VINTAGE PORTRAIT OF A UNIFORMED FOOTBALL TEAM

This vintage real photo postcard features a portrait of a football team. These eleven heroes of the gridiron are wearing their uniforms for this group photograph. Six of the young men are wearing their helmets. Unfortunately, these thin leather helmets didn’t offer much protection against concussions or Chronic Traumatic Encephalopathy (CTE). At first glance, I thought this team may actually be a rugby team. I based my impression on the odd shape and size of the football. The ball looked more like a rugby ball than a football. A little investigating revealed that today’s football has evolved over time. Basically, footballs have gone from round, to watermelon shaped, to today’s shaped football. The modern football became commonly used in 1935. In 1869 (first collegiate football game), the ball used was round, resembling a soccer ball. In 1874, a rugby-type ball was introduced. Shaped like a watermelon, it was as difficult to throw as the round ball. In 1912, an oversized version of today’s football was introduced. This football gave the quarterback more control of the ball when passing. The football in this photo postcard appears to be the rugby style ball, and that is compatible with the AZO stamp box which indicates that this portrait was taken between 1904 and 1918. The players and their team are unidentified. SOLD

Published in: on September 21, 2025 at 12:00 pm  Comments (7)  
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PRETTY NUDE WOMAN : PC PARIS : ART NOUVEAU : FRANCE : REAL PHOTO POSTCARD

This striking real photo postcard features a confident young woman posing against a neutral backdrop, dressed in a decorative fringed shawl that is elegantly wrapped around her hips. Her bare torso and boldly direct gaze give the portrait a sense of intimate glamour, common to the French “nude étude” genre of the early 20th century. Her hair is neatly parted and styled in a sleek, classic fashion, and she wears distinctive looped earrings that accent her graceful neck and shoulders.  The woman’s expression is both engaging and relaxed, her slight smile inviting and warm. Her stance—turned slightly in profile yet facing the camera with a sense of ease—demonstrates a poise that suggests she may have been a dancer or performer. The use of light and shadow on the wall behind her adds visual depth, while the soft focus enhances the romanticism of the image. Interestingly, the woman modeling on this postcard has been described by some commentators as Arab and other observers have hypothesized that she is Hispanic. This postcard was produced by P.C. Paris, one of the leading French publishers of glamour, artistic nude, and theatrical postcards during the 1920s and 1930s. The postcard is numbered 1887 in the lower corner, part of a large series of posed studio portraits often issued in sequential sets. The reverse reads “Made in France” and bears the P.C. Paris publisher’s mark, indicating it is an original continental European issue—not a later reproduction. P.C. Paris (Phototypie C. et Cie), based in Paris, was known for creating refined studio portraits of women, including risqué and erotic studies, often with exotic or theatrical styling. Many of their models were dancers, actresses, or professional models. Their cards were sold widely across Europe and were sometimes considered collectible art photography.  SOLD

Published in: on September 4, 2025 at 12:00 pm  Comments (2)  
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ALMA BENNETT : RISQUÉ 1920s RPPC OF SILENT FILM ACTRESS : PATHE : IRIS VERLAG

This sepia-toned, real photo postcard features the glamorous silent film actress Alma Bennett (1904-1958) in a striking, risqué pose. Published by Iris Verlag of Austria, this collectible is numbered 5234 and credits the prominent studio Pathé as the photographer—known for its high-quality film stills and star portraits during the silent era. The image captures Bennett draped in a sheer, flowing fabric that barely conceals her chest. With her hands placed carefully to cover herself, the pose is both sensual and elegant—clearly intended to appeal to fans of 1920s starlets and risqué glamour. Her expressive face is tilted upward in a dramatic fashion, with her dark, wavy bob framing large, expressive eyes. Her parted lips and gaze suggest a moment of theatrical longing or awe, characteristic of the silent film aesthetic. This postcard falls squarely into the risqué category due to its suggestive styling and scant coverage, though it retains a refined and artistic tone rather than being overtly provocative. Alma Bennett was an American silent film actress who appeared in over 60 films between 1919 and 1931. Known for her beauty, versatility, and ability to play both dramatic and comedic roles, she became a recognizable face during the peak years of silent cinema. Bennett began her career in Hollywood in the late 1910s, likely transitioning into film from stage or local beauty contests, as was common during the period. Her breakout years came in the 1920s, with notable roles in films such as: “Orphans of the Storm” (1921, uncredited, directed by D.W. Griffith), “The Prairie Pirate” (1925), “A Woman Against the World” (1928), “The Night Flyer” (1928). and “The Arizona Kid” (1930).  Alma’s personal life was somewhat tumultuous, mirroring that of many silent-era actresses whose careers were overshadowed by the transition to sound films. She was married to Fred Bennett, though the marriage reportedly ended in divorce. Little is documented about her life after retiring from film around 1931, and she never returned to the screen during the sound era. (SOLD)

RENEE ADOREE : HOLLYWOOD SILENT & “TALKIE” FILM STAR : TRAGIC DEATH AT 35

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

POSTCARD 3 (SOLD)

These vintage real photo postcards feature French stage and film actress, Renee Adoree (1898-1933). She also appeared in silent movies produced by Hollywood in the 1910’s. Her most well known film was the melodramatic romance and war epic, “The Big Parade”. She played the love interest of John Gilbert. Renee’s parents were circus artists. She would perform with them at times. She was a dancer, acrobat artist, and bareback rider. She perfomed throughout Europe. She made her movie debut in 1918. In 1919, she went to New York City and played in a vaudeville-style musical. Several other stage appearances followed. In 1920, she began to perform in movies again. In total, Renee performed with John Gilbert nine times. She appeared with actor Ramon Novarro four times. In a 1928 Howard Hughes film, “The Mating Call”, Renee had a brief scene in which she swam in the nude. This act created much controversy. Renee’s personal life included two marriages and two divorces between 1921 and 1929. Renee, unlike many other actresses of her time, was successful in making the transition to sound film. She appeared in four “talkies” before her early death. In all, by the end of 1920, Renee had appeared in forty-five films. The IBDb reports that she appeared in two Broadway productions, both occurred in 1919, It was in 1930 that Renee was diagnosed with tuberculosis. Despite her doctor’s advice, she continued her participation in the filming of a movie. After completing the movie, she was rushed to an Arizona sanitorium. She was flat on her back for two years during her recovery. Post discharge, Renee’s health began to deteriorate until she died in 1933. She was only about 35 years old at the time of her death.

Postcard 1 features Renee in a risque pose. She is dressed quite provocatively. This postcard was published by “Ross Verlag” as part of a series (No.4350/1). SOLD

Postcard 2   features Renee standing in front of a horse. She is holding the horse’s harness. Apparently, she liked animals and possessed a sense of humor. She had a dog named “Useless”, and a cat named “Worthless”. The logo for MGM can be seen in the lower right hand corner of the image. She was under contract with MGM from 1930 until her death. This postcard was published by “Europe” as part of a series (No.395). SOLD

Postcard 3 offers a view of Renee that illustrates her beauty. She is fashionable and her attire includes a jacket with a fur collar. The card features a logo for MGM in its lower right corner. The card was published by Ross Verlag and is part of a series (No.3794/1). SOLD

POSTCARD 1

POSTCARD 2

PORTRAIT OF A FASHIONABLE AND PRETTY YOUNG WOMAN IN BRADFORD, ENGLAND

This vintage real photo postcard features a pretty and fashionable young woman reading a magazine or book. Her dress is accentuated with lace and she is wearing a necklace and a collar pin. The young woman appears to be in her early twenties, or perhaps in her teenage years. Her eyes are open wide and she has a nice smile. The photographer of this image is W. A. Brown & Son. The studio was located in Bradford, a city in West Yorkshire, England.  SOLD

Published in: on August 19, 2025 at 12:00 pm  Leave a Comment  
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SEBASTOPOL, CALIFORNIA : BUSY STREET SCENE : OLD CARS: GREAT SIGNAGE : RPPC c1934

This real photo postcard features a street scene in Sebastopol, California. The postcard pictures a street in the business district. This postcard view includes a number of shops, old cars, and much signage. Note the signs advertising a drug store, two bakeries, the Fleming Market, and a clothing store. Sebastopol is in Sonoma County and is located a little more than an hour north of San Francisco. 
This postcard’s photograph was taken by Peck Photo. The card’s stamp box indicates that it was published sometime between 1925 and 1942.  SOLD

KITTY COLYER – ENGLISH TRIPLE THREAT (SINGER, DANCER, ACTRESS) – PLAYED CINDERELLA

kitty coyler

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The pretty actress seen in this vintage real photo postcard, is Miss Kitty Colyer (1897-?). Here are some biographical facts that I discovered in preliminary research about the English actress. She started her career at age eleven. In addition to being an actress, she was also a dancer. She has also been described as a music hall singer and a comedian. Her dance routines were varied but her favorites were acrobatic, toe, buck, and national dancing. She performed primarily in the 1920’s. She played the role of Cinderella in “Cinderella” (1920).  As the roaring twenties came to a close, her career fizzled out and she left the entertainment business. A review of Miss Colyer can be found in John Culme’s “Footlight Notes” (website). A writer from “The Era” (1911) wrote “Miss Kitty Colyer’s sensational dancing reaches its climax in some very energetic handsprings and her lissomness and activity are quite irresistible in her rendering of “By the Light of the Silvery Moon”. Look below to see an example of sheet music (1920) featuring Kitty Colyer. Now, back to the vintage postcard. It was published by Rotary Photo and is part of the Rotary Photographic Series (no. 11522 C). The photographer is unknown.   SOLD

kitty coyler 3

MADAME KIRKBY LUNN : ENGLISH OPERA DIVA : METROPOLITAN OPERA HOUSE : RPPC

This vintage real photo postcard features English mezzo soprano, Louise Kirkby Lunn (1873-1930). She appeared in many French and Italian operas. She was best known for singing operas by Richard Wagner. She had many appearances at the Royal Opera House, Convent Garden as well as at the Metropolitan Opera in New York City. This postcard was published by Rotary Photo as part of a series (No.2025B) The card was produced around 1905.  SOLD

BARNUM AND BAILEY CIRCUS : LARGE GROUP OF CLOWNS UNDER THE BIG TENT : RPPC (1902)

This undivided back his vintage real photo postcard features performers of the Barnum & Bailey Circus. A large group of clowns and acrobats stand under the Big Top for this group photograph.The postcard was souvenir of the cirucs and was published by Courmont freres of Paris, France. The postcard was postmarked in Romont and Fribourg, Switzerland, in 1902. The card has a Swiss stamp. This postcard is in excellent condition (see scans).  SOLD

 

MISS ALEX: PARISIAN ENTERTAINER : PHOTOGRAPHED BY LUCIEN WALERY (1903)

This vintage real photo postcard was mailed in 1903 and features Miss Alex, a lesser known actress or dancer of the Belle Epoque era. She was quite pretty. Many entertainers such as Miss Alex, were more or less prostitutes or “kept women”. Certainly, not all of these women were involved in such a lifestyle, and it is unknown how Miss Alex supported herself. The “Ambassadeurs”, a Paris music hall, is printed on the top right hand corner of the front of the postcard. Miss Alex was probably part of the Ambassadeur’s company of entertainers. This portrait postcard was photographed by Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. This “risque” postcard is part of the Etoile 11 series.  SOLD