LYDIA FLOPP : BRITISH ACTRESS AND ONE OF THE FIVE “RUDGE SISTERS”

This vintage real photo postcard features theater actress Miss Lydia Flopp (1877-1963). “Flopp” is an unfortunate name for a stage performer. However, it did not get in the way of her success on the stage.  Lydia was one of the five “Rudge Sisters”. The women were British actresses and dancers. Some of them were quite successful. The sisters performed as Letty Lind, Millie Hylton, Adelaide Astor, Fanny Dango, and the aforementioned Lydia Flopp. The sisters were primarily dancers but over time developed their singing ability. They performed in pantomime, variety, music hall, and Victorian burlesque realms of theater. Their venues included the Gaiety and Daly theaters in London. Letty Lind was a popular skirt dancer and star of musical comedies. Hylton worked in music halls and theatre and had much success appearing in varieties as a male impersonator. Miss Astor was a West End actress and Fanny Dango worked in London and then launched a successful career performing in Australia. Lydia Flopp’s specialty was pantomime. She was a sitter for two photo portraits in the collection of the National Portrait Gallery. The photographer of Miss Flopp’s portrait is Alexander Bassano (1829-1913).  Bassano) was a leading royal and high society photographer in Victorian London. This postcard was published in England by the Davidson Brothers. Davidson Brothers was located in both London and New York City. The firm operated between 1901 and 1911. This postcard is published by Rotary Photo as part of the Rotary Photographic Series (no.1594 B). This vintage postcard portrait has excellent clarity and is in excellent condition (see scans).  (SOLD)

MISS JOAN KEDDIE : PRETTY ACTRESS WITH A SENSE OF HUMOR

This vintage real photo postcard features a pretty actress named Joan Keddie. Preliminary research found very little biographical information about her. An article in the “Black and White Budget” (1902) includes an interview with Miss Keddie. The article  focuses on collecting anecdotes from theatrical performers. Keddie tells an “amusing” but “annoying” story of an experience she had while on tour. She asserts that a performer’s life is not a “bed of roses” and that there are some little hardships that must be endured. She asserts that one of these annoyances is having to deal with landladies as the touring company goes place to place. She states that the landladies often look for devious ways to inflate the bill. She recounts the experience she had with one such proprietor, who, at the end of her stay, presented her with a bill that included charges for salt, pepper, and vinegar which she had used while dining. Keddie declares that she was very surprised that she wasn’t charged for the paper that the bill was written on. It appears that Joan Keddie had a good sense of humor. The “Sphere” (1902), has a review of “Merrie England” (1902), a play in which Keddie was a cast member. The article states that her acting showed “distinct promise”. This postcard was published by Rotary Photo and was part of the Rotary Photographic Series (no, 1741 A). Her photo portrait was taken by Stage Pictorial, a theater magazine. Individual portrait postcards featuring Joan Keddie are uncommon.   (SOLD)

Published in: on August 26, 2019 at 6:52 pm  Comments (1)  
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TWO PORTRAITS OF STAGE ACTRESS AND JOURNALIST JULIE OPP (PHOTOS BY LIZZIE CASWALL SMITH)

opp                                                               POSTCARD 1  (SOLD)

JULIE OPP                                                                    POSTCARD 2  (SOLD)

—- These vintage real photo postcards feature stage actress Julie Opp (1871-1921).  Miss Opp was an American stage actress who was for many years popular in America as well as in Europe. She was the wife of actor William Faversham. She married him after the pair co-starred in the Broadway production of “The Royal Rival” (1902). The internet Broadway data base indicates that Miss Opp appeared in six Broadway shows from 1901 through 1911. Julie Opp was born in New York City in 1871. Her Bavarian father ran a saloon on lower Manhattan”s Bowery Street and was active in local politics.  Her mother was Irish-American. Julie began her education in public schools but her mother decided to transfer her to a local convent to receive her education. The young girl shocked  the sisters and bishop when she told them that she wanted to become a ballet dancer when she grew up. By the time she graduated, she had replaced her ambition to dance, with becoming a writer. Her first job was being a a journalist with the New York Recorder. She was a fashion writer. As part of her work as a journalist, she became involved with many people in the theatre world including Sarah Bernhardt and Emma Calve. The show business performers tried to convince her to become an actress. As a result she dabbled in acting but in 1896 she chose the stage over writing and performed in Shakespeare’s “As You Like it” at London’s St. James Theatre. A review of her performance seen in “To-Day” (1896) stated she was “charming” and “equipped for the performance of brilliant work, either on the press or stage”. In 1906 she published “The Squaw Man: A Novel”. She fell seriously ill in 1914 while traveling abroad with her husband and two sons. She appeared to recover and performed again, but soon suffered a relapse causing her to retire from acting. She then spent her remaining years at her residence in New York City and her country house on Long Island. She died after a failed operation in 1921.

—–  Postcard 1 was published by the Rotary Photo Company as part of the Rotary Photographic Series (no. 1572 B). Miss Opp was photographed by L. Caswall Smith. Lizzie Caswall Smith (1870-1958) was a British photographer who operated in the early 1900’s. She specialized in photographing members of society and celebrities. Many of her photographs were used for postcards. She was involved in the Women’s Suffrage movement and photographed many of the leading suffragettes. She also photographed many actors including Billie Burke and Maude Fealy. She operated the Gainsborough Studio from 1907 through 1920 (309 Oxford Street) and moved to a new location (90 Great Russell Street) where she remained until she retired in 1930 at the age of 60 years-old. Her most famous photograph is a portrait of Florence Nightingale taken in 1910. It was auctioned in 1908 and sold for 5500 pounds which is an equivalent today of nearly 8,000 dollars. The National Portrait Gallery has 84 portraits associated with Lizzie Caswall Smith.  (SOLD)

—- Postcard 2 offers a close-up view of Miss Opp. She is very pretty in this photograph and has large and beautiful eyes. This postcard, like the first postcard, is published by the Rotary Photo Company. The postcard (no. 1572) is part of the same series as the first postcard. Also, like the first postcard, Julie Opps photo portrait was taken by Lizzie Caswall Smith. The card was mailed from St. Ives (A seaside town in Cornwall)  to Twickenham (a London suburb). The postmark reveals that the postcard was mailed in 1902. The postcard is in very good condition (see scans).  (SOLD)

opp 2                                                              POSTCARD 1  (SOLD)   

JULIE OPP 1                                                            POSTCARD 2  (SOLD)

MISS MARJORY MOORE – PRETTY PERFORMER WITHOUT A PAST

This real photo postcard features a pretty performer named Miss Marjory Moore. She looks quite young, possibly in her teenage years. My preliminary research into the background of Miss Moore produced “bupkis”. Perhaps a visitor to this blog can provide some biographical details about this performer. Miss Moore’s portrait was taken by Lewis R. Protheroe who operated a studio in Bristol, England. He was working as a photographer, at least between 1901 and 1917. His father, Thomas Protheroe found the studio between approximately 1876 and 1900. I was unable to locate any other photographs of Marjory Moore. This rare photo postcard was published by Rotary Photo.  (SOLD)

PHOTOGRAPHIC PORTRAIT OF A BRITISH BEAUTY

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This vintage real photo postcard features a pretty young woman with an engaging smile. She has beautiful eyes. This postcard was published by Rotary Photo and is part of the British Beauty series (no. A 113-6).  (SOLD)

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Published in: on May 19, 2019 at 12:00 pm  Comments (1)  
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MISS PHILLIDA TERSON – THE PAST AND THE FUTURE MISS PHYLLIS NEILSON- TERRY

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phillida 4This vintage real photo postcard features Miss Phillida Terson (1892-1977). She is better known as Phyllis Neilson-Terry. Phyllis was a member of the third generation of a well know English theatrical family (the Terry family). In her early career years, she was a successful classics actress. She played leading roles in several Shakespeare productions. She then spent four years in the United States appearing in lighter theater. She returned to England in 1919 where she showed a great deal of versatility by appearing in Cabaret, Pantomime, and Variety roles. She still found time to appear in Shakespeare and other classic theater. During her career, she also appeared on Broadway. The IDBD states that she appeared in three Broadway shows between 1915 and 1957. Her last appearance on the Broadway stage was in “Separate Tables” for which she was nominated for an Emmy. Phyllis also appeared in films. The IMDb reports that she had 15 credits between 1915 and 1960. Phyllis was born in London. Her mother was famed actress Julia Neilson and her father was celebrated actor, Fred Terry. She had one brother; and he became an actor. Part of her education was in Paris and later she was enrolled at the Royal Academy of Music, in London. She was training to become a singer. Her stage debut was in 1909 as part of her parent’s touring stage company. In that production she used the name Phillida Terson in order to hide her connection to the Terry family. The ploy failed and in about a year, she returned to her real name. She received enthusiastic reviews in her early career. Her later career did draw some criticism. It was thought that she took less challenging roles upon her return from the US to England. Phyllis was married twice, and both husbands were actors. This should be no surprise considering her parents were major theater stars, and her brother, niece, aunt (Ellen Terry), and cousin (John Gielgud) were all stage actors. This vintage postcard was published by Rotary Photo as part of the Rotary Photographic  series (no.11716). Given the name on the postcard is “Phillida Terson”, this postcard was published 1909 or 1910. An inscription on the reverse of the postcard dates the card to 1910. The inscription also has the name “His Majesty’s Theatre”. There are theaters by than name in Aberdeen, Scotland (opened 1906) and Perth, Australia (opened circa 1904). This vintage postcard portrait is in very good condition (see scans).

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MISS MURIEL BEAUMONT – BEAUTIFUL ENGLISH STAGE ACTRESS

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Muriel Beaumont (Lady du Maurier (1876-1957) is the featured subject of this vintage real photo postcard. She was an English stage actress and was married to actor Sir Gerald du Maurier. He was the first person to play “Captain Hook”. Two of their daughters became accomplished writers. Her stage career ended in 1910. Beaumont was born in Sutton, England. Her father was a solicitor and when Beaumont decided to pursue an acting career, her father disapproved. In 1898 she made her stage debut at the Haymarket Theatre. In 1902 she appeared in “The Admirable Crichton” and met, for the second time, fellow cast member Gerald du Maurier. Within five short months, they were married (1903). Interestingly, they never appeared on stage together again. In 1905 she appeared in “The Merchant of Venice” with Violet Vanbrugh. This photo postcard was published by Rotary Photo and is part of the “Rotary Photographic Series” (no.1763 A).The photographer of Miss Beaumont’s portrait is Reinhold Thiele and he is known for his photographical talent. Thiele (1856-1921) also used the name “Karl Anton”. Seven of his photo portraits can be found in Great Britain’s National Portrait Gallery. He was born in Germany and learned about photography there. He came to London in 1878 and after a stint with photographer, William Henry Prestwich, he was hired by the London Stereoscopic Company (1880). In 1894, he established a studio known as Simmons & Thiele. Initially, Thiele specialized in photographing football teams. He is considered to be one of the early press photographers. Later, he operated a studio in London. He photographed many theatre stars. This vintage postcard is in very good condition (see scans).

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THREE GORGEOUS BULLDOGS REPRESENTING ENGLAND, IRELAND, AND SCOTLAND

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This vintage real photo postcard features three gorgeous bulldogs. The caption beneath the photo indicates that the dogs represent England, Ireland, and Scotland The postcard is published by Rotary Photo and is part of the Rotary Photographic Series (no. P 530). This vintage postcard is in very good condition (see scans).

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$33.50

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bull dogs 2

 

Published in: on December 4, 2018 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A PAJAMA CLAD RECLINING BRITISH BEAUTY

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pretty british woman 2

The reverse of this vintage real photo postcard has printed advertising that describes the woman seen in this photo as a “British Beauty”. She certainly is beautiful and she seems to be wearing night clothes as she reclines on a mat and rests her arms on a pillow. The postcard was published by Rotary Photo of London, England. The message on the verso wishes the receiver of the postcard, a happy birthday. The card is likely from the 1910’s.  (SOLD)

Published in: on July 2, 2018 at 2:07 pm  Leave a Comment  

BRITISH STAGE ACTRESS: MOLLIE LOWELL

Mollie Lowell, a stage actress, is featured in this vintage real photo postcard. According to the Internet Broadway Data Base (IBDB), she appeared in one Broadway play. The play was a musical comedy and entitled “Our Miss Gibbs” (1910). Sketch (1899) reports that Lowell was born in Newcastle-on-tyne and was of Irish descent. She joined the Carl Rosa Opera Company and played small parts. Next, she was signed by George Edwardes and she appeared in “The Geisha” (1896) and “A Greek Slave” (1898). She then had great success in the production of “Her Royal Highness”. Play Pictorial (1906) cites her appearance in “The Beauty of Bath”. This photo postcard, published by Rotary Photo, was part of the Rotary Photographic Series (no.1964B) and was printed in England. The photographer of Miss Lowell’s portrait is listed as Play Pictorial magazine, indicating that the photo likely appeared in that publication.

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