A pretty young woman who appears to be in her teenage years, poses for her portrait in Homer, New York. The photographer who produced this cabinet card was McGillivray. The photographers first name is currently unidentified. The woman in the photograph is identified in a notation on the reverse of the image as Mayme Share Eldridge. Research revealed no information about Ms. Eldridge. This cabinet card portrait is in very good condition.
Buy this original Cabinet Card Photograph (includes shipping within the US) #2718
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Buy this original Cabinet Card Photograph (includes International shipping outside the US) 2718
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This vintage real photo postcard features Miss Phillida Terson (1892-1977). She is better known as Phyllis Neilson-Terry. Phyllis was a member of the third generation of a well know English theatrical family (the Terry family). In her early career years, she was a successful classics actress. She played leading roles in several Shakespeare productions. She then spent four years in the United States appearing in lighter theater. She returned to England in 1919 where she showed a great deal of versatility by appearing in Cabaret, Pantomime, and Variety roles. She still found time to appear in Shakespeare and other classic theater. During her career, she also appeared on Broadway. The IDBD states that she appeared in three Broadway shows between 1915 and 1957. Her last appearance on the Broadway stage was in “Separate Tables” for which she was nominated for an Emmy. Phyllis also appeared in films. The IMDb reports that she had 15 credits between 1915 and 1960. Phyllis was born in London. Her mother was famed actress Julia Neilson and her father was celebrated actor, Fred Terry. She had one brother; and he became an actor. Part of her education was in Paris and later she was enrolled at the Royal Academy of Music, in London. She was training to become a singer. Her stage debut was in 1909 as part of her parent’s touring stage company. In that production she used the name Phillida Terson in order to hide her connection to the Terry family. The ploy failed and in about a year, she returned to her real name. She received enthusiastic reviews in her early career. Her later career did draw some criticism. It was thought that she took less challenging roles upon her return from the US to England. Phyllis was married twice, and both husbands were actors. This should be no surprise considering her parents were major theater stars, and her brother, niece, aunt (Ellen Terry), and cousin (John Gielgud) were all stage actors. This vintage postcard was published by Rotary Photo as part of the Rotary Photographic series (no.11716). Given the name on the postcard is “Phillida Terson”, this postcard was published 1909 or 1910. An inscription on the reverse of the postcard dates the card to 1910. The inscription also has the name “His Majesty’s Theatre”. There are theaters by than name in Aberdeen, Scotland (opened 1906) and Perth, Australia (opened circa 1904). This vintage postcard portrait is in very good condition (see scans).
This original cabinet card portrait features a ten year-old boy named Eddie. His name and age are pencilled on the bottom and reverse of the photograph. Young Eddie does appear to be having fun while being photographed. He is adorably dressed. Note his high boots, bow tie, and cute hat. The photographer and the location where the photo was taken are unidentified. This cabinet card photo is in very good condition (see scans).
This vintage real photo postcard is truly special. Master photographer, Henri Manuel, photographed this adorable little girl. The child’s expression exudes happiness and love of life. This portrait captures the innocence of childhood. In 1900, 
This vintage real photo postcard features two tough looking men. These guys mean business. Are they cops? Are they criminals? The stamp box indicates that this postcard dates back to sometime between 1904 and 1918. This vintage postcard portrait is in very good condition. 
This vintage snapshot features a mother and her two young children posing in the front yard of a house. Note that mom is wearing a pair of glasses and that the boy is barefoot. The threesome are plainly dressed. The little boy looks like he is a “rough and tumble” kind of kid. Behind the family are two old automobiles and what appears to be a shed, or barn. Further behind the family, I believe there is a man bending down as if to pick up something up off the grass. This vintage photograph measures about 2 1/2″ x 3 1/2″ and is in very good condition.
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