This real photo postcard is quite intriguing. Who is this pretty young woman behind the sheer veil and wearing this middle eastern type dress. Is she a native of the Middle East? Is she an actress? Is she a fashionista that is wearing the latest style? I tend to rule out the possibility of her being from the Middle East. I do so because her clothing appears more fashionable than functional and her stylish shoes seem to be very not Middle Eastern. This photographic portrait was taken at the Baldomar studio in Paris, France. SOLD
This vintage real postcard features a little girl posing in her best Sunday clothing. She is a cutie pie. Note her wide brimmed hat. The young girl is identified by an inscription on the reverse of the postcard (“Grace B. Shapley”). At the time of the photograph she was six years of age. Research reveals that Grace B. Shapley (1902-1989) spent all or much of her life in Binghamton, New York. Her father was William Shapley (1850-1923) and her mother was Sara Mary Thorne Shapley (1867-1919). Her father either owned or worked in boiler factory. Grace appears in Binghamton directories through 1936. Further research is required to find out where her life took her after that time. I don’t know where life took her, but I know where she ended up. She is buried in Spring Forest Cemetery in Binghamton. This postcard was printed on a postcard by Artura sometime between 1908 and 1924 SOLD
This vintage photograph features an adorable little girl. She looks seriously inquisitive as she stares at the photographer and camera. The child was photographed at the Schindler studio in Jersey Shore, Pennsylvania. Charles Schindler (1874-1949) was listed in the Williamsport (Pa.) business directory between at least 1896 and 1910. A pencilled inscription on the reverse of the photograph indicates that the girl’s name is Malita Underwood. Research found a woman in Jersey Shore named Malita Underwood, but she is clearly a different person than the girl in this photograph. Malita Underwood (1849-1906) can not be the little girl seen in this image because this image was photographed after 1900; a time that the identified Malita Underwood was a middle aged woman. SOLD
This vintage real photo postcard features a very fashionable woman. She is wearing a large hat and an abundance of flowers on her jacket. She is holding something in her left hand. My guess is that the object being held is a purse. Her other hand rests on a pretty antique chair. The previous owner of this postcard reported that the woman’s name is Grace Watkins. The PMO stamp box on this card indicates that it was published some time between 1907 and 1915. This portrait postcard is in fair condition. Note the light crease on the top right and bottom left corner. There is also marking on the bottom left hand corner.(See Scans).
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This cabinet card features a young woman wearing a lacy gown and holding a feather fan. She is striking a theatrical pose. The young lady is pretty and gives a floaty, light and airy appearance. This scallop edged cabinet card is from the Covington, Kentucky studio of Richard J Stevens. Stevens is listed as a photographer in the Covington / Newport Business Directory between 1888 and 1894. This cabinet card is in very good condition (see scans).
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This vintage real photo postcard features American silent film actress, Carol Dempster (1901-1991). She was born in Minnesota. Her father was a captain on a ship that travelled on the Great Lakes. The family moved to California when her father switched careers. She was spotted dancing in a school program by noted dancer Ruth St. Denis. St. Denis recruited her for her own dance school. Griffith discovered her at the St. Denis school. Dempster began her film career as a protege of film director extraordinaire. She was one of a number of actresses he collected for his “stable”. Others included Lillian and Dorothy Gish, Miriam Cooper, and Mae Marsh. These other actresses were said to detest Dempster because she mimicked their acting styles. Dempster was given her first role in the 1916 film, “Intolerance”. She played a harem girl along with teenage newcomer, Mildred Harris. Dempster was just 15 years old. She became one of Griffith’s favorites and appeared in nearly every one the films he directed through the 1920’s. Their relationship became a romantic relationship during the arly 1920’s. Dempsters last film appearance was in 1926. She retired that year to marry a wealthy banker. Dempster was not seen as a great actress by critics. She was overshadowed by Lillian Gish. In addition her animated acting style and physical appearnce were considered relatively ordinary. The IMDb reports that Dempster appeared in 19 films between 1916 and 1926. This vintage postcard offers a closeup view of Miss Dempster She looks pretty and glamorous. The card was published by Cinemagazine (Paris Edition). The postcard dates back to the 1920’s and is in very good condition (see scans).
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This cabinet card portrait features an adorable little girl while sitting on a platform covered with fake grass. The youngster exhibits a lot of poise for a child her age. Note her lace collar and the multitude of buttons on her jacket. She is holding her bonnet on her lap. The photographer of this image is Frank W. Cole (1857-1912) who operated a studio in Reading, Pennsylvania. Cole was born in Bethlehem, Pa. and learned photography there. He came to Reading in 1883 and opened a photography studio at the address printed at the bottom of this cabinet card. He closed the studio in 1885 and went to work for another photographer (Saylor). According to the information aforementioned, this photograph was taken between 1883 and 1885. A Christmas/New Year’s message on the reverse of the photograph (see below) reveals that this charming girl’s name is Emily. SOLD
This vintage postcard features a picture of Dr. Turner’s Sanitarium in Colfax, Iowa. Drs. Alice and Lewis Turner were owners of the Sanitarium “where one is taught to get well by natural methods”. The sanitarium was established by the Turners in 1904. The building was previously a hotel (The Grand). The average patient stay was three weeks and the doctors only used medicine in “stubborn cases”. Instead, hot packs, formentations (hot moist substances applied to the skin), and local mineral water were the treatments of choice. A stay at the sanitarium cost between 8 and 12 dollars a week. Mineral baths cost extra. In 1911, the Turners sold the rest home to Dr. Lewis C. M. Porter, who joined forces with a local hospital. The rest home burned down in a fire in 1928.The postcard was published between 1905 and 1910 by H. W. Wood (Colfax Postcard Company). The postcard is a color lithographic print made in Germany. SOLD
This vintage risque postcard features a bikini clad Marisa Allasio (1936- ), a renowned Italian actress and a popular figure in 1950s cinema. Known for her beauty and charm, she became a prominent “sex symbol” of Italian film. Allasio starred in nearly 20 films between 1952 and 1958, often embodying lively, youthful roles in comedies that resonated with audiences of Italy’s post-war economic boom. Her most famous performances include roles in Poor But Beautiful (1957) and Pretty But Poor (1957), both directed by Dino Risi, as well as Seven Hills of Rome (1958) alongside Mario Lanza. Her film career ended abruptly in 1958 when she married Count Pier Francesco Calvi di Bergolo, a member of Italian nobility and the grandson of Italy’s King Victor Emmanuel III. Post-marriage, she left the film industry and focused on family life, becoming the Countess of Bergolo. Despite her brief career, Allasio remains a nostalgic icon of Italian cinema from that era, remembered for her vivacious on-screen presence and embodiment of 1950s Italian glamour. This vintage postcard is larger than the standard postcard. This card measures about 5.75 x 4.00 inches. This postcard was published by Rotalfoto. The firm was based in Milan, Italy. The postcard was published in the 1950’s and is in good condition (see scans).
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This vintage press photo features a portrait of a homeless orphaned child in Saigon, South Vietnam. The child was one of many children displaced and orphaned by the Vietnam War. The child in this photo appears sad and terrified. This photograph was taken by Gordon N. Converse (c1921-1999) for the Christian Monitor News and Photo Service. He started as a combat photographer for the Christian Monitor during World War II. When he left the Navy, he spent 40 years traveling the world photographing people, places, and situations, for publication. He became the Monitor’s chief photographer and photo editor. During his career he won many awards, including “Newspaper-Magazine Photographer of the Year” in 1959. Converse is recognized as one of the elite photographers in the history of photo journalism. SOLD
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