This cabinet card appears to be a portrait of two wedding couples who participated in a double wedding. Of course it is also possible that just one of these couples are a bride and groom and the other are part of the wedding party. All four subjects are adorned with flowers for the special occasion. The men have terrific mustaches. The photographer of this image is James Parrett whose studio was located in Wenona, Illinois. Parrett was born in Magnolia, Illinois in 1857. He came to Wenona with his parents in 1867. He learned photography in 1884 at a studio in Streator, Illinois. He opened a studio in Wenona in 1884. A year later he married Miss May Stoner of Wenona. While working as a photographer, Parrett was also a member of the school board for several years and served at least one term as an alderman. The Bulletin of Photography (1912) announced that Parrott had sold his studio to Clarence Jones.
PRETTY BRIDE IN HERKIMER, NEW YORK


This cabinet card features a beautiful young woman posing for what is probably her wedding portrait. She is wearing a stunning white lace trimmed dress and is holding a white ostrich feather in her gloved hands. Note her big puff sleeves. This image was produced by the Willey & Griswold studio in Herkimer, New York. The studio was located on the “Democrat Block”. This is certainly an unusual name for a street. The area doesn’t sound like a particularly heterogeneous neighborhood. My hypothesis is that the street was named after a local newspaper, The Herkimer County Democrat which was published between 1856 and 1861. The newspaper company was likely located on the block, and as a major landmark, the street was named after it. SOLD

PORTRAIT OF A BRIDE AND GROOM IN OMAHA, NEBRASKA
This wedding photograph features a beautifully dressed and handsome bride and groom at the Emory studio in Omaha, Nebraska. The couple are wearing large rose corsages as well as wedding bands. The photographer utilized a wonderful backdrop in posing the newly married couple. A photographer historical directory indicates that Horace S. Emory (1864-1922) operated as a photographer in the 1880’s and 1890’s. He also appears in the US Census in both 1900 and 1920. His occupation is listed as photographer in both censuses. His wife’s name was Mary Emory. The Bulletin of Photography (1922) reported that Emory was working for the Dean Studio in Omaha when he “dropped dead on January 11th. He had just completed taking a photograph”. He was 58 years old.
WEDDING COUPLE IN CHICAGO, ILLINOIS
This photograph features a bride and groom on their wedding day. The bride is wearing a beautiful white wedding dress and has a flower bouquet on her lap. The handsome groom is wearing a corsage and has a small pocket watch hanging near the top of his vest. Judging by their fashionable wedding attire, this couple appears to be well-to-do. The wedding portrait photogrrapher was Friesleben of 3932 State Street, in Chicago, Illinois. Louis W. Friesleben is listed by one source as operating his photographic studio from the State Street address between 1887 and 1900. An 1893 portrait taken by Friesleben of Plains Indians, who were part of an exhibit at the Columbian Exposition in Chicago, is part of the collection of photographs that can be seen in the online National Cowboy and Western Heritage Museum.
ATTRACTIVE AND FASHIONABLE COUPLE IN ANVERS (ANTWERP), BELGIUM
A very attractive and fashionable couple pose for their portrait at the Henry studio in Anvers, Belgium. The gentleman appears to be holding gloves. His top hat is visible on the table behind him. The lovely lady is wearing a beautiful dress and a fancy hat. She is also wearing white gloves and holding a bouquet of flowers. This image may be a wedding photograph. The backstamp of the cabinet card indicates that the photographer, Henry, was the winner of a photography medal at the World Exposition in 1894. Anvers, the home of Henry’s studio, was a port and financial center in northern Belgium. The city is located on the Scheldt river and was a center for the diamond industry. Anvers was also the home of the first stock exchange (1460). Anvers is the french name for Antwerp.
A EUROPEAN SOLDIER AND HIS BRIDE
A soldier and his bride pose for their wedding portrait at the studio of Balde, located in either Salzburg, Wildbad, Gastein, Znaim or Retz. These cities are located in different countries; Austria, Germany and Czech Republic. The studio was formerly known as Wagner & Leeb. The soldier in this photograph has been identified as German by the former owner of the image, but the accuracy of this identification is uncertain. The bride is holding flowers and dressed in a bridal dress. The groom is in his dress uniform. Note that his helmet is on the table beside him. The cabinet card gallery must depend on its helpful and informed unpaid research department (composed of visitors to the site) to identify the groom’s army affiliation and rank.
FORLORN BRIDE AND DISTANT GROOM ON THEIR WEDDING DAY IN MILWAUKEE, WISCONSIN (CAN THIS MARRIAGE BE SAVED?)
This cabinet card is a wedding portrait photographed by Lecher, in Milwaukee, Wisconsin. The bride in this picture appears quite attractive in her wedding gown. She has a lovely veil and has a bouquet of flowers on her lap. The bride seems troubled. Is she questioning her decision to marry her husband? Did her Maid of Honor look more beautiful than she did? The well dressed groom appears quite concerned as he stands quite far from his bride with his hands clasped behind his back, and his top hat rests on the table next to him. The posing of this wedding couple is quite unusual. The couple seem emotionally and physically very distant from each other. Can this marriage be saved? The photographer, Paul G. Lecher, was a native of Germany, who came to the United States at two years of age. Research reveals that he definitely operated his studio in 1889 and 1890, and perhaps, in other years too.
ATTRACTIVE ROMANIAN WEDDING COUPLE
This photograph features an attractive couple posing for their portrait on their wedding day. The bride looks beautiful in her wedding gown and veil. She clutches a beautiful arrangement of flowers. The groom sits unusually close to his bride. This is a rather intimate image for the era that it was taken. The handsome groom is attired in formal wear and is holding a pair of gloves. The photographer is named Adler and his studio was in Brasov, Romania. The reverse of the photograph has advertising for the studio written in three languages, calling the city three different names. The Romanians used the word Brasov, the Hungarians called the city, Brasso, and the Germans referred to the city as Kronstadt. The city was significantly influenced by all three cultures. One of three Adler brothers is the photographer of this image. Leopold Adler (1848-1924) is the most likely candidate. Leopold Adler was the son of a Jewish factory owner. He came to Transylvania in 1872 and settled in the Kronstadt/Brasso area. He initially worked with his younger brother, Alfred, in the photo studio that his brother Moritz established in 1870. In 1873, he worked with Carl Bomches. After 1875, his brothers returned to Bohemia, and Leopold operated the studio and became a very successful photographer.He retired in 1900 and his assistant Josef Schuller took over the studio, but Leopold came out of retirement and returned to running his business between 1909 an 1915.
WEDDING COUPLE IN KEWANEE, ILLINOIS
This cabinet photo captures a wedding couple in Kewanee, Illinois. The bride doesn’t look particularly happy on her special day. She is holding flowers and looks pretty in her wedding dress. Note that her corset has quite the slenderizing effect. The groom in this image looks a bit dazed and intimidated. He is wearing a corsage with his formal wear. The photographer of this cabinet card was McWilliam.
FASHIONABLE WEDDING COUPLE IN VIENNA, AUSTRIA
This photograph appears to be a portrait of a wedding couple. The pair are beautifully dressed for their special day. The bride is holding a large flower arrangement and a wonderful hat. The groom has a magnificent mustache. Both subjects are holding a pair of gloves. The previous owner of this photograph claims that the couple in the photograph are from the Sympa family, but no explanation regarding how they were identified, was provided. The photographer of this image is Josef Eibl of Vienna, Austria.


