This French vintage real photo postcard features a pretty young woman, wearing a scarf and top hat. She has a beautiful smile that she is flashing at the camera. This postcard was published by Alfred Noyer. The card is part of a series (No.9538). SOLD
This vintage French real photo postcard features a charming seaside scene of a “bathing beauty,” a popular motif of early 20th-century glamour photography. The young woman poses confidently on a simulated beach with a painted backdrop of choppy waves and a distant lighthouse. She wears a form-fitting, one-piece knitted bathing outfit that clings to her figure—a risqué choice for the era—along with ballet-style laced sandals and sheer stockings. A bold, dark ribbon or turban is wrapped around her head, adding a dramatic flourish to her beach attire. She holds a racket over her shoulders, likely meant to suggest leisure and playfulness, possibly referencing beach paddle games or tennis, though this is clearly a studio creation rather than a candid beach photograph. Her smile is coy and knowing, with a relaxed, flirtatious pose and bright expression that captures the coquettish spirit of Belle Époque and Edwardian postcard art. This card was published by Noyer of Paris, a noted French postcard publisher known for glamorous and mildly provocative photographic portraits. The card bears the serial number 3119 and the “Fabrication Française” mark on the reverse. This is a classic example of a risqué seaside glamour postcard. SOLD
This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about the Provinces of France, and the model for this image represents La Brettone. Note that the woman in this photograph is wearing a half smile. This postcard is no.11 in the series. There were a number of different series published. The Province series was one of the more popular series. The models in this series represent different French Provinces and wear traditional clothing from that particular area of the country. This postcard was published by well known photographer Alfred Noyer. The photographer of this image was the Giffard studio. SOLD
This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about the Provinces of France, and the model for this image represents La Basque. Note that the woman in this photograph is wearing a subtle smile. This postcard is no.24 in the series. There were a number of different series published. The Province series was one of the more popular series. The models in this series represent different French Provinces and wear traditional clothing from that particular area of the country. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of the postcards he produced of women were nudes or risque images. The photographer of this postcard portrait is Jean Agelou (1878-1921). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. He had a favorite model. Her name was “Fernande” and in addition to modeling, she was Agelou’s lover. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Fernande remained popular and her erotic photographs were enjoyed by soldiers on both sides during World War I. Jean Agelou died in 1921; the result of a car accident. His brother George, who managed Jean’s business, also was killed in the crash. SOLD
This vintage real photo features a pretty young woman wearing a negligee and holding a small bouquet of flowers. The woman is perched on an ornately carved wooden stool with upholstered fabric. She is in a graceful, slightly coy pose, looking off to her left, avoiding direct eye contact with the camera. She has short, wavy hair, characteristic of the 1920s or early 1930s style, giving her a modern and sophisticated look for the era. Her expression is flirtatious yet demure, exuding a mix of elegance and allure. She is wearing a light, sleeveless garment resembling a chemise or slip, commonly associated with boudoir or risqué photography of the time. The outfit is detailed with delicate embroidery and small ribbon accents, enhancing its feminine charm. Her night clothes are accessorized with a simple yet sparkling necklace and earrings. This postcard was published by Alfred Noyer (Paris). The model’s photograph was taken by J. Mandel. Mandel was a noted Parisian studio or publisher that specialized in photographic postcards during the early 20th century. Many of his works were part of the “boudoir” genre, featuring women posed in intimate or suggestive settings. SOLD
POSTCARD 1 (SOLD)
POSTCARD 2
POSTCARD 3 (SOLD)
Postcard 1 is a hand tinted vintage real photo postcard that features Madge Bellamy (1899-1990), an American stage and film actress. She was a popular leading lady in films of the 1920’s and 1930’s. The sound era put the brakes on her career and a romantic scandal in the 1940’s brought it to a total stop. Madge was a Texan. She was born in Hillsboro and was raised in San Antonio and Brownwood. Her father was an English professor at Texas A&M University. As a young child she took dancing lessons but soon, she was interested in becoming an actress. At age 9, she made her stage debut in “Aida”. She and her family moved to Denver, Colorado. She met Carlos Bellamy there and the two married. When Madge decided to leave the state to pursue acting, her marriage ended. Madge went to New York City and worked on Broadway as a dancer. In 1919, she replaced Helen Hayes in Broadway’s “Dear Brutus”, opposite actor, William Gillette. Her career took off thereafter. In 1920, Madge appeared in her first film as a supporting actress to Geraldine Farrar. She then signed a contract with the Triangle Film Corporation. Her “breakout role” was as the title character in Lorna Doone (1922). In 1924 she signed a film contract with Fox Film Corporation. She stayed there five years and during that time she appeared in two films for film director, John Ford. In 1925, she began to have difficulties with fox executives. In 1928, she appeared in Fox’s first talking film, “Mother Knows Best”. In 1928, she married for a second time. The marriage lasted 3 days before she and her husband separated. By 1929, Bellamy’s career entered a tail-spin. She had made poor choices out of her unbridled anger. Fan magazines gave her the nickname of “Miss Firecracker” due to her temperament. In 1929, she also quit her contract with Fox, right after they bought the rights to make a film out of Broadway play. The vehicle was bought with a plan to have Madge be it’s star. Bellamy later admitted she quit over money and added “I got too big for my britches”. She didn’t work again until 1932. She accepted roles in “Poverty Row” (B-movies) films. One of these films was “White Zombie” (1932) in which she appeared opposite Bela Lugosi. Her performance received many poor reviews from film critics. By 1940, Madge basically had no film career. However, she wasn’t done with drama. She was arrested after firing three shots from a .32 caliber revolver at her former lover of five years. The incident was premeditated. She was angry at her intended victim because he married a model shortly after ending their affair. Fortunately, her aim was poor and she missed. The only casualty was her ex boyfriend’s car which took a couple of shots into it’s body. Bellamy pleaded guilty to a lesser charge (violating gun laws), and received a suspended six month sentence and probation. Madge Bellamy’s IMDb filmography reports 61 credits between 1920 and 1945. This vintage postcard is provocative. This postcard is risque for it’s era. She is showing a lot of bare skin. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by J. Beagles and is part of the “Famous Cinema Star Series” (No.210P). (SOLD)
Postcard 2 offers another risque view of Madge Bellamy. Her alluring pose and short skirt qualifies this postcard to be considered provocative. This card was produced while Madge was under contract with Fox Films, sometime before 1929. This postcard was published by Ross Verlag as part of a series (No.3907/2). The postcard is in very good condition (see scans).
Postcard 3 is quite provocative. There are shades of Lady Godiva in this photograph. Miss Bellamy is pretty and scantily dressed. This postcard is risque for it’s era. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by Alfred Noyer and is part of the “Les Vedettes de Cinema” (The Stars of Film) series (No.200). This postcard is uncommon. (SOLD)
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #7386
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$24.00
Buy this original Vintage Real Photo Postcard (includes International shipping outside the US) #7386
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$34.00
POSTCARD 1
POSTCARD 2
POSTCARD 3
This vintage real photo postcard features two American pole vaulters, Lee Barnes and Glenn Graham. The pair competed in the 1924 (Paris) Olympics. Lee Barnes competed at two Olympic Games, winning a gold medal in 1924 and placing fifth in 1928. He won his gold medal just after graduating from high school. Later, he attended USC. He was the Amateur Athletic Union (AAU) champion in 1927, after placing second in 1925 and third in 1926. In 1928, he set a world record. After college, he worked for a stock exchange and then for an oil company warehouse. During World War II he served in the US glider corps. Post war, he settled in Oxnard, California and started a welding supply company. Glenn Graham was a pole vaulter for Cal Tech. At the 1924 Olympics he lost a jump-off with Lee Barnes. Grahams son made the 1956 U.S. Olympic team as pole vaulter but did not participate, giving his spot to another pole vaulter, deemed to be a better competitor for an Olympic medal. This postcard portrait captures Barnes and Graham at the 1924 Olympic games. Note the vaulting poles on the ground next to the teammates. This postcard was published by Alfred Noyer as part of a series (No.405). (SOLD)
POSTCARD 1 (SOLD)
BLOTTER 1 (SOLD)
This vintage real photo postcard features American silent and sound film actress, Carmel Myers (1899-1980). Carmel Myers was an extraordinary actress who captivated audiences during the early years of Hollywood. She had striking beauty, magnetic screen presence, and versatile talent. Myers was born in San Francisco to Jewish immigrants. Her father was a Rabbi from Russian and her mother was from Austria-Hungary. She grew up in a theatrical household and was exposed to the performing arts from a young age. She participated in both school plays and local theater productions. At the age of 16, Carmel Myers made her professional debut on stage, impressing both critics and audiences with her natural talent. It wasn’t long before she gained the attention of film producers. In 1916 she made her screen debut in the silent film “The House of Mystery”. This was the start of a more than twenty year career in the film business. During the silent film era, Carmel Myers became one of the most sought-after actresses in Hollywood. Known for her expressive eyes, graceful movements, and remarkable versatility, she effortlessly transitioned between comedic and dramatic roles. Her notable films during this period include “Ben-Hur” (1925), where she portrayed the seductive courtesan Iras. Many of her early roles were playing a “vamp”. Carmel Myers was also an early advocate for actors’ rights and was instrumental in establishing the Motion Picture Artists Association. She fought for fair wages, better working conditions, and creative control for performers, contributing to the formation of movie industry unions. With the advent of sound in films, Carmel Myers smoothly made the transition from silent movies to “talkies.” Her resonant voice and impeccable timing added another dimension to her performances. She starred in a range of films throughout the 1930s, including comedies, dramas, and musicals, collaborating with renowned directors and actors of the time. her most popular sound films were “Svengali” (1931) and “The Mad Genius” (1931). Her final film appearance was in the 1945 production of “Blonde Ransom,” marking the end of her illustrious acting career. However, Myers remained involved with both radio and television. Carmel Myers lived a private life outside of the spotlight, rarely divulging details about her personal affairs. She was married three times, first to an attorney and song writer in 1919, in 1929, she married a second attorney, and thirdly, she married a Paramount Pictures executive in 1951. Her first two marriages ended in divorce, and her third marriage ended with her husband’s death. After her husband’s death, she wrote a book about handling grief effectively. After retiring from acting, Carmel Myers devoted herself to philanthropy and community work. She supported various charitable organizations and advocated for social causes.
Postcard 1 was published by A. Noyer and is of French origin. The card has the MGM logo on it’s front. (SOLD)
Blotter 1 is a vintage ink blotter that advertises the Frog Switch & Manufacturing Company, located in Carlisle, Pennsylvania. The blotter has a calendar for January, 1923. The blotter also features a photograph (litho) of Carmel Myers. (SOLD)
POSTCARD 1
BLOTTER 1
This vintage real photo postcard features French middle distance runner, Georges Baraton (1904-1962). He competed in the 1924 (Paris) and 1928 (Amsterdam) Summer Olympics. His event was the 800 meters race. In 1928, he also competed in the 1500 meters event. Baraton did not come away with any medals from the two Summer Olympic competitions. This postcard photograph captures Baraton at the 1928 Olympic games. The postcard was published by Alfred Noyer as part of a series (No.235). SOLD
This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about the Provinces of France, and the model for this image represents La Lorraine. Note that the woman in this photograph is wearing a pretty smile. This postcard is no.18 in the series. There were a number of different series published. The Province series was one of the more popular series. The models in this series represent different French Provinces and wear traditional clothing from that particular area of the country. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of the postcards he produced of women were nudes or risque images The photographer of this postcard portrait is Guillaume. Although the 1900’s was the “golden age” of erotic photography, photographers who took such risque photos had to use discretion. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. This vintage postcard is in very good condition (see scans).
Buy this Real Photo Vintage Postcard (includes shipping within the US) #5193
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$16.00
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5193
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$26.00
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