This vintage photograph features a well dressed cute little girl. She is displaying a serious expression as photographer Harry Fallman (1853-1917) tries to capture the moment. Fallman’s studio was located in Eureka, South Dakota. The 1900 US census indicates that Fallman was born in New York but living in Eureka with his wife Nina A. Fallman (born 1864) and son Gilbert (born 1897). At the time of the census, Fallman was working as a photographer. The 1910 US census finds the 58 year-old Fallman living in North Newberg, Oregon. Apparently he experienced a mid life crisis because he had acquired a new wife (Emily Fallman) and she was just 27 years old. Fallman is listed in Portland, Oregon city directories (1913-1916) as working as a photographer. However, in the 1917 directory it is apparent that he switched careers and had become a grocer. An interesting side note concerns Fallman’s son. Gilbert Fallman (1897-1984) became an actor. Among his best known roles were appearances in “One Too Many (1950)” and “The Man from Planet X (1951)”.
PORTRAIT OF A SWEET LITTLE GIRL IN MT. PLEASANT, IOWA
The little girl seen in this cabinet card portrait is simply adorable. Unfortunately, she seems somewhat intimidated by finding herself in front of a camera. She is wearing a simple checkered dress and a necklace. The beads on the necklace and the buttons on the chair clash and create the impression that she is chained to the chair. I wonder if the photographer did a retake? Nevertheless, the girl is a sweetheart and her expression talks for itself. This photograph was produced by the Schmitz Gallery which was located in Mt. Pleasant, Iowa. The 1893 Mt. Pleasant Directory lists the gallery’s location as 133 North Jefferson. The proprietors were listed as Charles, Jno, and Mathias Schmitz.
ADORABLE LITTLE GIRL IN BUFFALO, NEW YORK
This cabinet card portrait features a charming little girl wearing a long dark dress and a serious expression. The photographer of this image is William Wunsch (1846-1929). His obituary, which appeared in the Buffalo News, indicates that he was a war hero. As Wunsch requested, he was buried with three war medals (including the Gold Cross). Wunsch was a lieutenant in the Franco Prussian Wars and he was decorated for bravery. He came to the United States in 1871 and was granted citizenship in 1876. He was married to Sophia E. Steinmetz Wunsch (1878-1949). He resumed his Prussian career as a photographer after immigrating to the United States. He was very active in the German community of Buffalo, particularly with singing societies. Wunsch was still a photographer at the time of his death even though he was 83 years old. He is buried in Buffalo’s Forest Lawn Cemetery. Judging by the scalloped edges of this photograph, the image was produced sometime after 1886. Wunsch’s studio was located on Military Road at least between 1878 and 1927. It is interesting to note that this war hero photographer located his studio on a street called “Military Road” and used a military figure in his business logo which can be seen on the reverse of the cabinet card (see image below). (SOLD)
PORTRAIT OF A BIG SISTER AND HER LITTLE SISTER IN ATHENS, GREECE (CDV)
This CDV features a portrait of what is most likely two sisters. The older girl appears to be a teenage sister rather than the baby sister’s mother. The two sibling are both pretty in their white dresses.The teenager’s dark hair falls down to the middle of her back.The older sister is holding her siblings hand. The younger sister is wearing a cross on a necklace. The photograph was produced by the Boehringer studio in Athens, Greece. Karl Boehringer was the proprietor of the studio and some of his photographs of the ruins of ancient Athens can be found in the Getty Pictures collection.
WELL DRESSED CONFIDENT LITTLE GIRL IN WORCESTER, MASSACHUSETTS
A cute little girl wearing a checkered dress and big hat posses for her photograph at the Lawrence studio in Worcester, Massachusetts. The child projects an air of confidence as she gazes at Frank Lawrence, the photographer. A drawing of Lawrence’s studio can be seen on the reverse of this cabinet card (see image below). His studio was located on the John G.Clark’s Block. To learn more about this photographer and to view more of his photographs, click on the category “Photographer: Lawrence”. (SOLD)
THE MOST PATRIOTIC BABY IN AMERICA
Sometimes the cabinet card gallery features vintage photographs that are not cabinet cards. Some may find fault with the site’s occasional lapses of fidelity to the cabinet card era. However, I can not stop myself from sharing other types of vintage photographs in my collection. This real photo postcard is truly special. A cute baby sits in a carriage in front of a 48 starred American flag. Behind the child is a white picket fence. The only items missing from this patriotic photograph is a Chevrolet and an apple pie. The postcard was produced by AZO between 1918 and 1930. If you have an opinion as to whether I should be including vintage non cabinet card photographs in the Cabinet Card Gallery, please let me know by leaving me a comment.
PORTRAIT OF TWO BRIGHT EYED AFRICAN AMERICAN CHILDREN IN DENVER, COLORADO
This cabinet card portrait features two young African American children sharing a large chair while posing at a photography studio in Denver, Colorado. The Beebe studio was located on Arapahoe Street within the mile high city. The children are adorable. They are looking at the photographer with bright and wide open eyes. One wonders how the youngest child is being held into the chair. Perhaps there is a brace attached to seat so that the baby doesn’t get injured due to falling or sliding onto the floor. In many cabinet card photographs of children this youngster’s age, there is a hidden parent under some fabric holding the child in place. Good quality photographs of African American subjects are not easy to find. Discrimination and economic factors are among the principal causes of their relative rarity. The photographer of this cabinet card portrait is John E. Beebe. Denver city directories indicate that he operated his studio between 1887 and at least 1894. Langdonroad.com, a historical photographer directory, reports that before his arrival in Denver, Beebe was a photographer in Chicago, Illinois.
TWO ADORABLE CHILDREN IN LONDON, ENGLAND: GORDON AND PEARL ENCOUNTER A CAMERA
Two adorable children pose for the camera at the Wiedhofft studio in London, England. The kids don’t look very comfortable during their photo shoot but try their best to cooperate with the photographer. The children are cute and dressed fashionably. The person that dressed them seems to have favored lace. The little girl’s bonnet has two long “tails” streaming down to below her knees. Note that the little girl is holding the boys arm in a bid for security. An inscription on the reverse of the photograph (see image below) provides some clues to the children’s identity.The children are siblings and their names are Gordon (age 4) and Pearl (age 2). Their last name appears to be Pascoe and their father’s name was Roger. Identity information was provided by “Marion Cook” who signed the back of the photograph. The photographer of this portrait was Frederick Wiedhofft and his studio was established in 1879. The back stamp indicates he operated three studios in London. Wiedhofft was born in 1854 in Clerkwell, England. He died in London in 1910. He was married twice. His first wife was Clio Newton and their wedding was in 1880. His second wife was Maria Wedlake who he married in 1899. Maria was listed as his housekeeper in the 1891 census and like Frederick, she was a widow. Wiedhofft began his work career working in a family business that sold oils and paints. He became a photographer in 1897. After Frederick died, his step-son, William Henry Orme Wedlake took over the photography business. This cabinet card portrait has corner wear. The photograph hasexcellent clarity and is in very good condition (see scans).
Buy this Cabinet Card (includes shipping within the US) #3528
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FOUR TEENAGE GIRLS EATING GRAPES IN BUTLER, PENNSYLVANIA
Grapes? Paper Bags? When did paper bags get invented anyway? Why did the photographer choose to photograph four teenage girls eating grapes? Is there some kind of symbolism in the image or is it meant to just show four girls enjoying a picnic? This cabinet card photograph presents a number of interesting questions and I can only answer one of them. Paper bags were invented in 1852. At least that is when Frances Wolle patented the machine that manufactured paper sacks and founded the Union Paper Bag Company. The reverse of this cabinet card has an inscription stating “Stella Pape, 1888”. Stella was actually her nickname. Her given name was Destella L. Pape and she was born in 1872. She was about sixteen years of age at the time of this photograph. In the 1900 US census she was living with her mother (Mary) and older brother (Nielson) in Butler, Pennsylvania She later married George Reiber who was a man twenty-one years her senior. The couple had a son in 1905 who was named after his father (George). Stella Pape died in Pittsburg, Pennsylvania in 1956. She was buried with her son (see the photograph of her gravestone below). The photographers of this image are Criley & Wagner. To view more of their images, click on the category “Photographer: Criley & Wagner”.

DARLING PORTRAIT OF A BABY IN NEWARK, OR GRANVILLE, OR THORNVILLE, OHIO
This cabinet card portrait features an adorable baby standing on a chair. The baby is wearing a ring with an attached bracelet. The child looks a bit fearful as she poses at the Chase gallery. The photo studio had three locations, all in Ohio. There were galleries in Newark, Granville, and Thornville. The advertising on the front of the photograph indicates that the photograph was taken in 1893. The reverse of the photograph has an inscription which is difficult to read (see image below). The child’s first name is clearly Ray. Research suggests that the baby is Ray Mc Slyer who was born in Ohio in 1892. Frank Chase (1863-1941) worked as a photographer in Cleveland, Ohio in 1884 and then in Newark between 1885 and a least 1905. He worked in Newark with his father, George W. Chase (1839-1925) except in the mid 1890’s when he operated a studio in nearby Granville.











