lawful wife. When Ms. Grubb learned that her new husband was already married and was actually in New York; she took the reported legal action. The top cabinet card was published by Newsboy as part of a series of actress photographs (#87). These photographs were used by the company as premiums for their tobacco products. The second cabinet card is a portrait produced by celebrity photographer Jose Mora. She is quite beautiful and appears very coy in this somewhat provocative photograph. Below is an example of one of the many cigarette cards that featured Miss Grubb. This premium was produced by Duke (#N140) as part of their “Yacht Club Colors Series” and was published in 1890.
PRETTY YOUNG STAGE ACTRESS GLADYS WALLIS (PHOTOGRAPH BY B J FALK)
Gladys Wallis, theater star, is the subject of this portrait by celebrity photographer B. J. Falk. Miss Wallis appears to be very young when she posed for this cabinet card photograph. The image is numbered 16 in a series and has a copyright date of 1893. In fact, she was just eighteen years old when she sat for this portrait. Glady Wallis (1875-1953) lived an interesting life. The Florence Times (1932) tells some of her story in an article that is predominately about her husband Samuel Insull (1858-1938). The article was quite disparaging of Insull and in the lead of the story the reporter writes “The keen brain of Samuel Insull built a 4,000,000,000 public utilities empire but he failed when he attempted to bring about his wife’s come-back as an actress after her 26 year absence from the stage”. The attempt cost him 200,00 dollars. Gladys Wallis’s was originally named Mary Bird. She was of Irish descent and upon becoming an actress was determined to be viewed as a respectable woman. She was anti alcohol and reportedly, anti sex. Insull had originally seen her as a “starry eyed and raven-haired young ingenue in an 1898 theater production in Chicago. She was just a teenager and he was 36 years-old starstruck admirer. They later met at a dinner party and two years later, they married. Gladys quickly retired from the stage and became a society lady. She had a number of estates and servants, was active in fund raising for charities, went to high society affairs and functions, and wore expensive clothing and jewelry. It is reported that she wasn’t an easy person to get along with and was not very well liked among the ladies of society. She and Insull reportedly had a tempestuous relationship and among their issues was her disinterest in sex. Insull supported her temperance beliefs. The couple had a son who eventually attended Yale University. In 1925,Wallis revealed her desire to return to the stage because of her desire for “self expression”. Her husband funded the theatrical endeavor and its proceeds were to be directed toward charity. Society turned out in mass for the opening night of what was to be a two week engagement where Mrs. Insull played the “coquettish role”of Lady Teazle. Attendees included Marshall Fields, the Armours, the Drakes, and the Pullmans. The success of this limited engagement spurred Wallis to return to Broadway. Wallis may have felt ready for Broadway but apparently Brodway wasn’t ready for Wallis and she returned to Chicago in 1927. She was not yet done with acting so she took a five year lease on a Chicago theater and established a performing company. This project failed and before long he company was operating at a loss of more than a thousand dollars a day. Things also did not go well for Mr. Insull. The depression severely impacted his business and eventually there were even charges filed against him. He fled to Europe with his wife where they entered “voluntary exile”. He was eventually deported from Europe but was well defended in a Chicago trial and found innocent of all charges. However, the Insulls had lost their fortune and at the time of his death, his estate was quite meager. There are a number of books available about Mr. Insull and they probably make quite interesting reading. This photograph was taken by B. J. Falk, New York City celebrity photographer. To learn more about this photographer and to see more of his images, click on the category “Photographer: Falk”.
MISS FLORENCE ST. JOHN: ENGLISH ACTRESS AND SINGER POSES FOR HER PORTRAIT IN LONDON, ENGLAND
Miss Florence St. John (1855-1912) is the subject of this portrait by the London Stereoscopic Company. She was a very well known English singer and actress. She was famous for her roles in operetta, musical burlesque, music hall, opera and comic plays. She began her career in her teenage years and received much acclaim for her 1879 role in “Madame Favart”. Her light opera soprano roles included Ollivette (1880), Nel Gwynne (1884) and Erminie (1885). She joined the Gaiety Theater company in 1888. She toured a number of times in America. In 1900 she appeared in her last musical and thereafter appeared in straight theater. Florence St. John was a very busy actress, appearing in a large number of productions. Perhaps it was her busyness that interfered with her marriages. By the time she was 42 years of age, she was entering her fourth marriage. This portrait shows Miss St. John’s beauty and captures her lovely smile. The London Stereoscopic Company was located, not surprisingly, in London, England. The gallery billed itself as “Photographers’ to the Queen, the Prince of Wales and the Royal Family”. The company won many prizes and international exhibitions. To view other photographs by this gallery (including photographs of other actresses), click on the cabinet card gallery’s category “Photographer: London Stereographic Company”. SOLD










