MISS ANNIE HUGHES, ENGLISH STAGE ACTRESS, POSES WITH HER CHILD AND HER JACK RUSSELL TERRIER

This vintage real photo postcard features stage actress Annie Hughes (1869-1954). The actress poses in this photograph with her child and her Jack Russell Terrier. Miss Hughes was born in England. As a child actress she was associated with the role of “Little Lord Fauntleroy”. The actress was married three times. She was in the title role of “Miss Tommy”, first produced at the Gaiety Theatre in 1907. In 1912 she took the production on a tour of the United States. This postcard was published by Philco and was part of a series (No. 3075 B). Philco was located in London. The postcard has a postmark indicating that it was mailed in1905. The photographer of this image was the Lafayette studio. The firm was founded in Dublin in 1880 by James Stack Lauder. His father, Edmund Lauder was a pioneering and successful photographer. The elder Lauder used the name “Lafayette’ to give the company a touch of Paris, which was a a city considered the center of the art and photography world. James was joined in business by his three photographer brothers. By the 1900, the company had studios in Glasgow, Manchester, London and Belfast. The studio also was invited to photograph Queen Victoria. The company still exists today.  SOLD

TRAIL RIDGE MUSEUM : FALL RIVER PASS : ROCKY MOUNTAIN NATIONAL PARK : COLORADO

This vintage real photo postcard features the Trail Ridge Museum at Fall River Pass, in Rocky Mountain National Park, Colorado. The site is at an elevation of 11,797 feet. Note the many 1940’s cars in this photograph. The mountains in the background are majestic and I wonder if those are glaciers on the mountain behind the museum. This photo was taken by Harold Sanborn. The Sanborn Souvenir Company was a leading Colorado postcard publisher. The company sold real photo postcards at stores across Colorado until the 1970’s. Sanborn photographed beautiful natural vistas and iconic landmarks. He also photographed busy street scenes and cityscapes. Harold’ son, William Sanborn joined his father in the business.  (SOLD)

DAISY JEROME : SCANDALOUS STAGE ACTRESS WHO WAS VIEWED AS RAUCOUS, VULGAR, AND “AN ACQUIRED TASTE”

POSTCARD 1 (SOLD)

POSTCARD 2

This rare vintage real photo postcard features the red headed actress that electrified the Australian stage. She was noted for her famous wicked wink. The life and times of Daisy Jerome can best be described as scandalous. She arrived in Australia in 1913 for a three year stage tour.  Feminism was rising in the western world. Suffragettes were marching for the right to vote. Women were smoking, driving, wearing less conservative fashion, and even dancing the tango with it’s sexual overtones. She arrived in Adelaide adorned with an excess of jewelry. She was born in America but raised in England. Her place of birth was New York and she was born Daisy Witkowski in 1886. Daisy reported that she was raised in a multilingual household that had been visited by Presidents Lincoln, McKinley, and Roosevelt. After experiencing financial problems, her father moved the family to England. Money was needed and Daisy followed her sister onto the stage. She played the Palace and toured with companies that gave her a chance to do comedic singing and pantomime. Her performances were considered to be amusing and irreverent. She was a comedienne. Her humor has been described as “vibrant” and “wicked”. Daisy was described as “feisty”, “cunning”, and “independent”. She was small and dainty and had compelling eyes and an expressive face. Her performances had a risque tone and she had a hoarse, sensual voice. She could toe dance and wooden shoe dance, but was most known as a mimic and comnic singer. After a year of marriage, she deserted her first husband to live with another man. In 1910, she took a journalist to court for libel. The reporter had accused her of performing encores when audiences had not requested them. She claimed that her professional reputation had been damaged. The court case was a circus. The defense ridiculed one of her songs which caused her to break into tears in the witness chair. She won the case but was barely compensated. When she began her tour of Australia, she was recognized as raucous, vulgar and “an acquired taste”. She quickly charmed those that were hesitant to appreciate her and she soon received a warm welcome and a complimentary nickname, “The Electric Spark”. Her carrot red hair became the subject of much debate. She claimed it was her natural color but most people were not believers of her claim. One day, an Australian comedian told her that a gentleman had taken offence to her hair. The comedian said that the offended man would visit her that night. The comedian then informed the local fire chief that there was great risk of fire during Daisy’s time on stage. The worried fireman came to the theatre and when he saw Daisy’s red hair, he realized he had been a victim of a joke. He kept the joke going when he said that he agreed there was risk of fire and he ordered the scenery to be fireproofed immediately. During Daisy Jerome’s era, there was a bias against redheads. They were considered to be hot tempered and sexually wild and uninhibited. Her theater/music hall background only magnified some people’s negative view of Daisy. After completing her touring contract in Australia, she signed another one. This time she performed on a vaudeville stage which allowed her to showcase her bawdy songs. In 1914 she sang a feminist style song called “The Press, the Pulpit, and the Petticoat”. This song argued that women were more powerful and influential than the media and the church. Daisy was a woman who had unconventional ideas. She would not restrained by political correctness. She stated in a 1914 interview that “I refuse to regulate my acts to accepted rules of conduct”. Despite her views, she remained popular with Australian audiences. She left Australia in 1916 and returned in 1922 for another successful tour. Later, she was involved in another court case which this time involved her suing her maid over missing jewels. With the arrival and subsequent popularity of films, Daisy Jerome faded out of the public’s focus. Two photo portraits of Daisy Jerome can be found in England’s National Portrait Gallery.
 
Postcard 1 was published by J. Beagles & Co. of London, England as part of a series (No. 109 A). The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued under it’s original name until it closed in 1939.Miss Jerome’s portrait was taken by the Hutchinson & Svendsen studio. The National Portrait Gallery asserts that this pair of photographers were active in London between 1905 and 1906. This vintage photo postcard is in excellent condition (see scans). This postcard portrait of Daisy Jerome is absolutely beautiful and very uncommon.  (SOLD)                                     
Postcard 2 was published by Rotary Photo (England) as part of a series (No. 1786 C). This vintage photo postcard is in good condition (see scans). 
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5172

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$32.00

POSTCARD 1

POSTCARD 2

PORTRAIT OF THE CITIZENS BAND OF NEWBERRY, PENNSYLVANIA

This vintage real photo postcard features a group portrait of the Citizens Band of Newberry, Pennsylvania. The community band members are all wearing full uniforms. This photograph was taken circa 1908. Newberry township is in Lycoming County, Pennsylvania. Newberry is a section of the town of Williamsport which is in central Pennsylvania. Williiamsport has been the home of the Little League World Series since 1947. The photographer of this band portrait is William Henry Holtzinger (1869-1933). Census data as well as Williamsport business directories indicate Holtzinger was a photographer as early as 1898, and as late as 1932. He died of chronic myocarditis in 1933. Two photographs of Mr Holtzinger can be seen below.  (SOLD)

William Holtzinger in his Knights of Malta uniform

                        Portrait of William Holtzinger, Lucy Long Holtinger (wife), and  Arthur Jacob Holtzinger (son)

TWO MEN AND A WALL: STREET FASHION : RPPC

This vintage real photo postcard features two men posed by an old wall. It is unclear whether the men are friends or family  This postcard is in good condition. Note that there is some wrinkling in parts of the top border of the card. The image itself is in very good condition. (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5139

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$18.00

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$28.00

Published in: on October 7, 2023 at 1:20 pm  Leave a Comment  

NINA WOOD : STAGE ACTRESS AND MUSIC HALL PERFORMER

This vintage real photo postcard features pretty stage actress Miss Nina Wood. She is wearing flowers in her hair. Note the length of her hair. The postcard was published by Rotary Photo as part of a series (No. 1787A). Miss Woods photograph is by the Johnston & Hoffman studio. Theodore Julius Hoffmann and P. A. Johnston established a commercial photography studio in Calcutta (1882) and Darjeeling (1890). They also operated a studio in Simla. Johnston and Hoffmann’s photography business was the second largest commercial photography studio in India in that period. Many of their images were of North and Northeast India as well as Sikkim and Nepal. Johnston & Hoffmann produced many photographs of actors and actresses. It is certain that these performers did not travel to India to have their photo taken. It seems likely that Johnston & Hoffmann also had a studio in England during some part of their careers. This postcard is unposted and in very good condition (see scans). 

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AMERICAN STAGE ACTRESS – NELL CARTER (MOTHER OF MICKEY ROONEY)

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POSTCARD 1  (SOLD)

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POSTCARD 2  (SOLD)

These vintage real photo postcards feature pretty American stage actress, Nell Carter (1894-1965). She shares the name of another American actress who arrived on the entertainment scene later than this Nell Carter. The second Nell Carter (1948-2003) was an American singer and actress. She is best known for her role in the television sitcom “Gimme a Break”. The Nell Carter pictured on this postcard hailed from Kansas City, Missouri. When she married and had a child, all three family members were involved in acting.  Her husband was actor Joe Yule (1892-1950) and her son was the celebrated actor, Mickey Rooney. Joe Yule was a Scottish-American burlesque and vaudeville comedian who transitioned into film career as a character actor. Yule and Carter married in 1919. Nell Carter, like her husband,  was a vaudevillian. She has also been described as a chorus girl and burlesque performer. The pair had a child in 1920 (Mickey Rooney) . In 1924, Yule and Carter separated and in 1925, she and her son moved to Hollywood. She appeared in one Broadway production, “When Crummies Played” (1928).

Postcard 1 was published by Rotary Photo as part of “The Rotary Photographic Series (no. 4037 L). The photographer was the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio from the 1900’s through the 1920’s. The message on the reverse of this postcard indicates that the sender (Mabel) settled in buying this photo postcard to send to her friend. She writes that she wishes that she could have sent her a portrait postcard of English stage and film actress, Sybil Arundale.  (SOLD)

Postcard 2  was published by W. H. Midwinter & Co (Bristol, UK) as part of “The Bee Series”. The card was postmarked in 1907.  (SOLD)

 

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POSTCARD 1

POSTCARD 2

COEUR D’ ALENE, IDAHO : STREET SCENE : SHERMAN AVENUE : LOTS OF SIGNAGE AND CARS

This vintage chrome postcard features a street scene in Coeur D’ Alene, Idaho. This card is an uncommon view of Coeur D’ Alene. The town has the look of the Old West. In addition, there are many decorative flags hanging over the street. The card shows Sherman Avenue and the street is a busy one. Note the signage. There are two Coca Cola signs and signs for the Brunswick Cafe, WWP Electric Service, some Apartments and a barbershop pole. There is also a junction sign for Route 95 and Route 10.  The Brunswick Cafe sign is of a racist nature. The sign includes a cartoonish Native American holding a tomahawk. The cars on the street appear to be from the 1950’s. Check out the bus, as well as the red pick-up truck making a u turn further up the street. This postcard was published by Ross Hall Studios. The firm was located in Sandpoint, Idaho.  SOLD

PORTRAIT OF A YOUNG WOMAN : DAVIS & HOWARD : BOSTON, MASSACHUSETTS

This vintage photograph features a young woman posing for her portrait at the Davis & Howard studio in Boston, Massachusetts. Fred L. Davis and Everett E. Howard were photographers located at 352 Washington Street in Boston. Their studio was active between 1893 and 1895.The photograph measures 4.25 x 6 inches and is in good condition (see scans).

Buy this original Real Photo Postcard (includes shipping within the US) #5320

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Published in: on June 23, 2023 at 12:23 pm  Leave a Comment  
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YOUNG EGYPTIAN WOMAN : SHEER HEAD COVERING : EGYPTOLOGY : ETHNOGRAPHY : RPPC

This vintage postcard features a pretty young Egyptian woman dressed in traditional costume. She is wearing a head and face covering hijab (veil).  The postcard was published by the celebrated ethnographic photography firm, Lehnert & Landrock. The company was located in Cairo Egypt. Rudolf Franz Lehnert (1878-1948) & Ernst Heinrich Landrock (1878-1966) were the principals of the firm.. Lehnert was of German origin, while Landrock was from Bohemia. The pair met in Switzerland and decided to go into business together. Lehnert was the photographer and Landrock was the administrator. Landrock organized trips, managed the photo studio and photo production, and marketed the photographs and prints. They were photographers in Tunis and in Egypt, They also opened studios in Munich (Germany) and Leipzig (Germany).  They produced many photographs from Egypt and Tunisia. Their first studio was in Tunis. They photographed monuments and sites in those countries, but were most known for their erotic images of Arab women, often posing in harem themes. Sometimes the photographers seemed more concerned about producing erotic photographs rather than documenting everyday life in these Middle Eastern countries. Lehnert and Landrock were well acclaimed for their work and the duo have images in a number of museums, including Philadelphia’s Penn Museum an the Musee de l’elysee in Lausanne, Switzerland.  SOLD