A young woman poses for her portrait at the studio of J. Addison & Company in Tunstall, England. Why didn’t the photographer or a family member tell this woman that her outfit made her look like a bunny rabbit? She is dressed in white, and her hat has two white feathers that point straight up like rabbit ears. Apologies to all those visitors looking for the original playboy bunny.
A pretty woman poses for her portrait at the studio of Van Loo, in Toledo, Ohio. The woman possesses a beauty and a poise that may indicate that she is a theatrical actress. She is dressed in frills and has an elaborate and interesting hat. Van Loo’s studio was located at 183 Summit Street, in Toledo. William F. Van Loo (1856-1913) was born in Cleveland, Ohio, and his family moved to Toledo in 1864. He left school at age 14 and worked as a salesman. He later went to work for a sign and landscape company, Yost Brothers. After learning sketching and drawing he studied portraiture with Professor Thompson of the Philadelphia Art School. He began his photography career in 1873, He trained in Chicago, Illinois; and in 1876 he he went to Toledo and purchased a failed photography studio which he made very successful. In 1882 his gallery averaged 400 prints daily; it was the largest studio in Toledo. In 1888 he formed Van Loo and Trost, with photographer Frederick J. Trost. Van Loo was also very active in the Toledo Masons.
This cabinet portrait captures a pretty young woman with wonderful deep dark eyes. The photographer is A. E. Hotchkiss ( c 1846-1907) of Norwich, New York. Alston E. Hotchkiss cane to Norwich in 1872 at the age of twenty-six. He ran the most popular photo gallery in town and it is reported that he took on the persona of an artistic and cultured gentleman. His wife played a major role in his running the studio and at one point, he employed at least twenty workers. To view other photographs by Hotchkiss, click on the category “Photographer: Hotchkiss”.
This cabinet card captures a profile portrait of a young woman wearing a necklace and pin (possibly a cameo) on her collar. The noteworthy feature of this cabinet card is that the photographer is a woman, Miss Anny Lindquist whose studio was located in Chicago, Illinois.
A shapely (corseted) young woman poses for her portrait at the Banks Brothers studio in Duluth, Minnesota. It feels a bit uncomfortable calling her shapely, considering she is likely someone’s great great great grandmother. Hopefully, her descendants will accept the Cabinet Card Gallery’s apologies in advance if they should happen to visit this site. The subject is posed behind a short wall and her hat is placed upon the wall. The young woman is named Mary Bramer. Her identity is found written on the reverse of the card. The photographed woman is possibly the Mary Bramer, who was born 11/2/1872 in Minnesota and died 12/7/1959 in Lake County, Minnesota.
These two cabinet cards have some things in common. Each photograph features an attractive woman with bottle curls. In addition, each image was photographed by George Daniels Morse, whose studio was located in San Francisco, California. Note that these photographs were taken at different times; which is evident by the fact that the two portraits list the studio location at different addresses. To learn about Morse, and view other photographs by Morse, click on Cabinet Card Gallery’s category “Photographer: Morse”.
This cabinet card is a portrait of a pretty dark haired woman. The photographer is Hill, and the photograph was taken at his studio at 417 Summit Street, in Toledo, Ohio. The photographer formerly operated a studio in Detroit, Michigan. That studio was located at 47 & 49 Monroe Avenue. Hill clearly was a frugal man which is apparent by his using the printed card stock from his Detroit studio at his new location in Toledo. Hill simply crossed out his old address and stamped the front and the reverse of the card with his new studio address. His changes were printed in red.
An attractive young woman is the subject for this cabinet card photograph from the studio of W. M. Jackson of Middlebury, Vermont. The studio was located on the Cobb Block of Middlebury. The Bulletin of Photography (1916) reports that Mrs. William M. Jackson of Middlebury sold her studio to A. N. Gove and Worthy Needham of Bristol, Vermont. The photographer of this image is likely the very same William M. Jackson; and perhaps Mrs. Jackson sold the studio in 1916m upon her husbands death. This photograph has been trimmed to fit into a previous owners album or picture frame.
A pretty woman poses for her portrait at the studio of J. K. Stevens, in Chicago, Illinois. Stevens’s studio was located in the McVickers Theatre Building. To see other portraits by Stevens, click on Cabinet Card Gallery’s category of “Photographer: Stevens”.
This cabinet card is a portrait of an attractive young woman with sultry eyes. She is wearing a beaded dress with a high collar which is highlighted by a pin. The photographer is Hamilton and the location of his studio is not indicated. Note the interesting hairstyle.
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THE CABINET CARD GALLERY 