This risque vintage real photo postcard features a nude pretty young woman smiling at the camera. Her image on this card is provocative. She covers the sexually charged areas but the postcard remains alluring. Although she is covering herself, she does not seem terribly embarrassed about her state of undress. SOLD
POSTCARD 1 (SOLD)
POSTCARD 2
POSTCARD 3 (SOLD)
Postcard 1 is a hand tinted vintage real photo postcard that features Madge Bellamy (1899-1990), an American stage and film actress. She was a popular leading lady in films of the 1920’s and 1930’s. The sound era put the brakes on her career and a romantic scandal in the 1940’s brought it to a total stop. Madge was a Texan. She was born in Hillsboro and was raised in San Antonio and Brownwood. Her father was an English professor at Texas A&M University. As a young child she took dancing lessons but soon, she was interested in becoming an actress. At age 9, she made her stage debut in “Aida”. She and her family moved to Denver, Colorado. She met Carlos Bellamy there and the two married. When Madge decided to leave the state to pursue acting, her marriage ended. Madge went to New York City and worked on Broadway as a dancer. In 1919, she replaced Helen Hayes in Broadway’s “Dear Brutus”, opposite actor, William Gillette. Her career took off thereafter. In 1920, Madge appeared in her first film as a supporting actress to Geraldine Farrar. She then signed a contract with the Triangle Film Corporation. Her “breakout role” was as the title character in Lorna Doone (1922). In 1924 she signed a film contract with Fox Film Corporation. She stayed there five years and during that time she appeared in two films for film director, John Ford. In 1925, she began to have difficulties with fox executives. In 1928, she appeared in Fox’s first talking film, “Mother Knows Best”. In 1928, she married for a second time. The marriage lasted 3 days before she and her husband separated. By 1929, Bellamy’s career entered a tail-spin. She had made poor choices out of her unbridled anger. Fan magazines gave her the nickname of “Miss Firecracker” due to her temperament. In 1929, she also quit her contract with Fox, right after they bought the rights to make a film out of Broadway play. The vehicle was bought with a plan to have Madge be it’s star. Bellamy later admitted she quit over money and added “I got too big for my britches”. She didn’t work again until 1932. She accepted roles in “Poverty Row” (B-movies) films. One of these films was “White Zombie” (1932) in which she appeared opposite Bela Lugosi. Her performance received many poor reviews from film critics. By 1940, Madge basically had no film career. However, she wasn’t done with drama. She was arrested after firing three shots from a .32 caliber revolver at her former lover of five years. The incident was premeditated. She was angry at her intended victim because he married a model shortly after ending their affair. Fortunately, her aim was poor and she missed. The only casualty was her ex boyfriend’s car which took a couple of shots into it’s body. Bellamy pleaded guilty to a lesser charge (violating gun laws), and received a suspended six month sentence and probation. Madge Bellamy’s IMDb filmography reports 61 credits between 1920 and 1945. This vintage postcard is provocative. This postcard is risque for it’s era. She is showing a lot of bare skin. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by J. Beagles and is part of the “Famous Cinema Star Series” (No.210P). (SOLD)
Postcard 2 offers another risque view of Madge Bellamy. Her alluring pose and short skirt qualifies this postcard to be considered provocative. This card was produced while Madge was under contract with Fox Films, sometime before 1929. This postcard was published by Ross Verlag as part of a series (No.3907/2). The postcard is in very good condition (see scans).
Postcard 3 is quite provocative. There are shades of Lady Godiva in this photograph. Miss Bellamy is pretty and scantily dressed. This postcard is risque for it’s era. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by Alfred Noyer and is part of the “Les Vedettes de Cinema” (The Stars of Film) series (No.200). This postcard is uncommon. (SOLD)
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #7386
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Buy this original Vintage Real Photo Postcard (includes International shipping outside the US) #7386
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POSTCARD 1
POSTCARD 2
POSTCARD 3
This vintage risque postcard features a bikini clad Marisa Allasio (1936- ), a renowned Italian actress and a popular figure in 1950s cinema. Known for her beauty and charm, she became a prominent “sex symbol” of Italian film. Allasio starred in nearly 20 films between 1952 and 1958, often embodying lively, youthful roles in comedies that resonated with audiences of Italy’s post-war economic boom. Her most famous performances include roles in Poor But Beautiful (1957) and Pretty But Poor (1957), both directed by Dino Risi, as well as Seven Hills of Rome (1958) alongside Mario Lanza. Her film career ended abruptly in 1958 when she married Count Pier Francesco Calvi di Bergolo, a member of Italian nobility and the grandson of Italy’s King Victor Emmanuel III. Post-marriage, she left the film industry and focused on family life, becoming the Countess of Bergolo. Despite her brief career, Allasio remains a nostalgic icon of Italian cinema from that era, remembered for her vivacious on-screen presence and embodiment of 1950s Italian glamour. This vintage postcard is larger than the standard postcard. This card measures about 5.75 x 4.00 inches. This postcard was published by Rotalfoto. The firm was based in Milan, Italy. The postcard was published in the 1950’s and is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #7749
$12.00
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #7749
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$22.00
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
These vintage real photo postcards feature British beauty and actress, Drina Verchesi. Information about Verchesi is not readily available. A deeper dive into theater sources, will uncover some details of her life. It is safe to bet that she was not a major player on the British stage, but established enough to be featured on this postcard.
Postcard 1 is hand-painted and captures Miss Verchesi in a risque pose in a revealing dress. This card is certainly provocative for it’s era. The card was published by Rotary Photo (no.A526-1). The firm operated in London, England. (SOLD)
POSTCARD 2 is hand-painted and captures Miss Verchesi holding flowers and flashing a wonderful smile. This card was published by Rotary Photo (no.S.1-3). The firm operated in London, England. (SOLD)
POSTCARD 1
POSTCARD 2
This hand colored vintage real photo postcard features two young and affectionate women wearing striped bathing suits. They seem to be in good spirits. The writer of this postcard wrote a caption on the front of the card stating “This is you and me.”. The postmark of this card indicates that it was mailed in 1909. The postcard is hand colored. SOLD
Postcard 1 (SOLD)
Postcard 2 (SOLD)
Postcard 3 (SOLD)
La Jana (1905-1940) was an actress and dancer. Her nationality was Austro-German. She was the illegitimate daughter of a master gilder and his housekeeper. Her parents wed four years after her birth. Her family was Jewish. She went by the name, Henny.. She trained as a dancer at the Frankfurt Opera Ballet and her first stage appearance was at the age of eight. She later began dancing in revues. She was “discovered” in Paris and brought to Berlin to meet with Frederic Zelnik who got her into films. The film director who “discovered” her said that the first time he saw her dance, “that woman possessed the most attractive body that I had set eyes upon” in my not all that long life. He went on to describe her as simple, nice and approachable. He added that she “had as much interest in sex as in Immanuel Kant”. meaning, none at all. As her career advanced, she danced in revues in Berlin, Stockholm, London, and many other cities. When she appeared in “Casanova” she viewed by the audience semi-naked and on a silver platter. In Berlin, she began an affair with Crown Prince Wilhelm. There were also rumors that she had an affair with Joseph Goebbels. Charlie Chaplin was also one of her lovers. Clearly, her attitude about sex changed from the earlier days of her dancing career. In 1937, her performance in a film catapulted her to film stardom. In 1940, while touring Germany, entertaining troops, she fell ill with pneumonia and passed away. The IMDb gives La Jana 23 film credits between 1926 and 1940.
La Jana’s portrait for Postcard 1 was taken by the Manasse studio in Vienna, Austria. The Manasse studio was in existence between about 1922 and 1938. The studio was run by Olga Solarics (1896-1969) and her husband Adorja’n von Wlassics (1893-1946). Olga was known for her interest in photographing nudes. The studio flourished in Vienna during the 1930’s. Many of the portraits taken by the studio had an erotic flavor. The studio attracted some of the leading ladies of film and theater. This postcard was published by Ross Verlag (no.7043/1). This vintage postcard has a small imperfection located under La Jana’s left elbow. (SOLD)
Postcard 2 was published by Ross Verlag (no.5035/2). Miss Jana’s photograph was taken by the Manasse studio in Vienna, Austria. The Manasse studio was in existence between about 1922 and 1938. The studio was run by Olga Solarics (1896-1969) and her husband Adorja’n von Wlassics (1893-1946). Olga was known for her interest in photographing nudes. The studio flourished in Vienna during the 1930’s. Many of the portraits taken by the studio had an erotic flavor. The studio attracted some of the leading ladies of film and theater. (SOLD)
Postcard 3 was published by Ross Verlag (no.3911/1). Miss Jana’s photograph was taken by Martin Badekow (1896-1983) in Berlin. In the 1920’s, Badekow was a well known photographer in Berlin. He photographed portraits of many film stars and other celebrities. He also was a fashion photographer. Before she was famous, Badekow took many fashion photos of Marlene Dietrich. After World War I, he and his son Heinz, took photographs of the devastation in Berlin. Some of them can be found at Getty Images. After the 1920’s, interest in Badekow’s work waned. More recently, Badekow’s photographs from the Berlin cabarets and of the stars of German silent films, can now be found in museums and are considered symbolic images of Weimar Germany. (SOLD)
This provocative vintage real photo postcard features a pretty young woman drinking a mug of beer and smoking a cigarette. This postcard is provocative and meant to be sexually charged. This postcard may be gay themed. This postcard photo is a studio card and is likely one-of-a-kind. An inscription on the reverse of the card is dated 1932. SOLD
This vintage photograph features a pretty young woman sitting on a suitcase at the side of a road. A viewer of this image could hypothesize that she is looking for someone to stop and give her a ride. Her clothing emphasizes her nice figure and she is quite leggy in this cheesecake photograph. Research reveals the identity of this alluring woman. Leslie Brooks (1922-2011) was an American film actress, model an dancer. She began working as a model at age 18, began playing in bit movie parts in 1941, and by 1944 she was getting bigger roles. She played the lead in the film noir classic, “Blonde Ice” (1948). She retired from the film business in 1949. Research also discovered that this photograph captures Brooks in the film “It’s Great to be Young” (1946). The IMDb lists 29 movie credits for this actress between 1941 and 1949 and one appearance in 1971. SOLD
This risque vintage real photo postcard features a nude pretty young woman giving the camera a “come hither” look. She is reclining on a chair. This postcard was published by B. M. V. as part of a series (No.31). SOLD
POSTCARD 3 (SOLD)
THE CABINET CARD GALLERY 