BRIDE AND GROOM IN CHICAGO, ILLINOIS

This photograph captures a pretty bride and handsome groom. It is possible that this couple are attendants in a wedding but the woman appears to be wearing a wedding gown. If she is the maid of honor, one must pity the  bride because this attractive maid of honor likely upstaged her. The couple has four different flower arrangements in this photograph. The photographic studio responsible for this image is Sander’s & Gross located in Chicago, Illinois.

Published in: on November 29, 2010 at 12:03 am  Leave a Comment  
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WEDDING COUPLE IN STOUGHTON, WISCONSIN

A wedding couple poses for this cabinet card photograph by W. A. Fermann of Stoughton, Wisconsin. This image shows the bride wearing a dark dress, which was not out of the ordinary for the time period of the photograph. The couple is well-flowered for their special day.

Published in: on April 4, 2010 at 12:01 am  Leave a Comment  
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BRIDE AND GROOM IN MILWAUKEE, WISCONSIN

This photograph is a portrait of a bride and groom posing in Milwaukee, Wisconsin. The bride is holding a bouquet of flowers and appears to have flowers pinned to the front of her dress as well as to her shoulders. Perhaps a visitor to this site knows  if such pinnings were the practice of that era.  The bride, in a high collar gown,  is also wearing flowers in her hair and white gloves. The groom looks dapper in his three-piece suit. Note that the ends of his mustache curve upwards. The photographer is Charles Brodesser (1857- ?) of Milwaukee, Wisconsin. Brodesser was born in Germany and emigrated to the United States in 1872. He settled in Milwaukee in 1877. Further biographical information about Brodesser has not yet been found.

Published in: on February 23, 2010 at 12:01 am  Leave a Comment  
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WEDDING PORTRAIT: NUPTIALS HELD IN BEOGRAD, SERBIA

This Cabinet Card is a wedding portrait of a bride and groom in Beograd, Serbia. Beograd is Belgrade, the capital of  Serbia. The photographer was Mojsilovic. The groom is wearing a three piece suit, flowers on his lapel and a mustache which curls upward. The bride has flowers in her hair and appears to be wearing white gloves. There is a bouquet of flowers on the table next to the bride.

Published in: on February 15, 2010 at 12:01 am  Comments (1)  
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WEDDING PHOTOGRAPH IN AUBURN, NEW YORK

This Cabinet Card appears to be a wedding portrait. The bride looks beautiful in her bow plagued gown. Her feathered hat is terrific. The groom seems to be a bit older than the bride. Perhaps he lied on match.com about his age. Hopefully someone knowledgable about wedding gowns of this period can opine about whether this is a wedding portrait. The photographer is H. Seymour Squyer of Auburn, New York. Could the signature on the bottom of the cabinet card be less legible? Research relied on his address to identify him. In 1893, Squyer won an Eastman Prize that was listed in the American Journal of Photography. In 1900, he was cited as a leading expert in legal photography by the Archives of Neurology and Psychopathology. He was the legal photographer for the New York Prison System and involved in innovative work to improve the value of photography for identification of prisoners. Squyer’s photograph of Harriet Tubman is in the Smithsonian Art Portraiture Gallery.

THE BRIDE WORE BLACK: WEDDING COUPLE IN BAY CITY, MICHIGAN

A bride and groom are posing for their wedding portrait in this Cabinet Card by Drago of Bay City, Michigan. The groom is wearing a three piece suit, flowers, and a pocket watch. The bride is wearing a dark wedding dress with a white veil. Check the “Wedding” category in the Cabinet Card Gallery to find some interesting comments about the history of dark wedding dresses. Research found little about the photographer except that his complete name was Albert Drago.

Published in: on February 3, 2010 at 12:01 am  Comments (5)  
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FORMALLY DRESSED COUPLE IN PORTSMOUTH, OHIO (WEDDING PICTURE?)

This Cabinet Card photograph captures a very well dressed couple at the studio of Lutz, in Portsmouth, Ohio. The couple may be posing for a wedding portrait, or perhaps, they’re dressed for another special occasion. It is interesting to note that the man, rather than the woman,  is sitting for this photograph. This is typical of many photographs of this time period. In modern day times it would be more common to see poses where the woman is seated and the man is standing. Research reveals that L. B. Lutz was a photographer in Portsmouth between 1896 and 1897. It was also discovered that John N Lutz was a photographer in Portsmouth between 1873 and 1879. John Lutz was born in Germany in 1842 and arrived in America in 1855. He studied photography with W. S. Porter in Cincinnati, Ohio for five years; before opening his own studio.

Published in: on January 12, 2010 at 12:01 am  Comments (1)  
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CALIFORNIA COUPLE LOOKING NONE TOO PLEASED

A couple poses for a photograph at the studio of Hardesty & Armstrong in Santa Ana, California.  Both the man and woman in this cabinet card photograph look very unhappy. She looks particularly sour. The couple are nicely dressed; the woman is holding a fan and the man is holding a rolled piece of paper. Is he holding a wedding certificate for a wedding picture? Has he just graduated from a college? Is this a brother and sister? The answer is lost to history. Note the gentleman’s pocket watch.

Published in: on December 11, 2009 at 2:23 am  Leave a Comment  
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WOMAN WITH LACE VEIL OR KERCHIEF IN KEOTA, IOWA

LACE KERCHIEFA mellow woman poses for her portrait at the studio of E. E. Neal in Keota, Iowa. The woman is wearing a large lace veil or kerchief. Perhaps a visitor to this blog entry can identify the headwear more specifically. Is this wide-eyed woman possibly a bride? If so, she doesn’t appear to be a happy bride. To view other photographs by Neal, click on the category “Photographer: Neal”.

Published in: on November 18, 2009 at 12:43 am  Leave a Comment  
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ATTRACTIVE COUPLE WEDS IN CLARINDA, IOWA

IOWA WEDDING_0001Alvin Eugene Leighton and Samaria Cecilia McFarland pose for their wedding portrait in the studio of O. H. Park in Clarinda, Iowa. Note the dark wedding dress. Perhaps someone can leave a comment explaining why dark wedding dresses were sometimes worn during this period in history. The Photo-beacon, a book published in 1897, considered Park to be just a mediocre portrait photographer. This cabinet card is interesting because of the appearance of the subjects and is certainly not a wonderfully posed photograph. The photographer set up the pose in such a way that the groom appears to be missing the lower part of his arm and the groom seems to be afraid to get to close to the bride.  To view other photographs by Park, click on the category “Photographer: Park”.