Daisy Belmont (1871-1896) was a circus equestrian and performer. She made her theater debut at three years of age and her career took off. Her repertoire included singing, and dancing and in time, bare back riding. She sometimes preformed with her siblings, Lottie and Charles. Her performing career took her to Asia, Australia, and South America. In 1889, at age 18, she married William Showles (1857-1924), a “dashing” young equestrian who rode with Sells Brothers circus. She became the most famous bareback rider in the country. Tragically, after returning to America after performing “on the road” in Austalia, she died from Bright’s disease at age twenty-five. Miss Belmont’s obituary indicates that she was a “successful with Barnum’s circus” (P T Barnum) as a bare back rider. Daisy Belmont has been described as “the embodiment of grace and feminine loveliness”. She died and was buried in Chicago, Illinois. This cabinet card features Miss Belmont. She appears to be in her mid teenage years at the time of this photograph. She is displaying a sweet smile. She is posed as if she is jumping rope. Most images that I have seen of Daisy, capture her at a significantly younger or older age than this image. The photo studio that produced this cabinet card portrait is C. C. C. Co. of Chicago. (SOLD)
This vintage real photo postcard features a well dressed father and presumably, his daughter. The child rests her hand on the shoulder of her father. Judging by her expression, physical contact with her father appears to have given her a sense of security and confidence. The young girl’s hat may indicate her nationality or ethnicity. The only clue that I have about that matter is that the card was purchased from a collector in Greece. This postcard is in very good condition (see scans).
The pretty woman featured in this real photo postcard is Mable Woods. She was a theater actress. I could find little biographical information about her. I did discover that sometimes her name appeared as “Mabel” Woods rather than “Mable” Woods. I stumbled across a couple of real photo postcards in which Miss Woods made an appearance. Two of these cards were individual portraits of the actress but another postcard paired her with an actress name Rose de Vella. Mable Woods and Miss de Vella toured India together, performing in the chorus line for one of the “Gaiety Girls” touring companies. Irish born, George Edwards (1852-1915) was the theater manage of London’s Gaiety Theater. At one point he had sixteen touring companies. He had a propensity for hiring pretty young women to work as “Gaiety Girls”. These women were the chorus girls appearing in Edwardian musical comedies that began in the 1890’s. These women were an important ingredient for staging a successful musical production. They danced and appeared on stage in bathing attire and in the latest fashionable clothing. Unlike the corseted actresses from earlier musical burlesque shows, Gaiety Girls were viewed as respectable and refined. One writer reports that Gaiety girls “were polite, well-behaved young women”. Many Gaiety girls progressed to very successful acting careers. The list of former Gaiety girls reads like a hall of fame of celebrated actresses. Gaiety girls that catapulted to major roles include Marie Studholme, Mabel Love, Ellaline Terriss, Lily Elsie, Gladys Cooper, Phyllis Dare, and Gabrielle Ray. These and other starring alumni of the chorus, kept the moniker “Gaiety Girls”. The young women performing in Edward’s shows peaked the interest of wealthy gentlemen who became known as “Stage Door Johnnies”. They would wait outside the stage door and invite the actresses to dinner at fine restaurants. A number of women accepted the invitation. Sometimes the women would eventually marry one of these dates. A number of these women married noblemen, while others became the wives of professionals. In the book, “The Gaiety Years”, author Alan Hyman refers to the chorus as becoming “a matrimonial agency for girls with ambitions” to marry titled men. This postcard is in very good condition (see scans).
This vintage postcard features a well armed soldier ready for battle. He is wearing an ammunition belt and at least a couple of hand grenades. He also has a rifle although only the barrel of the gun is visible. What nation is this warrior fighting for? Who is he fighting against? I wish I had answers. An inscription on the reverse of the photo indicates that the soldier is the Commandant (Commander) of his unit. The year that this photo was taken, according to the inscription is 1942. I believe, though not very confidently, that the language on the reverse of the photo is Greek. Perhaps this is a Greek or Turkish officer. This photograph was trimmed from a postcard. It measures about 2″ x 3″ and is in very good condition.
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This french vintage real photo postcard is a wonderful example of Alfred Noyer’s work photographing nude, or partially clad, beautiful women. Noyer was a well known and acclaimed photographer. His Paris studio operated between 1910 and the 1940’s. Many of the postcards he produced featured nudes or risque images. This photo portrait postcard is part of a series (no.9517). SOLD
This vintage real photo postcard is quite unique. It features the portrait of a well dressed lovely couple. The woman is wearing what is probably the largest hair bow ever worn in the history of the world. If she was outside and caught the wind just right, she would probably have the ability to fly. The message on the reverse of the postcard indicates that the couple’s first names are Jeanne and Willy and that they were photographed in 1920 by E. Lorsen in Strasbourg, France. (SOLD)
THE CABINET CARD GALLERY 