PRETTY JAPANESE WOMAN WEARING A KIMONO IN TOKYO JAPAN

This vintage photograph features a pretty Japanese woman wearing a kimono. I am curious about why her hair is styled in such a perfectly coiffed straight up fashion. My guess is that the hair style’s purpose is to show the woman’s complete facial beauty. Just a guess on my part. The previous owner of this photograph identified the year it was taken as 1915. It is likely that this date is printed (in Japanese) on the front of the photograph. At the very least, this image is from circa 1915. The photo was taken by Tanaka who operated a studio in Tokyo, Japan. This antique photograph measures about 6 3/4″ x 3 1/2″ and is in very good condition (see scans). Residue on the reverse of the photograph indicates that it once resided in a photo album.

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Published in: on June 22, 2018 at 12:00 am  Comments (1)  
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WOMAN IN OLD WEST CLOTHING SITTING SIDE SADDLE ON A STUFFED HORSE: BOYFRIEND OFFERS MORAL SUPPORT

A young woman sits side saddle on a small horse, or donkey, as her boyfriend, or husband provides moral support. The horse has appaloosa type coloring. The woman is wearing a fringed western dress and a nice smile. The gentleman is wearing a suit accessorized with a bow tie and a bowler hat. This vintage real photo postcard is from a private studio; not mass produced. The postcard was published sometime between 1904 and 1918.

 

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Published in: on June 21, 2018 at 12:00 pm  Comments (1)  
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THE TRAGIC LIFE OF STAGE AND FILM ACTRESS MARIA ORSKA

This vintage real photo postcard features stage and film actress Maria Orska (1893-1930). She was a major star in Germany during the 1920’s. She was born in Russia and her birth name was Rachel Blindermann. She was born into a Jewish family that lived close to Odessa in the Russian Federation. Today, her birthplace is located in the Ukraine. Her father was a lawyer. Just prior to World War I she moved to Vienna, Hamburg and Berlin. Orska must have been bright because she was fluent in German, French, Italian, Russian, and Polish. In Berlin, she worked with Rudolf Bernauer, Max Reinhard, and other well known directors. She became popular in Germany for her film parts, though she favored theater. Her first movie was “Damon Und Mensch” (1915) and it was produced by Jules Greenbaum, a pioneer of the German cinema. Oscar Kokoschka, an Austrian artist, drew Orska’s portrait, and lithographs of the work are now part of several museum’s collections. Orska married a much older man who was an influential Jewish banker from Berlin. They married in 1920 and divorced in 1925. Her next significant relationship was with a wealthy Jewish industrialist and geologist named Julius Heinrich Koritschoner from Vienna, Austria. In 1928 he fatally shot himself, leaving Orska a letter. Koritschoner’s morphine addiction was thought to have led to his suicide. Orska’s sister had committed suicide just two years earlier. She committed the act of self destruction just after having an intense argument with Maria. Orska was extremely popular in Central Europe during the 1920’s. The IMDb credits Maria Orska with 14 movie appearances between 1915 and 1923. She was seen as an extraordinary actress and her photographs appeared on many magazine covers and postcards. Suicide had taken the lives of her ex husband and her sister; and she too, eventually succumbed to self-annihilation. She committed suicide in 1930 while in Vienna. It was speculated that, like her ex-husband, morphine addiction resulted in her suicide. Here is some information about this postcard. It was published by Film Sterne. Around 1916 Rotophot began publishing three series of postcards with the RPH logo (see bottom left corner of above image).The first series was called “Buhnen-Sterne” (stage stars) and was comprised of German stage performers. The second series was named “Film Sterne” (film stars) and this postcard portrait of Maria Orska is part of that series (no. 118/1). The third set of postcards, “Film Sterne” (film scenes) showed scenes from German films and identified both the film and the performers. The photographer of this postcard portrait of Miss Orska, was the Becker & Maass studio, located in Berlin.    SOLD

PORTRAIT OF THE WEAVER FAMILY AND THEIR LOOM (VINTAGE PHOTOGRAPH)

This vintage photograph features a young woman at a loom. There are four more people in the room but we are compelled to guess who they are. My hypothesis is that the children belong to the young woman and the gentleman on the bench is her husband. The man standing may be the grandfather to the children. Your guess is as good as mine. A knowledgeable source asserts that this image dates back to Imperial Russia (c. 1917). There is a question clawing at me. I wonder if this photograph was taken in a weaving room, or if the photo was taken in a photographer’s studio. The walls of the room appear to be painted, as if they are backdrops. However, I have never seen a loom used as a prop in vintage photographs. This photo is in very good condition (see scans).

Buy this original Vintage Photograph (includes shipping to the US) #2442

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Published in: on June 18, 2018 at 12:00 pm  Comments (1)  
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PORTRAIT OF MAC BARNES PLAYING JESUS IN A THEATRICAL PRODUCTION (PHOTO BY MAX PLATZ)

This cabinet card photograph features actor Mac Barnes. He certainly looks like that he is in character to play Jesus in a theatrical production. His long hair, beard, and robe lead me to this hypothesis. An inscription below the image on the cabinet card states “Peace! Sincerely, Mac”. Before seeing this inscription, I thought my generation (Baby Boomers) were the first cohort to use the word “peace” when addressing each other. Mac Barnes (1863-1923) is listed in the IMDb. He was born in Bedford, Indiana, He was a vaudeville, stage, and screen actor. He was known for his roles in “The Food Gamblers” (1917), “The Haunted House” (1917), and  “Experience” (1921), His filmography includes 21 credits from 1909 through 1921. The photographer of this cabinet card photograph is Max Platz (1850-1894) who operated a studio in Chicago Illinois. Platz was born in Germany. His father was a tanner and he moved the family to Racine, Wisconsin when Platz was still a lad. He began his career at age 16 as a “positionist” in his brother-in-laws photographic gallery. His brother-in-law was Henry Rocher, a very talented and well respected photographer. He was Rocher’s primary assistant from 1867 through 1881. In 1881 Platz established his own photography business and encountered immediate success. He was a life long bachelor and clubman and was known for his wit, friendliness, and story-telling. He developed quite a following from members of the theater, German-American society, and the fashion world. His studio was decorated very elaborately. He employed antiques as props, much in the same way as Napoleon Sarony. It is written that his posing style resembled his friend, Benjamin Falk. Platz was an active member of the Chicago Photographic Association in 1893, he played an major role in the Department of Art for the Columbian Exposition. When Platz died in 1894, his studio and negatives went to his friend and fellow Rocher Student Joseph Gehrig and his pupil, James Samuel Windeatt. Wilson’s Photographic Magazine (1904) declares that a photographic session with Platz could be quirky. It seems that he had a habit of disappearing mid-sitting in order to find a quiet place to ponder the best poses he could utilize for his sitter. Platz earned the nickname “The Sarony of the West”. This cabinet card portrait is in very good condition. (see scans).   (SOLD)

PORTRAIT OF AN ICE SKATER AND HIS FRIEND IN MONROE, MICHIGAN

This vintage photograph features two young men wearing overcoats. The men are wearing gloves and are dressed for winter weather. One of the young men has a pair of ice skates draped over his shoulders. Perhaps his next stop, after having his portrait taken, is to a local frozen lake where he can enjoy some ice skating. This photo was taken at the Beck  studio in Monroe, Michigan. The photograph measures about 5″ x 7″ and is in very good condition (see scans).   (SOLD)

Published in: on June 8, 2018 at 12:00 pm  Comments (1)  
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PRETTY WOMAN WITH OPEN PAJAMA TOP SMOKING A CIGARETTE

This vintage real photo postcard features a young woman wearing pajamas and slippers. Her pajama top is wide open exposing one of her breasts. She is smoking a cigarette. Her body language exudes confidence, perhaps even sassiness. This risque postcard was published by Leo of Pradot and manufactured by A. Lochard & Co. in Paris, France. This postcard is part of a series (no. 68). The Leo firm operated in the mid 1920’s and published many types of real photo postcards. They were especially noted for producing a large amount of nude postcards. Postcards such as this one were considered art during the time that they were published.   (SOLD)

Published in: on June 7, 2018 at 12:00 pm  Leave a Comment  
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PRETTY YOUNG WOMAN WITH CHARISMA IN BROOKLYN, NEW YORK (CDV)

A pretty young woman poses for her carte de visite portrait at the Charles S. Rawson Gallery on Fulton Street in Brooklyn, New York. I would estimate that the subject is in her teenage years. Her sparkling eyes and smile give her a very engaging appearance. The photographer, Charles S. Rawson is listed in Brooklyn business directories in at least !870 through 1892. This cdv is in very good condition (see scans)

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Published in: on June 5, 2018 at 12:00 pm  Comments (1)  
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A MAN AND TWO WOMEN POSE AS HIKERS IN BAD REICHENHALL, GERMANY

This private real photo postcard features a handsome man and two women holding walking sticks. The studio backdrop shows mountains which fits the idea that this adventurous group is planning, or a least feigning, that they are about to go for a hike. Note the contrast between the two women in this photograph. The woman wearing the dark dress is gazing downward and her eyes are only half open. She seems shy and withdrawn. In comparison, the young woman in the white skirt is looking at the camera with confidence. She is gazing upward and not camera-shy. Printing on the reverse of this postcard provides information about the photographer. I have difficulty interpreting the information. I do not know the exact meaning of  “Hotphotograph Fritz”. I assume that the phrase “Hotphotograph Fritz” is the name of the studio. The photo studio was located in Bad Reichenhall, Germany. Bad Reichenhall is a “spa town” in Upper Bavaria, Germany and is located near Salzburg. The town in encircled by the Chiemgau Alps. This photo postcard is in very good condition (see scans).

Buy this original Real Photo Postcard (includes shipping to the US) #2428

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Published in: on June 3, 2018 at 3:47 pm  Comments (1)  
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PORTRAIT OF A JEWISH COUPLE IN DOBRIESEN, HUNGARY (1927)

An older Jewish couple are featured in this vintage real photo postcard. An ink caption on the bottom front of the postcard states “Debreczen, Hungary, October, 1927).The couple are well dressed. The woman is wearing a double chained locket and the man is wearing a shirt with a wing tipped collar, a tie, and a yarmulke (kippah). A yarmulke is a jewish traditional head covering worn by most Jews in synagogue and worn by Orthodox Jews all the time. The photographer of this photo is Liener Bela, who operated a studio in Debreczen, the second largest city in Hungary (Budapest is the largest city). One can only hope that this Jewish couple left Europe before the Holocaust. In the first few decades of the 1900’s, Jews made up 5% of the Hungarian population. They had managed to achieve great commercial and professional success. In fact, their success was disproportionate to their numbers in the general population. Their accomplishments fostered resentment and the 1920’s were stained with much anti-semitism in Hungary. By 1920, Jewish enrollment in Hungarian universities were restricted by a quota.  Admiral Horthy, the Regent of Hungary, was a self-proclaimed “anti-Semite”. Repressive anti Jewish policies were adapted and fascist groups flourished. Hopefully, this lovely couple survived. This vintage postcard is in very good condition (see scans).

SOLD