This vintage real photo postcard features a uniformed Austro-Hungarian army soldier posing with his young child. I believe the soldier holds the rank of Corporal in the military. This photo was taken in 1917; during World War I. One can’t help but wonder what the impact of the war was on both father and child. This photo postcard has light corner wear and is in overall good condition (see scans).
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This cabinet card is a portrait of Reverend Albert Tyler (1823-1913) who was a publisher and historian in Worcester, Massachusetts. Tyler was a Universalist minister. Tyler’s portrait was done by the studio of Davis & Woodward, located in Webster, Massachusetts. Tyler’s name, date of birth, and date of death are listed in an inscription on the reverse of the photograph. This image was taken in his later years and he has a long gray beard that becomes very wispy at its bottom. In the book, “History of Worcester Massachusetts” , by Lincoln and Hersey (1862), Tyler is said to have been born in Smithfield, Rhode Island. The publication states that Tyler was ordained in 1851 from the Union Association of Universalists in Warren, Massachusetts. He then became pastor of churches in Oxford, Ma. (2 years), Granby, Connecticut (6 years), and Quincy, Ma.. Next he moved to Worcester and entered the printing business. The Webster Times (1889) supplies an interesting story about Reverend Tyler. He was in attendance of the 28th reunion of the 15th Massachusetts Volunteer Infantry Regiment (Company E) when he displayed some unusual behavior. Tyler “created a sensation” among the 25 veterans in attendance “by rising and saying he received a “spiritual communication” from Lieutenant Nelson Bartholomew who had died during the war. The message that Tyler received stated that the Lieutenant’s spirit was attending the meeting and found it “most enjoyable to him” and that he loved his comrades, just as he had in 1861. This cabinet card photograph is in very good condition (see scans).
Buy this Cabinet Card (includes shipping within the US) #3785
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This vintage real photo postcard features an adorable child climbing out of a gift box. There are other presents next to the child’s gift box. The child is wearing a silly hat and a wonderful grin. This may or may not be a Christmas postcard. There is a “Merry Christmas” wish embedded in the postcard’s message. The writer of this postcard (Maggie) has sent the card to her Aunt and Uncle in Belleville, Kansas. She states in the message that her babies are well, but she finds that she has her “hands full” with them. Some things never change. This postcard was published by NPG as part of a series (no.762/5). The card is dated Christmas Eve, 1908. SOLD
This postcard features a risque portrait of pretty performer, Hanni Maurus. This photograph captures Miss Maurus in costume and performing a dance. This is a rare postcard. I could not find another portrait postcard of this performer. I do not know if Hanni is related to Aurstrian actress Gerda Maurus. This postcard was published by the Garloff Brothers of Mafgdeburg, Saxony, Germany. This cabaret photo was most likely taken by Paul Pietsch and dates back to the 1920’s. (SOLD)
This vintage real photo postcard features a portrait of Spanish singer and actress, Raquel Meller (1888-1962). She was an international star in the 1920’s and 1930’s. She sang the original versions of well known songs such as “La Violetera” and “El Relicario”. Raquel Meller was loved by her fans. Imagine this scene. It is 1928 and Roscoe Arbuckle was appearing on the stage in France. Although he was blacklisted from films, he was relatively successful on stage. Arbuckle was a successful comedian and film actor. He discovered Bob Hope and Buster Keaton. He mentored Charlie Chaplin and was one of the most popular silent film stars of the 1910’s. In 1921 his star faded after being brought to criminal trial three times for the alleged rape and manslaughter of actress Virginia Rappe. After two hung jury trials, he was acquitted with the help of Buster Keaton’s testimony for the defense. Due to the scandal surrounding his trial, Arbuckle’s career was thrown off track and he had a much harder time finding work in films. Now, back to that stage in Paris. Fatty made the poor choice to include in his act an imitation of Raquel Meller selling violets. Meller was beloved in Europe. Besides being charismatic and beautiful, she created an art form of the “cuple genre”; which was a popular risque Spanish theatre song style sung in cabaret theater. Sarah Bernhardt had labelled her a genious and Charlie Chaplin used the score of her song “La Violetera” in his classic “City Lights” (1931). Critics had called her “imperious, ruthless, lovable, funny, temperamental, witty and totally egomaniac”. Arbuckle was booed, hooted at, and heckled for his misdeed of mocking Raquel Meller. During one of his performances the police had to be called to quell the audience riot. Here is some background of Miss Meller. She was born in Aragon, Spain. Her father was a blacksmith and her mother ran a grocery store. Her family was wealthy until losing their money during Spain’s civil wars. She and her family moved to Barcelona when Raquel was four years of age. Her father died when she was nine years old. She was was placed with an Aunt who was a nun and lived in a Convent. When she got older, she was asked to become a nun, precipitating her escaping from the convent. Raquel went back to Barcelona where she worked as a seamstress, embroidering the robes of the clergy. The story goes that she sang as she worked, and her talent drew crowds outside the dressmaker’s shop. At age 13, she sang at a small cabaret in Valencia. She then came under the tutelage of a famous Spanish singer, Marta Oliver. In 1911, she made her grand debut in Barcelona. In 1919 she married a Guatamalan journalist and diplomat. That same year she held concerts in France, Argentina, Uruguay and Chile and appeared in her first film. In 1922, she obtained a divorce. Her most successful film was probably “Carmen” (1926). She was an international star and appeared on the cover of a 1926 issue of Time magazine. Meller canceled two trips to the United States where she had scheduled performances. One of these cancellations had to do with the ocean liner company’s refusal to book a deluxe suite for her five Pekingese dogs. The third time was the charm, and she traveled to the United States and did a six city tour which included sixteen concerts in New York. In the 1930’s Meller lived in France where her friends included Maurice Chevalier and Sarah Bernhardt. Miss Bernhardt described Meller as the “greatest actress in Europe-after myself”. After the late 1930’s, Meller left performing until appearing in a film in both 1957 and 1958. The IMDb credits Meller with ten film appearances. Meller was married twice, and both marriages were short lived, ending in divorce. She was the older sister of actress Tina Meller, who appeared in five motion pictures between 1919 and 1929. Raquel died after suffering a heart attack in 1962. One hundred thousand people witnessed her funeral procession in Barcelona. She is still honored today. Streets in France and Spain bear her name and a statue of her is in a plaza named after her in Barcelona. In her obituary, appearing in the New York Times, Raquel Meller is described as a “shining example of artistry, style, and press agent’s hocum -sometimes it was difficult to separate the ingredients”. The obituary cites one of the newspaper’s theater critics who said Meller’s voice was “frequently rough and shrill” but that her great distinction was her “extraordinarily magnetic personality”. Note the video profile of Raquel Meller that is found below.
Postcard 1 was published by Cinemagazine. The photograph of Miss Meller was taken by Pierre Apers. He was a talented French photographer active in the early twentieth century. His studio was in Paris and he specialized in portraiture. This vintage portrait postcard has excellent clarity and is in very good condition (see scans)..
Postcard 2 offers another photograph of Miss Meller by Pierre Apers. She looks very pretty in this profile postcard. The card was published by Cine Cartes and produced in Paris. Note the size of her earrings. This postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) 3306
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$25.50
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$34.50
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3783
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$15.64
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3783
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$24.64
Video produced by the Biblioteca Nacional de España
This vintage real photo postcard features a young groom and bride. The groom is dressed in an army uniform of the World War I era while his bride is wearing a traditional wedding gown. She is holding an immense bouquet of flowers. The groom is displaying a bit of a smirk as he looks at the photographer. The AZO stamp box on the reverse of the postcard indicates that it was produced sometime between 1910 and 1930. SOLD
This antique tobacco card was issued by G. A. Navy Long Cut Tobacco company. The card was given to customers as a premium when they bought the company’s tobacco. Featured on the card was a photograph of an actress of that era. SOLD
This vintage real photo postcard features cabaret performer Mlle. Rochet. She is wearing a provocative costume and this is a risque photo postcard for it’s era. Rochet is shown in costume for a performance at the Theatre des Varietes. The club was, and remains located, in Paris, France. It was opened in 1807. This postcard is from the very early 1900’s. It is part of a series (no. 169). The publisher or photographer is “DOL”. The card is unposted. Note the crease in the lower right hand corner. (SOLD)
This vintage real photo postcard features a young woman working as a bar maid. She seems to be enjoying herself judging by her wide smile. She is wearing a costume which includes bunny rabbit ears. The young woman is filling a beer mug at an outdoor pump. The AZO stamp box seen on the reverse of this postcard indicates that it was published sometime between 1904 and 1918. (SOLD)
This cabinet card portrait features a pretty young woman who is probably an actress. She is wearing a theatrical type dress and the area around her eyes appear to have been enhanced by make-up. Her hair is up and adorned with a small string of pearls. Note the pin used to close the top of the front of her dress. This woman’s portrait was taken at the Elite Studio, 838 Market Street, in San Francisco, California. The studio was operated by a Mr Jones and Mr Lotz. (SOLD)
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