This striking 19th-century cabinet card features The Honorable Carl Schurz (1829-1906), a distinguished Civil War general, U.S. Senator, and reform-minded statesman. The photograph was taken at Warren’s Portraits, a prestigious Boston studio located at 465 Washington Street and renowned for its elegant images of notable figures during the late 1800s. In this formal portrait, Schurz is captured in a three-quarter view, seated in a dark, double-breasted coat with a subtle bow tie at his collar. His thick, well-kept beard and wavy hair give him a scholarly yet commanding presence. He gazes slightly to his left, a monocle suspended at his eye—projecting a look of intellectual rigor and seriousness. The background is a simple studio gradient, helping focus all attention on Schurz’s intense expression and refined appearance. On the reverse, the card is elegantly marked with the Warren’s Portraits logo. In pencil is written: “Hon. Carl Schurz,” affirming the identity of the sitter. Carl Schurz was born in Liblar, Prussia (modern-day Germany) in 1829. A revolutionary in his youth, he fought in the 1848 German uprisings, which ultimately failed, forcing him to flee Europe. He emigrated to the United States in 1852, where he quickly became involved in politics and the anti-slavery movement. During the American Civil War, Schurz was appointed brigadier general of Union volunteers by President Lincoln in 1862. He eventually rose to the rank of major general. Though courageous and respected, his battlefield performance received mixed reviews. He fought in key engagements including: the Second Battle of Bull Run (1862), the Battle of Chancellorsville (1863), and the Battle of Gettysburg (1863), where his XI Corps was flanked on the first day. While he was not a professional military man, Schurz’s service was notable for his efforts to advocate for German-American troops and his commitment to the Union cause. He did not have prior military experience in Europe before serving in the U.S. Army. After the war, Schurz enjoyed a long and prominent career in politics. He served as a U.S. Senator from Missouri (1869–1875) and later as Secretary of the Interior under President Rutherford B. Hayes (1877–1881). A staunch advocate of civil service reform and anti-corruption measures, he became one of the leading voices of the Liberal Republican movement. This cabinet card was produced by Warren’s Portraits, one of Boston’s most prominent photography studios in the 19th century. Operated by William Shaw Warren, the studio specialized in elegant, high-quality portraits and was especially known for photographing celebrities, politicians, military figures, and distinguished members of Boston society. Warren’s operated primarily during the 1860s through the 1890s. Warren’s images often feature clean studio backdrops, strong lighting, and detailed retouching, emphasizing refinement and dignity—qualities clearly present in this cabinet card of Carl Schurz. (SOLD)
BROTHER AND SISTER AND THEIR PHOTOGENIC DACHSHUND IN QUAKENBRUCK, GERMANY
A young boy and girl pose for their photographic portrait at the studio of Wilhelm Graf in Quakenbruck, Germany. The two children are most likely siblings and they are posed with their pet dachshund, sitting nobly on a side table. The children are nicely dressed. Quakenbruck is located in the Lower Saxony section of Germany. SOLD
PRETTY YOUNG WOMAN : FLOWERS IN HER HAIR : RPPC
This vintage postcard features a pretty young woman wearing wearing a hair band and flowers in her hair. Note the fantastic detail of the flowers. The dark haired postcard model has a wonderful smile. This postcard was published by Rotophot as part of a series (No.3676/3). The publishing company was based in Germany but had affiliates around the world. The postcard has minor corner wear and edgewear is evident on it’s left border. Overall, the postcard is in good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5219
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BUXOM PRETTY YOUNG WOMAN : PURPLE FEATHERED HAT : HAND TINTED : NPG : RPPC
This German vintage risque real photo postcard features a pretty buxom young woman wearing a feathered purple hat. This photograph is meant to titillate. The woman is voluptuous. This photographic portrait was published by NPG (Germany) as part of a series (No.749/6). This postcard’s photograph has been hand tinted. SOLD

FOUR BEAUTIFUL SIBLINGS IN COBLENZ, GERMANY
Four beautiful children pose for their portrait in Coblenz, Germany. It is likely that the children are siblings. The three girls are wearing bows in their pretty long hair. The boy is wearing a nautical outfit. The photograph is by A. Graeb of Coblenz, Germany. Coblenz is a city situated on both banks of the Rhine River. (SOLD)
HANDSOME MAN IN BERLIN, GERMANY
A handsome man poses for his portrait in this cabinet card photographed by a studio in Berlin, Germany. The name of the photographer is uncertain, since the font makes the name indecipherable. Hopefully, a visitor to this site will be able to identify the name and leave it in a comment. The fellow in this image is nicely dressed and displaying a pocket handkerchief. He has a wonderful mustache which curls up at it’s ends. To view other interesting mustaches, click on the category, “Mustaches: (Only the Best).

Buy this Vintage Original Cabinet Card (includes shipping within the US) #5202
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$28.00

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THREE PORTRAITS OF JENNY JUGO : BEAUTIFUL AUSTRIAN ACTRESS (PLAYED ELIZA DOOLITTLE IN PYGMALION)
POSTCARD 1 (SOLD)
POSTCARD 2
POSTCARD 3
Jenny Jugo (1904-2001) was an Austrian actress. Her IMDb filmography reveals that she appeared in fifty-three films between 1925 and 1950. Jenny, as is evident in this vintage real photo postcard, was very beautiful. She was born in the Austro-Hungarian Empire. Her father owned a factory. She received her education in a convent. At age sixteen, she married actor Emo Jugo and the pair settled in Berlin, Germany. Their marriage was of short duration (1921-1922). She gave up her husband but not his last name. The German film studio, UFA, signed her to a contract in 1924. She struggled in the dramatic roles that she was given. By the end of the silent era, she was successful in comedies and specialized in that genre through the 1930’s. She often played perky, confident characters. She was often directed by Erich Engel. In 1935, Jugo played Eliza Doolittle in Pygmalion. Writer, George Bernard Shaw was so happy with her performance that he invited her to act in all of his plays on the English stage. She made films during the Nazi regime until 1943, when she returned to her Bavarian home. She was in a relationship with film producer Eberhard Klagmann who worked on her final three post-war films. In 1950, she married actor and former co-star, Friedrich Benfer. She retired from acting at age forty-six. She was given a lifetime achievement award for her outstanding contribution to German cinema. The IMDb biography of Jugo describes her as a “lively brunet, dimple-cheeked actress with a tom-boyish, unaffected manner”. The writer of the biography contends that Jenny Jugo flirted with stardom but did not achieve it. This assessment may be too harsh. To view Jenny Jugo acting in a 1931 film, watch the youtube video below.
Postcard 1 was published by Ross Verlag and is part of the Luxusklasse series (no. 614).It is easily identifiable by the gold emblem on the reverse of the card.The postcard is larger than regular sized postcards. This vintage postcard measures about 4″ x 5 3/4″ and is in very good condition. (SOLD)
Postcard 2 features Miss Jugo in a risque pose. She is wearing what appears to be skimpy lingerie. Her pose and facial expression projects a “come hither” message. This vintage postcard was published by Iris Verlag as part of series (no. 5383). The photographer of this portrait is Erich Engel of Berlin, Germany. There was also a German film and theatre director named Erich Engel (1891 –1966) . As stated above, Engel directed Jugo many times. Engel is listed on the postcard for either being the photographer, or possibly the director of the film she was working on at the time. The reverse of this post card indicates that it once resided in an album. The card is in very good condition (see scans).

Buy this vintage Real Photo Postcard (includes shipping within the United States) #2942
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$34.71

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Postcard 3 was published by Ross Verlag as part of series (no. 5533/2). Miss Jugo’s photographic portrait was taken by the Harlip studio, located in Berlin Germany. Gregory Harlip specialized in celebrity portraits. In 1937, Harlip left Berlin because of Nazi persecution. He relocated to London. Harlip died in 1945 and was succeeded by his wife who became one of the renowned society photographs of the 1950’s. She died in 1982. This portrait postcard is in very good condition (see scans).
Max Hansen & Jenny Jugo “Who Takes Love Seriously? (1931)”
POSTCARD 1 (SOLD)
POSTCARD 2

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5032
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$23.85

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 5032
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MONA MARIS : INTERNATIONAL FILM ACTRESS : BETTE DAVIS EYES : HOLDING SWEET DOG
This uncommon vintage real photo postcard features actress Mona Maris (1903-1991). The postcard was published by Ross Verlag (No.3887/1). The photograph is from the Hanni Schwarz studio. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. She is thought to have worked until the 1930’s. The subject of this photo, Mona Maris was born in Argentina. Her mother was Spanish Basque and her father was French Catalan. At the early age of four, Mona was orphaned. She grew up with her grandmother in France where she was educated in a convent as well as in Germany and England. At age 19, she spoke four languages. It was during World War I that Mona decided to be an actress. While she was in school in France, she and her classmates wrote, directed and acted in plays to entertain nearby troops. Upon graduation, she went to England to live, where she stayed two and a half years. She was introduced to the President of the United Film Association by the Argentinian ambassador to Germany. She was signed to a five year contract by Germany’s Universum Film AG productions. She began her film career in either 1924 or 1925. After just four films in Germany, she began a Hollywood career in United Artists “The Apache” (1925). Despite knowing multiple languages, the onset of sound films created a problem. Her English was described as “almost unintelligible”. Between 1931 and 1941, she starred in 19 Spanish language versions of successful American films. The movies were produced by Fox Films. She has been described as “sultry” and “sleepy eyed”. The IMDb credits her with 53 film roles between 1925 and 1984. Mona was married twice and had no children. She died and was buried in Buenos Aires, Argentina. This vintage postcard features Mona Maris posing with an adorable smoll dog. Maris is very pretty. Note her eyes. They have been compared to Bette Davis’s eyes. (SOLD)

A GIRL WITH A WONDERFUL SMILE IN HOF, GERMANY
A pretty girl poses for her portrait at the Wilhelm Muller studio in Hof, Germany. Hof is a city in Bavaria, Germany. The city is located near the border with Czechoslovakia. This photograph may be a confirmation or communion picture. She appears to be a teenager and is very nicely dressed. She is wearing two necklaces, earrings, and a bracelet with a charm. She is also wearing a bow in her hair. She is holding something in her left hand, and what it is, isn’t exactly clear. The object appears to be a book or a purse. Perhaps a cabinet card gallery visitor can identify what it is that she is holding. One thing that is certain is that the girl in this photograph has a wonderful smile. This cabinet card portrait is in very good condition (see scans).

Buy this Cabinet Card (includes shipping within the US) #3761
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