This tintype features two lovely fashionable young ladies. The photo is highly detailed. You can see the wrinkles on their beautiful dresses. The tintype also has excellent clarity, which can be noted by how easy it is to read the expressions on the young women’s faces. Tintypes were popular in the 1860’s and 1870’s. Over time, they were replaced by Carte de Visites and Cabinet Cards This tintype image measures about 2 1/2″ x 3 7/8″.
This dynamic vintage press photograph captures a joyous and stylish moment at what appears to be a mid-century African-American social event or pageant, photographed by Jimmy H. Baynes, a notable African-American photographer who was active in Cleveland, Ohio. The image dates likely to the late 1950s or early 1960s, an era when such gatherings were vital community affairs celebrating Black excellence, fashion, and music. The central focus is a beautifully posed group of six African-American women, all elegantly dressed in cocktail or evening wear. The women wear a range of fashionable 1950s attire, from a sharp houndstooth pantsuit and flowing evening gowns to a crisp white suit. Their hairstyles are elegant and era-appropriate, and their expressions range from joy to pride to graceful composure. The setting appears to be a formal banquet hall or community venue, likely in Cleveland. Each woman holds a trophy, suggesting the conclusion of a pageant, award ceremony, or fashion competition. The photograph is the work of Jimmy H. Baynes, a prominent African-American photographer who chronicled the Black social and cultural scene in Cleveland throughout the mid-20th century. His work often captured the heart of the community—beauty pageants, civic events, family milestones, and musical gatherings—preserving an important visual history that is increasingly recognized and appreciated by collectors and scholars. The photographer of this photograph, Jimmy Baynes was known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s. (SOLD)
This cabinet card features a teenage girl posing at the studio of photographer Anton Rohde of Chicago, Illinois. She is wearing a pretty wheat stalk print dress. Advertising on the bottom of the image indicates Rohde had wonf awards for some of his photographs. One of the displayed awards was received in 1888, and the other award was from the Photographers Association of America. The reverse of the photograph has an inscription which states “To Gini” and lists the subjects name as “Dagmar” and her age as fifteen years and eight months. Anton Rohde was once partners in a photography firm called Rohde & Schutz which was located at the same address that produced this photograph. He also was once located at 88 West Ohio Street. He is listed in the 1892 and 1900 Chicago business directories. Research located his obituary which indicates that he died in 1917 at the age of fifty-five. He was survived by his wife, Augusta Rohde. SOLD
This cabinet card portrait features a fun looking vivacious young woman. She looks pretty and fashionable in her spring like clothing. She is wearing a wonderful hat and a beautiful smile. She shows an excellent and relaxed presence in front of the camera. Perhaps she was a local or touring actress. This young woman’s photograph was taken by the Headley & Reed studio in New Bedford, Massachusetts. The Headley & Reed partnership was an interracial one. Phineas Camp Headley (1858-1921) was a white man while James E. Reed (1864-1939) was an African American man. They operated a studio at 5 Purchase Street. Reed was an important figure in New Bedfords early history. He took photos of city streets, whaleships and people. His human subjects were both white and black. He had a passion for the field of photography and was prolific in his work. By 1895, he was making enough money to open his own studio, which he did with his partner, Mr. Headley. Headley, a white man, besides being a photographer, was a successful cotton broker. Headley & Reed were the premier studio in New Bedford and operated successfully from 1890 until 1896. One of Reed’s claims to fame was that he photographed Frederick Douglas. It is not known why Headly left the business. Reed continued running the business until 1914. Reed moved on to become the first Photostat (photocopier) Operator for the Massachusetts State Archives, a position he held until he retired. During Reed’s photography career, his wife, Anna Jourdain, colorized and tinted his photographs. She also worked on tiffany style lampshades. She was educated in art at the Swain School of Design (New Bedford). SOLD
This antique cabinet card photograph features a young girl dressed in an elegant Victorian-era outfit, posing in a photographer’s studio. She wears a dark-colored dress adorned with intricate white lace trim along the hem and sleeves. A delicate crocheted lace shawl is draped over her shoulders, fastened with a small pendant necklace. Her curly hair is neatly styled, framing her youthful face, which holds a solemn and slightly curious expression as she gazes directly at the camera. She stands poised with one hand gently resting on an artificial rock prop. The painted backdrop depicts a soft-focus nature scene, adding to the classic charm of the image. She wears lace-up leather boots, further emphasizing the era’s fashion. The photographer, location, and identity of this charming young girl are unknown, but this carefully composed portrait serves as a beautiful relic of the past. SOLD
This cabinet card portrait features two adorable siblings. They are beautifully dressed and both have wonderful smiles. The photographer of this image is the Halmrast Studio in Minneapolis, Minnesota. SOLD
POSTCARD 1 (SOLD)
POSTCARD 2
Karin Hardt (1910-1992), German film actress, is featured on these two vintage real photo postcards. Her father was a merchant. She took private acting lessons with Alex Otto, a German actor and theater director. After some theatrical appearances, she made her movie debut in 1931. She quickly rose to stardom. During the war years, her film roles decreased. Post war, she appeared in only a few more films. In the 1960’s she appeared in a number of television roles. She was married to director Erich Waschneck in 1933. She later married Rolf von Goth, a German actor. An internet filmography indicates that Hardt appeared in 88 films from 1931 through 1992. In 1979, she was in a film with David Bowie. The YouTube video below features Miss Hardt in the film, “Mens Economy” (1941).
The image in Postcard 1 gives the appearance that Hardt is about to be swallowed up by her dress. She is wearing ribbons in her hair and a sweet half smile. This photo postcard was published by Ross Verlag and is part of a series (no.A2810/1). The logo for UFA, a German film company, can be seen in the right hand bottom corner of the image. SOLD
Postcard 2 was published by Ross Verlag and is part of a series (no.8848/1). The logo for UFA, a German film company, can be seen in the right hand bottom corner of the image. This vintage postcard is in excellent condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2620
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$22.00
Buy this original Vintage Real Photo Postcard (includes international shipping outside the US) #2620
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$30.00
POSTCARD 1
POSTCARD 2 (SOLD)
POSTCARD 3 (SOLD)
Postcard 1 features German actress, Emily “Emmy” Wehlen (1887-1977). She was a Edwardian musical comedy and silent film actress. She retired from acting at a young age (early 30’s), Wehlen received her musical training at the Mannheim Conservatory. She then joined the Thalia-Theatre and performed in musical comedies in several German cities. She was then invited to London and was considered as a possible successor to Lily Elsie. Wehlen played the lead role in “The Merry Widow” (1909). Later that year she appeared in the hit musical “The Dollar Princess” which ran for 428 performances. Next stop was New York, where she appeared in four Broadway plays between 1911 and 1915. Shortly after her last Broadway appearance, Wehlen left the stage and pursued a film career. She appeared in over twenty films between 1915 and 1920. “Everybody’s Magazine (1911) reported that Wehlen was very pretty and very graceful. Her acting and voice were also praised. In addition, the article stated that “she has the indescribable charm of personality” and that audiences liked her and wanted her to never leave the stage during a production. Miss Wehlen’s photograph on this postcard was taken by celebrity studio, Foulsham & Banfield. The card was published by Rotary Photo as part of a series (no.11717H).
In Postcard 2, Wehlen is beautifully dressed for the portrait appearing on the postcard. She looks a bit clownish with her ruffled collar. There are flowers pinned to the front of her dress and she is wearing a jumbo feathered hat. She has a beautiful smile. The card was published by EAS as part of a series (no.1868/2). The firm was located in London and New York. The postcard was printed in Germany. Interestingly, the word “imperfect” is printed in two places on the front of the card. The word “chic” appears in the upper right hand corner of the image. Emmy Wehlen fits the bill. She is truly chic. The message on the postcard indicates that it was written in 1913. (SOLD)
Postcard 3 features Miss Wehlen’s photograph taken by celebrity studio, Dover Street Studios. The card was published by Rotary Photo as part of a series (no.11717E). The message on the card indicates that the sender hoped that this photo postcard was meant to be an addition to the recipient’s postcard collection. (SOLD)
POSTCARD 1
POSTCARD 2
POSTCARD 3
This vintage hand painted real photo postcard features a portrait of a very beautiful mother and her equally beautiful daughter. The pair are dressed for winter and looking quite fashionable. Their hats are terrific. Mom is wearing a fur coat. They have wonderful smiles. The writer of the postcard expresses to the reader, “Hoping you are both still in the pink”. I haven’t heard that expression in a while. If you don’t know, “in the pink” is a idiom that means in the peak of health. This vintage postcard was published by Rotary Photo as part of a series (No.A837-4). It was written in the first decade of the 1900’s. The postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #5324
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$34.00
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5324
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$46.00
This vintage photograph features a dapper looking gentleman sitting for his portrait at the Otero studio in Cienfuego, Cuba. He has the appearance of a man of accomplishment and he gazes at the photographer with just the right degree of intensity that indicates that this is not his first rodeo. This man knows how to dress. Note his three piece suit, his straw hat, and highly shined shoes. Even his hair is perfect. This is a beautiful photo. The photographer’s work is commendable. SOLD
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THE CABINET CARD GALLERY 