This cabinet card features a handsome and distinguished gentleman posing for his portrait at the Mundy studio in Utica, New York. The gentleman is well dressed and has a neat mustache and muttonchops. The Photographic Times (1887) has a tribute to L. C. Mundy. “Mr Mundy was a self-made man, and a striking example of what aim, firmness of will, and a steady purpose can accomplish.” The writer continues to state that at age eighy, Mundy was left alone in the world, and from that time on, he provided for himself. As an apprentice, he never needed to be told what to do. Instead, “he saw, and he did”. Mundy went from an apprenticeship to eventually become one of the most respected photographers in central New York. Mundy is also known for having employed journalist and author, Harold Frederic (1856-1898).
DISTINGUISHED GENTLEMAN WITH MUTTONCHOPS IN UTICA, NEW YORK
A HANDSOME MAN IN BROOKLYN, NEW YORK
A very handsome man poses for his portrait at the Dana studio in Brooklyn, New York. Information written on the reverse of the photograph indicates that this good looking gentleman was named Ferdinand Clauburg. The inscription also indicates that the date of this photograph was July 2nd, 1897. Mr. Clauburg is well dressed and is wearing a pin on his lapel. The Dana studio was located at 565 Fulton Street, Brooklyn, New York. Edward Cary Dana (1853-1897) was born in Boston, Massachusetts, developed an interest in photography, and moved to Brooklyn, where he opened a studio. In time he had a great reputation as a skilled photographer and had established three galleries in New York City. He died at age 44 of kidney problems and left a widow, Miss Ada Sherman, of Staten Island, New York.
MARVELOUS MUSTACHE IN MERIDEN, CONNECTICUT
This cabinet card is a portrait of an older bespectacled gentleman with a significant mustache. He is well dressed and is wearing a pin on his lapel. The top of the pin seems to have a figure that looks like a buffalo or bucking bull. The print on the bottom of the pin is illegible. Hopefully, a visitor to this site will be able to provide more details about the lapel pin. The photographer of this image was H. C. Voorhees of Meriden, Connecticut. Voorhees liked to write instructional articles appearing in the era’s photographic journals. Among his articles were publications in Wilson’s Photographic Magazine (1891) and Photographic Mosaics (1896). To view other interesting photographs of remarkable mustaches, click on Cabinet Card Gallery’s category of “Mustaches (Only the Best).
DAPPER MAN WITH BIG MUSTACHE AND SMALL BEARD IN MINNEAPOLIS, MINNESOTA
A well dressed man with a large mustache and a clump of chin whiskers, poses for his portrait at the studio of Eggan, in Minneapolis, Minnesota. To see other interesting exhibitions of facial hair, visit the Cabinet Card Gallery’s categories of Beards (Only the Best) and Mustaches (Only the Best). It is difficult to identify the photographer of this photograph. The city of Minneapolis hosted a number of photographers that shared the name “Eggan”, each of them sharing the same studio address. Apparently the Eggan family, which was of Norwegian descent, had a passion for photography. Photographers included Ole P., Halvor P., S. A., Sevor P., Stephen, and James Eggan.
HANDSOME AND MYSTERIOUS LOOKING YOUNG MAN IN BRUNSWICK, MAINE
This cabinet card is an image of a handsome young man photographed by H. O. Reed of Brunswick, Maine. The subject is well dressed and has well groomed facial hair. He has a mysterious and ethnic appearance. To view other images of interesting mustaches, click on “Mustaches (Only the Best)”. H. O. Reed was a native of Brunswick, Maine and began working as a photographer in 1877.
THE MAN WITH THE STEEL WOOL BEARD IN EXETER, ENGLAND
A well dressed man poses for his portrait at the studio of Charles Keeping in Exeter, England. The subjects beard looks remarkably similar to a Brillo pad. Pity his poor wife during their amorous times together. The photographer, Charles Keeping (1842-?) was born at Lymington in Hampshire. He first worked as a photographer in Exeter in about 1870.He set up a studio at New Bridge Street after moving to Exeter from Torquay between 1867 and 1870. The studio moved to the address listed on this cabinet card (1, Exe Bridge) in 1873. Keeping also had a number of branch studios. In the mid to late 1880’s the business was known as the “Exonia Studio”. The available history indicates that this image was produced between 1873 and the late 1880’s. The subjects steel wool type beard is his ticket to enter the Cabinet Card Gallery’s category “Beards (Only the Best). Click on the category to see an amazing collection of unusual and interesting beards.
HANDSOME GUY IN A FUR COAT IN TORONTO, CANADA
A good looking young man, adorned in a fur coat, poses for his portrait. The photographer is J. Fraser Bryce and his studio was located on 107 King Street West, in Toronto, Canada. Bryce was born in 1852 in Dundas, Ontario. After completing his education he went to Toronto and studied photography with Thomas Hunter. He supplemented his training with then acclaimed photographers, C. C. Randall of Detroit, Michigan, and J. F. Ryder of Cleveland, Ohio. In 1884, Bryce located permanently in Toronto buying Hunter’s studio. Bryce is cited in the American Annuals of Photography (1887) as a member of the executive committee of the Photographic Association of Canada.
J. B. TITUS AND HIS BEARD IN LOS ANGELES, CALIFORNIA
A gentleman, identified as J. B. Titus (on the reverse of the cabinet card) is the subject of this photograph by G. E. Lawrence, of Los Angeles, California. George E. Lawrence was also a member of the California National Guard and was listed as holding a rank of Major and as being a Signal Officer. The military information is listed in a publication of the California Adjutant General’s Office (1906). The subject, Mr. Titus, has an interesting thick and scraggly beard which qualifies him to join the Cabinet Card Gallery’s category of “Beards (Only the Best)”. Click on the category to view multiple photographs of remarkable beards.




