CAMILLA HORN : GERMAN ACTRESS AND DANCER : NAZI FOE : HOLLYWOOD : RPPC

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

These vintage real photo postcards feature German dancer and film star of the silent and sound era, Camilla Horn (1903-1996). She also was an internationally known actress, starring in several Hollywood films of the late 1920’s as well as a few British and Italian productions. Her father was a civil servant working in the Railroad Industry. She was born in Germany and educated in Germany and Switzerland. Horn was educated to work as a dressmaker. She went to Berlin where she trained as an actress and dancer. She next became a cabaret dancer. In 1925, she worked as an extra in a German film. Her big break came in 1926 after she replaced Lillian Gist in the UFA production of “Faust”. In 1928 she left for Hollywood where she played opposite John Barrymore in “Tempest” and “Eternal Love”. She became romantically involved with film director, Joseph Schenck. She returned to Europe (upon the advent of sound film) and in the 1930’s got in trouble with the Nazis and was prosecuted for an alleged financial offense. During the war years, she was too outspoken against the Nazis. The regime investigated her. She tried to escape unsuccessfully to Switzerland. Thereafter, she kept a low profile. After the war, she was convicted by a British tribunal and sentenced for three months of jail due to some minor offenses. It was also reported that post war, she worked as an interpreter for occupying American forces. Horn was a screen star from 1930 until her retirement in 1953. Horn was married four times during her life. Interestingly, in about 1972 Bruce Springsteen wrote a song about her. Camilla Horn was quite beautiful. She had blonde hair, slanting brown eyes and classical features.

Postcard 1 was published by Ross Verlag as part of a series (No.4123/1). The logo for “United Artists” can be seen in the lower right hand corner of Horn’s image. This postcard has a 1930 postmark. (SOLD)

Postcard 2 was published by Ross Verlag as part of a series (No.7348/1). The card has a Latvian stamp and postmark.  (SOLD)

CLAIRE ROMMER : FILM ACTRESS :SAVED FROM NAZIS BY ARISTEDES De SOUSA MENDES

POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)

POSTCARD 3 (SOLD)

These vintage real photo postcards feature German film actress, Claire Rommer (1904-1996). Her filmography on IMDb credits her with 49 film appearances between 1922 and 1934. She made her film debut at the age of eighteen. She also began her career as a soubrette appearing in operettas and comedies on the Berlin stage. However, her fame came from her film work. She played both leading and supportive roles. She played in silent films and made a successful transition to sound films. She even sang in some of her talkies. She was married to a prosperous Jewih man, named Adolf Strenger. Because of her marriage, in 1938 she was banned from any participation in the German film industry. It was thought that she was probably not Aryan like her husband. The rise of the Nazis forced the couple to leave Germany and emigrate to the United States via Portugal.The pair left Europe with the assistance of Aristedes de Sousa Mendes. He was a Portuguese Consular stationed in France. Mendes defied orders from his government and issued thousands of visas to Jews, allowing them to escape with their families and their lives. He was a hero for his work as a Holocaust rescuer. Ultimately, Mendes was severely punished for his defiance. After leaving Germany, Rommer’s film career ended. In the US, she divorced her husband and married a meat industry multi-millionaire.

Postcard 1 was published by Ross Verlag as part of a series (No.1933/1). Claire Rommer’s photo portrait was taken by celebrity photographer, Alexander Binder. This vintage photo postcard is in excellent condition (see scans). (SOLD)

Postcard 2 was published by Ross Verlag as part of a series (No.1933/2). Claire Rommer’s photo portrait was taken by celebrity photographer, Alexander Binder. This vintage photo postcard is in very good condition (see scans). (SOLD)

Postcard 3 was published by Ross Verlag as part of a series (no.3010/1). Miss Rommer’s portrait was taken by famed celebrity photographer Alex Binder, who operated his studio in Berlin. The postcard was postmarked in 1928. (SOLD)

EVELYN HOLT : GERMAN ACTRESS : BANNED FROM FILM BY THE NAZIS : RPPC

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

POSTCARD 3 (SOLD)

Evelyn Holt (3 October 1908 – 22 February 2001) was a German actress. Her father was a journalist. Her film career began with UFA, a German film company. It did not take long for her to become a film star. She was popular in the 1920’s and early 1930’s. Holt was blond and blue eyed. In 1931 she became a soubrette at the Grosses Schauspielhaus (a popular theatre) in Berlin. Her film career came to an abrupt end when the Nazis’ took power. It was alleged that Holt was half Jewish, and she was banned from films. The ban was based on her being born with a Jewish sounding last name. Holt married Jewish publisher Felix Guggenheim (1904-1976) in 1936. Two years later the couple emigrated to Switzerland, then England, then the United States. She remained in the U.S. and never returned to acting.

Postcard 1 reveals that Evelyn Holt was quite pretty. She looks very confident in this image. Her dress is shiny. Is it silk? This postcard was published by Ross Verlag, a firm located in Berlin. The card was part of a series (no.6509/2). The photographer of this portrait is Walther Jaeger and the photograph was taken in Berlin, Germany. (SOLD)

Postcard 2 was published by Iris Verlag. Iris Verlag in Vienna was the most important Austrian publisher of film star postcards.  The logo for “Lux Film” can be seen in the lower left hand corner of  the image. The company was an Italian Film distribution and production company. This card is part of a series (no.946).  (SOLD)

Postcard 3  was published by Ross Verlag, a firm located in Berlin. The card was part of a series (no.3553/1). The photographer of this portrait is Ernst Schneider and the photograph was taken in Berlin, Germany.  He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s). He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography, and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. The card was postmarked in 1928 in the city of Riga, Latvia.  (SOLD)

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CORINNE GRIFFITH : AMERICAN FILM ACTRESS, PRODUCER, AUTHOR, & BUSINESSWOMAN

POSTCARD 1 (SOLD)

POSTCARD 2 (SOLD)

This vintage real photo postcard features Corinne Griffith, an American film actress, producer, author, and businesswoman. Besides being talented, she was considered to be one of the most beautiful actresses of the silent film era.

Postcard 1 was published as part of the Picturegoer Series (No.97).  (SOLD)

Postcard 2 was published by Ross Verlag. Miss Griffith’s photo was taken by Defina. The logo for “First National Pictures” is located on the bottom left hand corner of the image. First National Pictures was an American motion picture production and distribution company. The company was founded in 1917 as a theater chain. It then began distributing movies and in 1924 it began producing films. In 1929 the company was absorbed by Warner Brothers. Griffith was under contract with First National between 1923 and 1932.  (SOLD)

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CONCHITA MONTENEGRO : SPANISH MODEL, DANCER, AND STAGE AND SCREEN ACTRESS

This vintage real photo postcard features Spanish model, dancer, and stage and screen actress, Conchita Montenegro (1911-2007). Montenegro learned classical and Spanish dance as a child. She is remembered for revolutionizing Spanish Dance. She transitioned to dramatic acting and starred in a number of productions. By the time she reached 13 years of age, she was famous in Hollywood, France, and Germany. She started in Hollywood with a contract with Metro Goldwyn Mayer. She began her film career in Spanish language versions of MGM movies. She quickly moved into American movies and her fame grew. In 1931, she left MGM for Fox Films. That same year, while on the way to shoot “The Cisco Kid” in Tucson, Arizona; she and many of the film crew and actors were involved in a serious train crash (derailment). In 1931, Fox named three of it’s actresses as “Fox debutante stars” and vowed to do so annually. Montenero, Helen Mack, and Linda Watkins were in the first trio that Fox honored as most likely to achieve stardom. Fox was competing with “WAMPAS Baby Stars” in forming this group of future stars. At times, Montenegro would perform at premiers of new films. She was able to showcase her multi talents, including vaudeville acts, at these shows. The IMDb credits Montenegro with 39 film appearances between 1927 and 1944. She played Lola Montes in the 1944 biopic. This vintage postcard was published by Ross Verlag as part of a series (No.5932/1). Note the logo for Metro Goldwyn Mayer in the bottom right hand corner of the image. Since Montenegro worked for MGM around 1930, she must have been around 19 years old when this photograph was taken. This postcard is in very good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #5106

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$14.00

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5106

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$24.00

COLLEEN MOORE : AMERICAN SILENT FILM ACTRESS : DUTCH BOY BOBBED HAIRCUT : RPPC

This postcard features a portrait of American film actress, Colleen Moore (1899-1988).  She began her career in the silent film era. She was a fashionista and one of the highest paid stars of her time. She is also noted for popularizing the “dutchboy bobbed haircut”. Like many silent film stars, she was unable to adapt to “talkies” and decided to retire after just making a few  sound films. Upon retirement, Moore focused on investing, and was quite talented in that realm. She became a partner at Merrill Lynch and wrote a book about how to invest in the stock market. One of her hobbies involved dollhouses. In the early 1950’s, she helped design and curate “The Colleen Moore Dollhouse” which is still exhibited at the Museum of Science and Industry, in Chicago, Illinois. The dollhouse is 9 square feet and worth millions of dollars and has been seen by millions of museum goers. Moore was born in Michigan and her family relocated to Atlanta around 1908.They then moved on to Pennsylvania and finally, Tampa, Florida. At fifteen years of age, Moore had a screen test with director D. W. Griffith. Griffith owed a debt to Moore’s uncle, a successful newspaper man in Chicago. Moore must have done well on the screen test since she soon found herself playing heroines in Westerns. She signed a contract with Triangle-Fine Arts and for the first few years she appeared in minor supporting roles. When the Triangle Company folded she signed with Selig Polyscope. She appeared in “A Hoosier Romance” and “Little Orphant Annie”. They were popular films and Moore achieved some celebrity. When Selig closed their doors, Moore went to work on films from various companies. Her star kept rising. In 1922, Moore was named a WAMPAS Baby Star (honor for actresses on the threshold of fame). The IMDb credits Moore with 65 film appearances between 1918 and 1934. At the height of her career, she was earning over twelve thousand dollars a week. This vintage portrait postcard features Colleen Moore with her trademark dutch boy bobbed haircut. The card was published by Ross Verlag. Note the logo for First National Pictures in the lower right hand corner of the image. The card has a 1926 postmark. Moore was about 27 years old when the photograph was taken.  SOLD

MARY PHILBIN – BEAUTIFUL AMERICAN FILM ACTRESS

 

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POSTCARD 1   (SOLD)

 

This image has an empty alt attribute; its file name is 5032_0001.jpgPOSTCARD 2   (SOLD)

This vintage real photo postcard portrait (Postcard 1) features American actress Mary Philbin (1902-1993). She was active in film between 1918 and 1930. One of her most noted film roles was in “The Phantom of the Opera” (1925). She co-starred with Lon Chaney. A number of her roles involved playing the “beauty” in “Beauty and the Beast” type stories . Mary was born in Chicago, Illinois. Her parents were middle-class and of Irish descent. Her mother was convivial but controlling and domineering. She pushed her strong religious beliefs onto Mary. She adored her father who was “quiet, shy, and reserved”. She was very similar, personality-wise, to her dad. She would accompany him to the theater and there she developed a passion for the stage. She pursued dance and played the pipe organ and piano. She lacked a singing  voice, and surprisingly, never received training in acting. Mary’s acting career was launched after she won a beauty contest sponsored by Universal Pictures. The motion picture company promptly signed her to a contract. Her screen debut was in 1921 and during the following year she was named a WAMPAS Baby Star. This prestigious annual award, given by an association of film advertisers, was awarded to thirteen young women each year. These women were predicted to be on the verge of becoming major movie stars. During the 1920’s, Mary’s film career blossomed and she starred in a number of successful films, including “Drums of Love (1920), directed by D. W. Griffith. When “talkies” arrived, she played in a few films and even dubbed her own voice for the sound version of “Phantom of the Opera”. Unfortunately, her voice was considered too “girlish” to be suitable for talking pictures. She retired from the screen in the early 1930’s in order to become a caretaker for her elderly parents. She lived the rest of her life as a recluse. She never married and seldom made public appearances. An exception occurred when she attended the Los Angeles opening of Andrew Lloyd Webber’s musical version of “Phantom of the Opera”. She died of pneumonia at the age of ninety and is buried in Los Angeles, California. The IMDb reports that Mary appeared in 34 film between 1921 and 1929. She never married.  In 1926 she became engaged to Universal producer, Paul Kohner. When her family learned of the engagement, they were infuriated. They demanded a meeting with Kohner and all went reasonably well until the subject of religion arose. Kohner was Jewish and Mary’s family was Catholic. Mary’s mother was adamant in her belief that Kohner would attempt to convert Mary to Judaism. Paul and Mary informed her parents that no such thing  would happen. An argument developed between Paul and Mary’s parents. She was told by her parents that she would be disowned if she proceeded with her wedding plans. Mary was ambivalent but, in the end, despite still loving Paul, she returned her engagement ring to him. A biographer contends that this traumaticrd experience is the reason Mary never married. This vintage postcard was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 968/1). The name of the film distribution company (Filmhaus Bruckmann) can be seen on the bottom right corner of the image. A stamp on the reverse of the postcard indicates that it once was part of a collection belonging to Herman Overeem, of Utrecht, the Netherlands.  (SOLD)

Postcard 2 was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 3239/1). The name of the film company (United Artists) can be seen on the bottom left corner of the image.  (SOLD)

 

mary philbin 3

POSTCARD 1   (SOLD)
 

POSTCARD 2 (SOLD)

MARTA EGGERTH : ACTRESS & SINGER : PHOTO BY YVA: SHE WAS HOLOCAUST VICTIM

This vintage real photo postcard features Hungarian actress and singer, Marta Eggerth (1912-2013). She was a popular operetta star and many of the most famous composers of operettas, composed operetta works specifically for her. She was born in Budapest. Her mother was a dramatic operatic soprano. Eggerth began singing as a child and her mother devoted herself to developing Eggerth’s acting and singing talent. She made her theatrical debut at age eleven and while a teenager, toured internationally performing operatic works. By the early 1930’s, Eggerth achieved international fame acting in film. She made films in five languages. While making a film she met Polish tenor, Jan Kiepura and they married in 1936. The pair were an international sensation. Eggerth appeared in a Richard Rodgers production on Broadway. Eggerth and her husband starred in the Broadway production of “The Merry Widow”. She was in three different Broadway plays, all of  them between 1940 and 1945. In addition, Eggerth signed with MGM made two films with Judy Garland. Throughout her career, Eggerth continued to perform operettas internationally. Her last stage appearance occurred when she was 99 years old. The IMDb gives Eggerth 39 acting credits between 1930 and 1999. This postcard was published by Ross Verlag as part of a series (No.7648/1). Eggerth’s portrait was taken by the Yva studio in Berlin, Germany. The name Yva is a pseudonym. The photographer was actually a woman named Else Ernestine Neulander-Simon (1900-1944). She was a German Jewish photographer and was well known for her “dreamlike, multiple exposed images”. She was a leading Berlin photographer during the Weimar Republic years of Germany. She specialized in fashion, nudes, and portraiture. Later, she became involved in the early days of producing photographs for advertising. Many of her photographs were published in magazines or were shown in international exhibitions. After the Nazis took power, she was forced to work as a radioagrapher (ie x-ray technician). In 1936 she was offered a job by Life Magazine, but her husband convinced her that life for German Jews would improve over time. He did not want to move and start a new life in a country where he did not speak the language. Unfortunately, she complied with his wishes. In 1938, Nazi regulations prohibited her from working as a photographer. In 1942, the Gestapo deported her and her husband to a death camp (probably Majdanek) where they were murdered.  (SOLD)

TWO BATHING BEAUTIES : RISQUE : ROW BOAT : PHOTO BY HENRY TRAUT : RPPC

This vintage real photo postcard features two smiling bathing beauties posing outside a beach cabana. This photograph is risque for it’s era. This image was produced by the studio of the esteemed photographer, Henry (Heinrich) Traut. The postcard was published by Rotophot Berlin (RPH). Rotophot eventually morphed into Ross Verlag.  (SOLD)

MONA MARIS : INTERNATIONAL FILM ACTRESS : BETTE DAVIS EYES : HOLDING SWEET DOG

This uncommon vintage real photo postcard features actress Mona Maris (1903-1991). The postcard was published by Ross Verlag (No.3887/1). The photograph is from the Hanni Schwarz studio. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. She is thought to have worked until the 1930’s. The subject of this photo, Mona Maris was born in Argentina. Her mother was Spanish Basque and her father was French Catalan. At the early age of four, Mona was orphaned. She grew up with her grandmother in France where she was educated in a convent as well as in Germany and England. At age 19, she spoke four languages. It was during World War I that Mona decided to be an actress. While she was in school in France, she and her classmates wrote, directed and acted in plays to entertain nearby troops. Upon graduation, she went to England to live, where she stayed two and a half years. She was introduced to the President of the United Film Association by the Argentinian ambassador to Germany. She was signed to a five year contract by Germany’s Universum Film AG productions. She began her film career in either 1924 or 1925. After just four films in Germany, she began a Hollywood career in United Artists “The Apache” (1925). Despite knowing multiple languages, the onset of sound films created a problem. Her English was described as “almost unintelligible”. Between 1931 and 1941, she starred in 19 Spanish language versions of  successful American films. The movies were produced by Fox Films. She has been described as “sultry” and “sleepy eyed”. The IMDb credits her with 53 film roles between 1925 and 1984. Mona was married twice and had no children. She died and was buried in Buenos Aires, Argentina. This vintage postcard features Mona Maris posing with an adorable smoll dog. Maris is very pretty. Note her eyes. They have been compared to Bette Davis’s eyes. (SOLD)

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